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SummaryPerhaps one of the most addictive action/strategy games of all time...
The GoodIn Syndicate, everything came together to create a near-perfect gaming experience. With great gameplay mechanics, excellent graphics (I would say they are better than those of its sequel, Syndicate Wars) and cool weapons, playing the bad guy has never been so fun. The tactical part of gameplay was plain sadistic fun as your agents run around town mowing down cops and enemy agents (and for those with genocidal tendencies, the civilians too!), while the pressures of managing money and research gave the game a satisfying strategic component. Syndicate was a bit on the easy side, but no one will ever forget the first time they played the Atlantic Accelerator mission, where death came in mere seconds for an unprepared player. All in all, Syndicate stands as one of the best games ever created, and easily the best game to come from Peter Molyneux.
The BadThe worst part of the game was the music. There were only two different tracks: one when nothing was happening and one when enemy agents were near. Brief music clips were played after mission success or failure, but other than that it was the same music mission after mission. To add to the tedium, both tracks were short and repetitive, which will make you want to turn off the music if it weren't for the fact that you could tell enemy agents were near without looking at the minimap just by hearing the "Enemy Agents Near" music. It's a good thing the sound effects are excellent, or you'd be seriously wondering why you paid good money for a sound card...