Call of Cthulhu: Dark Corners of the Earth

The Good
I'm scrambling along the wall of a warehouse while the yokels inside are blasting away blindly, shooting out the windows above my head and showering me with glass. Diving into cover and applying bandages to stop the bleeding from grazing shotgun pellets. Miraculously, none of my bones were broken after jumping off the loading ramp and out the window.

I am Jack Walters, and I really feel like all of Innsmouth wants me dead.

Of course, I know it's all in vain, ultimately: I've seen Jack die, hanging himself in an insane asylum some time from now. But yet I want to find out how it came to be, to see it through to the end. And that pretty much sums up how Dark Corners of the Earth does a better job than practically any other Lovecraft-themed derivatives at being Lovecraftian — there really is a feeling of being powerless, naked and afraid in the face of unspeakable horrors, and yet crawling along as best you can.

The thing that emphasizes this nakedness the most is the HUD: there isn't one. In fact, this game makes the very notion of a heads-up display seem downright ridiculous, like a remnant of 80's arcade machines. Instead of cute little icons telling you that You Have Activated Sneak Mode, the visual field broadens to give the impression of heightened wariness: when you're near death from blood loss, color drains from the world.

The game consistently never mentions 'hit points', only blood loss. If you caught the early marketing hype, you may have been given the impression that the simulationism went one step too far, with your character being able to catch pneumonia. That didn't make the final cut, probably for the better. Instead, the game implements localized damage to the head, torso, arms and legs. Locations can suffer heavy or light bleeding, poisoning, or broken limbs; different wounds require different medical treatments. This has tactical implications, as for example heavy bleeding requires the short-in-supply sutures, deterring you from getting too close to shotgun wielders. (To make sure the game is still playable, Jack has the metabolism of a hummingbird; he'll heal within a minute if all wounds have been treated, however untreated poisoning will kill him within four.)

It's also true to the Call of Cthulhu tabletop roleplaying system in that fighting is fast and deadly. Don't expect your "circle-strafing" skills to be much use, you need to concentrate on shooting abominations in the head before they can reload. That is, if you have a gun.

...you don't have a gun. You were, after all, just going to a quiet backwater fishing village to investigate a missing grocery store clerk. And no, there aren't guns just lying around for you to pick up. Those things are dangerous. What do you think this is, some sort of game? Nor are you in possession of Garrett's ability to magically fade into the shadows; you're just a private dick caught unaware.

See, calling this game "survival horror" gives people the entirely wrong impression: it's come to denote a very particular style of gameplay, to the point where a game like Disaster Report, which is not a horror game, gets called "survival horror." That's not Dark Corners of the Earth; it's inventive to the point of practically being a genre of one. There really is little today that resembles it — the easiest comparison would probably be to Alone in the Dark of 14 years past, and that is again largely because of the general feeling of style and genuine frights.

This style is evident from the very beginning of the game: when the first cutscene ends, you may not realize it, the transition is so subtle. Walking along, you can sense Jack's footsteps. No, not "head bob," his footsteps. Go into the house and in the door on your left. Peer into the darkness. "It's too dark to see anything, but from the rotting smell, it's probably a food store," Jack tells you. Outstanding. There should be (darkened) demo booths of that intro sequence, it'd probably make it up in shifted units.

All of this inventiveness goes towards lending the game gravity, making you forget that you're playing a game. You know, immersion. That thing games are supposed to be all about. This holds true to such a degree that at one point, going back to try and make it through a section with more medical supplies felt like I was violating the story. It happened that I had been scoping out an area and just happened to look up, and— well, that would be spoiling it. Suffice to say, things that would just be "look, scary thing" in a less inspired game are lovingly crafted in Dark Corners to sneak up on you when you least expect it.

Oh, and the music: you don't notice it. You only notice what it does to you. It's brilliant.

The Bad
This game is meant to be played in the dark, and they mean it. Fiddling with the brightness will give you a genuine feeling, when appropriate, of stumbling about in a darkness where things are vaguely sensed rather than seen. This also means that you simply can't play during the day.

Looking at the minimum specs, you might think this game was outdated long ago; that's more of an artifact of the game's long development history, but yes, the graphics are a bit two-years-ago. However, it puts newer graphics cards to work on dynamic lightning, subtle visual enhancement and the effects that give the impression of being groggy when you've just woken up, queasy when in a room with a corpse, scared out of your wits or high on morphine.

There's little point in running the game at higher resolutions than 800x600; you're better advised to spend the horsepower on antialiasing instead. The thing is, and I realize this is a cliché, it moves beautifully. I could spend all day, or rather all night, looking at that old geezer in the poorhouse as he gazes out the window. Half-Life 2 might have super-detailomatic ReActor(tm) technology or whatever; in Dark Corners of the Earth you're talking to people—really talking with them—who are brought to life within the story.

Okay. In all honesty, there is one thing that detracts from the game later on: dead bodies simply fade into the air. If there was one thing about the game I could change, that would be first on the list.

The Bottom Line
Look a couple of paragraphs above. "Queasy when in a room with a corpse." Have you seen that in any other game? Is there anywhere else you've played a character with enough humanity to actually be a bit dizzy in the face of death?

You need to play Dark Corners to see that a game can do things previously unthought of. And you need to play Dark Corners to be Jack Walters, scurrying along the streets and rooftops of Innsmouth, trying desperately to stay alive.

The Good
The story from start to finish is executed very well. There's a lot of stories to uncover and although it doesn't match Lovecraft's writing, for a computer game it's one of the better, if not the best.

The interface without any indicators also helps the game to be more realistic (injury is indicated by blurring of the screen, broken leg by limping, and so on).

Atmosphere is very dense and scary, escalated by creepy sounds and occasional but very fitting music.

For Czech language version - only texts and subtitles, but very expertly translated with perfect grammar and without lost of meaning.

The Bad
First of all, there's a big bug in some versions of the game (looking at forums it seems like a very common problem) - it is the place where you need to shoot with cannon at mages on the Devil's Reef. The problem is that you can't see them so you don't know where to shoot. There's three solutions to this: 1) Patch - The official patch is non-existent and fan-made unfortunately doesn't work for all versions (mine, for example), 2) Search through forums for saved game after this scene but you lose your Statistics, 3) set the sight on the exact coordinates - also can be found on internet (YouTube).

The movement and control is a little clumsy. There is no run, only walk, so don't count on escaping from any shootouts. The reloading of weapons is not very precise so sometimes you have to push the reload button at least twice. Auto-reload would be better solution I think.

There are different ending according to the Grade you receive (taking in account several Statistics), if you don't have a Grade good enough you will only see a shortened version of the outro. Not a good idea.

The Bottom Line
Call of Cthulhu can be described as an action adventure, or better - action game with adventure bits. You take the role of Jack Walters, a private detective who is hired by a store owner to investigate a case of missing employee of grocery store in Innsmouth (a village regarded as haunted by many). The story comes from a board game (which I'm not familiar) with. It's a mixture of several better known works of H.P. Lovecraft, most notably The Shadow over Innsmouth but also including events, creatures and references from short stories and novellas Call of Cthulhu, The Shadow Out of Time and At the Mountains of Madness. All of them recommeded read after finishing the game.

Not including the scary prelude of the game (I don't want to give out any spoilers), you start in Innsmouth, a dark town with unfriendly faces all around. You don't need to be a genius to know that they don't like strangers around there. Your first steps are to look for whereabouts of the missing person, but during your search, you'll made a great deal of horrifying revelations. The game changes from adventure, to stealth, to action very rapidly and there won't be many friends to help you. Eventually you pick up a variety of weapons to defend yourself and you have to decide which is better - to sneak by enemies, to fight them or to run away. New clues and events will be added into your diary but not until the very end you will be able to understand what's going on (and maybe not even after that, see column The Bad).

On inventory screen you will see everything you need - the items, ammunition, diary, medicaments and health. There's more than one type of injury - some lighter ones will heal itself eventually, some you must heal, broken bone must be fixed with split, poisoning must be treated with antidote. Injuries can be healed manually by picking the places to heal or automatically by clicking the button. Healing process itself takes a few seconds when you can't move so better hide yourself before you use it. You must also look after your psychical health, it means if you encounter too many scary events in quick succession, you start to feel dizzy, mumble to yourself and in the end commit suicide.

Looking at items and operating them is done by Use button. Using items in inventory on something is very easy, just by clicking at them, there is no combining of the items in inventory.

For the shooting there are two modes - quick shot and aimed shot, the latter being recommended as there is no crosshair to aim at. But don't aim too long or your hands begins to shake.

At last I recommend to play only at night because the game is VERY dark and the atmosphere and horror is greatly increased.

Overall Call of Cthulhu: Dark Corners of the Earth is an enjoyable game that is moderately long and can absorb you for a few weeks with a lot to think about during that time.

The Good
"The oldest and strongest emotion of mankind is fear. And the oldest and strongest kind of fear is fear of the unknown."-H.P. Lovecraft-

Call of Cthulhu, has been in development for a long time. Too long. Perhaps like the elder god himself the developers were just waiting for the “stars to be right”. More likely the long delay was a direct result of the game having no publisher until recently. Call of Cthulhu: Dark Corners on the Earth, is based upon the works of American horror writer H.P. Lovecraft.(The 20th Century's successor of Poe.-MM-) It is the first and hopefully not last game based on his work from Euro developer Headfirst. Sure there have been other games inspired by Lovecraft, such as: Alone in the Dark, Shadow of the Comet, Prisoner of Ice, and the excellent Eternal Darkness. This game is like nothing seen before in survival horror gaming.

"That is not dead which can eternal lie, And with strange eons even death may die."-The Necronomicon, Abdul Alhazard-

In CoC:DcotE, you assume the role of Jack Walters, a Private Investigator, whom has recently had some luck cracking difficult cases. The game begins with what will be his most difficult yet, and lead Jack to confront The Great Old Ones. Years later Jack is released from Arkham Asylum, as he rebuilds his life, he receives a call that will send him to Innsmouth, a decrepit village only spoken of in hushed tones. And should be well to familiar to any Lovecraft reader. The investigation will soon have Jack running for his life in some of the most exciting sequences in any game. And will draw him deeper into the abysmal horror that exists just beyond the veil of reality. I will not divulge any more of the plot. It is the games strongest suit, and will keeping you playing even as the game gets exceedingly difficult, but more on that later.

"Out from ruins once possessed fallen city, living death"-The Thing That Should Not Be, Metallica-

The Graphics are quite good, and I found that the screens do it little justice. The use of lighting is pure genius, as is the grain filter, which helps Innsmouth look dilapidated just as it should. The only downside would be that the sanity effects can be quite annoying at time and incredible at others.

The Sound and Music excels as it should in any horror game worth it’s salt. Creepy sound effects heighten the experience especially during the Jack’s decent into madness. Music is scare but all of the tunes are memorable, particularly one recurring tune with lyrics.

"In his house at R'lyeh dead Cthulhu waits dreaming."- H.P. Lovecraft, Call of Cthulhu-

The Gameplay, is different from typical horror games in a good way. Firstly the P.O.V. is entirely in the first person, which helps draw the player into the game, as well as alleviates, bad “cinematic” views in which you cannot see what you are doing. Resident Evil I’m looking at you. And healing wounds is not as easy as quaffing a potion, you must treat each wound individually. With bandages, splints, and stitches. The sanity effects heighten the experience, hearing voices, hallucinations, and vertigo are all common place. The effects can get in the way particularly the vertigo, and panic attacks. This game is truly an adventure game with combat, as most of the game is spent collecting items and solving puzzles. Mostly you avoid combat, yet the combat itself is functional, and enjoyable, there’s nothing like blowing away an evil hybrid. This game is not for children, as just about everything that a game can receive an Mature rating for this game has.

The combat can take some getting used to. As the FPS with no cross heir is non-existent. Once you obtain a gun, a few hours into the game, you can finally fight back. However that is not an invitation to blow everything in sight away.

When using guns there are two ways top fire. Normal fire, which is less precise. And aimed mode. In which you can target certain body parts. The head, of leg or arm, etc. However if you hold the gun in aim mode too long, Jack's arm will start to shake and make your shots less accurate.

Targeting has other benefits as well. Head shots, of course will deliver instant death to any foes. While shooting the arm of an enemy will make it harder for them to shoot you. If you shoot them in the leg, they will limp and be easier to kill or escape from. Be warned however as they can do the same to you!

The Bad
The Shadow Over Innsmouth

This being said this one is far from perfect. As mentioned certain sanity effects can complicate things. The game can also be frustratingly hard. The game is actually very liner. That is to say that you have to accomplish events an exact way, and you may fail often until you find it. But it will be the excellent plot that keeps you coming back for more.

At some points in the game there are endless hybrids. This is a gameplay flaw. It is annoying. And often you will not realize that the foes will not stop. This also contradicts the short stories, from which the game is based. As in those we learn that Innsmouth has only about 100 people. Where as in the game it can seem there are 10 times that.

In the later stages of the game save points become less and less common. Which means you will end up playing some of the same parts over and over.

The Bottom Line
The Shadow Out Of Time

Any fan of Lovecraft’s “Weird Fiction” as he called it, should check this one out. They probably already have. So anyone who like horror games, or adventure games should also check it out. In the end this game shows how inferior other older horror games are. Headfirst is working on two more Cthulhu games here’s hoping it does not take as long to come out this time. If they ever come out at all. So heed Cthulhu’s call and try this game.