Chrono Trigger

The Good
Released in the mid-90s during the Golden Age of 16-bit titles, Chrono Trigger stands out in Squareenix' library of console-RPGs as one of the most original and best loved titles of all times.

Starting with a simple setting and hero, a young, sword-wielding boy who goes to a fair in his home town, Chrono Trigger goes on to create an original plot that requires no knowledge of a long-winded backstory or the history of the land it's set in as is sometimes the case with role-playing games. As a matter of fact, an important reason for the game's universal appeal and accessibility is that all plot elements needed to understand the unfolding story are created and established while players play the game.

Not bogged down by complicated relationships between characters and historic world events from the get-go, players enter a rather charming and friendly world and through their actions set in motion bigger and bigger conflicts which culminate in the game's finale. Time travel plays a major part in the adventure and even though the narrative generously glosses over the gaping logic holes and paradoxes the theme invariably creates, the game uses it well to open paths to new worlds and its characters from which a memorable cast is assembled. On his way through time Chrono enlists the help of nerdy inventor, a spunky princess, an eldritch sorcerer with unclear motifs, a chivalrous knight who has been transformed into a man-frog, a robot torn between between his programming and self-determination and a tough as nails cavewoman.

As is indicated by famed Akira Toriyama's art direction, the game's overall style is humorous and cartoony and, while never taking itself too serious, leaves some room for drama. The game's graphics are crisp and clear, creating some beautiful 16-bit scenarios and boss enemies.

The combat system, a slightly condensed version of the classic Active Time Battle that has been used in the Final Fantasy series since FFIV, allows for some challenging climatic fights in which the characters' numerous special abilities must be put to use to develop strategies. As a first in a Square game there are no random encounters while players travel the overworld or specific scenarios. Although some battles cannot be evaded, all enemies are either on screen all the time or enter visibly; a separate combat screen doesn't exist. This allows players to evade some encounters and makes travelling and exploring in general a much smoother experience. Another first is the inclusion of multiple endings depending on some of the players' decisions.

The Bad
As is the case with other Square RPGS, whether or not Chrono Trigger really is a classic "role-playing" game is up for debate. The fact that all characters are predetermined in terms of starting stats and weapons they wield and that they automatically level and learn new abilities leaves very little room for customisation. Even though there are side quests players are free to play especially towards the end of the game, the plot itself remains very linear.

The quality of the combat system varies. Boss and group battles require tactics and carefully estimating the opponents' next moves but quite a lot of fights are against only two or three weak enemies that can be defeated by repeatedly using the characters' basic attacks. Encounters like that seem to exist mostly to add game time.

Although its plot is quite original, Chrono Trigger uses of a lot of anime RPG clichés like the spiky-haired, adolescent swordsman hero, the androgynous older companion character and the rebellious princess who all learn to use epic powers that lay waste to enemies several times their size. Whether or not one likes those clichés is a question of taste, but even though Chrono Trigger light-heartedly plays with its story and conventions this can get a bit much. Another question of taste is Akira Toriyama's art style. In spite of being funny and mostly fresh, connoisseurs will notice the artist seems to be not quite able to detach himself from the Dragon Ball style he became famous for, leading to some Chrono Trigger characters bearing a resemblance to characters already established in other Toriyama franchises.

The Bottom Line
Light-hearted, simple and yet captivating, Chrono Trigger is refreshingly different from Square's more serious and florid Final Fantasy-style RPGs. Although many conventions and clichés of the genre still adhere to the game, its accessible plot developing right before players' eyes and its endearing yet not too complicated characters achieve something that is rare in games so linear: it has replay value. It is a pity Chrono Trigger was never officially available for PAL territories as it's one of the best and most memorable the 16-bit era has to offer.

The Good
Released in 1995, Chrono Trigger was one of the SNES’ last good games. From long time RPG designer Squaresoft, it easily stands as the best game they ever produced. It often even exceeds their flagship series Final Fantasy. And seems to have been the model for all of there games since. With the three member party. And punk hairdo swordsmen. As well as many other features.

In Chrono Trigger, you play the aptly named Crono. Whom awakens late of the day of the Millennial Fair. He heads out with his allowance to have fun and meet his friend Lucca. (How old is Crono supposed to be?) At the fair he bumps into (literally) a young woman who says her name is Marle. You can play mini-games, and how you treat young Marle will be key later in the game, and I will mention later.

Once you meet Lucca, Marle agrees to use her teleport machine, and is inadvertently sent to the past! Crono being either brave or stupid, silently agrees to go after her. And thus begins his romp through time that will change the future, and the past.

You will travel to the past, the stone age, the future, and even to another land. Along the way you will meet many new friends and villains. You will put right the mistakes of the past to make a better future.

One of the most interesting features of the game has to be when Crono is on trial. Here is were how you Marle comes into play. Unfortunately, even if you are found innocent your fate is the same. Multiple paths would have made this truly innovative alas there are none.

You can form three character parties, really just two others besides Crono. Exploring the world map there are no enemies. In dungeons and forests and the like, you see the monsters before they attack. Therefore, battle can often be avoided but, it is best not to avoid to many fights. The game uses ATB from Final Fantasy, kind of a lame system but it does the job. In battle you can attack, use techs, items, and flee. Techs are like magic but not exactly. You will gain access to magic later in the game however. Both techs and magic use up MP. You can also combine techs to make combos. Not 100% original as Phantasy Star IV featured combos as well. At least they are used differently in CT. When a combo is available the ‘tech’ will become ‘comb’. This makes finding combos easier than in PSIV. Instead of having to experiment to find them, they are given to you. This can be a good and bad thing. Bad for those that don’t mind a little extra work. Good for those to lazy to look at a FAQ. The more powerful “triple techs” need be unlocked first.

There are not many side quests to speak of. Only about ten or so. And most of which can not be completed until the end of the game. It’s kind of funny that people always complain about PSIV’S lack of side quests, but not Chrono Trigger’s.

The Graphics in Crono Trigger are very good. Some of the best of the 16-bit era. Even better than those of FFVI.(FFIII for those in the USA.) The sprites while still “super deformed” tend to show more detail, and are more well proportioned. Areas look even better. The magic/tech effects are nice too. The game is colorful without being too colorful. It is also dark when necessary.

The Music well done. The tunes are memorable, and generally fit the situations. This is likely the best score produced for a Square game. The sound effects may not win any awards but they get the job done.

The Bad
All is not well in CT however. The game at times feels a little childish. Look at the box art, is Crono 12? He couldn’t be any older than 15. And there seems to be a developing love interest with Crono and Marle. But it never goes anywhere beyond a middle school crush.

There are also some plot holes here. The motivations of some characters is either non-existent. Or just does not make since. For instance, the villain Magus’ motivation for being evil is quite lame. I won’t divulge it here as I don’t want to confuse you.

The ATB system has got to be one of the lamest battle systems ever conceived. It is really cool when the enemies get to take ten turns before you get one…not.

This game is short. With all the side quests completed, and the best ending achieved it only clocks in about 20-25 hours. Less if you know the game well. There are multiple endings but the first time you play only about two are available. At least they add somewhat to replay value. It’s ironic that Square’s best game was made almost entirely by the Dragon Quest staff.

The Bottom Line
I would not say that this is the best RPG ever. Frankly a phrase like that should not exist. I will tell you however, that it is in my top 5 favorite 16-bit RPGS list. Probably about #3. Avoid the PS version if possible. The scattered FMVS are not worth the horrible load times you must endure. Plus the opening of the SNES version is way cooler.

The Good
Ah what can I say? I enjoy RPGs, and while I've always been a PC guy, there's always been a spot in my heart for them good ol' console RPGs. Chrono Trigger was a game that had been thoroughly recommended to me via friends and relatives, and I'd seen such praise about it here on Mobygames and on various message boards, I thought it was finally time that I tried it out for myself.

Right from the very beginning, this game glowed with that "SNES classic RPG" feel that I'd gotten so many times, from so many games, and for most of them I have Squaresoft to thank. Nostalgia instantly hit me as I saw the ticking of that thing in those grandfather clocks (you know what I mean - that bar with the circle on it? It goes tick-tock? Erm...anyway...) even though I'd never played this game before. I knew I was going to enjoy this romp.

So I began my game and...well, I'll finish this paragraph in "The Bad". For now, let me reflect on the good parts of the game.

It's a console RPG. If that ain't a "good" thing, I don't know what is. None of these new-fangeled game engines with wacky rules that are too confusing to understand. Nope, instead, this is a very simple game that takes absolutely no time to figure out. Once you begin playing, you understand the game. Anything "new" that the game might bestow upon you (such as spellcasting) is introduced with a warm in-game tutorial, so you're never lost. Good ol' console RPGs.

If you didn't know already, the game's plot revolves around time travel. (I'm not giving too much away here - you figure this out two minutes into the game) This is one of the few RPGs, or games in general I've played for consoles that involved time travel, and being an ol' kiddy sci-fi whacko, I loved the idea, and I felt the game did it very well. I also liked traveling back in time to see what the land was like, say, one thousand years ago...or foward in time, to see what it's like several thousand years in the future. Familiar landscapes and cities are a welcome treat. Some of your events in the past are even retold by people in the far future! This added a great thrill to the game.

You can fight the "big bad boss" at almost any point in the game, and possibly kill him (though I wasn't able to until I'd completed all the other parts of the game). I love this sort of open-ended gameplay.

The Bad
Now, where was I? Oh, right. So I began my game and was instantly disappointed. Why? Because there is absolutely no atmosphere in this game at all. Almost nothing to entrance me, nothing to bring me into this game. RPGs have a way of making you feel something about the characters in it, they have a way of making you become the character you play. I've never seen an RPG fail at this so horribly as this game. Now, don't get me wrong, the game was fun...but it completely lacked the atmosphere RPGs tend to have. Every NPC you talk to spits forth the most boring and unrealistic series of dialogue I've ever read. You never have any sense that what you're doing really matters because the people that your actions affect never seem to care about anything. Walk up to someone and they might say, "Did you hear about the weather? Yeah, it might rain. Oh, and I hear there's a secret entrance underneath a bush near the cave to the East."

I've played plenty of console RPGs, so I know that dialogue (particularly in Squaresoft games) is never really "realistic", but this is way below par. Never in the game do YOU ever acomplish anything on your own, except perhaps defeat a boss. Everyone directs you wherever you need to go, everyone tells you all the secrets, and if they're not doing that, they're dropping little "hints" that are so obvious that if you didn't get them perhaps you shouldn't be playing video games anymore.

Even worse than the NPCs in the game are the ones you get in your party, which include two annoying girls, a frog and a robot, none of which I gave a damn about. One girl is some sort of scientist, the other's some psycho hyperactive princess whom I got rid of as soon as I got more than three party members (as per the norm, you can only have three fighting at a time), and the other is some sort of robot that has feelings. Every time a part in the game comes along that requires one of my party members participates in a dialogue exchange, I want to just turn the television off so I don't have to endure their childish, boring, unrealistic and unimaginitive stories and obvious questions.

The characters are also all about five to eight years old, I would suspect. That, or they all escaped from the short bus. It's a personal pet peeve of mine in games when the "hero" is some eight year old kid with a sword. And by the way, why do you start with a sword? What happened to the whole "I wielded this sword to defend myself!" acquiring of your weapon that happens in so many classics? Link grabbed a sword to fight those ball-spitting things. That Secret of Mana kid pulled one out of the thing to defend himself. In Final Fantasy 2 you were a knight, fighting for justice or something. In this dumb game, you're just an eight year old kid who happens to have a sword with him and gets himself into a whole lot of trouble. I wonder what his mother thinks of him wielding that thing around? And another eight year old kid is armed with a pistol!

One of the "key scenes" to this game was one in which you race someone in a post-apocalyptic ruined highway. This has got to be the most overrated worthless "scene" I've ever bothered to watch. First of all, it's not a damn race. It's a two minute animation of two guys on bikes (which, to their credit, did look pretty cool for SNES games) who are constantly getting ahead of each other. There's no strategy involved here. You just try and be the one "in front" when you reach the finish line. Here's a funny story - I set the controller down and just won the race.

The game is also painfully easy. You get tons of cash for killing easy monsters, and aside from boss battles, I've never lost a fight, and typically, I just hit the "A" button until the battle is over. Strategy? Tactics? Who needs'em? Well, actually, they come in handy in boss battles...

This game has the setup for a really great story, and it almost comes together at times, but it's completely ruined by the fact that your actions seem to have no affect on anyone but your damn annoying party members. And while it's typical for console RPGs, the entire setup at times just seems way too unrealistic.

"Let's save the world!"
"Okay!"
"Do you know how to use a weapon?"
"Nope, but let's save the world!"

Save the world? I say let'em burn. Maybe they'll give a damn then.

The Bottom Line
It's obvious that this game was targeted at a younger audience, but old farts like me still love to play these games, so guys over the age of eight still make up at least half the market. I just can't see this game appealing to anyone over eight years old, unless they REALLY enjoy console RPGs and don't mind stupid kiddy dialogue, ininteresting (and uninterested) NPCs and annoying party members.

The time travel thing is a great idea, and it comes together in some places, but not enough for me to care.