Outlaws

The Good
Even though Quake was out when Outlaws was released, there were still almost no true 3D games available. Outlaws used a modified Dark Forces engine which upped the resolution and added areas above other areas (using a trick).

Clint Bajakian's score for Outlaws is still one of the best for any game, period. Outlaws' music won several awards when it was released.

The first level has a really awesome secret on it too. The Historical Missions was a great addition and showed that Daron Stinnett was really working to make this game original and not a "me too" product.

The Bad
Just about the only thing I could criticize was the fact that you had to exit to the menu to save/load your game and the Control Config screen didn't match the rest of the game (it used the GDI inside DirectX). Other than that, this game is just magnificent.

The Bottom Line
You MUST play Outlaws to see what's missing from the genre. This is a highly original Western shooter that, I daresay, may have been the first game to introduce the first elements of today's tactical shooters like Ghost Recon. One or two shots and you're dead - do NOT mess up!

The Good
First of all, I loved the whole "Spaghetti Western" theme used in the game. I'd really like to see another first person shooter game using this theme. I also liked the way Lucasarts designed the game to be as faithful to the genre as possible, it seems they went out of their way to avoid being over-the-top or campy. You won't get your hands on a rocket launcher, you'll never run into a steam-powered giant spider, and the last boss won't be a guy in bullet-proof 19th century power armor complete with arm cannon.

The way Lucasarts tries to keep the gameplay "realistic" can be seen throughout the game. All the weapons look completely authentic, you won't find a single one that looks like it doesn't belong in a Spaghetti Western movie (again, no rocket launchers). The most powerful weapon you'll find is a gatling gun you pick up in the last level, and even that is limited by the fact that you can't move around when it's selected. On top of that your weapons run out of ammunition and have to be reloaded manually, bullet by bullet (they don't have weapon clips in the old west, sorry). This adds a strategic element to gameplay since you can't rely on the computer to reload your gun for you when you run out of ammo. One particularly fun item is a telescope you can add to your rifle to create a rudimentary sniper rifle, allowing you to pick off your foes at a distance.

The types of enemies is a bit limited. There are only three or four different types of cowboys, however the game tries to create a bit of variety by giving each type three or four different sprites with different cloths on. There are also a few tarantulas, a couple of chickens, and some civilians who run around certain levels. The enemies seem to be moderately more skilled than most FPS enemies, since they run fairly quickly, can shoot while moving (strange how rarely this happens in FPS), and occasionally are smart enough to run away from your fire or duck behind obstacles. They also yell a variety of taunts at you (with enough variety to avoid too much repetition) which helps make them seem more lifelike.

The game makes up for the lack of enemies with its wide variety of boss characters. Most FPS games only have three or four different bosses overall (the newer, polygon-based FPS games have even less). Outlaws has at least 12 different bosses, ten at the end of each level and two in the middle of levels. Each boss has their own unique taunts which they yell at you as you fight them, which serve to give them each a unique personality. Your character, on the other hand, is the strong silent type who (unlike Duke Nukem and his ilk) doesn't make ill-placed wisecracks while killing, which also fits in to the genre.

The enemies are also realistically designed. Your foes are all flesh-and-blood cowboys, even the strongest of them takes only a few bullets to kill. Even the bosses are relatively mortal and most of them can be taken down with a single shotgun blast.

The game balances this out by making your character very much mortal as well. Bullets do quite a bit of damage, and a single shotgun blast will take off more than half your health (and kill you on higher difficulty). The bosses in particular do a great deal of damage, and the toughest of them can kill you with three or four shots.

All this makes the gameplay in Outlaws a bit different from other first person shooters, as instead of charging in guns blazing you'll often have to duck, take cover being obstacles, and sneak up on your enemies or snipe them from afar. Of course if you really prefer the "Doom" style of play the easiest difficulty setting allows it (In this game difficulty doesn't cause more enemies or respawning, but instead decides how human or superhuman your character is and how much damage they can take).

Level design is also top-notch, and most of the levels look like they'd fit perfectly into a wild west movie. The majority of levels take place in large, wide-open outdoor spaces, showing how good the "Dark Forces" engine is at this. Level locations include frontier towns, Spanish forts, desert canyons, gold mines, and even a speeding train. The last level in particular is a huge ranch-style mansion that's really fun to run around in.

The main "story" part of the game is a bit short, with only ten levels overall. However there's also a "historical missions" game which has six extra levels as well as three bonus levels which are unlocked with points gained by completing the extra levels successfully. The bonus levels contain some cool surprises, such as a shooting gallery, an Indiana Jones style cave adventure complete with booby-traps, and a showdown with the game's only superhuman enemy, Max the psychotic rabbit from Lucasart's own Sam & Max Hit the Road.

The music in this game is amazing. The music in the intro credits actually sounds like it belongs in a real wild west movie, and the in-game CD music is very much the same.

The animated cutscenes are simply breath-taking. There's a cutscene at the end of each level which helps to move the plot along and link the different levels together. The animation is very smooth and the coloring seems to be in a sort of "watercolor" style which makes for very beautiful backgrounds. The style of animation is fairly mature and not "cartoony" which fits the serious subject matter. And it is quite serious. Your wife is killed by outlaws in the intro movie, and by the end of the game almost every character except you and your daughter will end up dead (you kill most of them). The game's violence is high but not graphic. There's very little blood in any of the cutscenes even though a few characters are killed rather violently off-screen (one guy gets cut in half by a sawblade), and only a little in the game itself. The hand-drawn animation is also not limited to the cutscenes. During the game, all of your weapons are hand-drawn as well. This is certainly interesting to look at.

Finally, there's the game's surprisingly strong story. This is perhaps one of the strongest stories I've seen in a first person shooter. It's also rather derivative with many of its elements being taken from old wild west movies, but that's all part of its charm. There's the vengence seeking ex-lawman, the greedy land baron, the cold-blooded murderous henchman who quotes Shakespeare and the bible. In fact the game's plot is more inter-woven and complex than you might first realise, and the ending manages to elevate the over-arching story to an entirely new level.

First Person Shooters always seem to have short, pointless endings (even today this seems to be true). I'm glad to say Outlaws is at least one game that doesn't suffer from this problem. Marshall Anderson's last gunfight with Bob Graham and the subsequent ending cutscene actually manages to tie-up the game's plot, and there's even a strong surprise at the very end. Finally there's a touching scene of you and your daughter leaving Graham's Big Rock Ranch behind and riding off into the sunset while the credits roll.

The Bad
I can honestly say that there's nothing about this game I don't like. The only real complaint I think anyone might have is that LucasArts is still using the Dark Forces bitmapped engine when true-3D polygon games have already been out for more than a year, and Quake 2 about to be released. However the gameplay is so good I really don't mind that the technology seems a bit dated.

The controls can also be a bit awkward since there are so many buttons you'll need to press in the middle of combat (fire, secondary fire, reload, duck, jump, etc). The default configuration isn't very good and it took me about an hour or so to get a custom configuration which I was comfortable with.

I would have preferred having a bit more variety in the enemies, but I can understand how the game may have limited the enemy types in order to stay faithful to the genre (the poison spitting tarantulas were probably streching credulity already).

The Bottom Line
Outlaws is a first person shooter set in the style of the old spaghetti western movies. Its differs a bit from the standard FPS formula, but does so in a good way. If you like westerns or like first person shooters and aren't married to your Voodoo II, than you'll probably enjoy this game. I know I did.

The Good
After making adventure games for years, LucasArts decided to take a rest from them and focus on creating a first-person shooter that has a Wild West setting. It is called Outlaws and it tells the story of Marshal James Anderson, who has just retired from gunslinging and bought himself a plot of land, along with a beautiful wife and daughter. Bob Graham (a.k.a. The Gentleman) wishes to get rid of this land to make way for a railroad, but Anderson refuses to budge. Then one day Anderson returns home from town, only to find his house burnt down, his wife murdered, and his daughter kidnapped.

All these events can be viewed in a CG-rendered cinematic, and this sets the game up nicely. Similar cinematics are displayed in between the game's levels and has someone telling Anderson where his daughter is and also has him riding his house to his next location. Special filters are applied to make the cinematics appear hand drawn, similar to what has been done with The Last Express.

There are about nine levels in the game, and each one is populated with cowboys. The aim of each level is reach the bosses and destroy them to get to the next level. As common with most first-person shooters of its day, there are certain doors that require a key. Outlaws is one of the last games to feature a map, which you can use to get around the level and navigate dark areas without the need for oil. Not only can you zoom in and out of the map, but you can find out how many secrets you've discovered and how close you are to the boss.

The game includes some realism. Nearly all of the weapons you can pick up - pistols, shotguns, sniper rifles, dynamite - are common back in the Wild West era, and you have to manually reload them instead of the game automatically doing it for you. I like the little stamina meter on the HUD, which goes down while you are performing specific movements. If you keep jumping around, Anderson will start huffing, and this adds a nice touch to the game.

Outlaws has some great graphics and stunning locations. In the first level, you browse a village that consists of a couple houses and I loved looking through these; and in the next, you are shooting through a town that consists of buildings that are common back in the era, such as saloon, bank, telegraph office, and jail. And in the third level, you get to shoot cowboys on a moving train. Each level has clouds that serve as a skybox. You can make the clouds move by enabling hardware acceleration, but doing this caused the game to crash on my system. Oh well, you can't have everything. Finally, the backdrop used for the credits look stunning, especially when you view them at the end of the game.

LucasArts may have stopped making adventure games after 1995, but that doesn't mean they couldn't incorporate adventure and puzzle elements into the game. In almost each level, you have to find certain items other than dynamite, health, or ammo and use them in a specific area that will direct you to the level's boss. As for the puzzles, the most challenging one has to be on level five, where you need to alter the water flow of a channel that will lead to different areas.

The game's music is stored as CD Audio tracks, a technique a few game companies used in the mid-nineties. The music is brilliantly composed, and fits the western theme of the game quite well. Unlike other games that also use CD Audio tracks such as Quake II, the music doesn't loop while you are on a certain level, but instead plays the next piece of music in the queue, and since the music used for the entire game is split across the two CDs, this means that if you get sick of the same tracks playing, you are free to insert the other CD and listen to other tracks without consequence.

The sound effects are nice. Each weapon in the game has realistic sounds, and when you pick up an item, the game makes a rattlesnake sound. The cowboys in the game taunt you, saying lines such as "Don't be a fool, marshal" and "Hey, Mr. Law Man". Only the bosses use specific lines. I found the Indian known as Two Fingers hilarious, as he says such nonsense like "You are a dead man walking" and "Too slow. You will regret that".

The game features an extra mode called "Historical Missions", and this mode chronicles the life of Anderson before he became marshal. There are five levels, in which you go around shooting cowboys, solving puzzles and killing a leader. One of these is the "Marshal Training" level where you can enter what looks like outhouses, and one of them features characters that totally look out of place in the game, and they do a pathetic job at killing you. I decided to play these missions before doing the actual game.

The Bad
You have to swap discs during the game, because the first half of the levels are on one disc while the other half is on another. I don't see why LucasArts couldn't ask you to do this during the installation, then have the soundtracks as MP3 files. Also, I agree with John Romero in his review: you are forced to go to the game's menu if you want to save or load a game, and this becomes tedious after a while.

The Bottom Line
Outlaws is not the first first-person shooter LucasArts made. Dark Forces was released two years earlier, and Outlaws uses the game's engine. The game incorporates CG-rendered cinematics which add more depth to the story, and both the graphics and sound (including the soundtracks) blend in with the game's wild west theme. The gameplay, meanwhile, is a mixture of action, adventure, and puzzle-solving. Realism is added in the way you have to reload your gun manually, and your stamina levels decrease over time if you do certain tasks. Although there is a fair amount of CD swapping, this is a good game that every fan of Western games should play.