Round 42 (DOS)

Round 42 DOS Intro Screen

MISSING COVER

Developed by
Released
Platform
...
Critic Score
100 point score based on reviews from various critics.
3.4
User Score
5 point score based on user ratings.
Written by  :  vileyn0id_8088 (14958)
Written on  :  Sep 05, 2010
Rating  :  4.25 Stars4.25 Stars4.25 Stars4.25 Stars4.25 Stars
write a review of this game
read more reviews by vileyn0id_8088
read more reviews for this game

Summary

Somewhat of a minor classic on the PC. Old-school action!

The Good

This classic little shooter brings fast paced arcade action to low-end (*really* low-end) PCs. It wasn't the first game to do that, not by a long shot, but most of its predecessors were commercial games, made possible with extremely low-level assembly coding and distributed on copy-protected floppies unreadable by DOS (a.k.a. 'PC Booters'). Then out of nowhere comes THIS baby, and does the same in plain ol' vanilla DOS, being coded in Turbo Pascal, and released as shareware. Owners of cheap 8086-based clones worldwide cackled with glee, and this became one of the first shareware games on the PC to gain popularity and recognition. Which doesn't mean fame or praise, because if you weren't Sierra you settled for underdog status and asked for seconds, but almost everyone who owned a PC before 1992 or so has played this one.

The sheer harmonious simplicity of the sparse, blocky graphics is guaranteed to give a series of coronaries to any of today's pampered gamers - a good deed by any moral standard (other than plainly wrong moral standards, that is. If yours says otherwise, replace the disk in drive B: and hit any key). Basically, you shoot at wave after wave of different aliens and blow them up. Or you phaser them and blow them up. Occasionally you zoom through jagged tunnels, taking great care not to scrape the walls, or you'll get to scrape your ship off of them.

The action is fast, and the animation is fluid and smooth on even the most sluggish 8088, which was no small feat, even for commercial games. Even the sound is pretty good as far as PC speaker games go - you actually feel as if you're in a video arcade! Sure, that only happens because it cleverly gives the impression of sixty different forms of incoherent noise playing at once, but what, you don't think that's impressive? What did you expect, digitized speech? Go play Castle Wolfenstein or something.

When you sum up all of the above, science has empirically proven that there's only one possible result - a gigantic heap of repetitive, mindless FUN. This is a game you will play over and over. Literally, because it doesn't end; when you finish the titular round 42 you just warp right back to round 1, in the spirit of existential philosophy which was the grand tradition of all early '80s video games. But who cares - you'll actually want to continue playing.

The Bad

Variety is the spice of life, but this game is on an eternal spice-free diet, because there is none. You blow stuff up until you get blown up. No hidden bonuses, no element of defense, no skill-testing special events, no surprises, just pure survival. Of course, a game like this needs variety as much as it needs 3D acceleration and a realistic physics engine (hint: not at all), but for the misguided souls who might be put off, caveat emptor.

The graphics themselves are pretty bad by any standard, let's face it. This game uses the CGA's tweaked low-resolution mode to get more colors on screen - a whopping 16! - but it never bothers doing anything really interesting with them, so the result looks very Atari 800-esque. No background elements, no fancy decorations, just your blocky ship shooting blocky bits at its blocky adversaries. Older games had used this graphics mode to far better advantage (like Moon Bugs from Windmill Software), so I don't know what's the deal here. It shouldn't bother you anyway, but I've heard that some people these days need ultra-detailed, texture-filtered realistic graphics to enjoy a game, because it makes up for their total lack of imagination, so it's worth a mention.

The controls can get clumsy, and every once in a while the game demonstrates awareness by ignoring a vital keypress just when you're about to get vaporized by a hostile pixel. This doesn't happen to often, but the key assignments themselves are stupefying. Starring in the lead role as Fire Button, we have... F1? Phasers, F2? Really? What did my ergonomic well-being ever do to you?? Speaking of Windmill Software, this wacky control scheme was a staple of their early games - one thing that *wasn't* worth copying from them - and I have no idea why the guy(s?) at Elven took such a liking to it. But hey, at least they didn't go with the frankly infuriating "O-P-A-Q" scheme for movement keys (which showed up in quite a few PC games back then, evidently because some programmers never noticed that the PC's numeric keypad had little arrows on it). Oh, and joystick support? Get outta here, does this look like a Magnavox Odyssey? What next, a mouse?

If you didn't have a true blue CGA card, your mileage would vary when it comes to seeing anything at all. Any dodgy clone, or anything more advanced (EGA and up), and you'd get your game screen squeezed to half its height, or have only half the screen visible at all, or get wacky blinking garbled text instead of graphics. My favorite was when I ran it on one old SVGA card, which shrunk the game to postal stamp size and tiled it 16 times on screen. Fun times.

The Bottom Line

A classic slice of repetitive, blazing fast action FUN for ancient PCs (and thankfully, their emulators), with probably the best "fun to complexity" ratio out there. If you don't have the lightning reflexes of a ninjitsu master and the fluid sensory control of a Shaolin elder, you might wanna chicken out... here's a Mahjongg bootdisk.