Sanitarium

The Good
There's a lot to like about Sanitarium, it's creepy, it's got a simple and easy interface, it's got fairly decent graphics and sounds but most importantly it's got a remarkably grim and deranged world in which to play in.

The horror in the game is displayed not by gore or massive killing sprees, but with unsettling and disturbing imagery that brings a breath of fresh air (actually decaying, stale air ;D) to the computer monitor. Most of it is really wild, with deformed children, bottled babies, some disturbing examples of how the insane people can get, etc. etc. and it's all very original stuff, with some "homages" paid to several horror movies and novels (I recognized the "Children of the Corn" pretty early on, which is devoted an almost entire sequence) It's all pretty hardcore though, so don't expect to see Freddy Krueger references, try some Lovecraft or stuff like that.

In essence the horror of the game happens more on a psychological level, with the use of suggestive imagery that reaaally puts you in a somber mood. It's no coincidence for instance the recurring theme of children: caged children, mutilated babies, kids having their blood sucked out, deformed kids, etc. As you know, children are the future, the pure representations of hopes and illusions so... well, I'll let you connect the dots yourself while I applaud the designers for making something so utterly disturbing. Oh yeah, and the plot also revolves around dying children... that tell you something??

Speaking of the story itself, the game casts you as a patient in an asylum who can't remember nothing about himself, yet several hints point out that he may not belong there, on the other hand he does suffer from some reaaally twisted delusions and traumas that make up for the bulk of the game. As you move along the story, you'll move between the "real" world where Max tries to come to terms with what's happening to him and a series of weird realities product of Max's insanity... or not?? A lot of these illusions spring from the traumatic mind of Max, but there seems to be some other supernatural events afoot too... This element is really the star of the show the way I see it, the constant ping pong between what seems to be a clear illusion which turns out to be firmly rooted in reality, which can only be explained via some supernatural implications... Is Max really mad?? Is reality (if you'll pardon the pun) really real? This stuff is great!!!

Unfortunately....

The Bad
...Unfortunately the designers chose not to run with said premise and you can actually see the game abandoning that idea around mid-game, and focusing on a sort of "whodunnit" plotline where you become a victim of corporate interest... This effectively "yanks down to earth" the whole game and is a big mistake, since you effectively kill the element that brings most intrigue and power to the game! It is not enough to just throw some freaky images your way to scare you, you have to get involved in them, and you have to have a reason to "want" to see them, as the game started the reason was that what you really didn't knew for sure that all the freaky stuff that happened was part of Max's imagination, after a few chapters that is all abandoned for the sake of giving your character a motive, and making some sort of "possible" plotline... Screw possible! Go with the supernatural!! Go with the unexplainable!! There's where the horror really lurks!!! Ah.... what a waste...

This quite literally killed the "fright factor" for me, and also the immersion with the game, which was already paper-thin. You see, the game uses an isometric perspective from which everything is seen faaaaar, faaaaar away. Things don't happen to you in this game, they happen to a little guy that's a mile away in the computer screen, always in the same angle... Most 2D adventures at least use changes of perspective every now and then to give a more cinematic experience but you get squat here. Add to that the extremely bare-bones way in which dialogues are handled (a small text box which pops up from below with still faces of whoever is speaking on either side), a complete inability to run which forces you to play an adventuresque version of Diablo (except you can't whack monsters around for fun in here) and you've got yourself a game that can't be pretty exhausting if played for a long while.

Other problems come in the form of inconsistent voice-acting. Sometimes it's great, sometimes you skip it as soon as you read it. For instance the kid actors in the game make a remarkable job and come off very natural and realistic, but your character sounds like he overacts each line! He must have attended the William Shatner school of voice acting or something... And I challenge anyone to tell me that Grimwall or Olmec (especially Olmec) sound TOO much like Buzz Lightyear on steroids.

Aside from that there's the fact that the game is pretty simple and straightforward, which I haven't really decided if it's good or bad... maybe it's both.

The Bottom Line
Well, Sanitarium is unique, Sanitarium plays good, Sanitarium works without major problems... Is Sanitarium the best horror adventure ever made?? Nope, neither horror-wise nor adventure-wise. But it is a wild ride, and required playing for lovers of the weird and unique.

The Good
I welcomed very much that Santitarium isn't one of these adventure games where you spent most of the time listening to the neverending boring stories of even more boring characters. No. It's actually quite fun. The conversations are kept pretty short and interesting. Well done ! And - of course - I liked the story, which is put together by about 35 rendered movie sequences bringing light in the - as it seems at first - quite bizarre situation. Am I dreaming ? Am I insane ? This can't be reality ! Can it ? You really don't know what to believe in the first hours of gaming. But believe me ... in the end everything will make sense. Again: Well done !

The Bad
Well, the bad German localization and voice acting killed a lot of the atmosphere. Another point is the low moving speed of the main character. Yet, I could quite live with it. A running protagonist wouldn't have fit in this game anyway. One last point one could mention here is, that the playing time is rather short. I finished the game in 2 evenings.

The Bottom Line
Being not a direct competitor to rather epic serious adventure games like Gabriel Knight, Sanitarium is still a very well designed game keeping you fascinated for 2 evenings.

The Good

Bizarre. That is the only word that can summarize this game. You play Max, an amnesiac who may or may not be insane, in an environment that is either his subconsciousness, or a hallucinatory version of the insane asylum he is in. Or both. Sounds like a good idea for a video game? Of course it does!

This basic idea is easily the strongest point of the whole game. I'm not sure it is completely unique, but at the very least games dealing with minds of the insane are not particularly common. "Sanitarium" is divided into several chapters, some of which manage to display the mess that is inside human brain wonderfully. The others, unfortunately, don't, but I'll return to that later. The atmosphere and the subtle details linking the chapters together (like the recurring circus and clown motif) are very impressive (even though the graphics are not particularly so, especially in the cutscenes) and seem to show that someone was really thinking when putting the whole game together. The interface is very simplistic and easy to use. And of course there are several very creepy and disturbing (which does not mean frightening) moments.

The Bad

Unfortunately, there are flaws, and quite a lot of those. The most obvious design mistake is that the by far strongest chapter is the second one. And if that wasn't enough, the second best follows almost immediately afterward and from there on it gets steadily worse. Partly it's because the writers (as mentioned in other reviews here) desperately try to find a sensible plot, reducing all the madness to a hallucination, which essentially means that you stop caring for your hero and, well, about the game as such.

The other thing is that especially the later chapters are connected only very loosely to the rest. This is particularly true of the "comic book" chapter and the incredibly annoying "Mayan" chapter that feel like completely different games that have been added for some very obscure reason as an afterthought. They are different not only visually, but also in overall style; I even think the Mayan chapter was actually supposed to be funny - and I have to stress I did not register anything even remotely resembling a joke in the rest of the game! And if it wasn't meant to be funny... Well, that's even worse.

Then there are the puzzles, which are terribly easy and with very obvious solutions. If you ever get stuck, it is quite likely because you overlooked something (which happens rather a lot). Mostly you just walk around and talk to everyone about everything; the first part of the Mayan chapter in fact consists of virtually nothing else but endless walking and talking. To make the game more difficult, it is seasoned with some "action" sequences that just show that the interface that was more than good for an adventure game is otherwise completely useless (and yet again I point to the Mayan chapter - as if we all didn't know mazes in an adventure game have never ever been a good idea).

What's also incredibly irritating is the walking pace of your character. Almost all of Max's incarnations you will control (yes, there are more than one) are incredibly slow, considering you spend vast majority of playing time walking around. If there were a way to speed him up, the game would be much shorter - and it actually is quite short even as it is. And a last point, though I agree this is nitpicking, the savegame files have a completely ridiculous size for an absolutely linear adventure game - averaging about 1.5 megabytes each (easily RAR-able into about 15 kilobytes). I know that's not really an issue on modern machines, but I think that tells you something about the game's programmers.

The Bottom Line

The beginning of the game is very good and unique, but as it progresses, it becomes more and more annoying and I quite frankly finished it just because I knew I was almost at the end.

Nevertheless, I heartily recommend giving "Sanitarium" a try - but if you can manage that, stop playing after the end of the Mansion segment. You'll have a gaming experience to remember and save yourself a lot of disappointment.