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Metal Gear Solid 2: Sons of Liberty

aka: Hejin Zhuangbei 2, MGS2, Metal Gear Solid III
Moby ID: 5211
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Description official descriptions

In 2007, two years after the Shadow Moses incident, Solid Snake - now working for a freelance organization known as Philanthropy - infiltrates the oil tanker U.S.S. Discovery, investigating the development of a new Metal Gear-type weapon. A confrontation with a Russian military group as well as an old acquaintance from Snake's past adventure leads to a massive detonation, after which Snake is presumed dead.

Fast-forward to the year 2009: the player takes control of Raiden, a rookie agent operating under the order of the Colonel, apparently a member of a reformed Foxhound unit. His initial assignment is to infiltrate the offshore clean-up facility Big Shell and rescue the President of the United States of America, who was kidnapped by members of a terrorist organization known as Sons of Liberty. However, the matters become increasingly complicated as almost everyone Raiden communicates with appears to have a hidden agenda, and it is hard to tell a friend from foe...

Metal Gear Solid 2: Sons of Liberty is the sequel to the espionage action game Metal Gear Solid. Much of the gameplay remains the same, as the game's protagonist has to sneak past guards, outsmart them using various gadgets, and defeat the tricky boss enemies. There are a host of weapons to be picked up throughout the game, some old, such as the FAMAS and Socom, and some new, such as the AK-47. Martial arts combos can be used to disable guards. It is possible to crawl through small spaces, peek around corners, and perform acrobatic leaps to get away. The protagonist can also hang from railings, effectively hiding from guard, or stick his gun in a guard's back, surprising him. The cardboard box is also back, and can once again be used for hiding.

Gadgets such as sneak suit, mine detector, thermal goggles, and others can be found along the way.. The radar from the original game is still there and alerts the player to guards' positions and also shows their field of view. If an alarm is sounded the radar is disabled while the hero has to escape. In some situations, it is necessary to enable the radar before it becomes possible to use it.

Like its predecessor, the game is heavy on codec conversations and cutscenes. All the cutscenes in the game use the in-game 3D engine; the characters' movements are motion captured animations.

Spellings

  • εˆι‡‘θ£…ε€‡2 - Chinese spelling (simplified)

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Credits (PlayStation 2 version)

270 People (215 developers, 55 thanks) · View all

EVP Sales, Marketing, Operations
VP Marketing
Product Manager/Director of Marketing
Associate Product Manager
Senior Manager Creative Services
Director of Public Relations
Senior Public Relations Specialist
Director of Marketing Communications
Consumer Services
Sr. VP Product Development
Director of Production
US Localization Producer
QA Manager
Lead Tester
QA Liaison
Testers
Packaging & Manual Design
  • Department X
Special Thanks
[ full credits ]

Reviews

Critics

Average score: 94% (based on 71 ratings)

Players

Average score: 4.0 out of 5 (based on 164 ratings with 12 reviews)

An ambitious and innovative game that divided a fandom.

The Good
The refined gameplay is incredible, and you get to play as Solid Snake and Raiden saving Manhattan from a nuclear disaster involving the new model of Metal Gear: Rey.

It's got unexpected turns, some nice surprises here and there and the music is superbly fitting in this adventure.

The Bad
The story, while nicely complicated and thought-provoking, can be a little too weird and contrived at times, but it's still an enjoyable romp in New York making urgent commentary on the dangers of warfare and espionage affecting the world at large.

I guess what I said I liked about the story can also be applied for what I didn't like as well. It's nice and complex and layered in its story, but it tries a little TOO hard, and sometimes succeeds, in confusing and alienating the player.

The Bottom Line
It's the sequel to the original Metal Gear Solid, and it's a worthy if somewhat unexpected continuation of the story. It's like any sequel trying to expand the world of an original work: it strives to be a cog in a massive work and as gaming's equivalent of James Bond I say this game does exactly that.

PlayStation 2 · by John H. (52) · 2019

Brilliant in every way.

The Good
How to describe the greatness of this game. Here I go. When I went to buy this on the day it came out. I was so excited, I couldn't wait to get home and start playing this right away. When I got home and put the game inside the PS2. The intro started and my jaw fell to the ground because it was so freaken breathtaking. I knew this was gonna be one hell of a thrill ride.

The Graphics: Simply spectacular, probably the best I have seen on any console. Snake looks even more like a badass than ever. All the other characters look completley realistic. Simply Breathtaking.

The Controls: Awesome, is easy to control snake,raiden and the weapons you get to use.

The Story: Mind-Blowing. The plot is very dark and complex with so many plot twists from beginning to end. This will definitely keep you on the edge of your seat just waiting to see what happens next and I thought 24 had a lot of surprises but nothing comes close to this. This is the type of story videogames should have.

The Sound: Excellent musical score by Harry Gregson Williams, very cool attention details and also great voice acting especially from David Hayter. Also with one of the greatest videogame soundtracks ever made.

Lasting Ability: Collecting all the dog tags is very fun but other people would probably stop playing it for awhile, mainly to free there minds of what they just witness.

The Bad
Zip, Zero, Nadda

The Bottom Line
Overall: This is the greatest game ever made, simple as that. Took a lot of years to make this magnificent piece of art work. My hat goes off to Hideo Kojima and his entire MGS2 crew for creating this true Classic/Masterpiece. Too bad we have to wait for MGS3 to come out in November but trust me is worth the wait. A must buy for any true gamer

PlayStation 2 · by Alberto Castillo (2) · 2004

Sometimes, words are just NOT enough.

The Good
First of all to say, I'm a huge fan of animations and CG in general (sometimes even 2D ones, like in "Outlaws"), and this game gives you plenty of those. But that's not the point with this game, 'cos it was quite the opposite case. Real-time rendered animation are wonderful, but what I was eager in waiting was the time I'll be playing after each of those semi-longer breathtaking cutscenes. Yup, ingame quality is so well done that I enjoyed it as much as watching cinematics. Also, the thing was that they were all in real-time and not pre-rendered and then just saved as animation (more about that later). And those textures were so fantastically glued to the objects and polygons that it all looked as real, and gave you a feeling of watching some action movie.

Since I've mentioned ingame was even more taunting than watching cinematics, let's say a few words on that one, now. You move from third-person perspective, which varies (sometimes it looks almost as top-down, and sometimes quite up front, depending on the camera position, and if the current location scrolls along), and you can do quite a nice set of moves while in that mode. You can flip over the fence until enemy soldiers pass, hide in the locker, shoot around (while shooting in 3rd-person view mode, it gets something like shooting in those horror-survival series), fight, drag an enemy soldier, walk with box on top (now that's a great one, hehe), crawl (though that sometimes automatically switch you to first-person view if you're in the tight area that cannot be reached or seen from atop), use the corner view, and more. Now, for the precise shooting, you can also switch to first-person mode. While in it, you can do alsmot everything the same (except walking), but it's rather hard to fight in it, since when you make a circle strike, you turn for 360 degrees and get lost, hehe. Switch between the two modes is really wonderful, as all those texture at up-close look really great. Let's say a word or two about game parameters now.

You can set a few types of radars to have, and change more basic options than you'll need, from vibration to whatever I forgot right now. Also, when you finish the game (originally you play as Raiden), a new chapter opens that you can play, a 'Tanker Episode' which happened two years prior to game's story, and you play as Snake. There's one thing really interesting to observe while playing, and that's the enemy AI. For example, I was entering a small portion of a computer room that had two way of getting out. After the reinforcements were summoned upon, three of the guards spotted where I have entered. Now, in some ordinary mumbo-jumbo action shooting game, they'd just rush and there'll be some major shooting upon. But no, these just splitter and one sneaked from the each exit of where I was, while third one was staying outside in case I escape somehow (and that is when you play on Very Easy level, on European Extremely Hard, only difference is there are more soldiers, and game may over as soon as you're spotted). I saw everything form top-down at that part, so it's nice to observe them in action whenever you can. You can also try to distract some guard by knocking somewhere and then head the other way, pretty neat altogether, and I barely counted a few nice tricks this sequel possesses.

Going onto audio discussion, music is wonderful. It reminds a lot on music from "The Rock" movie, partially 'cos Harry-Gregson Williams was one of three who composed for that movie, but what Hideo and his team planned, and I'll say achieved, this does altogether bare a resemblence to some Hollywood action movie, only it's far better. While we're talking sound, I must say that no matter speech altogether was nicely done, sometimes it really looked awful. For example, Raiden sounding like a girl whenever he yikeses or sighs (it was enough for him too look like a girl, already), or the part Otacon was crying, even child would notice how much faked that was. But maybe original japanese version was better acted, I dunno. Japanese trailers look good, though, hehe.

Atmosphere was really nice, I especially liked all those women posters and pictures around the game, hehe, if that cannot increas the atmosphere, I dunno what can ;) Plus, effects and character movements (both your and enemy's) look so real you can't help but thinking it is real. Now to mention that real-time rendering thingy this game has. That is best shows after you finish the game entirely, both chapters, you get 8 cinematics from the game to watch, in which you can change character roles. For example, what in original story was Snake, you can put Raiden, Fortune, Snake form the original "MGS" or someone else instead. The model will change, though the voice will stay the same, since it's recorded for the game as it comes originally. The advice would be to replace female characters with such and male ones with such, then voice acting won't sound too strange, hehe.

This was somehow my first "Metal Gear" game I've played (seems I usually start most of series with sequels, hihi), so I didn't know what to expect quite, and I was expecting some game sorted by the missions. So basically, I thought that 'Plant Episode' is just the first mission, since it didn't seem as it can hold the whole story and characters I've previously seen in trailer. Boy, was I wrong on that one! The game is on the same place over and over, and you just can't get enough of it. You constantly discover new places, new perspectives, and story unfolds almost entirely on the same place. I admit it fascinated me how they made an un-boring game almost entirely on the same place. And it's not as short as other people say (well, at least not if you don't skip cinematics which are half of the game by themselves, hehe).

I've seen so many great games for PC, and just a week ago, I would swear that no console can have a better game than a computer. Well, the thing I realised is that consoles do not make games by themselves, it's the poeple that counts. Konami sure pulled this ace wonderously up its sleeve, and showed how making so many details and carefully planned points for ingame playing (even if they will be used couple of seconds) is more than appreciated. With this engine and everything, I bet they could increase number of levels, rooms, enemies and everything by a far which would make us play for over 80 hours, but would that still count as a quality then? By playing this game, you can always expect something new, especially after each of two endings it has.

The Bad
Yeah, right!

Actually, there is one thing. Hideo obviously tried to go on player's feelings when entering certain real-life videos and create something more than a documentary, something that would make us 'think' or that would sound more deep. Well, it's all a pile of crap. If it was animated, I couldn't care less. That ending really wasn't as expected as I thought will be. Endings doesn't need to be too long, but do need to be animated or using something that's part of a game's creation. It would be just enough for the screen to go blank after the final epilogue (that animated, I mean), and wee see the credits with the final song. Or maybe that final song would get more to expression if it would be in the background to the final animation, like the one in "Final Fantasy VIII".

The Bottom Line
It all sums up to that this game does not lack in almost anything. Well, that 'almost' can be replaced with 'time only', but if we'd be playing each game for weeks (like that "Planescape: Torment", or when I was playing "The Secret of Monkey Island" while I was 10, so it took me 2 years to end it, whereas it doesn't take me more than one day now), we'd miss all those new releases every now and then, wouldn't we? Well, actually, I can just say "everything that's good doesn't last too long", but then again, there's so much of the good stuff that it makes an endless array, so it does last.

This game has couple of nice factors. It manages to surprise you with the plot twists, and its plot is really kewl enough as if you'd watch some action movie. Doesn't stray too far away. The graphic is simply and art, an art achieved with the right textures at the right place. The music is great (especially the main theme), though speech could've been better (I've only played english version, though). The level of details and things you can do simply go extreme. It's not as if you can do everything you wish to, but in a simple way, it could even be put as that.

Now, I dunno about the first "MGS" (yet), but this game puts you in a role of a young lad, a FOXHOUND agent who is sent on a mission to rescue the president from the hands of yet unknown soldiers. However, you were trained for field action, but only in VR (or have you never tasted blood?), but seems you have a point-blank about your past. And what you considered as just dreams may be the reality you played your role in. Snake appears in this episode but only as your 'ally', not a character you can play with. However, once you finish the game (the one with Raiden), you'll get opportunity to play with Snake the "Tanker Episode" which happened two years prior to the game's original story, and experience what you though of a background story all along.

Alltogether, this game will give you about 12 hours of playing with Raiden and 2-3 hours of playing with Snake, and that is if you do watch all animations, but also do just as you were told to, and not snooping much around. It's a worthy experience though, helped me consider console game quantity doesn't much matter if there's a quality. Hey, this worked for me, and I love the game, but if you really dislike to see animations or listen to dialogues every now and then, then pass it by.

Oh, almost forgot. Yeah, this PAL edition, SE, whatever, comes with an extra "Making Of" DVD. For those curious enough, that DVD contains some half an hour long commentary of making of the game with Hideo Kojima and some other developers, some art concepts, bunchs of "MGS" and "MGS 2" trailers (on japanese, though), and trailers for some other Konami games ("Silent Hill 2", "Shadow of Memories" and few others). It also has some minor additions, but these are not worthy mentioning, and you'll know why when/if you get this game. Well, as the woman's voice tells you at the sole start, "Enjoy!" :)

PlayStation 2 · by MAT (240793) · 2012

[ View all 12 player reviews ]

Trivia

1001 Video Games

Metal Gear Solid 2: Sons of Liberty appears in the book 1001 Video Games You Must Play Before You Die by General Editor Tony Mott.

Action figures

Just as for the original, a line of action figures has been released by McFarlane Toys. Most of the main characters are depicted and as an added bonus each individual figure comes with a part of the new Metal Gear. Collect them all and assemble the monster!

Development

The development budget for Metal Gear Solid 2 was somewhere in the region of 10 million US dollars.

Ending

Pretty soon as the game starts and you get used to controls, you are requested to enter your name, date of birth and such things (like in some typical Square RPG games). In the ending animation, when Snake asks Raiden about that dog tag he's wearing, Raiden looks at it, before he throws it away, and in that cinematic, on a dog tag, you see your name and info.

Intro

On the opening of the game, there's one piece that somehow does not fit the game without any explanation. First, we see some roman letters (numbers) etched on stone, then we see some Japanese ink writings on a paper, and then we see programming data and computer code. Hideo Kojimo commented how that was to show the advance of civilization from storaging data. First through stone, than using paper, and the least digital data which is the only that doesn't have its existing time period. And that is then connected to the game and especially Arsenal Gear as an AI with great capability to track, store and control data.

Making of

On the Making Of MGS2 documentary that comes on an extra DVD, Hideo Kojima said that idea for Metal Gear series originated from his playing 'hide and seek' with his son.

North American version

In comparison to the Japanese version, some extra gore was added to the North American version. In the Substance re-release this was revoked.

Raiden

In order to cover up the character Raiden, the promotional trailers for the game showed several scenes with Solid Snake in different scenes. In the final game, Raiden is involved in the same scenes, but in Snake's place. Hideo Kojima used computer tricks to cover up Raiden and no one knew of his existence until the game was released. However, the manual spoils the surprise on its very first pages.

References

  • Just as in the original Metal Gear Solid, a poster for Hideo Kojima's previous game Policenauts can be found in the Computer Room in the Shell 1 Core.
  • If you look quickly in the scene where Snake logs into the computer to send the pictures to Otacon, you can spot another reference to Policenauts.
  • During the game, you will come into contact with a man named Pliskin who is actually former protagonist Solid Snake in disguise. The name is a direct reference to "Snake" Plissken, the main character played by Kurt Russell in John Carpenter's movies Escape from LA and Escape from New York.
  • A crazy Bomber man, one of the bosses is named Fatman. That was also a name of one of the atomic bombs that fall onto Hiroshima and Nagasaki.
  • The names of the characters Jack and Rose were taken from the main characters of Titanic. This film also influenced the decision to set the first chapter of the game on a sinking tanker.
  • emma's nickname (E.E.) and full name (Emma Emmerich-Danziger) are references to E.E. Danziger, a character in Jack Finney's novel Time and Again.
  • In the flooded basement of Shell Core 2, you can find a rubber duck floating harmlessly in one of the air vents. While it's possible that it's just a humorous detail, it's most likely a reference to the original tech demo for the PlayStation 2 which featured a rubber duck floating in a tub.

Series

In a Gamespot interview done shortly after the finishing of the American release, Hideo Kojima has amended a former comment about MGS2 being the last installment, saying, "I really think that Metal Gear has to live on in some form. But as I said at the end of Metal Gear Solid, I really think it is time for me to hand the director role over to someone else. I might do the initial planning for the next game but not much more than that."

He goes on to mention that the future of a certain character who is disliked in some gaming circles is still uncertain.

Soundtrack

Due to the success of Metal Gear Solid, the development team had a higher budget for the sound of the game. However, they didn't know who they would hire to compose the score for the game. One day, executive producer Hideo Kojima and sound director Kazuki Muraoka went to see Replacement Killers at the cinema. They both liked the movie a lot, and the music from the movie seemed pretty good. So, they flew to US, and got Harry Gregson-Williams to make the score for Metal Gear Solid 2. They actually took his music from other movies, such as The Rock, Enemy of the State and some and put on one CD, and told him they'd like to make this video game with a Hollywood type of soundtrack. He also saw the interest in composing for something before he actually saw the picture, since when composing for movies, he always got inspiration from the pictures. And so the soundtrack for MGS2 was created.

Women

Looks like developers of Metal Gear Solid 2 had focused minds on some things while making a game. You open a locker, you see wrapped up posters of a women, you enter the dining hall, you see framed pictures of women in swimming suits. There is even a poster of the Charlie's Angels movie in one room.

Working Title

During development, the game was originally going to be called Metal Gear Solid III (MGS3 for short), which would have completely skipped over the second installment of MGS. This can be seen in the Metal Gear Solid 2 Grand Game Plan by Hideo Kojima.

Awards

  • EGM
    • February 2006 (Issue #200) - #82 out of 200 of the "Greatest Games of Their Time" list
  • GameSpy
    • 2001 – PS2 Game of the Year (Readers' Choice)
    • 2001 – PS2 Action/Adventure Game of the Year
    • 2001 – Best In-Game Cinematics of the Year
    • 2001 – Best Force-Feedback of the Year

Information also contributed by Big John WV, FinalGMR, MegaMegaMan, Mejs, J. Michael Bottorff, Juan Pablo Bouquet, Macintrash, MAT, Ray Soderlund, xofdre and Zovni

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Contributors to this Entry

Game added by Macintrash.

Additional contributors: MAT, Unicorn Lynx, Ganjo, Apogee IV, DreinIX, β€”-, Cantillon, Caelestis, Patrick Bregger, Thomas Thompson, FatherJack, 64er.

Game added November 17, 2001. Last modified March 11, 2024.