Thief: The Dark Project

The Good
Everything. When this game fist came out the gaming world had NEVER seen anything like this: the introduction of the first-person sneaker. The graphics, while not being anything fancy, are detailed and portray the environments very well. The sounds are amazing and have scared the hell out of me on many occasions.

The Bad
That it ends...

The Bottom Line
In my opinion this is the best single player PC experience ever. Even better than...gasp...Half-Life!

The Good
Where do I start? This game spawned a new genre: The Sneak. I can't tell you how much pleasure I get from skulking around, unseen, from darkness to darkness. I guess it mirrors some of my real-life social anxieties. If only real life provided this many ways to hide. I need a light meter.

The scenery and the level design is terrific. It is a bit convoluted at times, but never a "maze". Once you get oriented you can find your way around. The cut scenes are probably the best of any game. Spooky! Creepy! You'll scream like a little girl once a hovering fireball fries you or the flatus of a bugbeast consumes you. And Garrett is cool, great voice talent, perfect attitude.

Awesome dialogue from NPCs. "Snap, snap, puppy."

The Bad
The people/creature models seem to be made of two polygons that converge in the center of their face. They're funny looking. I don't mind, I think it's hilarious. I got lost in a few places. After playing several times, I got the hang of it and enjoyed trying to find all the loot on a level. I still haven't found all the loot on some of the levels. It's hidden well. This isn't a complaint, though. It gives the game some extra re-playability. Also, my son was watching me play this when a giant spider jumped on my head and killed me. He started hyperventilating and crying. I nearly did myself. So this isn't for kids.

The Bottom Line
It's a spooky FPS (First-Person Sneaker). You use weapons sparingly and strategically. The thinking person's 3D adventure. This game is as good now as it was then. It's timeless.

The Good
Although a number of stealth games came out around the same time, Metal Gear most notably, this was the one that really focused on Not Being Seen. Yes you could take out your enemies with arrows or your sword but doing so was no guarantee, and a direct violation of the level goals if you were playing on hard mode. The most points, and satisfaction, was had through not even being seen on your way through a mission, which was very, very hard.

The game engine was built from the ground up to make sound propagation and shadows an integral part of the game world and it shows. In no other game do I remember standing in one location for five minutes hidden in shadows, palms sweaty, listening to the local sounds, waiting for my moment to reach out and snatch a key from an oblivious guard as he walked by humming while I prayed he didn't notice me. It's an impressive game that can make standing absolutely still for minutes tense and enjoyable.

The game is honestly scary. Not since System Shock had a game actually installed a sense of fear in me, but this one did, and I don't scare easily. It's ability to create an atmosphere, and back that atmosphere up with game-play, is amazing.

Add to that a unique story well told with good voice acting and strong art direction and you've got a sleeper hit. Many of it's levels were huge, sprawling affairs with multiple (and sometimes changing) goals and hidden areas galore with multiple ways of doing any given thing. It was a game you could get lost in and not mind it. A game you could finish and then play again and have a different experience and then play again because you KNOW you missed something. And because they released an excellent level editor there are fans making some fantastic new levels (and even new story lines) to this day (for Thief II mostly).

It and it's sequels are unique games, like no others before or after them, and it's not very often you can say that these days.

The Bad
Even at the time it was released the graphics were dated. Unreal and Quake were both out by then and the dark blocky graphics, low polygon models and limited special effects found in Thief just didn't measure up.

It had REALLY long load times, which was bad for a game in which you tended to die a lot.

The designers weren't sure of how their new 'sneaker' game-play would go over so they tried to hedge their bets by including a number of fight based levels and monsters which negated much of your sneaking skills. These are often sited as being the worst levels in the game.

It was hard, even at it's easiest level the learning curve for this new stealth game-play was quite steep in Thief and many people gave up playing after dieing numerous times. There is a reason the game came with 'normal', 'hard' and 'harder' difficultly level settings. And dedicating yourself to finishing all levels at the hardest setting while completing each objective and stealing every available piece of loot without ever being SEEN was a life time achievement. It's possible, and some have claimed to have done it, and all I can say is WOW.

The Bottom Line
Its a different game, and not for everyone. It's game-play is tricky and hard, even for Splinter Cell masters, and the story and art direction are unique with it's steam punk atmosphere, rock soundtrack and dark single City at night setting. But if you play it and like it, you'll never forget it.

Splinter Cell is now the crown jewel of stealth games, and justifiably so, but nothing feels like Thief. It's a dark gem, gleaming just outside the light ring of a guttering street lamp.