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SummarySimply the best of the series
The GoodThis is where the team actually hit their pace with the story, cinematography, and gameplay. A huge leap over the campiness that was Under a Killing Moon, this game fully imbues the streets of San Francisco with that oldtime P.I. feel. The music and lighting only drive the nail home. The acting was also much better this time around, thanks to the presence of more Hollywood actors. Each major character brings their role to life with a power not often found in a game. Barry Corbin especially is frightening as the psychotic head of the NSA. Still, there are a few subpar performances on the sidelines. And for another note, THANK YOU OH THANK YOU GOD FOR NOT USING THAT CHEAP TRICK FROM THE LAST GAME! One thing that drove me up the wall from UAK was the method of saving disk space by only having one actor move at a time while the other was a frozen sprite hanging in C-Space. Not only did it look terrible, it was also obvious that the other actor was talking to thin air. Gameplay-wise, the puzzles were fun and fit in perfectly with the story. Almost everything that had to be done felt right, from searching through an alleyway full of garbage cans for the right newspaper to piecing together a torn death threat.
The BadThe Windows version was only a half-transport, and suffered heavily from bugs. I finally had to ignore half the warnings it blared at me every time I booted it up and soon discovered that it worked better with all those threatening utilities still running. Still, there were occasional lockups.