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Arcanum: Of Steamworks & Magick Obscura

aka: Aomi: Jishu yu Mofa, Arcanum : Engrenages & Sortilèges, Arcanum: Feitiços e Engrenagens, Arcanum: Hechizos y Engranajes, Arcanum: Macchine a Vapore e Magia Oscura, Arcanum: Przypowieść o Maszynach & Magyi, Arcanum: von Dampfmaschinen und Magie
Moby ID: 4498
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Description official descriptions

The luxury zeppelin IFS Zephyr begins her maiden voyage from Caladon in the Kingdom of Arland to Tarant, one of the largest cities in the technologically advanced Unified Kingdom. Suddenly, while the zeppelin is cruising over mountains, two monoplanes attack it and eventually shoot it down. The two half-ogre attackers die in flames along with all their victims except two who miraculously survived. However, one of them, an old gnome, is mortally wounded. Just before he dies, he gives a silver ring to the other survivor and tells him to "find the boy". The witness of the crash, a man named Virgil, declares that the now only survivor is "The Living One", a reincarnation of a deity, and offers to follow him wherever he goes. The hero begins a long and perilous search for the mysterious boy, the origins of the silver ring, and the unknown enemy who was behind the attack on the zeppelin.

Arcanum is a role-playing game similar in concept and many gameplay principles to Fallout. It is set in a unique world, which can be described as mixture between Tolkienesque fantasy, steampunk technology and elements of British and North American culture of the 19th century: dwarves may carry molotov cocktails, and a half-orc protagonist can travel by train between Victorian-like cities. Magic and technology are opposed to each other; most humans and dwarves embrace technology, while some elf clans stick to the old ways and consider scientific progress evil.

In the beginning of the game the player creates the main character, choosing from a variety of races, attributes, magical or technological disciplines, social skills, backgrounds, etc. When the character levels up, the player can increase his main parameters as well as any available skills. Like in Fallout games, the player directly controls only one character; however, companions who join the party may be given orders, and their inventory can be managed by the player.

The game is open-ended: the player is free to explore the vast world from the onset, undertaking a large amount of side quests or following the main story. Social interaction plays a significant role: depending on the player character's charisma and intelligence attributes, as well as persuasion skill, many problems can be solved in a non-violent way. The amount of companions willing to follow the protagonist also depends on the latter's charisma rating; companions may also leave the party if they disagree with the hero's behavior.

The player can select one of the three combat modes for the game: real-time, turn-based, and fast-paced turn-based. Turn-based mode is similar to the combat in Fallout games: characters require action points to move, attack, or cast spells.

The game includes an editor called WorldEdit, which allows players to create their own maps, campaigns, and non-playable characters. Objects from the base game can be carried across to the player-created scenario. The scenery editor allows players to create their own objects. It is also possible to set and change game variables, i.e. the amount of skill points required to perform a specific task.

Spellings

  • 奥秘:技术与魔法 - Chinese spelling (simplified)

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Credits (Windows version)

157 People (118 developers, 39 thanks) · View all

Reviews

Critics

Average score: 79% (based on 61 ratings)

Players

Average score: 4.0 out of 5 (based on 168 ratings with 13 reviews)

Seems to be mything something.

The Good
The gimmick behind Arcanum is that it’s a fantasy role-playing game with technological elements. Thus, a steam-driven train might take you past the burial grounds of a dragon, halfling thieves might shoot at you, or you could fight a mechanized spider in a dungeon illuminated by electric lights. This does not mean that magick and technology work in concert however. One of the many storylines in this game deals with the struggle between magick and technology. This plays out in several ways regarding character development and means that as you progress towards either technology or magick, your ability to use the oppositional skills wanes. And it draws interesting parallels to the often antagonistic struggle between science and religion in our world.

So the question then, is how well does the gimmick work? Like the Fallout series, Arcanum presents a class-less role-playing system. As your character progresses you may specialize in thief-type skills, magic ones, etc. and through this create your class. Unlike Fallout, as a fantasy game you have your pick of races including human, elf, dwarf, and orc. These races have unique benefits and detriments and some close off gender options- Gnomish women, for example, are never seen. Arcanum does not make use of Fallout’s SPECIAL attribute system, but presents a similar one, which like Fallout, really affects game play. Most RPG’s don’t well integrated attribute systems, but every statistic in Arcanum really affects gameplay. Intelligence determines conversation options, Beauty affects how people react to you and Dexterity determines how fast you move. There are also statistics such as hit points and fatigue which are based on combinations of attributes and the level of your attributes determines how far you can advance in certain skills.

Which brings me to the skill section, which is the most complex system I’ve seen in any RPG. The skill set is broken down into three sets: character skills, magic skills and technological skills. These sets are then broken down into subsets such as combat, specific magic school or specific technological discipline. As you advance in level you apply points to these skills to increase your ability. You can also receive training in the character skills and advance from Apprentice to Expert to Master. Often training is purchased, but Master’s require special quests. Now you can also apply points to your attributes and you only receive one point per level. Therefore, deciding how to spend these precious points becomes strategic.

One final thing regarding the character: alignment. Your character begins the game with a neutral alignment. Depending on your actions (the quests you complete and your interaction with people) your alignment will shift towards good or evil. This is a dynamic system which does away with the complications of the traditional AD&D system and works very well within the game.

Actual game play resembles other RPGs, perhaps too much. You go on many mini-quests while uncovering the larger story. Talk to dozens (hundreds) of people and gain followers. Opinion of the usefulness of the followers seems to be mixed, but I felt like mine were great characters that did far more than carry heavy equipment. I was never able to make use of my dwarven technologist, but I think this was more my fault than his. They have wonderful conversations, fought very well, had interesting reactions between themselves and added to my enjoyment of the game.

There are many areas to explore and several major cities. Talking to the people in the cities results in useful information and interesting quests. During the game I played, I had to solve several murders, track down missing nobles and I found a fun X-Files themed conspiracy regarding half-orcs. There was seldom a time when I did not have at least one quest to work on and I usually had several on the backburner.

Graphically, this game is dated since it does not use 3D graphics, the graphics are good but result in some performance issues. Sound is wonderful. The string score is beautiful, voice work is consistently well above average and ambient noises are realistic and appropriate.

This is a very long game but highly replayable. As a non-thief character, I missed the extensive thieves’ underground, as a melee character I never got far into magic use and technology, and as a good character I didn’t touch on the dark side of Arcanum (however I did perform some evil acts for the greater good and some of my good acts resulted in bad outcomes). Finally, like the Fallout Series, at the end of the game, you get to see how your adventures affected the places you went traveled to.

The Bad
While the story in Arcanum was very good, it is unclear for most of the game. I think I prefer games where you know what points is from the get-go. Several major themes seem to disappear near the end of the game including the one with hero/villain technologist Gilbert Bates (Bill Gates?). Although, this could just be how I played the game. I also wished for more of the steam-punk, Victorian fantasy setting that the box seemed to advertise. While there was a mix of magick and technology in the game, most of the Arcanum world is entrenched in a pseudo-Tolkien setting. Pratchett’s Discworld books present a similar idea more convincingly.

The attribute/skill section I described above is very complex and since the game has a level cap it pays to plan ahead. I was very unhappy with the level cap because I wanted to do more with my character and if you can’t advance in level any more- why go on quests? I found myself very apathetic towards the end of the game, tired of the subquests and solely interested in the end of the game.

Of course one of the reasons for the level cap is the extremely poor balancing in the game. I was simply too powerful too soon. I was also very wealthy, so money oriented quests didn’t matter and I had all the items I wanted. While the ability to increase your attributes was fun, I was able to become almost superhuman. I think they needed to reconsider this element in favor of the traditional RPG feeling that attributes are carved in stone and only acts of God can change them.

While I mentioned some interesting quests, too many of them involved searching dungeons for a person/item. With all the dungeon crawling combat, you level up way too quickly. In short, elements of this game suffered from the Monty Haul syndrome discussed in AD&D books. RPGs have to be about more than who has the more points/gold, etc. By the time I got to the final battle, it was a joke. I was successful in a few minutes and never felt in any danger. The story and framework of Arcanum deserve more than a Cheaterz Diablo-type romp.

Finally, I mentioned that graphics were outdated. On my new system, I experienced several lock-ups because the game wasn’t making use of my 3D card. Characters weren’t particularly well animated, combat animations were minimalist, and the dungeons were visually unimpressive. There were some excellent rendered scenes, but they occur late in the game.

The Bottom Line
I played this voraciously and still don't know how I feel about this game. I definitely want to replay this game as a completely different type of character. As it stands now, I'd describe it as a failed masterpiece.

Windows · by Terrence Bosky (5397) · 2003

Good game with a very disappointing last third.

The Good
I played many games and IT IS a good game...

The universe is original, it merges mechanic and magic, and the political context between the countries of Arcanum is an important side of scenario. In short the universe is very rich and well used.

The first 2/3 of the game are very very good. Even better than the famous Baldur Gate...

Important point : before starting the game, you can choose to play the official game OR to play games made by gamers or by even you (but not easy to make one). Then it's like if you play a whole new game in the Arcanum univers. There are a few ones on the Internet that you can download.

The Bad
Nothing except that an important thing looks obvious to me : I think they finished to develop the game in a hurry and past the 2/3 of the game you can really feel it. Some important areas of the game that you heard of are small and not as great as announced in the game, some crucial movies are more slideshows than movies and the quality of the end is very disappointing. Too bad... because it could have been the best game I ever played without that.

The Bottom Line
The universe of Arcanum is so rich that I can only advice you to play this game. But be prepared to a decreasing quality on the end and maybe you will like the game as a great one.

Windows · by Melliuc (566) · 2006

An Enriching Yet Ultimately Flawed Experience

The Good
Let me preface this review by admitting that my relationship with Arcanum is... strained. It has taken me multiple attempts at playing the game over a period of nearly seven years finally to muster up the will to play the game to its conclusion. Perhaps this difficulty stems from a case of excessively impossible expectations on my part. Ever since I first read a preview of the game in late 2000, I had incredibly high hopes for the first CRPG by (the now defunct) Troika. After all, Troika was founded by the creative masterminds behind Fallout, perhaps my favorite game of all time, and the company's maiden voyage into the realm of PC role-playing seemed destined for greatness. It promised all of the elements that had made Fallout such a legendary game: a uniquely interesting game world, an intuitive and deeply flexible “classless” character creation system, and tactical turn-based combat should my in-game actions necessitate armed conflict. Even after receiving my preordered copy in late 2001, I was still unable to play the game for a few months due to a lack of free time to commit to such a massive RPG. Nevertheless, I found myself glossing through the game's massive manual, elaborately envisioning what sort of character I was going to create when I finally got the chance to venture into the world of Arcanum. It was just short of borderline obsession with a game I had yet to install on my computer's hard drive.

Perhaps it was simply inevitable, then, that my actual experience with the game fell far beneath my lofty expectations. Regardless, there remains a definite conflict within me as to just exactly how I feel about Fallout's half-brother, and this review is partly my own attempt to reconcile that conflict. At its core, I find Arcanum to be a mind-boggling mix of ingenuity and mediocrity, a rather peculiar blend that manages simultaneously to please and to repulse the gaming palate. Out of respect for my younger self's initial optimism for this “unique” RPG (not to mention the requirements of the MobyGames review format), let's start with the appealing elements of the game.

There are certainly plenty of things that Arcanum does right. First and foremost, the game world – or at the very least its premise – is one of the more appealing and well-conceived settings in any RPG period. Like Fallout before it, the world of Arcanum is highly innovative: a steampunk setting based on the real-world circa 1885 mixed with Tolkienesque high fantasy, elves and all. It is a world of conflict (and what good setting isn't?), but this conflict is more ideological than anything else. Technology – Victorian-era devices such as the steam engine and the locomotive – has revolutionized the world, and the old order of feudal kingdoms, chivalrous knights, and eccentric wizards is giving way to what one in-game personality loosely refers to as “pistol-brandishing cowards.” Of course, the technological-magickal conflict has a physical element as well: the two forces do not mesh, causing direct conflict not only between the forces themselves, but also between their respective adherents. Powerful mages are denied passage on trains due to the possibility of malfunction, there is animosity between the magickal elves and the tech-minded dwarves, and healing magicks have little to no effect upon those who practice technology. Even if it is not implemented as well as it could have been, the ideas such as these behind Arcanum's setting stand as a testament to innovation in game design.

Also like Fallout, Arcanum possesses a deep and flexible character creation system. In fact, Arcanum's system is quite possibly the most in-depth and intricate system I've ever seen, providing an unprecedented amount of freedom for players to create the kind of character they want to play. Want to be the best fighter ever to walk the land of Arcanum? Build up your Strength, Dexterity, and Melee and Dodge skills. Aspire to be the greatest, most feared necromancer who ever lived? There is a bevy of spells to choose from. Simply wish to dabble a bit in both roads to power so as to maximize your ability to get rich? Balance your skill point distribution among select spell colleges and technological disciplines as you see fit. The number of combinations of skills and attributes – not to mention special character backgrounds that provide both a special benefit and a drawback – is ridiculously high. Of course, it would be easy to feel a bit overwhelmed by such a daunting number of options (more on that later), but to those who invest the time and effort, the character system is one of the best ever devised.

Of course, the most skillfully crafted settings and characters mean nothing without a compelling reason to explore them. Fortunately, Arcanum delivers in this area as well, starting players off with an intriguing action-filled beginning that provides a definite adventure hook. The zeppelin on which the player's character is riding is gunned down, and the only other survivor dies shortly after giving the character a mysterious ring and instructions to “find the boy.” The player is then informed by a bystander – a neophyte religious devotee – that he is the reincarnation of an ancient elven deity. Shortly thereafter, mysterious assassins begin targeting the player. The opening is a magnificent call to adventure, and despite its propensity for disappearing for extended periods of time, the main storyline is highly compelling. It touches on a number of robust issues, from the costs of technology and resource usage, to race relations, to the philosophical implications of death and banishment. Though several key plot points are eventually dropped or forgotten, there can be no denying that the tale woven by the designers is if nothing else a wonderfully fitting excuse to explore and adventure in a strange new world.

The Bad
Though the creative elements of Arcanum are mostly praiseworthy, the technical elements (i.e. the gameplay) leave a terrible aftertaste. For every ingenius design decision as far as setting, character flexibility, and so on, there is an equally bafflingly terrible decision in the implementation thereof. I'm not quite sure whether this is better described as Newton's third law of gaming or as Murphy's law of gaming, but the fact remains that there are just as many (if not more) things that Arcanum does wrong as it does right.

For starters, the combat system in Arcanum just plain sucks. Why the designers of Fallout, which had one of the best RPG combat systems ever, were unable to implement something better than this is beyond me. The biggest contributor to this lackluster gameplay element is the fact that combat can be run in either turn-based or real-time mode, as Sierra insisted that the game not be solely turn-based for marketing reasons. On the surface, this appears to be yet another way of providing choice to the player, but such a choice is ultimately deceiving. Instead of being tactically sound like Fallout's or strangely addictive like Diablo's, Arcanum's combat systems are horrible shadows of the ones in those games. Combat becomes tedious, ridiculously easy, and flat-out pointless very quickly, as enemies seldom do anything other than charge into melee with the character. This battle conundrum is certainly due to the fact that it is difficult enough to balance a single combat system; trying to balance two separate ones within the same title is a near impossibility.

This lack of balance is without a doubt the game's biggest issue, not only in combat but in all aspects of the design. A lot of this problem comes from the designers' sheer ambition in providing unprecedented freedom in character development. There are so many things to choose from that it's simply impossible for all of them to be equally useful and/or represented in the game world. Some skills are useful maybe once in the entire game, while others (such as Melee and Dodge) are practically indispensable. In fact, pure melee characters have an almost ridiculously easy time with their adventure in Arcanum, due to the fact that experience is gained not for defeating an enemy, but rather for each successful attack. Melee characters thus level up at an alarmingly fast rate, and therefore obviously have a distinct advantage – a fact that even the game's manual is quick to admit. Other character types have a much more difficult time of things. “Hybrid” characters? Forget about it. Sure, they CAN be played, but the game is so ridiculously unbalanced against them that it's not advisable. Such is the double-edged sword nature of open-ended “free” game design, I suppose.

There is, however, ample evidence of a lack of polish and sufficient care in crafting the game that leads me to believe that there were certainly just plain bad decisions made in the game's design. Many gamers have often cited the outrageous number of bugs – not only in Arcanum, but in every game that Troika ever made – as a major drawback. There are definitely quite a few annoying bugs; I had issues with a random memory leak that slowed animations to a near crawl, as well as the fact that the game would fail to reset my display's brightness upon exiting the program, leaving my desktop a strangely luminescent white color until I manually went back in and reset it. There was nothing game crippling, but the bugs were annoying nonetheless.

The bugs, however, are minor compared to the overall lack of quality control that plagues Arcanum. Aside from the usual underdeveloped areas, quests, and NPCs (especially late in the game), there are many things that happen in gameplay that simply don't make any sense. For example, right before confronting the Schuylers about their dealings, I recruited the dwarven tech specialist, Magnus, who also had a beef with them. Without spoiling anything, I will simply say that Magnus and I decided to put an end to them, and emerged victorious in combat. Magnus thanked me for siding with him and permanently joined my party. Months of game time later, however, I asked Magnus to wait for me for a few minutes while I took care of a minor quest in one of the game's towns. When I asked him to rejoin me less than five minutes of real time later, he angrily refused. “Wait a minute,” he exclaimed, “you've been off making friendly with those Schuylers behind my back, haven't ye?” Umm, no Magnus, we killed them about nine months ago in game time, remember? Weird scripting errors like this one litter the game world. Characters remind me of things that we never talked about previously, I am given dialogue options detailing things that have never been mentioned in the game, and so on. While a few instances of this sort of thing are to be expected in any game of this magnitude, the sheer number of such errors in Arcanum falls just short of offensive.

The Bottom Line
I'm still not quite sure what to think about Arcanum. On the one hand, it's extremely appealing and outstanding; on the other, it's maddeningly inconsistent, poorly actualized, and sadly mediocre. Perhaps the best way for me to sum up Arcanum is as an ambitious failure, a flawed experience that is nevertheless appealing. I have made no secret of my mixed feelings toward this once-promising game, but after seven years and numerous playthrough attempts, I can finally say that this game has been an overall positive experience for me. This game certainly doesn't hold a candle to the upper echelon of CRPGs like Fallout or Planescape: Torment. Due to its incredibly unique and immersive world, though, it is still worth experiencing and enjoying – if its faults can be overlooked, that is. If you admire it for what it's trying to do and what it represents instead of what it ends up doing a lot of the time, you will find that it's a gem of an RPG, albeit an unpolished one.

Windows · by prymusferal (23) · 2008

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Discussion

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[false alarm] glitch: no speech? Rola (8483) Oct 20, 2018

Trivia

Graveyards

A hidden graveyard, containing tombstones of Arcanum's most diehard fans, can be found at the location W: 1060 S : 809 on the world map. Another graveyard has lots of humorous epitaphs written on the graves. However, many of them are taken directly from Baldur's Gate.

Manual

Following on the tradition started in the Fallout manuals, Arcanum's manual includes an actual cooking recipe. This time it's Grandma Cookhill's Three Bowl Bread.

Mod pack

On 7 January 2002, the development team released a free mod pack, containing six new and exclusive adventures. It can be downloaded here.

Mods

Chris Beddoes has produced a mod for this game that addresses some balance issues, makes it overall a little more challenging, and replaces the entire opening area and quests. This latter is important because the opening area was used in the demo, and many players have just seen it too many times to want to start a new character any more, despite the near-infinite possibilities for character design. It can be found here.

References

  • There's a location in the game called the "Isle of Despair" which is a penal colony which holds it's inmates in a remote island behind a magical barrier that makes it impossible to escape. Now, when asking the generic NPCs for its location, they answer:

"You mean the Black Isle? I'm not quite sure..."

Black Isle Studios is the name of Interplay's RPG division, and the former home of Arcanum's development team.

  • A portion of the Stillwater giant quest contains a major (and fairly obvious) reference to Monty Python and the Holy Grail, specifically the part where you have to trace the beast to a cave and capture it. In fact, the whole sequence plays just like in the movie, you follow some giant footprints, enter a dark cave filled with bones and dead bodies, and so on.
  • There's a Fallout reference in the walled city of Tulla. Apparently one of the students had to venture out in the Wastes to find a Water Gem. He has since returned and the Mages fear how the journey changed him and the influence he might have on other students. Plus, he's wearing mechanized armor.
  • There's actually a reference to Bill Gates and Microsoft stealing the ideas for their Windows operating system from Apple's MacOS. One of the most influential and wealthy of people in Tarant is Gilbert Bates (Swap the G and B in Gill Bates and you have Bill Gates) because he brought the power of the steam engine to mankind. Another steam engine developer, called Cedric APPLEby is spiteful of Bates's success and claims that he invented the steam engine first and that Bates had stolen the idea off him.

Server shutdown

The official online servers were shut down on 1 November 2008.

Soundtrack

The soundtrack to Arcanum was composed by Ben Houge for string quartet and was provided in its entirety on Computer Gaming World's May 2001 demo CD.

Both the soundtrack and its sheet music are available as a free download.

Stillwater giant

Despite the result of the associated quest, the Stillwater giant DOES exist. It can be found on a random encounter between Stillwater and the pass to the elven city.

Information also contributed by Rambutaan, Sciere, Terrence Bosky, uclafalcon, Unicorn Lynx, weregamer, Wojit and Zovni

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Contributors to this Entry

Game added by Unicorn Lynx.

Additional contributors: Zovni, Kaliban, Indra was here, Jeanne, phlux, JRK, tbuteler, jsbrigo, Alaedrain, Patrick Bregger, Plok.

Game added August 25, 2001. Last modified April 5, 2024.