Syberia II

The Good
Just about everything I liked about the original Syberia, technically. It's the same interface (some people might dislike this, as there's no improvement on either the interface or the graphics, but Syberia I was so outstanding there really was no need). Also, this game starts right where Syberia I ends (it ended in a cliffhanger, of course), so the sense of closure is nice.

The Bad
The storyline took a step back from the moody, melancholy first part and attempted (not entirely successfully) to add humor to the game. Unfortunately, as much as I like humorous adventure games (Monkey Island, etc.), this is NOT what made Syberia great and it seems out of place. Hans Voralberg was a great mystical character in part 1, and over here he's a drooling retard. The two recurring villains look like they jumped right out of 101 Dalmatians or something. Could have done without it.

The Bottom Line
Buy Syberia I. No question about it. You'd want to play the game in the chronologically correct order anyways. If you like Syberia I, then go get Syberia II, because it's essentially the same game and continues the storyline, so you'll like it also. But as a standalone game it's nowhere near as good - if you play part II while never having played part I I doubt you'd enjoy it half as much.

Either way, a welcome addition to any adventure gamers' library, for sure.

The Good
* Much more exciting storyline than the first

• Improved visuals
  
  The Bad
  * Frustrating puzzles

• Environments lack variety compared to the first game.

• May be too far-out for some
  
  The Bottom Line
  Syberia II was released in 2004, 2 years after its predecessor. Originally planned to be a part of the first game, the story was eventually split into two installments. As a result of this, Syberia II picks up exactly where the original left off.

  After the events of the first game, Kate Walker, Oscar, and Hans Voralberg are traveling on the clockwork train towards the farthest reaches of Siberia in the hopes of finding Syberia (no, that’s not a typo), an island which is said to contain the last living population of wooly mammoths. After stopping in the last village in Siberia, Hans falls sick to an illness, and things just go from bad to insane from there on out. Meanwhile, Kate’s law firm have hired a detective to follow Kate into Siberia in the hopes of bringing her back to New York.

  Compared to the first game, which was much more subdued and mysterious, Syberia II is far more action-packed and episodic. There are a lot of coincidences which take place over the course of the game, bumbling villains, daring escapes, noble sacrifices, absurd deaths, and even a dash of the supernatural. Personally, I think this is a much-needed change, but it also highlights the fact that this story was really split into two games. If Syberia was all buildup, then Syberia II is the payoff. At the same time, though, this approach will understandably turn off some fans of the first Syberia. That game was unusually grounded and subtle in its implementation of fantasy elements, and arguably more mature in its themes. By contrast, some of the things that happen during Syberia II require some extremely high suspension of disbelief. Imagine watching a Hollywood blockbuster sequel to a small independent film and you have a sense of just how big of a shift this is in tone.

  It’s also a far harder game than the first one. The developers seriously cranked up the difficulty compared to the original game, and I think they might have went too far in some regards. A number of the puzzles suffer from poor visual design. There were a few times where it was impossible to accurately read a necessary clue for solving a puzzle. Some objects are so hard to see because they blend in so well with the backgrounds. The puzzles themselves seem to rely more on moon logic compared to the original game. Unlike the first game, the interactive objects aren’t highlighted, adding to the frustration. On top of that, some of the devices you have to manipulate in Syberia II are much more difficult to operate in general.

  The worst offender is the size of some of the areas which separate the puzzles, which means minutes, potentially hours, of slow, aimless wandering until you either find what you’re looking for or just look at a walkthrough. I might have criticized the lacking puzzle difficulty in the original Syberia, but Syberia II only reinforces Microids’ decision to make the puzzles in that game so easy. When you’re on the edge of your seat waiting for the next story beat, the last thing you want to do is to get stuck on a puzzle about overcoming an arbitrary obstacle.

  With the exception of the final section, the entire game takes place in an icy landscape, so the variety that was present in the first Syberia isn’t here. Nevertheless, this is undeniably a better-looking game than the first, and it ultimately ends up being a worthy tradeoff from scope to detail. The backgrounds are more alive, and there is a greater use of lighting and particle effects. Even the quality of the FMV’s has been punched up a notch. However, the 3D character animations look a bit jerky at times, and seem to get choppy whenever text appears on-screen, though this could be an issue with the Mac port. Overall, though, it’s hard not to be impressed with the improvements in the visuals between the two games.

  If you played the first game, then Syberia II is essential. If you’re getting into the series for the first time, this isn’t where you want to start. That being said, I could understand why some will prefer the first game. The difficulty is cranked up far too much and the story is much more cartoonish and unbelievable. I personally enjoyed this crazy ride from beginning to end, even if the puzzles were extremely frustrating at times.

The Good
Syberia II continues right from where the first game ended: Kate Walker and Hans Voralberg are traveling through Russia to find the fabled island of Syberia. This is the conclusion of the two parted story created by Benoit Sokal, who also is know of his comic books.

The game continues to stun with its beautiful, pre-rendered graphics, that provide scenery ranging from an old Russian monastery to a humid atmosphere of the finally found island of Syberia.

Again the story is forwarded with well done animations, which are even more plentiful than in the first part of the game.

The Bad
The same cons that applied on the first game apply also in here, but in some cases they are even multiplied. There are even more empty screens just for the show and what is even worse, there are couple of annoying pixel hunting puzzles in the game, as there's a couple of items you need, which you just can't notice from the screen, unless you by accident happen to whip the mouse in exactly right location. There also is a couple of puzzles you just don't get a single clue on, and you mainly have to solve them by trial and error.

The Bottom Line
Despite its flaws Syberia II is a good conclusion to a fascinating story. The game is short, perhaps even shorter than the first one, so it could have been better if the part two would have been a part of the original game, not a separate sequel.