Clive Barker's Undying

The Good
EA did a lot of work on this game. There are a multitude of little details that create an immersive atmosphere. Like Clive Barker himself, The developers derived a lot from established fantasy and mythology. The sad, sordid tales of the Covenant family add to the storyline as you see how each member descended into madness. The monsters were unique and stood out from the usual FPS fodder.

The sound was perfect. The sound of loading your gun, to the ethereal call to scrye hidden scenes, it completes the game unlike many before or after.

The graphics were amazing, considering that it used the now considerably dated UT engine. Especially remarkable was the detailed models, nearly photo realistic in some scenes.

Game play was intense and kept you on raw nerves.

Music was sparse and didn't interfere with the game play. It was an eclectic mix of classical and world beats.

The game really rewards exploration by hiding goodies everywhere. And occasionally, you'll get a glimpse of someone's macabre sense of humor.

The Bad
First off, No freakin' sequel. The game ending was wide open. The inventory required some quick juggling to keep alive in tight battles. In an attempt to balance the weapons out, you'll find out that in battles with mixed creatures, you're going to do more retreating than attacking.

The Bottom Line
A thinking person's FPS. Better than Doom 3 with a fraction of the hardware requirements.

The Good
Undying is scary. At it's most intense moments it can become so extreme that you need a break so that your heart rate can level out. Ominous corridors with curtains blowing right out into the centre, obscuring your view, heavy storms, lightning and of course, hideous monsters and ghouls. There are times when you can use a magic that allows you to see or hear events from the past. These are often horrific visions such as an intestine splattered bed coupled with the screams of a young child or a painting in which the images become demonic. The visuals are fantastic and very well done both architectural and organic. Watch out for the ghost who persues you with bloody hooks. The music and sound is magnificent. Orchestral pieces and for once, decent voice acting are most welcome additions to Undying. The story is really good and unfolds at just the right pace to maintain interest over the course of this longer than average game. This is all well and good but what about the gameplay? Wonderful. The weapons and magic systems are great but never make you feel like a one man army. There's a lot of skill involved here and as I mentioned before the quest is huge so there's many nights of intense action to be had.

The Bad
On approach to the final section of the game, it gets a little less interesting but never drops below good. Also the game is a little linear, leaving doors you need to go through open and others shut tight only to be opened when you need them later. This is a minor niggle at best.

The Bottom Line
A horror adventure/ 1st person shooter which is terrifying and fun to play. One of the best horror games for any platform. Judging by the recent and suprising news that the Playstation 2 incarnation has been cancelled due to the PC versions poor sales, fans of horror adventuring and 1st person games alike would be wise to pick it up while it's still available as I'm betting that Undying won't be given a repeat pressing. Brilliant!

The Good
Hard as it is for me to single out anything spectacular about this game, there must be some reason why I played it so rigourously all the way to the end. I normally don't blitz on games at all in that way. I did with Max Payne, but I don't know what kept my attention on that one either.

It's probably because both games are incredibly easy to get into, fun, and not especially challenging. Undying grabs your attention pretty early on, and even though the control system leaves something to be desired, keeps you playing without much of a hitch. All the elements of a solid game are here: the graphics are good, the sound is good, the story is good, the gameplay is good, and the length is good. Nothing special, just good.

The animation though, is very good. The enemies really move nicely, especially the howlers and skeletons. There is also a fair amount of variety in the enemies I think, but some people admittingly don't think there is. Also, this game has brought back the tradition of boss creatures to fight, which deserves much thanks in my opinion. The spells are good. The weapons are ok. That's it really. Sometimes you get whisked off to a totally different environment for no real reason other than to provide a change, but that's ok because every FPS does that. Half-Life did it. System Shock 2 did it. I don't mind.

The Bad
Still, this game, even in an optimised condition, is never going to be like Valve's trailblazing debut. It's an FPS, it's a good FPS, but it doesn't try anything different. There's nothing to make Undying stand out from the crowd other than the addition of bosses and the funky 'scrye' spell. Serious Sam stands out by being so wonderfully excessive, but that's one of the few around that do. But anyway, it's unfair to compare every shooter to Half-Life. So on with the more niggling complaints: Firstly, the story gives off a slightly false impression. The stage is set for something deep and mystifying: Your war-buddy calls you to his house to unravel the secrets contained within the Standing Stones (which his father spent most of his life trying to figure out), and to find out about the curse that has plagued his family, what has become of his siblings, and what all these monsters are doing here. I don't want to spoil the experience for anyone who is thinking of buying this game but you find out very little. It turns out the plot doesn't really mean anything anyway, and it never moves on until the end like so many other games.

Secondly, why are all the bosses so easy? I admit I played this game on 'easy' because I'm a wuss, but I rarely got hit anyway so it didn't matter. The first boss is easy, the second is ridiculously easy. There are more but they're not really worth saying much about. In fact, one of the normal enemies I found tougher than any of the bosses in the game. The whole game is still not hard though. At one point I was carrying 60 health packs. The bosses aren't much fun to play again either because they...oh I don't have the room to describe it. All I can say is that ideally, bosses should have the pressure on you ALL the time. Metal Gear Solid 2 did it right when I played it. In that game I fought a guy on a rooftop who seemed to be constantly coming up with ideas of how to kill me, and who would actually try to corner me. Fighting bosses should be like fighting a guy in a boxing ring. It should be that intense.

Thirdly, why are there doors that jam for no reason at all and prevent your access? I've never known a house to have so many. I suspect the reason is probably because...

Fourthly, the game loads every time you go into a new area. Other than annoying you, this makes navigation of big places very difficult.

Fifthly, the sound in this game is good. But what makes it nowhere near System Shock's league is that many of the sounds aren't real. You can hear howlers when there aren't any around, they're just in the general vicinity. It's scripted sound and it doesn't work because it doesn't tell you anything. All FPS developers take note: ambient sound is at it's most tense and frightening when it is from real activity. What makes SS2 a work of genius is that when you hear a monkey, you KNOW there is a monkey near you for certain, and the volume and direction of the sound will tell you where it is. That's when you panic because you know the speakers aren't lying. So even when it's silent you're filling you're pants because you sit there praying you won't hear anything. Ocassionally SS2 does use music and sounds to heighten the tension. The moment you enter the cargo bays where currently dormant but evil robots are pressed against the sides of a very thin corridor which you must walk down, and you hear that soft hum and tiny rush of air sound, every hair stands up on the back of your neck. That is how it should be done. Less sound, more meaning.

Sixthly, the thought that servants would continue to work in a house where people are being eaten alive is laughable, let alone that they should be as nonchalant as ever about it.

The Bottom Line
A good game. It has faults sure, but it's still fun. Few of the faults are major, they just stop the game from being a really good regular game like Medal of Honour, instead of a good regular game. (Stop me if I'm confusing you ;O)) Either way, the game would never have been anything other than regular. Easily it's biggest fault is that it doesn't try hard enough.