Max Payne 2: The Fall of Max Payne

The Good
The new weapons in the game, such as the Russian firearms, add to the previously intriguing arsenal of the first game (except for the lack of M79). The ability to pistol whip or use grenades with your current weapon means there's no longer any need for weapon switching, especially in the middle of a firefight.

The newest feature, by playing as Mona Sax, is a definite plus, being able to wield unique guns and access parts of the chapter that Max doesn't. There are also NPCs who support you and Vinnie Gognitti you need to protect. Kind of makes me wonder what it would be like to play as Alex Balder.

The Bad
There is way too much re-usage of the same levels, including Ragnarock and the Address Unknown theme park. The other levels are just bland buildings instead of the rooftops, slums, hotels and factories of the first game. Then of course there are the little things missing, like laser traps, rats and breakable objects. This lack of variety also makes the game feel short. Even the unlockable minigames can't really compensate for the smaller chapter count. Using Mona Sax more often in the game might have improved the game overall. Much of the game mechanics are the same, except that bullet-time feels a little faster than it should, making it almost useless. Finally, the game also doesn't have much in the way of atmospheric music.

The Bottom Line
This sequel didn't quite capture the experience and take the best from the first game. This sequel was a bit of a let-down. This game could most likely be finished faster than the prequel and then you'll be craving for more. Not sure what Rockstar was going for, but it should be emphasised that Max Payne should not be given a Grand Theft Auto treatment. Worth the occasional play, but not worth the money to buy.

The Good
Max Payne 2 made three large improvements over the first game in the series. Here is a quick overview:

First: The graphics engine was greatly enhanced, and a physics system was added - not only can Max knock over some pieces of furniture or other small items when he runs into them, but there are some amusing physical chain-reactions that can occur in some circumstances. For example, picture two dozen cafeteria-style chairs piled on top of an explosive ammo crate in the corner of a room. C'mon, you know you wanna toss a grenade in there and watch the result.

Also, the game's textures, especially the models and textures used for the stars of the show (Max and Mona) look gorgeous. Additionally, a number of visual effects were added - in Bullet Time, the screen becomes washed out and all of the colors become muted, and motion-blur effects are used liberally (but not too much). Even with a low-end videocard, you can get a very enjoyable visual experience. I first played this game with a GeForce4 MX, and had no significant graphics problems. Even Max's nightmare/hallucination sequences are severely distorted, visually, adding greatly to the experience.

Second: Bullet-Time (BT) was tweaked somewhat. You still have the familiar hourglass time-limit, but now it regenerates slowly over time. Also, shoot-dodging does not use up your BT reservoir anymore. And most importantly, when you enter BulletTime directly, and start racking up kills, Max moves faster and faster (or, to be more precise, everything else slows down relative to Max). As you gain "levels" in Bullet Time, the screen and sound effects get more and more washed-out, muted, and... "focused". Get enough kills, and Max finds himself running around in a blurred, sepia-toned "tunnel-vision land", with his enemies standing nearly (but not quite) motionless. Naturally, the BT "levels" are temporary in nature, so Max needs to rack up a good number of kills, fairly quickly, to hit his maximum level. They fade away over time as Max "calms down".

So with Bullet Time 2.0, the developers eliminated a large part of Max Payne 1's challenge (limited Bullet Time), in order to make the game more "fun". It certainly succeeds; it's very easy to get immersed in this game when Max is fully "in the zone". And assuming you can find a safe spot to rest for a minute or two, you'll always be able to enter the next battle with a full BT hourglass.

Third: Scripted sequences? Yeah, we got scripted sequences. Max Payne 2 has so many NPC and plot-advancement scripts, it makes Half-Life look dull by comparison. The first game had a few, here and there, but in MP2, there's almost always something going on.

Now, about the actual game itself.

The story in this game rocked. In some ways, it seems to actually be more story-oriented than action-oriented. But I love a good helping of Plot(tm) with my shooters, so it's all good. The actual environment is great, too - present in MP2 are the television shows from the first game, but you run into them at more frequent intervals. During a lull in combat, it's nice to relax and watch the adventures of Captain Baseballbat Boy, follow the story of Lords and Ladies, or catch up on Address Unknown. There is also a new "TV show", Dick Justice, which is seemingly a parody of Shaft combined with Max Payne 1. Always good for amusement.

The level design, with one exception, was excellent. The levels tend to be very large, and perhaps a little repetative at times, but there's enough variety that it's difficult to become bored and lose interest. It's even difficult to get lost in some of these large levels, which is also a plus. The levels include (but aren't limited to) a large building under construction (plenty of scaffolds to play around on), a surreal funhouse (based on Address Unknown), a burning building, a mansion, Max's apartment building, even the NYPD station Max works at. All of these environments have a ton of detail, and you sometimes find yourself revisiting them later in the game (except the second time around, they're very, very different, due to various Plot Activities(tm) that have occurred.)

Another neat plot device is that after playing as Max for a while, the perspective switches to Mona, and you guide her through the game for a while (don't worry; Mona can also use Bullet Time). The neat part is, Mona's stories take place roughly at the same time as Max's. This happens a few times during the game, and Mona typically enters a level from the "opposite side" as Max. So effectively, when your perspective switches to Mona, time reverses roughly one hour, and you play through the level again - just from the other end. I'm sure I'm not explaining it very well, but as a plot and character-development device, it works very well.

Ordinarily I hate "love stories", which Max Payne 2 certainly tries to be. But I must admit, it pulls it off very, very well.

I should also mention that the Max Payne series has a huge, active mod community. The level-design tools were released to the public, just like with the first game. Also, MP2 has a few different difficulty levels, just like the first game. Except if you complete the game at the hardest difficulty level, you apparently get a different, "happier" ending. I've never gotten there, myself - almost, but not quite. But still, even if you complete the game once, you unlock the "Dead Man Walking" levels. These are small, self-contained levels, totally unrelated to the plot, where enemies continually spawn in at shorter and shorter intervals. Your survival time is your "score" in these levels, and they're great for a few minutes of mindless action. How long can you last?

The Bad
I mentioned an "exception" above, in regards to level design. There is, apparently, a flaw in the level-design tool (or perhaps in the graphics engine itself). If your objects don't line up just right in a given map, if you don't cross every single T and dot every I, a significant number of errors are introduced, and the game goes berzerk trying to perform all of the calculations it needs to do. It doesn't corrupt the display, and it doesn't crash or anything, it just becomes VERY, VERY SLOW. Like, we're talking 1 frame every two seconds. Granted, this only happened to me once in the entire game, and only in one particular room looking in one particular direction (at a pile of junk and debris), and it's extremely easy for me to reproduce; it happens every time. But still, there's no real way around this problem, and you've simply got to trudge through it. I'm sure anyone in the mod community who has used the level-editing tools has run into this at least once in their own maps.

Also, I wish the Dead Man Walking mode was unlocked at the very start.

But you know, other than that, I don't really have any complaints. Except perhaps that the game was too short. It felt a lot shorter than the first game, somehow.

The Bottom Line
I'm sure that fans of Max Payne 1 would love this game. In fact, it even seems to stand alone well enough, which can be rare for a sequel. You don't need to be familiar with the first game to enjoy this chapter, but it helps - you'd probably miss a lot of the in-jokes and references otherwise.

The Good
The original Max Payne was easily one of my favorite early Xbox titles. With a combination of film noir and graphic novel styles, it was easy to get sucked in, especially after you'd mastered the use of Bullet Time. Max Payne 2 easily surpassed it in almost all categories.

The first thing you'll notice is the change in the appearance of the characters. Models are more complex than in the previous game, especially in regards to the heads. Gone are the static photographic faces, which have been replaced with softer, more convincing textures, mapped to heads that feature mouths that move during speech. The effect was characters who felt more real, making it easier to become attached to the characters and story this time around. I’d originally been opposed to the aging up and conversion of Max into a stereotypical late-30s tragic badass in a trenchcoat, but it works well here and I actually prefer him to the younger Max. The entire world, even familiar places, feature better modeling, lighting, and textures as well. It's fitting that you'll revisit an area from the first game that's in the middle of renovation in the second. It may not be up to the PC version’s standards, but it’s still a beautiful game.

Bullet Time has also been changed up. As you take out enemies, your Bullet Time meter fills up. Once you’ve filled it up completely and keep pumping the baddies full of lead, the meter will begin to turn yellow. At this point, Max’s reactions become closer to real-time while everything is slowed down. Send an enemy flying and shoot a nearby exploding object to send him spiraling somewhere else. This becomes especially fun when you turn a group of bad guys into a midair corpse ballet. Another addition when in the yellow is the spin reload, in which Max spins while dumping clips, with the camera following him. On one hand, it may seem like a needless bit of animation, but in the case of a large firefight, it gives you a quick 360 view of the scene. It’s a great effect when you’ve just sent the last of three guys into the air. Once you’ve mastered the altered Bullet Time, you’ll find the real meat of the game and quite possibly lose yourself in a Zen-like trance.

The sound engineer is to be applauded, especially when it comes to vocal effects. Besides the standard face-to-face conversations, you’ll hear characters through doors, over speaker phone, over an intercom, etc., and each sample is convincingly muffled, echoed, distorted and spacially-placed. Explosions, gunfire, and environmental sounds are in the same league, as is the effect applied to them when Bullet Time is kicked in. When the world slows down with a full-auto machine gun, you can even hear the parts of the gun moving. And mind you, this is just using a stereo setup. The soundtrack features some nice arrangements of the original music, and everything fits the mood very well. The track by band Poets of the Fall, which plays at the credits, was a welcome addition that truly capped off the movie-like experience.

The Bad
The only real issue that I had with the game was the short length, which also seemed to be the main complaint by most. For anyone who bought the game at $50, it was likely a disappointment. At $20 or less, maybe not. I’d rented it, beating it quickly and blazing through in half the time on my second attempt.

I do wonder about the addition of the melee attack though. Not once did I need to resort to it out of a lack of ammo, nor did it seem all that effective when I did use it. Perhaps more experienced players can go on a pistol whipping frenzy when Bullet Time has gone into the yellow, but I was so trigger happy that I'd never thought to try. Most likely, they just decided to have Max able to do something when the button was pressed while he wasn't carrying grenades.

The Bottom Line
Where many could easily dismiss Max Payne 2 as being little more than a short expansion disguised as a sequel, I found a game that improved upon the original’s strengths while tightening the design overall to help match the pace of a film. Not every story needs fifteen to eighty hours to tell. Besides, any game you can blaze through but still get sucked into and enjoy can’t be all that bad, can it?