Full Throttle

The Good
Like many LucasArts adventure games, there's a lot to like about Full Throttle. LucasArts has had a tendency to produce adventure games that are friendly, fun, and contain an interesting storyline. This rocking road trip of a game is no different.

The graphics are perfect for this type of game. The cartoon like style of Day of the Tentacle and Sam&Max Hit the Road is revisted here, only with a somewhat more serious tone. The style and animation easily beats out most Saturday morning cartoons, even at its pixelated low resolution. The characters are brought to life with expressive faces and little nuances (like reflections in chrome) make this a game worth watching, if not playing.

The voice-acting is top notch. Headed up by voice-acting veterans Jack Angel and Mark Hamill, the main speaking characters are defined as much by the voice and verbal mannerisms as they are their physical appearance, and the minor characters are all lively and enjoyable to listen to. There's really not one bad bit of acting among the batch, from Ben's gravelly voice to Ripburger's (excellently done by Hamill) menacing tone to the Ross Perot wannabe souvenir vendor.

The little semi-action games break up the adventure game and provide for a change of pace without disrupting the flow of the game. Much like the rest of the game (except for the end-game scenario), the arcade games are designed to be light on the difficulty and not force deaths or reloads over and over.

The soundtrack, mostly music from a genre I didn't expect to like, was very appropriate for the game, was coupled perfectly with scenes, and is actually quite good. I have found myself playing the opening sequence just for that theme and still get a kick out of music playing at the trailer guy's house.

The Bad
The game is relatively easy and doesn't last long. While the whole adventure is an enjoyable romp, it does run through quickly and seems over long before you want it to end. Usually that's a good sign for any media, but in this case, it's partially due to the story's brevity. This is made worse by the 'small world' sense the game gives, as you'll find yourself revisiting a number of the same places a number of time in order to complete some puzzles.

The Old Mine Road combat sequence is fun, but gets repetitive quickly and each important opponent needs to be taken down in a certain order (as you need a previous opponent's weapon to be victorious). Whether due to luck or a mistake in choosing the wrong weapon, you will find yourself needing to drive down the road many miles looking to get run through all the opponents you need to move on.

The Bottom Line
A semi-serious, enjoyable cartoon-looking biker gang adventure game filled with a friendly interface, puzzles that won't interfere too much with the game, and a fitting soundtrack. Fans of LucasArts games (and adventure games in general) won't want to pass this gem up. While not as hilarious as Day of the Tentacle or Sam&Max, Full Throttle is still a worthy addition to genre.

The Good
After they completed Sam & Max Hit the Road, LucasArts wondered what they do next. Their solution was to create a more serious, less humorous adventure game, with a bit of suspense added to the mix. Full Throttle tells the story of Ben Throttle, leader of a motorcycle gang known as The Polecats who are not the type of motorcycle gang to mess with.

Story: Malcolm Corley is the president of Corley Motors, the last motorcycle maker in the country. Unfortunately, Corley is about to retire from the motorcycle business, and his vice president, Adrian Ripburger, wants to take his place. He soon murders Corley and blames Ben and The Polecats for his murder, so Ben must prove his innocence. When he is about to die, Corley tells Ben that he wants his daughter, Maureen ("Mo") Corley, to take over as president, as Ripburger as president would bring disasterous consequences for the company. Ripburger plans to stop producing motorcycles to make way for minivans - something that Corley Motors isn't ready for.

Gameplay: Unlike previous adventure games from LucasArts, Full Throttle uses an advanced version of the SCUMM (Script Creation Utility for Maniac Mansion) interface. The interface itself is easy to use. The game is split into two sections. You have your adventure section, where you can perform actions by holding down the left mouse button while the crosshair is highlighted in a red square. This will cause a bikie symbol to appear, and will have KICK, TOUCH, TASTE, and LOOK actions inside it. The gray area below each action tells you what object that you are interacting with. Also, holding down the right mouse button access the inventory in the form of a giant skull, with all items in the skull's mouth, plus red arrows in the eye sockets if the items don't fit the length of the mouth. Dragging the item outside the skull causes the skull to disappear, and allows you to use it on an object. This is a pretty good metaphor that LucasArts used in this game. You can't die in Full Throttle by performing unusual actions, so you are free to do whatever you like in the game, and even if that action leads you to Ben's death, you won't see one of those death screens or Sierra's death dialog boxes. Instead, you resume at the start of the scene that got you killed, and you must try a different set of actions so you can avoid this.

Most of the characters have got a bit of warmth to them, and from what I read in oleg's review, all the characters are portrayed in real life. Almost all the characters are kind to you, and will offer you help if you treat them with respect. Mo, for example, will fix your bike and be your friend for the rest of the adventure if you tell her the horrible truth about Corley's murder. Some characters, like Nestor, Bolus, and Ripburger himself, hate Ben and wants him dead.

You also have the action sequences. The first one kicks in after you leave the Kick Stand bar. These action sequences require you fighting rival gangs and trying to make them fall off their bikes, and require some skill in order to win, as using the right weapons against them will let you in, and these weapons will be obtained by knocking each gang member off their bikes. At the start, you have no weapons to start off with and must use your fists. However, by knocking gangs to the ground, you can get better weapons such as chain, board, and chainsaw. If you don't use the right weapons, you could be knocked off yourself. You also have the demolition derby that occurs much later in the game, where you must complete a task, not just ram cars to death. These sequences are controlled by INSANE, LucasArts's new scripting engine, apart from SCUMM and IMUSE.

The game consists of day and night sequences. You do most of your actions by day, but some can only be done at night. Full Throttle uses long FMV (Full Motion Video) cut-scenes, that was very popular in the 90's. I like how this is done. Pressing [F5] on the keyboard will bring up the game's control panel, which allows you to change the volume settings, save, restore, or quit a game - exactly the same sort of control panel that LucasArts used in their previous games. The only difference is when you attempt to save over the top of another game, you will be asked if you really want to save over an existing game. You have access to the control panel throughout the game, expect the action sequences.

Graphics: The graphics are in line with cartoon adventure games like Leisure Suit Larry, Day of the Tentacle, and Sam & Max. It is excellent that LucasArts stuck that way with their graphics since when they completed Maniac Mansion all the way up to Escape from Monkey Island.

Music & Sound: The sounds in the game are realistic to the sounds in real life. For example, when the night inside the game kicks in, you'll hear crickets, owls, and other living creatures exactly as they sound. This means they used a sound file of a real creature hooting and cooing. Most of the music inside the game is of heavy-metal like, and blends in with the situation that you are currently in. Some of the tunes that you hear were actually written by bikie band "The Gone Jackals", who obviously did the music for the start and end credits, and had their songs edited for use inside the game. No, you can't listen to CD-Audio tracks outside the game for the full song since there isn't any. You actually can hear three or four of their full songs at the end, but you are encourage to buy the CD from the company listed.

The Bad
Personally, I much prefer the interface to Sam & Max where you keep clicking the left mouse button to cycle through the available actions in the game, and then clicking the left mouse button to perform that action. The installation program that comes with the game wastes a bit of time, since it copies some files to your hard drive, instead of just placing a small configuration file inside a folder, like Day of the Tentacle and Sam & Max did.

The Bottom Line
Full Throttle is the first LucasArts game to be released only on CD-ROM. That means that if you don't have a CD-ROM/DVD drive, you won't be able to play the game. Overall, if you like games with a lot of action and suspense, as well as adventure, then you should find this game exciting.

Rating: ****

The Good
It was almost a decade since I played the original DOS version of this game. And it took me a decade to finally add this piece of gem to my ever growing collection. I had no idea that LucasArts ever redid some of their classic adventures to perfectly work under Windows platform, equally under 98, ME, or XP. A pleasant surprise, no doubt. All you have to do is run the game, and that's that. No installation, no nothing. And an ever present F5 is still here to bring up the save/quit/etc. menu which is more than you'll need.

I don't recall this game having so many cinematics, which is a definite plus. They craftly mixed 3d bikes with 2d character models, it is a true splendour in art. Voice-acting is great, graphic art was a new comparing to the other classics (this game had a bit bigger characters and all that), and music is just on the level to boost up the turbo on your bike. Ben is not the type of Indy or Guybrush character, but he has a charisma and a personality of its own, matching the quality of LucasArts' creations in every aspect. Oh yeah, and women, as always, are truly beautiful in their games, Maureen close-up looks just astonishing.

The Bad
Well, certain puzzles are rather tricky, and make it really hard to uncover on your own. If I havent' finished this game already on DOS, I'd have a hard time finishing it within a same day, no matter the game is extremely short.

The Bottom Line
It's a classic that you should all be grateful it exists for Windows so you don't need to keep older computers or use emulators just to play this beauty. Whatever happened to that sequel we're awaiting, I do hope it will come out... 'cos I want it. It's about time LucasArts rises back in a style, there are still so many adventure game fans out there, should be enough to support and refund such releases.