Doom³

Moby ID: 14320
Windows Specs
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Description official descriptions

The third game of the DOOM series (now in full 3D) takes gamers through the depths of Hell, where technology and demons meet. But this time round, the game is more focused on horror elements than previous games in series.

Doom 3 is set in the year 2145, on Mars. You start as an unnamed marine soldier sent to the Red Planet, where a corporation named The Union Aerospace Corporation makes secret experiments based on ancient aliens' technology. People around the base are on the edge, & something is not right. You receive your first simple mission and when you depart, the game really kicks off.

This third major release of the Doom series is especially based on single player experience. As in most First Person Shooter games, you aim, you shoot, & you run... Enemies are zombified humans from the base or daemons straight from Hell. Doom 3 is much darker visually than previous games - you can use a flashlight in dark corridors, but you must choose between various weapons and the flashlight (the marine can't use them both in same time.)

The game has multiplayer with four game modes for four players.

Spellings

  • Doom 3 - Alternative spelling
  • 毁灭战士3 - Simplified Chinese spelling
  • 둠 3 - Korean spelling

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Credits (Windows version)

141 People (135 developers, 6 thanks) · View all

Reviews

Critics

Average score: 85% (based on 107 ratings)

Players

Average score: 3.7 out of 5 (based on 301 ratings with 28 reviews)

Doom 3 is the shallowest and longest puddle in videogames

The Good
Doom 3 is a spectacle (I know it's DOOM3 but that's not even English, let alone proper English) . It puts itself forward as the benchmark of its time for graphics, sound, design and presentation. No many games have the gloss and shine of Doom 3 (what with all those spectacular lighting and shadow effects). As audacious as it is, it succeeds where its ambitious lies. It really does look and sound great. As you progress through the levels and admiring at how cool it is, you'll be inspired to continue the drudgery of looking at a black screen for the next cool thing to amaze you eyeballs.

Humanity is respented by the three major races (I didn't see any Hispanics, Jews or Arabs though; maybe they're all getting along on the love planet, Venus), nice to see the future really is a bowl of neopolitan ice cream--though when they become zombies there becomes no difference. The interface with in-game computers is innovative, gets you back into the action quick.

This is definitely a love letter to the first Doom. This act of revisionism will cause us nostalgia-prone 80's babies to live over once again that initial "whiz-bang"-gasm that got most of us into gaming in the first place. For the most part it succeeds in replacing the first Doom in areas like graphics and presentation; however, revisionism is always a tricky thing...

The Bad
Doom 3 is a spectacle, just like the way your aging mom dresses twenty years her junior and tries to flirt with your friends. It's difficult to look away from a car accident, especially when it's the most amazing car accident at which your gawking eyes can look.

Doom 3 simply didn't have to happen. I think I heard a story somewhere about how those id(iot) guys approached senior management after completing Quake IV and dropping a ultimatum along the lines of, "We want to make Doom 3 or else we all quit!" Well, the world or even the world of videogames is not better for this.

The original Doom is a cool game, an influential one that many will remember fondly upon. The operative word here is "remember". I myself remember going over to a friends house to play it into the wee hours of the morning, scared to death at those (at the time) cutting edge graphics. Cool factor MAX 10 vector five.

But you can't go back. What is called "Doom 3" is really Doom 1.5; it's just an updated version that is less than the sum of the first one's parts. When it's the exact same thing done all over again and not the third in the trilogy (not much of a trilogy either, wasn't Doom 2 like an expansion pack idea?) you have nothing new to say. So it becomes 15 hours of gameplay of nothing.

I will clearly say that I like the first Doom much more than this one. Who cares if you can look up and down? Who cares if you can jump? Who cares if you have the best graphics in the world? The first one played so much better than this one. The two crucial gameplay elements to the first one are missing here: puzzles and being in mortal fear of your life.

It's rather sad: there aren't any puzzles of note. This is one brainless shooter that offers you no choices, really. In actuality you're quite simular to the zombies: there's no thinking. Most sad of all is the fact that id designed such a marvelous interface with which to interact with everything; you can hang onto the mouse without breaking up the action. Honestly, there's no point to all this worthless reading of emails and messing about with PDF's.. what a scam. Please don't dress up your aging mom in sheep's clothing.

The wonderment of the first Doom is the realization that there are new places to explore, you just have to be smart (or diligent) enough to find them. You see where that imp is sniping you from that balcony? You can get there... you just have to figure it out. This idea of having secret areas puts in an adventure element that has you enjoying looking around the level and not just looking to flip a switch and advance.

Doom 3 is not a scary game. It might have been back in 1990, but this is the po-mo world that we live in; "Scream" the movie pointed this out to the masses so we can't turn a blind eye to this. Nothing is scary here. When you play through a game where it is dark all the time, this effect of fear is lost. You would get scared in the first Doom when the lights turned off because the lights were on in the first place! No contrast, no effect.

The use of scripted events are very lame. When there is a darkened hallway in front of you, your first instinct is, "hmm, looks like an ambush, better get out my shotgun," and your instincts are always correct. Something will always jump at you from the darkness. Now I know everyone is a genius, but the reason why you know is because id is simply too predicable. This game is exactly the same from start to finish.

There's nothing wrong with being influenced, but shouldn't you game companies try to hide it a little bit, or even try to have different influences? Aliens was a great movie, so great that I'm watching it every time a play a contemporary videogame. (but as unicorn b lynx pointed out, at least the computer screens aren't green). This game is exactly like Halflife, exact that Halflife has the enviable position of coming out about 10 years earlier (speaking of which, yet another game with many influences that doesn't try to hide it--but which also made it everyone's grandmother's favourite game).

By the way, if this is the future and people have money and the ability to build on Mars, why is it so ugly? This is the main thing I think about as I'm squinting at the screen; I try to imagine the place with the lights on and people walking around, but I can't imagine that people in the future share the same design sensabilities as modern Chinese. It looks cool for us "game tourist" who are visiting this world, but it just isn't real.

Making Doom 3 is making a statement that the first Doom never existed, that by updating this game, Doom is finally the game it is deserving to be through use of modern technology. But worse of all, more so than being brainless, is being heartless. Doom 3 has no soul. Besides it being cool, there's nothing to like about it. You don't identity with anything in the game, so you never get past it's superficiality.

In the original Doom you see the marine's face in the HUD, and it worsens to a bloody pulp as you get beat up or grins maniacally when you pick up a chainsaw. No, you might not be this nameless guy, but he's like you. He bleeds when hit by demonic fireballs and likes his weapons pick-ups to be more and more powerful. What's there in this game? He's just some guy, a Gordon Freeman stand-in; you never find out why he does all of this stuff.

This game takes some effort to explain some things but not others. I might understand how a nixup might lead a shipment of chainsaws to Mars, but why can't you put a flashlight on a gun? Why doesn't this guy just go home after awhile? Why is he compelled to fight the Cyberdemon? Who are the ghostly (female) voices in the game? Don't people know when a stockpile of weapons is amassed that one day those weapons will be ineviably used? What happens to this guy in the end? Because our hero doesn't talk, you don't know what he thinks about anything but even sadder is that you just don't care.

The Bottom Line
Doom 3 (or "Dooom" as the Romans would say) is bloated sign of our bloated times. This game happily supercedes presentation and spectacle above gameplay and substance.

The id that made Doom was a bunch of talented upstart rockstar hooligans who dared to mess with the rules.
The id that made Doom 3 is a group of bloated unimaginative millionaires who just want to keep their tenative position as the king of FPS's. It draws exactly the same paralells as Saturday Night Live; once a daring and funny show (remember the "Not Ready for Primetime Players"?) it's now the vehicle of choice where movie and music stars plug their latest movie or CD by reading off a teleprompter. SNL is a 90 minute commercial that stopped being funny twenty years ago.

Most telling is that this game is just like Quake IV. There are some thematic changes (like going to big outside settings and use of group combat) but you still just go and kill things in a splendid way. You're still a space marine who has to endure level after level of the ugliest space stations designed after the first Star Wars trilogy. It's funny, since the demise of the Star Trek franchise space stations have been butt ugly.

I think the bottom line is that Doom 3 is a punishing game that challenges the player to be as macho as the game is but never rewards the player. Doom 3 is the shallowest and longest puddle in videogames

Windows · by lasttoblame (414) · 2007

Hell ain't a bad place to be

The Good
Ahhh... Doom is back among us. After years of alpha leaks, mouth-watering promo videos and assorted demos the game that change the face of pc gaming returns once again to set the standard. And believe it or not, it didn't do a bad job at all!

The importance of Doom as a videogame landmark cannot be underestimated even by the most jaded old "grandpas" in the scene. Thus it made perfect sense for id to ride its golden pony once more as a way to promote their new graphic technology by way of a remake (or "reimagining" as Tim Burton would say) of the greatest game ever (sic.). Once again you are placed in the shoes of the ever present Space Marine (tm) who has to fight his way through a demon-infested colony in Mars fighting for your life through many dark corridors and hellish landscapes and once again the technological boundaries have been pushed further.

If the original Doom became famous for being the first game to really bring home the sci-fi tension and suspense of the Alien films, Doom 3 will be remembered as the game that took that feeling and made it actual physical reality (in your monitor of course). There's no overstating just how well the graphics in the game work. I saw most of the demos and was determined not to let them impress me by the time I got my hands on the game but as soon as I found myself exploring the dark corners of the station I forgot all about the pixel-shading effects, motion blurring, specular shading, bump-mapping and stuff like that. Because id pulled me once again in their dark sci-fi world this time thanks to a level of graphic realism never before seen on a videogame. The living quality of the environments is simply amazing. Not only do you get the gritty feel of being on a dark space colony, but also you get the feel that the place is entirely "man-made" as it were due to the fact that very few places are made of "just" textured walls and instead feature all sorts of modeled pipes, panels, wires and moving gizmos. The detail poured in the level design is simply amazing and coupled with a superb photographic direction that maximizes the engine's ability to dramatically light scenes (complete with true 0-light darkness) and an amazing sound design filled with eerie sci-fi cues and sfx that take full advantage of surround setups, the end result is an experience like no other. I vividly recall hooking the computer to my 29" TV, shutting off the lights and cranking my stereo with 4 friends the night I first installed the game and blabbing nonstop about how cool everything was until we got to the infamous "mirror scare"... boy you could hear a pin drop after that let me tell you!

And that's before you start meeting the nice denizens of hell and make a trip there yourself. Fans of horror games will be happy to know despite the imposing brimstone and lava intro to hell, that the game has let go somewhat of it's heavy-metal band inspired inferno and now favors a more Clive Barkerish design, which means more brutally dismembered corpses, ritualistic stuff and trans-dimensional horrors a-la Lovecraft. By far Doom 3 will remain in my mind as one of the most impressive depictions of hell ever, if only for the visceral effect of it all. As for the monsters themselves they are all reworkings of the same baddies featured in the original games only with the same Barker-inspired updates. For the most part all of the creatures gained with the changes (particularly the Imp, who looks far more menacing, and has gained an Alien-like agility) although the revenant looks far too "plastic-made" for me. One of the most impressive creatures in the game however, is an original creation whose name escapes me, but which looks like a cross between a moth and human baby... yes, a cute human baby. One of the most deliciously shocking and disturbing moments in the game is when you first hear the crying moans of a baby approach you and you later see his chubby face and bright eyes coming for you... with no legs...!

Anyway, moving from the visual design of things for a bit we have the gameplay. Let's see, where you betting on it being a straight up, simpleminded shooter? Well good for you! Here's your cookie boy.

Yes Doom 3 is a straight-to-the-point action-heavy visceral shooter just like the original games, but that's not to say that it hasn't picked up a few new tricks itself. While the gameplay revolves around shooting baddies and collecting keys the game plays as a unified whole (without any "levels") and has you following a distinct set of objectives and even asks you to make a choice a couple of times along the way. The game also uses darkness and poor visibility to augment it's emotional punch and believe me that it works. Few things bring such a primal fear to your heart as not knowing what's out there in the darkness, and the limitation of not being able to hold both the flashlight and a weapon at the same time while irritating at first makes sense in the context of the game and adds to the thrill factor.

Doom 3 also makes heavy use of scripted events to increase the survival-horrorish feel. Interaction with the gameworld is, as expected, paper-thin but it's there. I remember cringing in fear of another "Quake" when word got out that Carmack had decided to do away with the "use" key yet the end result is far more classy and innovative than I could have imagined. Basically you interact with computers, panels, etc. with your mouse, the way it works so charmingly simple and well-thought that it's a wonder nobody thought of it earlier. You just walk up to the screen and once you enter the correct "use" distance you loose control of your mouselook abilities in favor of controlling a pointer on the screen. You interact with the thing as in your basic flash-made web interfaces and once you got what you wanted you just walk away! Simply beautiful! I can't wait for other games to start including interfaces like this.

All of these nice features also help the game from a storytelling point of view. Sure, all of us well-adjusted individuals understand that we really don't need a story to enjoy Doom, but there's no denying that it enhances the experience quite a bit. So yeah boys and girls, there's a story here! Yeah! Can you believe it? It's no masterpiece of literary fiction as you might have guessed, but it's still pretty entertaining fare and par for the course as far as fps storytelling goes. id also made the right choice of forgetting about some of it's design mantras and adopted some ideas from previous games like Half-Life and System Shock. With a long-intro in which you can chat with npcs, explore your surroundings before all hell (literally) breaks loose, a few surviving npcs and scripted events that move the plot along as well as clues and logs which you can save in your PDA and which expand the gameworld and help build the atmosphere as in SysShock.

The Bad
There is no point arguing the finer technical flaws in the game because they take us to a level of anal retentiveness reserved only for film CG talks. The truth of the matter is that the game is technically brilliant and a landmark of 3d gaming. Trolls everywhere in forums make it a point to pit D3's engine against HL2's Source engine but while it's true that the later can push more polys (Doom 3's models when closely inspected are revealed as quite blocky) the overall shading quality in D3 far surpasses any shortcomings in its modeling. If there is one real shortcoming with the engine is that it really requires a monster system to play with all its bells and whistles. I can play Riddick: EFBB and HL2 at max detail and 1024x768 but D3 still chugs like a bastard if I attempt to go over 800x600. Physics are adequate for the game, without the overkill that is playing through Half-Life 2 and with just enough to satisfy the average player (with such hallmarks as bodies falling down and realistically piling over each other). The AI has taken some flak from some people and I agree that it's pretty predictable at times, but quite frankly I can understand hellbound monsters acting like you know... uhm... monsters, instead of spec-ops operatives!

If there is one flaw in the game that really annoyed me was the heavy-handed use of scripted events. It seems id really loved those moments in Half-Life, System Shock and similar fps where you walk down a corridor and as soon as you step on the correct place a monster falls down from the ceiling instead of just being there. However instead of carefully planning each encounter and set-piece as in those games, they filled the maps with dozens of cheap scares which work in the same manner: walk down a corridor, hear a door opening behind you and wham! See a monster emerging from a secret room! Ha-haaa, got me there id! The first 100 times at least, then it just becomes boring not to mention incredibly stupid as you start wondering just what the hell was the monster doing waiting for you to pass by while stuck in a closet? There are some nice, original scares but they get downplayed by the cheap-o "Peekaboo!!" scares that literally haunt the entire game, and that's a real shame.

As a minor bitching note, I could have used the double-barreled shotgun and the Mars surface areas are extremely well done (those are actual rocks I tell you!!) it's a shame they are so short.

Oh and yeah, it doesn't exactly "evolve" the genre into any direction and if you want multiplayer action D3's flimsy 4-player deathmatch mode doesn't exactly cut the mustard. D3 is, for what it's worth, a singleplayer game.

The Bottom Line
Intellectual bitching aside (duuuh!! It's just a shooter, there's no character development and you just kill things!), techie-geek bitching aside (duuuh!! I already saw stencil shadows on "X" and engine "Y" gives better framerates with comparable looks!) there's no denying that Doom 3 is one hell of an interesting game.

Yes, when you look at it closely it's a game that takes incredible technology and adds to it some already explored (and better realized, really) design ideas to try to rejuvenate its stagnant gameplay, but does that matter if the end result is one of the most intense and thrilling experiences in recent memory? We all knew Doom's shortcomings even before we played it, and the fact that even after that it manages to be a fun experience to play is proof positive that it's not even close to being a bad game.

If you have the computer and nerves to play it (I myself avoided playing the game for more than 30-40 minutes straight due to the intensity of it all) you just have to give Doom 3 a try. It's not the second coming or anything, but it's one hell of a good ride and really, that's everything Doom has always been about.

Windows · by Zovni (10504) · 2005

Good engine, recycled gameplay

The Good
The graphics engine is awesome. There's hardly anything original as far as visual effects are concerned, but it's definitely something never seen in a computer game before. The human heads and the lighting engine is particularly worth noting.

Level design is superb. While there's not much room for fantasy (most of the game takes place in a high-tech labyrinth filled with computers and other hardware equipment), there is a lot of high-quality architecture work, strategically positioned pentagrams, blood splatters, dead bodies, and some kind of spooky demonic protoplasm seeping through the walls. A short trip to Hell is a welcome break from steel and plastic, but I'm sure you'll be glad that you got out of there eventually - I was expecting a boatload of hell knights to drop on my head every moment.

Old foes are back, with only a couple missing; the weapons have been mostly redesigned, and their design and balance is completely different, but that's okay (BFG's here and it works the same, so I'm happy).

The Bad
Scares get old really quick; most annoying ones include an imp jumping at you soon as you open the door, and a steam jet blowing in your face as you pass by. There are a few good ones, but you'll be very unlikely to get scared as soon as ten hours into the game.

There is hardly anything that you haven't seen in Half-Life or System Shock 2. In fact, the game feels like a complete rip-off of that stellar pair. I know it probably won't bother a lot of people, but when similarities are so blatant, you start to get annoyed.

The game is so dark it's hampering the gameplay. Sure, a dark room here and there is cool and fun, but when it's dark ALL THE TIME, you throw up your arms in desperation. A flashlight is helpful, but not by much; besides you can't fire with a flashlight on. A common "close quarters encounter" means switching from flashlight to your primary gun, firing a few rounds in the dark, then turning on the flashlight to see if it's dead, and moving on. That darkness and repetitiveness annoys a LOT of people I know.

The Bottom Line
Get it if your computer can handle the graphics and if plagiarized gameplay doesn't bother you. If you want a scary shooter, look for System Shock 2 instead.

Windows · by ApTyp (11) · 2004

[ View all 28 player reviews ]

Trivia

1001 Video Games

DOOM³ appears in the book 1001 Video Games You Must Play Before You Die by General Editor Tony Mott.

Board Game

This game was loosely adapted into 2004's DOOM: The Boardgame.

Budget

The budget for this game was US$15 million.

Cut Content

Original concepts for the game included: * Longer outdoor excursions that got scrapped mostly due to engine considerations. Their removal being quoted as the final nail in the coffin for the inclusion of a railgun (the weapon from Quake was originally going to be in the game as the long-range/sniper weapon). * More female personnel in Phobos, including a never confirmed female receptionist and an apparently complete topless dead female modeled by Kenneth Scott that was to be found on an autopsy table later in the game. * A flamethrower was at one point considered, and the PDA was going to include a map feature like in the original DOOM games. * Finally, (and most infamously) the game's initial concept called for a use key like in the original, but this feature was removed by head honcho John Carmack who called the feature "just a gimmick".

German Release

In Germany, the game was released unlocalized and uncut, both which are very unusual.

Language

The name of the doctor responsible for the disaster is Dr. Malcolm Betruger. "Betrug" is the German word for fraud or deceit, which is exactly what the doctor does.

Narrative

The Doomguy speaks only one word in the entire game. That word is "God..." as he sees the Cyberdemon. Incidentally, this is the first time the main character in a DOOM game talks.

Novels

As of 2009, two novels based on the game have been released, Doom³: Worlds on Fire, and Doom³: Maelstrom. Both were written by author Matthew J. Costello, who helped writing the story and dialog on DOOM³ and its expansion pack, DOOM³: Resurrection of Evil.

References: General

  • In a certain section of the Delta Complex, the player comes across a whole area of employee offices. The names on the door are names of actual id Software employees.
  • On Site 3 and the Excavation Dig Site, there are four stone tables which the archaeologists had found. One of these is showing the ancient hero in a battle against the forces of hell. This ancient hero is actually the Marine from the original DOOM, and the stone tablet looks almost exactly like the front cover of the original US DOS DOOM box. Other examples of hidden images in the pentagram are the UAC (Union Aerospace Corporation) logo and a Moon symbol (probably referring to the moons of Mars, Phobos and Deimos, but it is not sure whether this really is a reference)
  • At one point in the game, the player comes across a nearly-dead soldier named E. Webb. This is most likely a reference to id Software monkey Eric Webb.
  • At certain points within the game, magazines with various covers can be discovered. One of them, called Booty actually sports a picture of Hunter's (a female character from Quake III: Arena) lovely backside.
  • The game's intro (text and voice-over) and story bare an uncanny resemblance to Resident Evil: The Movie.
  • Among the many names the game uses for owners of the PDF pads are Seamus Blake and Ben Wolfe. Besides being laborers who have turned into the undead, these people are also renowned contemporary jazz musicians.
  • The logo of the Super Turbo Turkey Puncher 3 mini-game is a parody on the Street Fighter Alpha 3 logo.

References: Internet

  • id Software registered www.ua-corp.com, making it look like the homepage of the Union Aerospace Corporation.
  • The player will receive e-mails on their PDA that advertise for Martianbuddy (the greatest company ever conceived!). It is a jab at the annoying Bonzibuddy. When visiting martianbuddy.com, the player will receive the cabinet code 0508, which can be used prior to the end of Alpha Labs to unlock the chaingun and at the end of Delta Labs 2 to unlock the BFG9000.
  • The player will get a message on their PDA that refers to the famous 419 Nigerian scams. The sender, John Okonkwo, is not a random name, just read this.

Secrets

  • Near the end of the game, there is a clickable brick on the wall bearing the id Software logo. Click it and a wall opens. Inside, a secret PDA can be found, with messages from the id employees thanking everyone for playing the game.
  • The character who supplies the protagonist with the PDA turns back to typing after doing so. If the player takes a look on the man's screen, they can see him typing an e-mail about the main character being rude for watching over his shoulder.
  • In the very first levels you can see UAC employees that can not be reached normally. When using the noclip cheat code and going through the walls to reach the unreachable areas, it can be seen that all of these employees share the name Joe.
  • Try one of the old cheat codes from the other DOOM games; in addition to the obvious "unknown command" reply, the message "your memory serves you well" will also be shown.

Super Turbo Turkey Puncher 3

After arriving in Mars City, go to the kitchen. There the arcade game Super Turbo Turkey Puncher 3 can be played. The game looks like a previous DOOM game, except for the turkey of course. And so it plays (playing the Marine while he is in Berserk mode). After having punched enough turkeys and reaching a score of 25,000, the player receives an e-mail via their PDA saying: "Your parents can rest easier knowing they have raised another shining example of humanity. Due to the incredible amount of time you wasted punching poor defenseless turkeys, your vacation time has been docked two days."

Technology

  • The game refuses to run not only if CD/DVD emulation software is installed on your computer (CloneCD, Alcohol), but certain burning software as well (Nero).
  • According to the promotional video G4 History of Doom when DOOM³ was first demonstrated at the E3 Expo in 2002 the E3 Judges had to offer people to play a part of the game or to play the game themselves in order to show that the game being demonstrated on the screen was in fact real. People were that impressed by the graphics.

User Created Content

  • While most new FPS games have outrageous minimum system requirements, especially for video cards (at least 128MB, Texture & Lightning required), the Doom III engine is, despite the hefty overall requirements, quite scalable. Some users have developed a small patch that makes the game compatible with the Voodoo 2 card, among others in the Voodoo line. These are some of the very first 3D cards and they often do not carry more than 12MB. The game does not look better than Quake II with such setup, but it still is a fine piece of programming.
  • Within approximately 1 day of release, there was already a game modification which added a light to the pistol. In the game itself, players must swap between the flashlight and a gun.

Awards

  • Computer Gaming World
    • March 2005 (Issue #249) – Best Sound of the Year
  • GameSpy
    • 2004 – Special Achievement in Graphics Award (together with Far Cry)
    • 2005 – #5 Xbox Game of the Year
    • 2012 – #7 Top PC Gaming Intro
  • Interfaith Center of Corporate Responsibility
    • 2004 - one of the Top 10 Worst Violent Video Games of 2004
  • Golden Joystick Awards
    • 2004 - PC Game of the Year
    • 2004 - Ultimate Game of the Year
  • PC Powerplay (Germany)
    • Issue 03/2005 - #4 Biggest Disappointment

Information also contributed by AHO, bobthewookiee, Hamish Wilson, Karthik KANE, lasttoblame, lvnvgmb, M4R14N0 Maw, piltdown man, Pseudo_Intellectual, Sciere, Silverblade, Steve ., Tiago Jacques, Xoleras, Zack Green and Zovni.

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Related Sites +

  • A Guide for Beginners
    IMG's introduction to playing Doom 3.
  • Doom 3
    Official website
  • Doom 3
    Official game page on id Software's website
  • Doom 3 HQ
    A well-rounded Doom 3 fansite, with custom levels, game info and a forum.
  • Doom 3 Portal
    Comprehensive fansite for all things Doom 3 from fan art and fiction to a mod index.
  • Doom 3 on Win98
    A quick and easy to follow tutorial on running Doom 3 on Windows 98
  • Doom Wiki
    A Wiki site for the Doom series.
  • Doomworld
    Website with classic Doom and Doom 3 news and forums.
  • Hints for Doom 3
    Question and answer type solution guide gives you nudges in the right direction before revealing the final solutions.
  • Lord FlatHead's Homepage
    Hasn't been updated since Doom 3's release, but contains a lot of interesting articles about the technology behind Doom 3 and some speculation.
  • Once More into the Inferno
    An Apple Games article about the Mac version of DOOM³ (February, 2005).
  • PlanetDoom
    GameSpy's Doom Website

Identifiers +

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Contributors to this Entry

Game added by Lexicon Dominus.

Macintosh added by Corn Popper. Xbox added by Sciere. Linux added by Iggi.

Additional contributors: James1, Unicorn Lynx, Lord FlatHead, Jeanne, Michael Dionne, Guy Chapman, Sciere, Jack Lightbeard, Silverblade, Maw, xy xy, Zeppin, Cantillon, lee jun ho, Patrick Bregger, Titan10, FatherJack.

Game added August 9, 2004. Last modified March 6, 2024.