The Dig

The Good
The Dig was a favorite of mine as a kid, even though I never completed it until recently (on modern hardware with the help of ScummVM). Visually, it is flush with stunning, eerie alien landscapes. The soundscape is nearly as expansive, with good sound effects and a nice ambient soundtrack that accompanies you throughout the game. The voice acting is also consistently well-done, as are the handful of in-game cutscenes.

All of these elements come together to evoke the feeling of being marooned on an alien world. You encounter wondrous and strange alien technology, and learn of its benefits and perils over the course of the game.

The plot is not without its twists and turns, and the truth about the fate of the alien species serves as a cautionary tale of hubris and pushing technology too far.

The end of the game is decent, including a compelling dilemma regarding the fate of the female lead. The ending itself will vary slightly depending upon your decision.

The Bad
I have few complaints about this game. The ending was a bit on the corny side for my taste, as were the aliens (except for "the inventor").

On a few rare occasions, the visual styles of the game clashed, such as a 3D animated monster trying to attack a cartoon-style sprite.

Also, a few of the puzzles struck me as a bit too complex, but one would expect them to be, as they are of alien craft. Namely, the "servo" puzzle was a bit tedious, and I admit to seeking help on it.

However, I did not find the "bones" puzzle to be quite as awful as most people said it was. It's much easier if you're observant enough to locate the nearby fossil, which provides valuable clues as to the shape of the animal.

The Bottom Line
An elegant adventure with a compelling storyline, beautiful graphics (for the time), and a pleasing soundscape that come together to form an immersive experience. Pay no heed to the critics. If you enjoy science fiction at all, or want to feel the thrill of investigating the abandoned world of a lost alien civilization, pick up a copy of The Dig by all means.

The Good
This game has some interesting and not so interesting but nice qualities. I liked the cool cinematic sequences and the sort of Spielberesque movie music. The story manages to be intriguing and the atmosphere also works for me. The puzzles are a little atypical but I'd say they were difficult enough and kind of refreshing. The tone of the game is between dramatic and facetious, something that I thought was well handled (I did laugh, I did smile, and I was surprised at the level of cynicism in the game). The voice acting is competent.

The Bad
I think it lacks something. It lacks more adventure gaming. The inventory possibilities were not so abundant and some puzzles didn't make any damn sense and were silly too.

I also noticed plot holes in the story (like how the first ghost managed to give the team the crystal rod if the ghosts supposedly can't cause anything in Spacetime 4 but little energy disturbances?). The game ends too abruptly and the happy ending was cheap.

The inflated music turns monotonous eventually.

The Bottom Line
An atypical and sort of interesting Lucasarts adventure game.

The Good
This is one of the last Lucas Arts's adventures that I had it left to play. Due to opinions and comments that I had read about it since long ago, I always thought perhaps it's not a great adventure. I imagined it was a good one, but not enough in order to consider it a classic. Well, my imagination (and much people) couldn't be more wrong: The Dig is amazing and should be an unforgettable classic. The key in The Dig is its atmospheric and intriguing story, unlike most of Lucas Arts's adventures, in which hilarious comedy and crazy-but-sidesplitting puzzles constitute their cores (Monkey Islands, Sam & Max, etc.). But The Dig has a gameplay with excellent puzzles and dialogues too…

In The Dig we take the role of Boston Low, a commander in charge of an expedition toward an asteroid which is on trajectory of collision with the Earth. Needless to say, all isn't what it seems to be, and together with his crew, the journalist Maggie Robbins and the geologist/archaeologist Dr. Ludger Brink, he initiates a fascinating adventure in a mysterious alien world. The story is full of surprises (but don't worry, I'm not going to reveal anything), and the involved-in-mystery ambience remains throughout the game. There is no moment to be bored. There are always something to explore, try and talk. Since the emphasis of the game is put in the story, and this, in turn, emphasizes the relationship between the protagonists, one would expect the dialogues offer more than some clues of puzzles and simple comments in order to "advance" through the plot: sure enough, the writers did a surprising job which surpasses any expectation. Conversations with our co-protagonist and thoughts of each one are excellently written, adding personality, emotion, humor and credibility to them and to the story. The adopted style for dialogues is similar to the one in George Lucas and Steven Spielberg's adventure movies such as Indy, and Jurassic Park, that is, with enough seriousness to be convincing in dramatic moments, but also with lots of funny and unconcerned comments in order to make the adventure relaxing and amusing, without to be a comedy. Although The Dig's tone is some more serious than above films (Indy, especially), I think they serve like an example. Besides, the whole storytelling looks like directed by Spielberg, and not only dialogues, so such movies should give you also a general idea of how is the story's unfolding in The Dig: astonishing at every instant!

The gameplay is as engrossing as its story. Although the game's mechanics is similar to other LucasArts's adventures (something good by itself), it's surprising how the designers accomplished that every action were truly an important and convincing part of the story. Puzzles are very diverse, and they require exploring, talking and combining items. They are challenging (but intuitive), clever and gratifying. There is no frustration; here, there is a story to tell first, by means of a perfectly integrated to the story and its world gameplay. "To play" The Dig is a pleasure.

The audio-video aspect is an essential part in The Dig: not only it helped to sell a few more copies, but also to create an atmosphere as immersive as very few games (independently genre and age) could reach. Its graphics are simply fabulous. The exquisitely illustrated and animated landscapes, characters' animations like cartoons, and the excellent cut-scenes join to make a cinematographic experience from beginning to end. Together with Full Throttle, The Dig originated the "movie style" in graphic adventures. Equally grandiose is the audio side. The entire game is enriched by an highest quality (artistic and technic) audio labor: clear-cut environmental sounds, characters' every action are recreated with proper sounds, etc. Continuing with "cinematographic experience", the speech work is first class as well, and it's not a simple accessory as in other adventures. This task was performed with a professionalism and quality comparable to any movie which I referred to before. And I don't mean only professional actors (which certainly are professionals, like Robert Patrick), but also the whole team behind this aspect (director, editor, etc.). The musical selection is outstanding, and it couldn't be more appropriate: whether you ear the subtle music-sounds tunes that accompanies us on the outer space, which convey the infinite and intimidating greatness of space, or relaxing and reflexive melodies at the seashore, or emotional choral compositions, your ears (and your spirits) will be rewarded at every moment. Definitely, this point of the game is a strong one.

The Bad


The Bottom Line
It's a shame that much people ignore this game because it was underestimated and forgotten by others with absolute injustice. The Dig is a brilliant experience that dives us masterfully in a strange, but beautiful alien world, full of secrets and surprises. Believe me, it's truly worth it.