Ico

Moby ID: 5158
Note: We may earn an affiliate commission on purchases made via eBay or Amazon links (prices updated 3/28 2:23 AM )

Description official descriptions

Ico is a boy with horns. At the age of twelve, when his horns grew large enough, the elders send him away to be sacrificed in order to prevent evil spirits from attacking the village. Entombed in a crumbling ancient castle, Ico only manages to begin his escape when a freak earthquake shakes loose the vessel he has been locked in. Ico shortly meets a princess named Yorda, who has been imprisoned by the evil queen. The two children must explore the ominous castle, trying to find a way to escape, persecuted by the queen's shadow minions.

ICO is a third-person perspective game that mixes action-based exploration gameplay with puzzles. The game is set almost exclusively in the castle, which consists of dozens of rooms, passages, platforms, and contraptions. Ico will run, climb, and jump his way through these environments. The puzzles in the game are physical (environmental): Ico must push and pull objects, manipulate switches, re-arrange structures, etc.

Yorda will accompany Ico throughout most of the game. Many of the puzzles revolve around creating a way for Yorda to access special glowing blue doors, which only she is capable of unlocking with her powers. Being less athletic than Ico, Yorda will often need a more comfortable path built for her. Ico can hold Yorda's hand to lead her with him, and also call her to come nearer.

With the exception of the final (and only) boss, all the enemies in the game are shadows. They attack in groups, either at pre-set points, or when Ico is separated from Yorda for a long time. Their goal is always the same: to capture Yorda and carry her towards a black whirlpool. If the player fails to rescue her before she is consumed by this shadow portal, the game is over. Conversely, Ico can not be killed by the shadows; they can only push him, preventing him from reaching Yorda in time. The player must therefore fend off the shadows (Ico uses a stick for the largest portion of the game), at the same time hurrying towards Yorda. Protecting and rescuing Yorda is one of the primary gameplay elements in ICO.

The game has no HUD (heads-up display). Other distinguishing features are the soft lightning visual style, low-key use of in-game music, and conversations through a fictional language, leaving much to the player's imagination.

Spellings

  • イコ - Japanese spelling
  • ěť´ ě˝” - Korean spelling

Groups +

Screenshots

Promos

Videos

See any errors or missing info for this game?

You can submit a correction, contribute trivia, add to a game group, add a related site or alternate title.

Credits (PlayStation 2 version)

193 People (147 developers, 46 thanks) · View all

Reviews

Critics

Average score: 90% (based on 66 ratings)

Players

Average score: 4.1 out of 5 (based on 192 ratings with 8 reviews)

Mystical and pretty, and with a bit of retro-cool.

The Good
This is the only PS2 game I'm interested in really. Well alright, Metal Gear Solid 2 has my attention but it's not the sort of thing I can be bothered with. Especially because I saw my friend playing it and near the end there was a 45-minute cutscene...

I like ICO because I'm still fanatical about old games, like Prince of Persia and Flashback, and their styles of playing. Maybe this is because my PC is pretty much incapable of playing any games released today (I don't actually own a PS2 but I have completed ICO), but at least this carries on the traditions of old. Although, unlike Prince Of Persia, it is gorgeous to look at. Even though graphics don't mean a thing these days, at least not in terms of the game having any lasting appeal, ICO has a particular look. It's sparse and drab, but it gives a hell of a lot of atmosphere because of it. And it also lets the lighting effects do their thing: inside the castle it's dark and gloomy, outside it's so bright it makes your eyes hurt. But that's great. The sense of scale too is a sight to behold. Standing on a bridge overlooking most of the castle, with about 3000 feet below to fall, is an experience in itself. As is plunging from the top of a windmill into a pool of some of the most brilliantly rendered water seen in a game.

The characters are beautiful too, especially in their animation. Ico really does run about and act like a 10yr old, albeit one with the combined fitness of 30 top class athletes. Yorda on the other hand would blow away in the wind and her daintiness is so great you just want to sit back and watch her do her own thing for half an hour.

Fighting is great fun. The shadow monsters are intelligent and almost funny to watch as they evade your blows; but there is still a real satisfaction when your strike hits home and you save Yorda and yourself from the jaws of death. Again, the graphics are top notch with the enemies. Even though they look like they've been stolen from Heart Of Darkness a little bit.

Finally, the showdown at the end is really exciting and tense to play and to watch. In fact, the whole game is a visual feast so I might as well shut up about the graphics. I don't actually remember any music in the game though, even though I'm sure there was some, but at least that shows it doesn't impose.

Great box covers too.

The Bad
No-one else I know seems to think this, but there just wasn't enough to it for my liking. It's very linear from start to finish both in the gameplay and in the environments. The latter is what I found the hardest to cope with: other than the grey stone walls of the castle and the beautiful skies and grass outside, there is nothing to look at. Even though the appeal is in the simplicity, there needs to be some other environment. It gets better near the end when all of a sudden Ico finds himself somewhere else, but that's not enough. My favourite bit in the whole game was with the windmill, that's the only time there is any water. Considering water has rarely been done so beautifully you think they'd have used it just a little more often.

Also I don't think there is any real story in this game. The game does give reasons for the presence of both characters but the reasons aren't important. The story never moves on except for one or two instances, the rest is just a lot of...dare I say...jumping around?

Also, because of the lack of variety, it can almost get boring. I can't imagine playing for much longer than an hour as the puzzles never let up, and they're all very similar anyway - usually involving Yorda, some boxes and switches.

The Bottom Line
Tranquil, occasionally frustrating and beautiful. If they just add a bit more to look at and do, (but not too much), for the sequel it'll be perfect. Still worth buying anyway.

PlayStation 2 · by Shazbut (163) · 2003

If you have someone for whom you would do anything, play this game.

The Good
ICO is very unique in the way that it combines graphics and music in order to achieve a wonderful feeling of nostalgia/longing, while being very dark and stressful at the same time. Additionally, it makes an interesting use of the surroundings in order to produce puzzles that fit the game perfectly, not being blatantly easy nor excruciatingly difficult. The use of voices is also very well executed, even if it is used scarcely (which just feels right in the barren, lonesome world of ICO). And of course, the main characters themselves are what makes the game work, with the relationship existing between them being the focal point of the game, and what stood out the most – it is a beautiful portray of friendship, and probably the game’s most appealing trait.

The Bad
The only negative aspects of ICO are really the fact that combat is very plain and simple (even though this is most likely purposeful to fit the mood of the game), and being a relatively short game (despite being slow-paced).

The Bottom Line
While surely not a game for everyone (due to its slow pace and heavy mood), ICO can arguably be considered one of the top - let’s call it “spiritually enhancing” - games ever made. If you let it, ICO grabs you by the hand (pun intended) and takes you along an emotional rollercoaster that you cannot feel disconnected from - both graphics and music contribute immensely in order to make sure your anxiety will leave you on edge, yet totally immersed. And that is probably ICO’s most recognizable trait – it deep-dives you in such a way that you will not want to surface back to the real world. Essentially, that’s what games are really all about.

PlayStation 2 · by Rik Hideto (473497) · 2014

One of the Playstation's finest.

The Good
ICO was the first Playstation 2 game I bought. It only took about eight days to finish it, but it was a memorable experience. Nothing on the Playstation 2 has ever quite managed to out do it. This is a game that is nothing like anything I've ever played before. A true masterpiece. Read onto the review to find out why.

Gameplay-

Puzzles galore. And not all the puzzles are the typical push the block stuff. No no, these puzzles require a fair amount brain matter to solve. Some require some backtracking, but it's usually a minimal distance. One of my favorites for instance- You have to get Yorda to a high ledge. But there's only a locked door and a climbing chain to get there. Yorda can't climb chains, so you have to figure out how to unlock the door. Once you're on the higher ledge, there are grates and a tunnel beneath them. You climb into the tunnel and go to the end and stand on a pressure pad. It opens the locked door and you call Yorda. She stands with you and on the pad. You leave her on the pad and go out the door. Climb back up and call Yorda to the open grate where you can pull her up.

Simple, yet requires thought. The first time I almost drove myself crazy trying to figure it out. If won't reveal anymore, but needless to say the puzzles are great.

The platforming in the game is good, but plain. It's mainly jumping across gaps and scaling ledges. Some of the scaling in the later parts of the castle is cool, but some of it can be tedious. It certainly doesn't detract from the gameplay, but only adds one really innovative thing. When you're travelling with Yorda and you cross a gap, you can call to Yorda to come to the other side of the ledge so she can leap across and you can grab her, and pull her up. You have to do the same with some ledges and ladders. You have to escort Yorda throughout most of the game, but it's not usually aggravating. The first time she's being abducted by shadow beings, you might jump out of your seat with fear of not getting there in time. It creates a special bond between the two of you. If she gets lost you feel you have to go back and get her. It may be somewhat cumbersome to go back whole areas to do it, but you have to in order to finish the game, and to have some peace of mind.

The combat in the game is simplistic, but I wouldn't want something more complicated in a game like this because it would bog it down. The square button is always attack. But you gain weapons in the game. It goes from a wood plank, to a sword, to a mace and ultimately the magic sword. The mace is the best weapon for most of the game. It beats out the sword easily, and anything beats the plank. The magic sword kills shadow beings in one swipe. But by that point, they won't try to seriously harm you. The showdown with the evil queen is actually the hardest part of the game. Once you hit her, the sword goes off in a different direction out of your hands. It took me about seven tries to finally get her.

All in all the gameplay is some of the best I've ever experienced in a Playstation game.

Sound-

Like no other 3D game, it does audio in a minimalistic way, but it's incredibly convincing. When you're near the sea, you hear gulls, the sound of waves crashing into the cliffs below. The crackles of torches pop and crack while your footsteps echo in the lonely halls. In the courtyards, birds chirp, the breeze rustles the leaves in the trees gently lulling them back and forth. The sounds of shadow beings squirming out of their pools makes your skin crawl. You...am I getting too poetic ? Well it was at least it was well written. The music is a bit more difficult to describe. It's mainly made up of classical pieces, but some sound like keyboards or like they were electric. Regardless of how it was made, it absolutely resembles nothing I've heard in other videogames or movies, or otherwise. Very incredible. The voice acting is good, but somewhat hard judge. All the dialogue is done in a fictional language. I heard somewhere it was backwards Japanese. But not to fear, all of it's subtitled. But some of it (everything Yorda says) is done in symbol subtitles that aren't translated. But I suppose that would be redundant. The queen sounds as nasty as she acts. Very condescending. ICO himself sounds concerning but innocent. Yorda is impossible to judge accurately, because almost all of speech is very quiet. But not bad at all. To wrap it up for sound. Great ! Fantastic !

Graphics-

Now this is where ICO shows how well it has aged. The one thing people talk about when discussing this game is the lighting. And rightly so. Never before or since in my opinion has a game ever managed to duplicate light so perfectly. That type of blue-grey you get in the shadows, the way the grass almost looks yellow in the sunlight, or how it shines brilliantly in the open. The shadows come across like they do in real life. Words simply do not do most of it justice. A tired cliche' yes but true. The areas you get to play in are no slouches either. Drab, broken down, overgrown with weeds, and not too much color. Why is this appealing ? By itself it would look horrible. But the light gives it it's color and depth. Like in real life. And boy are those depths and colors pulled together well. Torches give off a flickering glow, the sun makes even the blandest looking of stones brilliant. One cool graphical element is that if you look at certain points in the game, you can see future ares of the game.

Whoever did the character animation should get a award for their work. It can be a little jerky sometimes, but more realistic than any other game in 3D history. The cutscene at the gate after the queen leaves, ICO looks filled with dread and shock as rushes back towards Yorda. His eyes grow wide, and his shoulders fall back just before he runs. That attention to detail is impressive and puts most other 3D games of that era and even today to shame. Yorda shivers when the wind blows, and looks around curiously. Most impressive of all are the shadow beings. They drip of black, smokey, oil like stuff. It's almost impossible to believe that those things are made of polygons. Amazing. One last thing I wanted to mention are the trees in the courtyard of the earlier mentioned puzzle. It just fun to zoom in on them and see the bright green leaves sway back and forth in the breeze. It's for whatever reason very captivating.

Controls-

Simple. Intuitive. Precise and responsive. A perfect dream for those who hate complicated, unresponsive control schemes. Nothing more need be said.



The Bad
Graphics-

I noticed that some of the textures were a mix of high-res and low-res textures. It didn't look cohesive in some spots and was slightly distracting in one part of the game. I know this game was originally intended for the Playstation 1, but I swear I saw some textures that looked like there on the Playstation 1. At one point early in the game I noticed that a wall looked like a mess of pixels. When I zoomed in on it, it smoothed out. But zoom out and you get pixels. I just wonder if they were in such a rush to get it onto the Playstation 2 if they cut corners there. It ultimately doesn't matter though. And at the top of the cart rail track during a fight, the frame-rate dipped slightly.

Gameplay-

Yorda can be a bit much to handle at times. If she gets lost you have to go get her. Sometimes she'll climb a ladder, stop, and go back the other way. Sigh.



The Bottom Line
I have said everything I can to convince you to get this game or try it in the review above. If you actually read (Yes most people skim huge reviews like this)it that is. But I fully recommend it for something that's truly a unique experience.

PlayStation 2 · by GAMEBOY COLOR! (1990) · 2008

[ View all 8 player reviews ]

Discussion

Subject By Date
512x256 PAL shots GTramp (81965) Jun 30, 2013

Trivia

Art

The original artwork, designed by Fumito Ueda, was inspired by the works of the surrealist painter Giorgio de Chirico. For comparison, the painting The Nostalgia of the Infinite bears a strong resemblance in style to the cover art.

Development

ICO was originally meant to be released for the PlayStation, but the development was halted and then continued for the PlayStation 2. A screenshot gallery of the first version has been included with the limited edition of Shadow of the Colossus. Also, originally Yorda was due to have horns, not lead character Ico

Extras

The European Limited Edition version has a double cardboard-sleeved case and contains four postcard-sized art cards.

Novel

In 2004, author Miyuki Miyabe released a novel in Japan based on the game. She wrote it because of her appreciation of the game (ISBN 4-06-212441-6).

Version differences

The US version does not contain the second playthrough bonuses present in the Japanese and European releases. These include translated subtitles (initially hieroglyphs), the option to have a second player (who controls the princess), a secret weapon different from the one findable in the first playthrough, and the option to play the game with one of four cinematic video filters. There are also changes to some of the shadow generation points, fights with enemies are slightly harder, and the Waterfall and Windmill puzzles are simplified.

Awards

  • 4Players
    • 2002 – #7 Best PS2 Game of the Year (Readers' Vote)
    • 2002– Best Atmosphere of the Year
    • 2002– Special Game Idea of the Year
  • EGM
    • February 2006 (Issue #200) - #121 out of 200 in the "Greatest Games of Their Time" lisz

Information also contributed by Big John WV, Indra was here and Mark Ennis

Analytics

MobyPro Early Access

Upgrade to MobyPro to view research rankings!

Related Games

LittleBigPlanet: Ico Costume
Released 2009 on PlayStation 3, 2012 on PS Vita, PlayStation 4
LittleBigPlanet: ICO - Yorda Costume
Released 2009 on PlayStation 3, PS Vita, 2014 on PlayStation 4
Ico / Wander and the Colossus: Limited Box
Released 2011 on PlayStation 3
The Ico & Shadow of the Colossus Collection
Released 2011 on PlayStation 3
LittleBigPlanet: ICO and Shadow of the Colossus - Costume Kit
Released 2009 on PlayStation 3, 2012 on PS Vita, 2014 on PlayStation 4

Related Sites +

Identifiers +

  • MobyGames ID: 5158
  • [ Please login / register to view all identifiers ]

Contribute

Are you familiar with this game? Help document and preserve this entry in video game history! If your contribution is approved, you will earn points and be credited as a contributor.

Contributors to this Entry

Game added by nullnullnull.

PlayStation 3 added by Kabushi.

Additional contributors: Macintrash, Jeanne, Sciere, Leandro S., Zeppin, DreinIX, Patrick Bregger, Rik Hideto, yenruoj_tsegnol_eht (!!ihsoy).

Game added October 15, 2001. Last modified March 15, 2024.