Arcanum: Of Steamworks & Magick Obscura

aka: Aomi: Jishu yu Mofa, Arcanum : Engrenages & Sortilèges, Arcanum: Feitiços e Engrenagens, Arcanum: Hechizos y Engranajes, Arcanum: Macchine a Vapore e Magia Oscura, Arcanum: Przypowieść o Maszynach & Magyi, Arcanum: von Dampfmaschinen und Magie
Moby ID: 4498
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Description official descriptions

The luxury zeppelin IFS Zephyr begins her maiden voyage from Caladon in the Kingdom of Arland to Tarant, one of the largest cities in the technologically advanced Unified Kingdom. Suddenly, while the zeppelin is cruising over mountains, two monoplanes attack it and eventually shoot it down. The two half-ogre attackers die in flames along with all their victims except two who miraculously survived. However, one of them, an old gnome, is mortally wounded. Just before he dies, he gives a silver ring to the other survivor and tells him to "find the boy". The witness of the crash, a man named Virgil, declares that the now only survivor is "The Living One", a reincarnation of a deity, and offers to follow him wherever he goes. The hero begins a long and perilous search for the mysterious boy, the origins of the silver ring, and the unknown enemy who was behind the attack on the zeppelin.

Arcanum is a role-playing game similar in concept and many gameplay principles to Fallout. It is set in a unique world, which can be described as mixture between Tolkienesque fantasy, steampunk technology and elements of British and North American culture of the 19th century: dwarves may carry molotov cocktails, and a half-orc protagonist can travel by train between Victorian-like cities. Magic and technology are opposed to each other; most humans and dwarves embrace technology, while some elf clans stick to the old ways and consider scientific progress evil.

In the beginning of the game the player creates the main character, choosing from a variety of races, attributes, magical or technological disciplines, social skills, backgrounds, etc. When the character levels up, the player can increase his main parameters as well as any available skills. Like in Fallout games, the player directly controls only one character; however, companions who join the party may be given orders, and their inventory can be managed by the player.

The game is open-ended: the player is free to explore the vast world from the onset, undertaking a large amount of side quests or following the main story. Social interaction plays a significant role: depending on the player character's charisma and intelligence attributes, as well as persuasion skill, many problems can be solved in a non-violent way. The amount of companions willing to follow the protagonist also depends on the latter's charisma rating; companions may also leave the party if they disagree with the hero's behavior.

The player can select one of the three combat modes for the game: real-time, turn-based, and fast-paced turn-based. Turn-based mode is similar to the combat in Fallout games: characters require action points to move, attack, or cast spells.

The game includes an editor called WorldEdit, which allows players to create their own maps, campaigns, and non-playable characters. Objects from the base game can be carried across to the player-created scenario. The scenery editor allows players to create their own objects. It is also possible to set and change game variables, i.e. the amount of skill points required to perform a specific task.

Spellings

  • 奥秘:技术与魔法 - Chinese spelling (simplified)

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Credits (Windows version)

157 People (118 developers, 39 thanks) · View all

Reviews

Critics

Average score: 79% (based on 61 ratings)

Players

Average score: 4.0 out of 5 (based on 168 ratings with 13 reviews)

That's the way to show those bast... uhh... I mean... good hit sir!

The Good
Arcanum directly continues the role-playing tradition of Fallout games, creating a similar RPG experience in its own original world.

Just like Fallout, Arcanum is a highly flexible, open-ended game, a whole world with vast possibilities and nearly unlimited freedom to role-play. In this game, you are what you want to be. Feel like talking your way out of any situation, charm people and have a huge party? Increase charisma, beauty, and intelligence, but be prepared for some tough combat. Want to talk like an idiot, but be a walking tank? Create a character with 3 points of intelligence and with maximum strength and constitution, and he'll talk grammatically incorrect English, but will beat the crap out of everybody who dares to stand on his way. You can be a good person, perform only good deeds, save families, towns, and kingdoms, or you can be a bad guy, shooting innocents on the streets and making deals with criminals and maniacs obsessed by world domination. You can be a powerful magic user, wielding ancient swords and defending yourself with an enchanted buckler, or you can be a skilled mechanic, make guns and rifles, and drift along with the new epoch of technology. In short, this is a game where you can do what your want, but you also have to deal with the consequences of your behavior.

But with all this freedom, Arcanum doesn't lose the track of its story, which is excellent, especially if we realize this is not a Japanese RPG that is all story and no role-playing, but a game that strives primarily to offer the player the ultimate experience of customizing, exploring, and experimenting. With all its heavy role-playing and its open-ended nature, Arcanum has an interesting, suspenseful story full of surprising twists and philosophical speculations.

The role-playing system in Arcanum corrects many things that were a bit underdeveloped in Fallout. You can raise your main stats, which is good. No more running around with measly 5 intelligence and eating drugs as the only mean to raise it somehow. Fight, perform quests, level up, and watch how you turn into a super-powered muscle mountain, or a respectable sage. Of course, there are also plenty of skills to develop in Arcanum. Whoever says most of the skills aren't necessary, like for example the gambling, probably preferred killing the ultra-tough undead pirate Pete with his skeletons, or performing his three tedious quests, instead of simply winning the ship you need, which you can do only if you are a master gambler. This is the beauty of this game: there are so many unique ways to shape your hero that you are likely to lose yourself entirely in all this experimenting. And think of its replay value!..

In an interesting twist, Arcanum offers three types of combat engines the player can select right from the beginning: real-time, semi-turn-based, and turn-based. Personally, I prefer the turn based combat, which I didn't find slow at all. It was more or less the same style as in Fallout clever, intelligent kind of combat, based mainly on strategy. You have action points which determine the amount of actions you can perform per turn. You also have practically no control over your party members. Of course, they would do stupid things sometimes, but I found the ones in Fallout much more stupid - they couldn't use almost any good weapons, didn't wear good equipment, and were sometimes shooting me instead of the enemies. Having Virgil in your party makes the combat much more comfortable, because his healing skill is extremely powerful, and he does use it when I need help. In general I found the battles in Arcanum to be on the easy side, but that only added to the immense amount of fun I was already having with this game.

Your party members in Arcanum are perhaps not as memorable as in Planescape: Torment, but to call them packhorses is an insult. Of course, just as in Fallout, they really make great packhorses, but have you ever seen a packhorse who falls in love with you? Or a packhorse who believes you are the incarnation of an ancient elven hero? Or a packhorse who will tell you how cruel you are if you kill an innocent person, threatening to leave your party for good if you do this again? Or a packhorse that was once the mighty ruler of dwarves, with a tragic, philosophical story behind? No, they are not packhorses, but great companions on your quest, and there a lot of them, too.

The interesting setting of Arcanum makes the already masterfully crafted game even more appealing. It is a unique mixture of technology and magic, but not in the sense of "science fiction magic", like in some Japanese RPGs, but a kind of an alternate Earth: "steampunk" era, similar to the end of the 19th century in England or North America. The game captures the atmosphere of the time, the clothes, the speech, the social structure, and paying attention to the smallest details - interior design of rooms, the growing power of technology, the general rise of activity among people, the desire to conquer and discover more, old-fashioned planes and trains, names of streets, the fight between the old and the new, etc.

Yet this realistic epoch is mixed with a world that strongly reminds of Tolkien's Middle Earth, populated by elves, dwarves, and orcs. All those creatures have now to deal with the development of technology by the humans, and to solve the problem in their own ways. Arcanum manages to seamlessly merge those two completely different worlds.

Just to illustrate how much detail was put into the game: try reading all those books scattered around the world of Arcanum. One of the books is called "The Orc Question", and the author discusses in a typical haughty manner of an English Victorian gentleman what to do with the orcs, how to deal with them, and whether they are really such villains as most people say they are. This book is interesting not only due to obvious parallels to our own reality, but also because the unique style of the 19th century European essays has been carefully preserved here.

Lastly, the music of Arcanum is outstanding, and deserves to be released on a special CD. The whole soundtrack is performed by string instruments. Without too many effects, limited by its intimate instrumentation, this music is both tender and deep, threatening and meditative, emotional and calm, and has a flavor of deep melancholy. The high-quality music of Arcanum can nearly be compared to pieces by Shostakovitch or Bartok.

The Bad
The graphics are functional, but that's all they are. Of course, RPGs are seldom distinguished by their graphics, but it's a real pity that outdated visuals attracted negative attention to the game. Such is the world we live in: games are often judged by their "clothes".

I couldn't get into the real-time combat. I found it way too fast and confusing. The game was clearly developed with the turn-based combat in mind; looks like the real-time one was added as an afterthought.

The game opens with a beautiful CG movie; there are a few others in it, but too few for my tastes. A game with a narrative of this quality could have been more cinematic, pay more attention to dramatic depiction of events.

Oh, and I almost forgot: the level cap! I rarely reach those when I play RPGs; but when I played Arcanum, I hit it at some point before venturing into the final location. Luckily, there is a "level cap remover" floating on the net somewhere; be sure to apply it!..

The Bottom Line
Arcanum is the spiritual heir to Fallout games. Like its famed predecessors, it is a remarkably open-ended game with meticulous customization and nearly unlimited possibilities to role-play. Set in a highly original "Tolkien steampunk" world and offering an interesting, well-written story, Arcanum is a true delight for the RPG gourmet.

Windows · by Unicorn Lynx (181780) · 2010

Almost PERFECT...if it weren't for those dang BUGS!

The Good
If there was one RPG game that deserves an award in originality, story, concept, and everything else you can think of...this would be it.

I feel in love with the game almost instantly. It was odd, weird, unique, different, that was the feeling I got while the first cinematics played. It was unlike any game I've ever seen before...and I haven't even started playing yet. The music sank right in.

I must say I'm impressed by the Arcanum world. For some odd reason, no one really actually imagined a "modern" medieval world. It was either future or medieval. A world where they combined a world where technology and magic exists caught me off guard. I thought the concept was brilliant. Well, technically not that original, but it's worth the effort in my book!

I thought I was in love the first time around. Then I saw the character creation part. I don't remember the last time I felt this exited as far as RPG's go. Wow! They may have something going here. I always felt that the soul of RPG's is in either character creation or character development. They overdid themselves in the character creation department.

Ah, now we start playing. Oooh, stuff to pick up. Just like Ultima all over again. I'm really liking this game. Haha. They did a good job with the story line too. I felt almost like reading a book while I played the game. Well, close enough.

The Bad
Unfortunately, as much as I have respect for the game, as always, I must focus on the bad stuff that almost ruined the game in my perspective.

Well, the first thing mistake is mine. I have a habit of downloading patches before I play the game, and unfortunately I read a little to much information about the game than I should have. I knew the existence of the NPC's before I even played the game. This got me to a lot of thinking and planning. The problem is, when it comes to games, I'm a perfectionist. I MUST have it all. The though that there were NPC's that I couldn't bring a long was TOO much for my brain to handle. So I had to narrow it down to a few NPC's. It seemed that any NPC that had a voice was invaluable not to have. Then that stupid dwarf started complaining about the death knight as company, I started to get irritated. Oh well, restart game...let's try to be careful handling NPC's.

The more I learned about the game, the more I was a little put off. The fact that I found out there was a level limitation on my character kinda put me in the fits. This means I have to PLAN my character development. If I didn't browse the net, I wouldn't have known. Oh, well, restart game. Time to plan ahead.

Oh, it appears that having this ability at the start is much better than the other one. Oh, well, restart game.

Oh, it appears I should've solve the puzzle this way rather than that way. Oh, well, restart game.

Do you know that being a perfectionist is absolute TORTURE? Try restarting a game for 7-8 times, each lasts more than 10 hours long. You'll understand what I mean.

Then I realized something awful. I started comparing the game to Fallout 2. It started going waaay down hill after that. I discovered that combat was BORING. I had a hunch brushed aside, but I'll get to that later. I remember the extreme joy in Fallout 2, everytime combat initiated. The smell of blood, sounds of crushing bones and spilled guts. Hey, what happened? Suddenly combat was Ho-Hum. I actually resented that I had to fight. They took the fun out of combat. Must be the lack of sound or something. Whatever it was, it didn't feel the same.

Now comes to my hunch. Hmm...why are they making this game semi-real time/turned based. Why not either real-time or turned based why don't you. Why did you have to have both? Then it triggered another fishy hunch I had. Then a word popped up in my mind! Gasp! Diablo 2.

My god, is it me or is this a little similar with Diablo 2? Hey, Diablo's a great game, but honestly, as an RPG...welcome to pre-school. Diablo has incredible cinematics, but as an RPG...a kiddies game. My second fishy hunch was on character creation. They had an option for "quick" character creation. It bothered me to think that someone would actually play this game without going through the detailed character creation. Oh my god! It occured to me...they wanted non-serious gamers to also enjoy the game! NO! The shock was to much for me. Now I see it. That's what's wrong with the game...they bowed down to capitalist demands of the market! Well...not that I blame them, but they sure hell screwed up somewhere. Enough drama.

Then comes the bugs. Had to restart 3-4 times just because I found so many god dang bugs, that messed up my saved games. Well, eventually, all the stress said above and the bugs finally popped my rocker. I was so dang pissed. I really tried to play this game, but it wasn't easy. I finally retired the game, fearing my high blood pressure would get the better of me.

When you play this game, you'll know that is one of those games that comes once in a life time...but it didn't become the perfect masterpiece because they with-held it to become the masterpiece it could, should or would have been...for the sake of...well...the common folk.

Well, I tried. I really really tried.

The Bottom Line
As I said. Almost perfect. But unfortunately, I am sad to say that Fallout 2 is better. Maybe after my temper cools down, I'll pick up this game again...and finish it.

Windows · by Indra was here (20756) · 2004

An Enriching Yet Ultimately Flawed Experience

The Good
Let me preface this review by admitting that my relationship with Arcanum is... strained. It has taken me multiple attempts at playing the game over a period of nearly seven years finally to muster up the will to play the game to its conclusion. Perhaps this difficulty stems from a case of excessively impossible expectations on my part. Ever since I first read a preview of the game in late 2000, I had incredibly high hopes for the first CRPG by (the now defunct) Troika. After all, Troika was founded by the creative masterminds behind Fallout, perhaps my favorite game of all time, and the company's maiden voyage into the realm of PC role-playing seemed destined for greatness. It promised all of the elements that had made Fallout such a legendary game: a uniquely interesting game world, an intuitive and deeply flexible “classless” character creation system, and tactical turn-based combat should my in-game actions necessitate armed conflict. Even after receiving my preordered copy in late 2001, I was still unable to play the game for a few months due to a lack of free time to commit to such a massive RPG. Nevertheless, I found myself glossing through the game's massive manual, elaborately envisioning what sort of character I was going to create when I finally got the chance to venture into the world of Arcanum. It was just short of borderline obsession with a game I had yet to install on my computer's hard drive.

Perhaps it was simply inevitable, then, that my actual experience with the game fell far beneath my lofty expectations. Regardless, there remains a definite conflict within me as to just exactly how I feel about Fallout's half-brother, and this review is partly my own attempt to reconcile that conflict. At its core, I find Arcanum to be a mind-boggling mix of ingenuity and mediocrity, a rather peculiar blend that manages simultaneously to please and to repulse the gaming palate. Out of respect for my younger self's initial optimism for this “unique” RPG (not to mention the requirements of the MobyGames review format), let's start with the appealing elements of the game.

There are certainly plenty of things that Arcanum does right. First and foremost, the game world – or at the very least its premise – is one of the more appealing and well-conceived settings in any RPG period. Like Fallout before it, the world of Arcanum is highly innovative: a steampunk setting based on the real-world circa 1885 mixed with Tolkienesque high fantasy, elves and all. It is a world of conflict (and what good setting isn't?), but this conflict is more ideological than anything else. Technology – Victorian-era devices such as the steam engine and the locomotive – has revolutionized the world, and the old order of feudal kingdoms, chivalrous knights, and eccentric wizards is giving way to what one in-game personality loosely refers to as “pistol-brandishing cowards.” Of course, the technological-magickal conflict has a physical element as well: the two forces do not mesh, causing direct conflict not only between the forces themselves, but also between their respective adherents. Powerful mages are denied passage on trains due to the possibility of malfunction, there is animosity between the magickal elves and the tech-minded dwarves, and healing magicks have little to no effect upon those who practice technology. Even if it is not implemented as well as it could have been, the ideas such as these behind Arcanum's setting stand as a testament to innovation in game design.

Also like Fallout, Arcanum possesses a deep and flexible character creation system. In fact, Arcanum's system is quite possibly the most in-depth and intricate system I've ever seen, providing an unprecedented amount of freedom for players to create the kind of character they want to play. Want to be the best fighter ever to walk the land of Arcanum? Build up your Strength, Dexterity, and Melee and Dodge skills. Aspire to be the greatest, most feared necromancer who ever lived? There is a bevy of spells to choose from. Simply wish to dabble a bit in both roads to power so as to maximize your ability to get rich? Balance your skill point distribution among select spell colleges and technological disciplines as you see fit. The number of combinations of skills and attributes – not to mention special character backgrounds that provide both a special benefit and a drawback – is ridiculously high. Of course, it would be easy to feel a bit overwhelmed by such a daunting number of options (more on that later), but to those who invest the time and effort, the character system is one of the best ever devised.

Of course, the most skillfully crafted settings and characters mean nothing without a compelling reason to explore them. Fortunately, Arcanum delivers in this area as well, starting players off with an intriguing action-filled beginning that provides a definite adventure hook. The zeppelin on which the player's character is riding is gunned down, and the only other survivor dies shortly after giving the character a mysterious ring and instructions to “find the boy.” The player is then informed by a bystander – a neophyte religious devotee – that he is the reincarnation of an ancient elven deity. Shortly thereafter, mysterious assassins begin targeting the player. The opening is a magnificent call to adventure, and despite its propensity for disappearing for extended periods of time, the main storyline is highly compelling. It touches on a number of robust issues, from the costs of technology and resource usage, to race relations, to the philosophical implications of death and banishment. Though several key plot points are eventually dropped or forgotten, there can be no denying that the tale woven by the designers is if nothing else a wonderfully fitting excuse to explore and adventure in a strange new world.

The Bad
Though the creative elements of Arcanum are mostly praiseworthy, the technical elements (i.e. the gameplay) leave a terrible aftertaste. For every ingenius design decision as far as setting, character flexibility, and so on, there is an equally bafflingly terrible decision in the implementation thereof. I'm not quite sure whether this is better described as Newton's third law of gaming or as Murphy's law of gaming, but the fact remains that there are just as many (if not more) things that Arcanum does wrong as it does right.

For starters, the combat system in Arcanum just plain sucks. Why the designers of Fallout, which had one of the best RPG combat systems ever, were unable to implement something better than this is beyond me. The biggest contributor to this lackluster gameplay element is the fact that combat can be run in either turn-based or real-time mode, as Sierra insisted that the game not be solely turn-based for marketing reasons. On the surface, this appears to be yet another way of providing choice to the player, but such a choice is ultimately deceiving. Instead of being tactically sound like Fallout's or strangely addictive like Diablo's, Arcanum's combat systems are horrible shadows of the ones in those games. Combat becomes tedious, ridiculously easy, and flat-out pointless very quickly, as enemies seldom do anything other than charge into melee with the character. This battle conundrum is certainly due to the fact that it is difficult enough to balance a single combat system; trying to balance two separate ones within the same title is a near impossibility.

This lack of balance is without a doubt the game's biggest issue, not only in combat but in all aspects of the design. A lot of this problem comes from the designers' sheer ambition in providing unprecedented freedom in character development. There are so many things to choose from that it's simply impossible for all of them to be equally useful and/or represented in the game world. Some skills are useful maybe once in the entire game, while others (such as Melee and Dodge) are practically indispensable. In fact, pure melee characters have an almost ridiculously easy time with their adventure in Arcanum, due to the fact that experience is gained not for defeating an enemy, but rather for each successful attack. Melee characters thus level up at an alarmingly fast rate, and therefore obviously have a distinct advantage – a fact that even the game's manual is quick to admit. Other character types have a much more difficult time of things. “Hybrid” characters? Forget about it. Sure, they CAN be played, but the game is so ridiculously unbalanced against them that it's not advisable. Such is the double-edged sword nature of open-ended “free” game design, I suppose.

There is, however, ample evidence of a lack of polish and sufficient care in crafting the game that leads me to believe that there were certainly just plain bad decisions made in the game's design. Many gamers have often cited the outrageous number of bugs – not only in Arcanum, but in every game that Troika ever made – as a major drawback. There are definitely quite a few annoying bugs; I had issues with a random memory leak that slowed animations to a near crawl, as well as the fact that the game would fail to reset my display's brightness upon exiting the program, leaving my desktop a strangely luminescent white color until I manually went back in and reset it. There was nothing game crippling, but the bugs were annoying nonetheless.

The bugs, however, are minor compared to the overall lack of quality control that plagues Arcanum. Aside from the usual underdeveloped areas, quests, and NPCs (especially late in the game), there are many things that happen in gameplay that simply don't make any sense. For example, right before confronting the Schuylers about their dealings, I recruited the dwarven tech specialist, Magnus, who also had a beef with them. Without spoiling anything, I will simply say that Magnus and I decided to put an end to them, and emerged victorious in combat. Magnus thanked me for siding with him and permanently joined my party. Months of game time later, however, I asked Magnus to wait for me for a few minutes while I took care of a minor quest in one of the game's towns. When I asked him to rejoin me less than five minutes of real time later, he angrily refused. “Wait a minute,” he exclaimed, “you've been off making friendly with those Schuylers behind my back, haven't ye?” Umm, no Magnus, we killed them about nine months ago in game time, remember? Weird scripting errors like this one litter the game world. Characters remind me of things that we never talked about previously, I am given dialogue options detailing things that have never been mentioned in the game, and so on. While a few instances of this sort of thing are to be expected in any game of this magnitude, the sheer number of such errors in Arcanum falls just short of offensive.

The Bottom Line
I'm still not quite sure what to think about Arcanum. On the one hand, it's extremely appealing and outstanding; on the other, it's maddeningly inconsistent, poorly actualized, and sadly mediocre. Perhaps the best way for me to sum up Arcanum is as an ambitious failure, a flawed experience that is nevertheless appealing. I have made no secret of my mixed feelings toward this once-promising game, but after seven years and numerous playthrough attempts, I can finally say that this game has been an overall positive experience for me. This game certainly doesn't hold a candle to the upper echelon of CRPGs like Fallout or Planescape: Torment. Due to its incredibly unique and immersive world, though, it is still worth experiencing and enjoying – if its faults can be overlooked, that is. If you admire it for what it's trying to do and what it represents instead of what it ends up doing a lot of the time, you will find that it's a gem of an RPG, albeit an unpolished one.

Windows · by prymusferal (23) · 2008

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[false alarm] glitch: no speech? Rola (8483) Oct 20, 2018

Trivia

Graveyards

A hidden graveyard, containing tombstones of Arcanum's most diehard fans, can be found at the location W: 1060 S : 809 on the world map. Another graveyard has lots of humorous epitaphs written on the graves. However, many of them are taken directly from Baldur's Gate.

Manual

Following on the tradition started in the Fallout manuals, Arcanum's manual includes an actual cooking recipe. This time it's Grandma Cookhill's Three Bowl Bread.

Mod pack

On 7 January 2002, the development team released a free mod pack, containing six new and exclusive adventures. It can be downloaded here.

Mods

Chris Beddoes has produced a mod for this game that addresses some balance issues, makes it overall a little more challenging, and replaces the entire opening area and quests. This latter is important because the opening area was used in the demo, and many players have just seen it too many times to want to start a new character any more, despite the near-infinite possibilities for character design. It can be found here.

References

  • There's a location in the game called the "Isle of Despair" which is a penal colony which holds it's inmates in a remote island behind a magical barrier that makes it impossible to escape. Now, when asking the generic NPCs for its location, they answer:

"You mean the Black Isle? I'm not quite sure..."

Black Isle Studios is the name of Interplay's RPG division, and the former home of Arcanum's development team.

  • A portion of the Stillwater giant quest contains a major (and fairly obvious) reference to Monty Python and the Holy Grail, specifically the part where you have to trace the beast to a cave and capture it. In fact, the whole sequence plays just like in the movie, you follow some giant footprints, enter a dark cave filled with bones and dead bodies, and so on.
  • There's a Fallout reference in the walled city of Tulla. Apparently one of the students had to venture out in the Wastes to find a Water Gem. He has since returned and the Mages fear how the journey changed him and the influence he might have on other students. Plus, he's wearing mechanized armor.
  • There's actually a reference to Bill Gates and Microsoft stealing the ideas for their Windows operating system from Apple's MacOS. One of the most influential and wealthy of people in Tarant is Gilbert Bates (Swap the G and B in Gill Bates and you have Bill Gates) because he brought the power of the steam engine to mankind. Another steam engine developer, called Cedric APPLEby is spiteful of Bates's success and claims that he invented the steam engine first and that Bates had stolen the idea off him.

Server shutdown

The official online servers were shut down on 1 November 2008.

Soundtrack

The soundtrack to Arcanum was composed by Ben Houge for string quartet and was provided in its entirety on Computer Gaming World's May 2001 demo CD.

Both the soundtrack and its sheet music are available as a free download.

Stillwater giant

Despite the result of the associated quest, the Stillwater giant DOES exist. It can be found on a random encounter between Stillwater and the pass to the elven city.

Information also contributed by Rambutaan, Sciere, Terrence Bosky, uclafalcon, Unicorn Lynx, weregamer, Wojit and Zovni

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Contributors to this Entry

Game added by Unicorn Lynx.

Additional contributors: Zovni, Kaliban, Indra was here, Jeanne, phlux, JRK, tbuteler, jsbrigo, Alaedrain, Patrick Bregger, Plok.

Game added August 25, 2001. Last modified April 5, 2024.