Medal of Honor: Frontline

The Good
+ Customisable controls
+ Excellent presentation
+ Great soundtrack
+ Adequate graphics


The Bad
- Clunky, stiff controls
- Some cryptic mission objectives
- Unstable framerate
- Finicky hit detection


The Bottom Line
Presentation: 90/100
The introduction is excellent, as well as that the first level is a part of D-Day, and can sometimes feel like as if you are part of the battle.

Graphics: 80/100
The graphics are adequate, as well as much of the level designs, but the framerate can sometimes drop if the action gets very hectic.

Audio: 87/100
The gunshots are realistic, and the voice-acting is passable. But what stands out in the sound department is the excellent soundtrack. This game also supports Dolby Surround.

Controls: 55/100
Medal of Honor: Frontline is a decent game, but could've been better if the developers ironed out some control issues. The controls is one of them; while having the ability to customise almost any button is a great idea, but being forced to use an imprecise aiming sensitivity is not, turning and looking can be either too slow or too fast, and also there's no auto-aiming or a sensitivity adjuster to remedy this issue. To add insult to the injury, you have to be pinpoint accurate, and aiming in general is stiff and unfriendly. The controls is a mixed bag with no auto-aiming, and with the imprecise aiming which is compensated by customisable controls.

Difficulty: Easy but technically frustrating
The game on easy is generally very easy, while hard is fairly difficult, especially when you're fidgeting around with the aiming. Getting shot is not as easy to tell as it was in the previous games; in the original Medal of Honor, the screen would violently shake, indicating that you're taking damage, but here, the screen makes a small screen jerk that's almost unnoticeable.

Gameplay: 80/100
The main gameplay is great, but leaves room for improvement. The AI is adequate, the level designs are good, but there are certain issues in gameplay, such as how it's sometime hard to tell if you are taking damage or not. While that there's no blood anywhere in the game, the enemies sure like to put a show to their rather long death animations, but it can turn redundant as some animations can become delayed. The rate of fire for most weapons are reasonable (eg. Colt .45, MP40), but some are questionable (Silenced Pistol).

Overall: 79/100
Medal of Honor: Frontline is a decent game, but its weaknesses, such as the crippled control can affect the gameplay. If you can overlook these flaws, you'll have a lot of fun with the game.

Score: 79/100

The Good
The first time I saw Frontline on a shelf at Blockbuster I was a little curious, after seeing so many articles about the PC versions and the original PSone games, I was intrigued that a newer console version was released. I knew that it wouldn't be as good as the PC version, but still I was pleasantly surprised.

To start of the graphics are phenomenal for that time, even though they are a bit dated now. The tracers from gunfire, the dirt and mud from mortar rounds impacting, grenade blasts, rock chipping around you, it really does convey that you are in a war zone. Also the texturing and the lighting are pretty damn impressive too, even to this day I'm still impressed how well this game looked back then.

The controls take a little bit to get used to, but luckily they are easy to learn and once you get them down pat, it's not a problem. The music is great as well, each level's music fits and certain situations can get your blood pumping.

The choice of weapons really help the game along, from pistols, grenades, machine guns and rifles (my personal favorite is the Springfield 03) and the plentiful ammo and health refills in some of the easier modes can make the game bearable, especially when you are ambushed which happens from time to time.

The variety of levels are a plus too, from storming the beaches of Normandy to a U-Boat even, there's no lack of variety. Two of my favorites is the mission in the Netherlands and the Nijmegen Bridge where the sniper rifle is present. It's really fun to use it and pick off Germans especially the ones running, it's always fun to watch them flip backwards or shooting them off of the Nijmegen Bridge.

In short, this game really does have a lot to offer.

The Bad
Well, a few things did bother me, one was the physics of the NPCs, it's a shame they couldn't incorporate some kind of rag doll effects instead of the preset animations. It's not really a drawback, just a personal preference, however it can be fun too at times, especially if you use the sniper rifle to shoot out an enemies knee having them fall face down and shoot through the top of their head (what can I say, I love to do sadistic things at times). I do wish though that vehicles could have been implemented, you can use fixed machine guns from time to time, but it would have been nice to use a tank, a half-track, shoot from a plane or something. To me that was a major disappointment.

Now the lack of blood doesn't bother me, in fact I think that is what gave the game a kind of charm, the thing that bothered me was the storming of the beaches. Now bear in mind, I know that the technology was a bit limited back then, but I was expecting something along the caliber of Saving Private Ryan with dead bodies strewn across the beach especially after the boat capsizes and you can see men get shot through the water, similar to the movie. Sadly though, you only get a few dead bodies, now true there is a lot of chaos with mortar rounds and machine gun nests bearing down on you which helps it along and distracts you from the lack of bodies.

Also along the lines, the game doesn't have that feel of realism that the modern war games have, instead this one has a pure sense of going commando. Now true some missions you have some help and run with a squad at times, but infiltrating a U-boat in a crate, taking out basically an entire division at a dock, sabotaging a armored train or even breaking into a top secret Nazi facility. This game is a bit more fiction, but still it has it's charm, it just doesn't have that sense of realism storyline-wise that the modern day games have.

The Bottom Line
In the end, Frontlines is still pretty damn impressive to this day, now true compared to the newer games (next-gen not withstanding), especially the Call of Duty games it really doesn't match up that well. Still, Frontlines came along at the perfect time and helped pave the way for the future Medal of Honor and Call of Duty titles on the consoles.

So if you have never experienced this game at least give it a shot, odds are you can find it cheap at any local video store especially now with the declining of the PS2 on the horizon, it'll be pretty cheap, but you will still get your money's worth.

The Good
Your total hero and mine James Patterson makes his return in this game with six missions ablazing. There’s nice World War 2 references to Operation Market Garden and Flying Wing Technology and you’re in the thick of the fighting. Making the fight interesting are machine gun positions you break through and seize, a couple of instances where you go undercover and you get to fight your first ever boss in the series - Sturmgeist. Lastly you’ve got a new welcoming music album from none other than Michael Giacchino. That is all you need to know about the highlights of the game.

The Bad
Graphically the game is hardly any better than the first two PSX entries in the series, with uninteresting, dull colored textures. Frame rate seems to stutter when you fire your automatics full blast or when there’s too much activity going on. Movement is clunky and the camera seems to slide like a remote controlled car, so it doesn’t seem like the perspective of an actual person. Also a sniper scope has a nasty habit of zooming out every time you fire a shot. It’s as if Patterson is stumbling from carrying all those weapons. And speaking of weapons, you don’t really get anything new like the Sauer 38H and Suomi KP/-31, just the usual American and German arms you saw in the last three games.

Presentation has apparently downgraded from the game’s predecessors. The OSS office is just a plain desk with personal items. The mission briefings include lazily used cutscenes ripped straight from the game instead of photos and painted artwork. Also those mission briefings seem to act as it Patterson keeps leaving Germany back to London and then returning to his mission where he left off, which doesn’t make a lot of sense seeing as he’s deep in Nazi-controlled territory, 1000 miles from the British coast.

And what do the six missions throw in your face? Well, the first mission is more or less a repeat of what Mike Powell did in Omaha Beach in Allied Assault. Tight spaces like inside a submarine and small houses make shootouts awkward, due to the slow aiming. Adding to this, the rail shooting parts such as the mine cart ruin the free movement you would be accustomed to.

The Bottom Line
This game doesn’t really live up to its title name. The only frontline proper you ever got was in the first mission. This one should have been called “Medal of Honor: Covert Operations” or something. It’s hardly a match for the Allied Assault series as what it’s got falls below expectations and on a newer console too. It feels like EA got too much inspiration from movies and not enough from real-life events or factual history and wasn’t using the full capabilities of the PS2. Your sole reason to play this one is to play more MOH levels. In the end, it’s just a mediocre midquel to the original PS1 game.