Gabriel Knight: Sins of the Fathers

aka: Gabriel Knight I, Gabriel Knight: Die Sünden der Väter, Gabriel Knight: Les péchés des ancêtres, Gabriel Knight: Lucha Contra Las Fuerzas Sobrenaturales, Gabriel Knight: Pecados dos Pais, Gabriel: Zikhronot Afelim
Moby ID: 116
DOS Specs
Buy on Windows
$5.99 new on Steam

Description official descriptions

Gabriel Knight is a wise-cracking bookstore owner and would-be author. He is the last in a long line of Shadow Hunters, those fated to fight supernatural forces of evil. Tormented by terrifying nightmares, he must spend every waking moment scouring the side streets and back alleys of New Orleans for the key to his dark past. One day, a blood-chilling murder shocks the inhabitants of the city. The police detective assigned to investigate the crime is Gabriel's friend. In the beginning Gabriel collects evidence in hope of using the material for his new novel; but soon he finds himself personally involved in the investigation, and plunges deeper into the world of secret societies and murderous cults.

Gabriel Knight: Sins of the Fathers is a third-person puzzle-solving adventure game. Created by Jane Jensen, the game differs from Sierra's Quest games (e.g. Space Quest) by having a realistic setting and focusing (despite its supernatural elements and humor) on mature themes and detective work. In this way it is more similar to the company's earlier Laura Bow games.

The game's icon-based interface is the same as in Sierra's previous titles, with verb commands that allow interaction with the game world and its inhabitants. Though the game still has plenty of inventory-based puzzles characteristic for classic adventure, its gameplay is heavily inclined towards dialogue. Typically, Gabriel will have to interrogate other characters, choosing conversation topics and thus gradually finding clues and advancing towards the mystery's solution.

The game's locations are done in hand-painted style. The CD version of the game adds full voice-overs to the dialogues, as well as narrator's voice to text descriptions.

Spellings

  • גבריאל: זיכרונות אפלים - Hebrew spelling
  • 狩魔猎人 - Simplified Chinese spelling

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Credits (DOS version)

99 People (91 developers, 8 thanks) · View all

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[ full credits ]

Reviews

Critics

Average score: 86% (based on 33 ratings)

Players

Average score: 4.2 out of 5 (based on 307 ratings with 18 reviews)

You got what it takes to become a Schattenjäger?

The Good
Gabriel Knight - Sins of the Fathers is a game I knew little about until I bought it on GOG.com along with its two sequels. I also saw Pushinguproses' episode dedicated to the game and after watching her review I was very excited to play the game. Not only did I enjoy it, but Gabriel Knight also revitalized my appetite for adventure games!

In Gabriel Knight - Sins of the Fathers, you play as the titular character, an ambitious but not very successful novelist who lives in New Orleans and owns a book store (that virtually nobody actually visits). Suffering from writer's block, Gabriel decides to help his best friend and police detective Mosely solve a string of murders in which the murder victims were apparently used in Voodoo inspired sacrificial rituals. As our hero investigates the case, he discovers that his German ancestors have quite some involvement in the events happening in New Orleans. He also encounters Malia Gedde, a beautiful woman who gets romantically involved with Gabriel but who keeps a very dark secret away from him.

The game's story is told through the course of ten days and will take Gabriel to various real-life New Orleans locations such as Jackson Square, the Tulane University and the Bayou St. John. He will also visit a castle in Germany and mummy-infested catacombs in Africa. For every day, you have a certain set of puzzles to solve, information to discover and items to find before you can move on to the next day.

The game itself plays like a traditional 90s Sierra point-and-click adventure. So you click all over the screen in order to move Gabriel around, let him interact with objects or people or examine his surroundings. The game also has a score system (a stable feature in Sierra adventure games). You won't get the full score if you only do the actions necessary to complete the game. This adds some nice replay value and encourages you to explore and experiment. When you talk to people, you have access to a huge variety of subjects to talk about, you can ask them important questions in order to progress the story or just have some small-talk with them. It adds great depth to the conversations and helps fleshing out the characters you meet.

Two of the game's best aspects are its story and characters. The story may be a bit unoriginal, but it's told in such a way that it keeps you interested until the very end. Like Gabriel himself, you will slowly but surely discover the truth behind the murders, Gabriel's family and what the word Schattenjäger means. As you play through the game you will also get some nice educational information about New Orleans and Voodoo culture (the real one and not what you saw in the second Indiana Jones movie).

When it comes to the characters in the game, you can expect quite a variety of personalities, both friendly and hostile. Aside from the characters I mentioned before, there's Gabriel's sexy and intelligent personal assistant Grace (who remains professional and level-headed despite Gabriel's macho humor). You will also meet the intimidating and shady Voodoo museum owner Dr. John and Gabriel's relative Wolfgang, who plays a key role later in the game.

Voice acting and music is nothing short of amazing. The game has some very talented actors voicing its characters. For example, Gabriel Knight is voiced by Tim Curry, detective Mosely has Mark Hamill's vocal chords provided to him and Michael Dorn gives life to Dr. John. Virtually all actors did a splendid job at bringing their characters to life and make them very memorable. Gabriel Knight in particular steals the show. He's a flawed and relatable regular Joe, he sometimes lets his impulses get the better off him but his incorruptible sense of justice and fearless daredevil attitude make him really stand out from the crowd.

The music, composed by Robert Holmes, has plenty of variety and always fits perfectly in the situations you encounter in the game. The musical score ranges from joyful fanfare music and blues rock to downright threatening African drumming. It all adds to the game's compelling and sometimes very scary atmosphere. You cannot help but feel that the villains are watching you every move and that they could just kill you when they want to. In particular the moments taking place in the African catacombs really unsettled me. It features the dark and brooding drumming I already mentioned, and seeing all those seemingly dead mummies really made me wonder what will happen next!

The Bad
There are a few moments at the game's final day wherein you may risk getting into an unwinnable situation. I'm not sure whether there are similar situations at earlier days of the game, therefore I highly recommend you to use at least two saves and use one of them to save your game at the beginning of each day.

The game's narrator gets on my nerves from time to time. I believe the developers wanted her to be a Voodoo witch or fortuneteller but she really oversells her role in my opinion. She speaks very slowly and with way too much drama. Fortunately, you can turn her voice off in the game's options.

Just as a little warning, Gabriel Knight is pretty gory at times. The game doesn't shy away from showing you lying on the floor with a zombie on top of you, ripping out your heart and eating it as an afternoon snack! So avoid this game if you're squeamish about blood and guts.

The Bottom Line
Gabriel Knight - Sins of the Fathers is considered among many to be one of the all time greatest games in the adventure genre and I completely agree with that. Like a great crime novel, you really get engaged into the story and want to play on until the very end. This combined with the game's memorable cast of characters, awesome soundtrack and voice acting makes the game a thrilling rollercoaster ride! Now it's your turn to play, Schattenjäger!

DOS · by Stijn Daneels (79) · 2015

Flawless. Simply flawless.

The Good
What's not to like about this game?

The graphics are beautiful and rich. I really liked the close-ups when you're interviewing people, and the in-game graphics are nicely done. Also, there are several comic-like cutscenes scattered throughout the game, which in my opinion add a lot.
The sounds are breathtaking. Music-wise, I've never heard MIDI sound this good, and it fits the story and world perfectly, contributing a great deal to the general atmosphere of the game, which can give you actual goosebumps. The voice acting is superb, and is my favorite to this day. Tim Curry (as Gabriel Knight) delivers a stellar performance, mixing just the right amount of sarcasm and cynicism in the everyday events in the game, but manages to convey a real sense of warmth, urgency or despair when they are called for. This is not to detract from the phenomenal voice acting of the other characters: Leah Remini (as Grace) is probably my favorite game character other than Gabriel himself, and Michael Dorn (as Dr. John) has the perfect voice for the role. Honestly, each and every actor does the job brilliantly.
The game's interface is Sierra's known point-and-click with icons, but the icons have changed slightly, to make your interaction with the world even richer. For example, there are two separate icons for general chatting and for asking specific questions. Or different icons for pick up, move, and open.
The puzzles are interesting and original, and more importantly fit surprisingly well into the plot, instead of being mix-and-match-items puzzles or the give-this-to-this-guy puzzles. They are there to advance the plot, not just to tease your brain.

And finally, we have the story.

Ah - the story.

Gabriel Knight has the best writing in a computer game ever, bar none. Once the plot grabs you by the throat (should happen by the beginning of day 4 or so), it simply does not let go of you, and you will not be able to let go of the game, until it's over.
What makes it so good? First of all the big story is a solid, interesting, suspenseful story. It's got twists and turns, and it even manages to surprise you several times. But more than that, Jane Jensen got everything done just right. The dialogs are crisp and brilliantly written, with quite a bit of humor mixed in, giving the voice actors real meaty roles to work with.
What's most contributing, at least for me, is the amount of backdrop the player receives. As early as Day 2, you'll find yourself learning a great deal about Voodoo, most (if not all) of which is absolutely correct. You'll even get to hear a lecture about Voodoo, detailing its rituals and customs further in the game. Most of what is said about New Orleans is true as well. Visiting it just a month ago, I actually knew my way around. The game world is so rich, diverse, and detailed, that you feel as though you really know the world and the characters and actually care about them.

Yes. That about describes the game. Perfect in every respect.



The Bad
I'm hard pressed to think of anything seriously wrong with the game.
I did encounter several places where the voiceover was "clicky" or slightly buggy, and some of the puzzles might be a bit annoying (the one with the police officer in the park on day 1, or the arcade-like sequence in the catacombs). But these in no way tarnish the great experience that is GK.

The Bottom Line
I'll use my one-line summary again: Flawless. Simply flawless. Everything, from music to voices to dialogs to story to every other aspect, comes together here.
10 years and countless games after first playing Gabriel Knight, it's still the best game ever from where I'm sitting. An ever-shining gem.

DOS · by _Oracle (24) · 2003

Did it again -- Kept me up

The Good
This game held my attention for a long while. It keeps you thinking even when you're not playing it -- Continue. The story is awesome, and unpredictable. It's great. This was tha basis for both GK 2 and 3, but 1 remains the best due to the extensive recognition which goes into both the interface and the setting. The voodoo-bit kept reminding me of Monkey Island 1 and 2, even though both these games don't show the historically correct information about voodoo.

The Bad
The fact that at times, it's not clear what to do to continue with the game. When you ask Grace to research something, the day can reach its end before you have completed everything to be done at that day. The bug which causes a crash when Gabe's uncle calls from germany is also a pain.

The Bottom Line
Great. Simple as that. I couldn't state it any better.

DOS · by Vohaul (19) · 1999

[ View all 18 player reviews ]

Discussion

Subject By Date
Gabriel Knight Multimedia CD-ROM Edwin Drost (9295) Feb 4, 2017
The game gets stuck at day 5 Nowhere Girl (8680) Apr 28, 2016
A GK remake and no one's talking about it chirinea (47504) Nov 11, 2014
I really dislike the narrator SnubPollard (62) Feb 8, 2013

Trivia

CD version

The CD version of the game includes a 20 minute behind the scenes avi file depicting the creation of Gabriel Knight. The file also included interviews with most of the cast, lead designer/writer Jane Jensen and others.

Covermount releases

  • The full, original game on CD was bundled with the 1/2001 edition of Computer Gaming World magazine.
  • The full, original game on CD was bundled with the July 1997 edition of CD-Rom Today, a Brazilian computer magazine.

German version

The German CD-ROM version has a major bug, which causes to crash the games at at least three points during the game. The program obviously hangs, because of a corrupted soundfile. Turn off voices & music in the crashing scenes and you can go on playing.

Leilani Jones

Leilani Jones (Malia Gedde) seems to like the Voodoo Priestess gig. She also plays one in LucasArts' Curse of Monkey Island.

Novel

Jane Jensen> has written a novelization of the game, first printed in February 1997, through Penguin's ROC imprint. The game's sequel was also given the novelization treatment.

References

  • It could be a coincidence, but there is a real life blues musician from Lousiana, named Dr. John. Perhaps the character's name came from a fan.
  • On day 3, you’re able to attend a (pretty boring) lecture at the Tulane university. Take a walk in the lecture hall and read the bulletin board. After looking at it a few times, you’ll get the message “There's a notice for a lecture on Investigative Reporting techniques to be given by octogenarian Pulitzer Prize winner Laura Bow Dorian." This refers to two game characters from the Laura Bow II – Dagger of Amon Ra adventure: Laura Bow en Steve Dorian. In the game, they fell in love. An octogenarian means someone between 80 and 90 in age, so this assumes the two of them got married in the end.

Awards

  • Computer Gaming World
    • June 1994 (Issue #119) – Adventure Game of the Year (together with Maniac Mansion 2: Day of the Tentacle
    • November 1996 (15th anniversary issue) – #7 Best Way To Die In Computer Gaming (get the heart ripped out by a zombie)

Information also contributed by Alan Chan, chirinea, Chris Mikesell, Isdaron; Pseudo_Intellectual, Sciere and Zovni

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Contributors to this Entry

Game added by Eurythmic.

Windows added by Picard. Windows 3.x added by MAT. Macintosh added by Katakis | カタキス.

Additional contributors: MAT, Andrew Hartnett, Unicorn Lynx, Jeanne, Daniel Saner, chirinea, Sciere, Xoleras, Boston Low, 1gnition, Zeppin, Patrick Bregger.

Game added May 13, 1999. Last modified January 21, 2024.