Jet Grind Radio

The Good
Most obviously is the graphical style. I don't know if this was the first game to use cel shading, but it was the first I played that used it. Every part of Tokyo-to is stunningly realised in a cartoony style. No part of the town is shoddily done, every part has been taken time over, and this extends to other aspects of the game.

The idea of graffiti hadn't been tackled before in a game, at least in this sense, where you are actually doing the graffiti. This was a brave move from Sega, and even got them in trouble when they held a graffiti contest to promote the game.

The music was perfectly selected, supporting the game at all times with tunes that you just had to tap your feet to. The characters voices were all well done too, especially DJ professor K, who expanded the story at several points, including many bizarre references to personal hygiene.

Finally the noise that the police make while they chase you, I'll always remember 'hup hup hup hup hup hup hup'

The Bad
The fact that you didn't choose which trick you would perform each time you jumped, or attempted to grind a rail. Perhaps this would've detracted from the overall game experience, as it was mainly about the graffiti and avoiding the law.

The Bottom Line
A very brave and individual game. The cel shaded graphics put this game in a league of it's own, if you find this game cheap I seriously recommend you buy it over it's X-Box sequel, Jet Set Radio Future.

The Good
Jet Grind Radio is a wonderfully original game lets list what the many things is the first to do first to use Cel Shading, first to have a game about Spraying Graffiti and one of the first games to have licensed music. In the game you play as a gang called the GG’S which compete with other gangs like the Poison Jam from the city of dusk, Noise Tanks from the city of the night, and your gang is from the city of the day in a futuristic Tokyo where it is illegal for youths to express themselves the game begins when a newcomer gang hits you’re home turf and you have to get it back and in no surprise the cops try to stop you at first its just beat cops then slowly escalates to dogs, SWAT, Paratroopers, helicopters, and tanks. Once you take a territory you have to do a sort of “battle” in which you spray the backs of the gang members sort of silly which brings another point to mind I’ve seen reviews trashing this game one of their complaints being its too overblown but that is intentional to parody how overblown other Japanese entertainment can get. The music is one of the best game soundtracks ever except for Super Brother and you’ll hear a song end and it gets mixed with the beginning of the next song like a real DJ would do Perfection.

The Bad
Now the Bad the camera can be sloppy and the controls take some getting used to specially the spraying technique of course now I have mastered it playing it since it first came out and have beaten it about 100 times now I can get a jet rating on every level.

The Bottom Line
Overall I think the good out weighs the bad this is my favorite Dreamcast game and favorite game of all time.

The Good
The tricks are extremely easy to pull off, which actually makes them a little less satisfying. The object of the game is to skate around levels, performing tricks, and spraypainting ("tagging") over the graffiti creations of rival teams. Of course, that'd be too easy on its own, so the keisatsu (police force) are hot on your heels too. There's also the slight problem of rival gangs that you have to chase after every so often.

The graffiti spraying part of the game is done with a Simon-says entry style (think Parappa the Rapper). When you skate up to an area that you can tag (marked by an appropriately colored arrow), a series of arrows appear on-screen. You have to move the analog stick in the right direction to match the arrows, and after a few repeats, the rival teams' tag will be completely covered over with one of your choice (more on that later). Red arrows indicate an area that must be tagged in order to complete the level. Green arrows indicate areas you can tag if you want bonus points.

They're some pretty simple mechanics, with a varied number of skating tricks and environments to keep things interesting - a classic Sega recipe. As a result, Jet Set Radio's gameplay is so simple that it's even a joy to re-play, and is pure gold the first time through.

Another damn fun feature is the tag creator. The game comes with a huge number of great looking tags already, but you can always create your own with the built in editor. People that find this a little lacking in the features department can just as easily use Photoshop, and upload the file to a web server as a JPEG image, because the game can convert images saved to the memory card from the Dreamcast web browser into game textures.

The game runs at a near-constant 30 frames per second. When slowdown occurs, it's usually because of smoke or sprite transparency effects - thankfully this isn't much and rarely affects gameplay. Jet Set's cel-shading technique requires double the polygon count to display characters, due to the fact that they are heavily outlined in black. This means that the developers can't make the character geometry quite as detailed as they otherwise could, so you might sometimes notice a rough edge here and there. It's pure luck that the comic-like visual style of the game soaks this up nicely and if anything, makes the end result more stylish.

This game uses licensed music tracks, which could make it or break it for some. While I didn't find many of the songs especially good, they certainly weren't bad either and seemed to match the feel of the game. You can always turn the Background Music level to zero, if you seriously don't like them. NOTE: The American NTSC version has a few extra licensed music tracks by Rob Zombie, that play over the Grind City level. I have played this version and in my opinion they fit in with the rest of the tracks quite badly. This might be of interest to you if you have access to either version of the game. The voice effects are also good and the characters'll give a cry of "nice!" or "cool!" when you pull off stunts. It's a pity there's no voice-overs for the the cut scenes (which are delivered in real-time, there is no FMV in the game).

The Bad
If there's any faults with this area of the game, the controls could be seen as a little questionable. At times they feel as though they could be more sensitive, and they certainly take some getting used to. Die-hard fans of games such as the Tony Hawk Pro Skater series might also be annoyed at the simplicity of the skating tricks - they're more or less random and you don't get too much control over them, which can make them less satisfying than they could be for some.

There is some polygonal warping and draw-in, but nothing to lose sleep over. Slightly more severe are the shimmering/flickering effects that some of the textures produce. These can be an eyesore but again don't get in the way too much.

The 50hz PAL version is poor. The mentioned anti-aliasing problems are worsened making a very flickery image, although the game isn't as bordered as badly as it might be. This is irrelevant however as Jet Set Radio supports PAL60.

The game's menus aren't too well laid out. After quite a slow boot-up (hampered by a message that reminds you that vandalism isn't cool and crime doesn't pay, yaddayadda), you're presented with a menu screen that gives you the option of New Game, Load Game, and Tutorial. The Tutorial is pretty poor and does nearly nothing but let you skate around the games' Bus Terminal area with a few on-screen prompts, and is fairly useless anyway since selecting New Game gives you a much better set of practice challenges. Once you load a game, you'll get another series of options, presented in a pretty cool way - you press the left and right directional buttons to cycle around different areas in the skate gang's garage hideout. This lets you do stuff like listen to background music, browse the internet to download new tags (if your DC is connected to a phone line), or start a new level. The annoying thing is, if you want to change memory card file, you'll need to reset the whole system over, and that means going through the long, boring bootup sequence. It'd surely have been a better idea to combine these two menu systems into one. Even still, it's hardly worth complaining about.

The Bottom Line
Jet Set Radio is just one of these games that's looked back upon by Dreamcast owners so fondly. When it was released, the relatively new cel-shading technique wowed gamers everywhere, with the grungy urban-style visuals that it rendered. It's a must for every Dreamcast owner. The gameplay is almost as unique as the graphical style, the sound fits the on-screen action perfectly, and the whole style is just so damn cool. So go ahead - paint the town red. Or green.... aquamarine..... orange - what ails ya.

OVERALL: 9/10 (www.lyris.tk)