System Shock

The Good
IMO, System Shock is the best game ever made (Well, apart from UFO: Enemy Unknown, perhaps, but it's a really close thing). Where do I start? Shock has it all: A stunningly detailed and believable environment with awesome graphics, lovingly crafted and dripping with atmosphere ... An amazing story that unfolds with plenty of neat twists and interesting characters ... Memorable, evocative, driving music ... Horrifically scary moments lurking round any corner, helped by really frightening sound effects ... Two distinct game worlds - The real-world of a dark, terror-filled space station and the virtual world of cyberspace, with its colourful, abstract rooms and tunnels ... A vast array of weaponary and equipment to find and use ... Huge, varied levels, each with its own particular atmosphere and goals.

Basically, you're alone. You've got a vast gameworld to sneak, climb and crawl through. Equipment is scattered around, if you can find it; Search through dead bodies, desks and cupboards and break into storerooms. There are hideous mutants and twistedly reprogrammed robots lurking in the shadows, waiting to chew your face off or pulverise you or blast you. There's the whole realm of cyberspace to explore, when you can find a cyberjack and a danger-free moment to plug in. In there, you can grab information and software (including the collection of entertainment softs, each one a miniature Xmas :) and take an all-too brief respite from the hell outside. You have to stay alive, conserve ammo, upgrade your weaponary and keep a supply of medical and bio-enhancement patches handy. You'll travel through many different levels of the station, including medical, executive and leisure decks. And all the way you'll be taunted and frightened by Shodan, your nemesis and delighted tormentor.

To play System Shock is to envelop yourself in another world, another life. Terrifying, yes, but awe-inspiring and addictive, too. This is a place so detailed, so well designed, that you can almost touch it.

On another note, this game is so much better than the very overrated Half-Life. After hearing so much about HL I had to play it. At the same time, by coincidence, I was playing System Shock through, for the second time (the first time was in 1994, when I bought it). I enjoyed HL at first, but as time went on, I found that there was a lot that annoyed me, and bored me, about it and I couldn't help thinking, "System Shock is so much better than this, and so much more fun." Basically, when I played HL, I wished I was playing System Shock, and when I played System Shock, I had a genuinely amazing time, and realised how dull HL was in comparison. If you loved Half-Life, then my apologies, but this is how I feel. System Shock is 7 years old now, but still totally kicks the rear-end of so many games that have been released since.

The Bad
There's hardly anything I can criticise about this game. I don't love the door-lock puzzles, but there's nothing wrong with them, either. Hmm, can I think of anything wrong with this game? Um...No. It's damn near perfect.

The Bottom Line
System Shock is an all-time classic, a game in a million. Yeah, plenty of 1st person shooters and 1st person RPG/adventure/shooters have come out since it was released, but System Shock is just in a class of its own. Maybe better games will arrive (I've just bought Deus Ex and it's the next game I'm going to be playing) - I'm sure they will sometime - but System Shock is an individual character and a really unique, stylish game. It has so many elements and they all fit together so well that it will always stand out from the crowd. Congratulations and infinite thanks to the team who worked at Looking Glass - This game is beautiful.

The Good
Compelling plot, strong sense of an intelligent adversary (it doesn't just wait for you to come kill it, it sets traps and ambushes), separately adjustable difficulty for combat and puzzles. Convincing 3-D world with working cameras, variable gravity, real projectiles, movable objects. Wide variety of weapons. First game with a "cyberspace" for hacking. Some of the traps were so scary that I screamed out loud. WAY ahead of its time. System Shock doesn't just rule - it rules from orbit.

Note that some of the voice features of the game were not in the original release but were appeared in a later enhancement - these add a lot to the experience and you should make sure you have them. (The Mac port includes these.)

The Bad
The monsters are not really 3-D but just 2-D projections which vary with angle, so their motion is jerky and close up they look a little low-res. You get messages from other survivors, but there is no way to rescue any of them and they always have to die. The cyberspace is rather simple visually (kind of "wire frame"). A remake of the game with better graphics and rescuable AI NPCs would be awesome.

The Bottom Line
This is on many lists of top games of all time. It's STILL more worth playing than 99% of the games written a decade later. I found this much more enjoyable, for example, than Half Life or Half Life 2.

The Good
System Shock was revolutionary for its time. Few, if any FPSes had tried to tell a story within the game. The object of FPSes was simply to kill everything in sight. System Shock told a story with a beginning, middle and end, with plot twists along the way.

The audio logs give a good idea of what happened on Citadel Station and also some backstory on the station. Even though the voice acting isn't always believable, the designers do an excellent job showing how "ordinary people" would react to an apocalyptic event.

System Shock also introduced "cyberspace", where your character would find himself free-floating within wire-frame rooms and corridors. Essentially computer and programming concepts become visualized as metaphors within this electronic world. In cyberspace you search for and gather "software" and "data", fight enemy programs (visualized as malevolent faces) and avoid traps. It is a welcome change of pace from the usual strafing and dodging.

The use of a computer A.I. as the main villain was not novel at the time, but the game shows very effectively how difficult it would be to overcome such a foe. But the A.I. has a weakness, it must act through other beings (unless you are in cyberspace.) What is even better, the developers decided to give this villain a memorable personality. SHODAN is a megalomaniac, not only does it try to play god but also cheerfully refers to itself as god. Unlike a stock A.I. villain, it clearly shows emotion. I assume that the memorable voice for SHODAN was designed to show that A.I. has become partially insane or demented.

The graphics are a leap ahead of the competition. System Shock was very close to a true-3D engine. You can look up and down, crouch and crawl, and lean left or right. As with Ultima Underworld, Looking Glass once again expanded the horizons, literally, with System Shock's FPS engine. The game also looked to the future in a way by providing better quality textures when using the high resolution modes that didn't play well on the machines available at the game's release.

There are small things about System Shock that just show a welcome attention to detail. There are these little minigames to collect in cyberspace. Most levels have a distinguishing design. The Medical Level is in shades of blue, the Research level is often in red and so on. Powerups have side-effects to them. Certain elements show the banality of Tri-Optimum, the corporation that owns and operates the station.

System Shock was easily the most atmospheric game of its time. It used lighting very well, some areas are brightly lit, others with significant damage have unreliable lighting at best. The monster's sound effects are often creepy and unsettling. The final level can make your skin crawl in more ways than one. Monsters often seem to pop up unannounced around the next corner or just behind you. SHODAN itself is relentless and will often taunt you or spring a trap against the hapless hacker.

The Bad
The game delights in respawning enemies, especially in areas in which you will often traverse. While it helps keep the player on his or her toes, it also leads to many cheap deaths. It is also sobering when you waste precious ammunition on enemies that will be back again in those areas.

The interface and controls are somewhat cumbersome and do not boast the streamlining of modern FPSes. The game was unfortunately designed with the 320x200 resolution in mind. This limits the amount of screen real estate devoted to gauges and subscreens. Also, the Multi-Function Displays interfere with interacting with the viewscreen. Fourtnately, the controls can be mastered.

While the game can be played in resolutions higher than 320x200, at the time this wasn't really feasible because because the 486 processors of the day could not produce playable framerates. The 640 graphics modes look much nicer but run on a far smaller class of systems.

The Bottom Line
One of the seminal FPSes, System Shock is a true classic that no DOS Gamer should ignore.