Full Throttle

The Good
Gamers come in many varieties, and every gamer who has ever said "I want a game that will puzzle my brain" has likely played and enjoyed a good ol' point and click adventure game, and there was no better era for point and click adventure titles than the golden era of Lucas Arts. Everything their brilliant team came out with was a golden, seemingly flawless gem. From Maniac Mansion to Indiana Jones and the Fate of Atlantis (Arguably the best and only good Indiana Jones game) this truly was the greatest era for adventure games. Although I pretty much love 'em all, there are two that standout and rank on my top 5 games of all time list: Sam & Max Hit The Road (Review coming soon, along with reviews of the new 1s) and Full Throttle. If you haven't already guessed, we are talking about the latter game today.

Full Throttle comes from the mind of Tim Schafer, one of the most brilliant game designers ever. It tells the story of Ben, the leader of a motorcycle gang known as The Polecats, in a time when motorbikes are being outdated due to the revolution of the hover car and the fact that wheels are no longer needed. Only one corporation still makes motorbikes: Corley motors, owned by the old and dying Malcolm Corley, who loves the thrills and danger of the wild life, and wants to pass the torch to someone young and exciting and it just so happens that Ben catches his eye. However, Malcolm's partner, Adrian Ripburger isn't too pleased with Malcolm's decision as he desperately wants the throne.

The story is very well written, a trademark of adventure games and especially Lucas Arts adventure games. The cast in the game is top notch, every voice actor gives a convincing performance and brings their characters to life. Mark Hamill appears in the game, and provides a standout performance as the villain, Adrian Ripburger, really making him a creepy and genuinely intimidating villain. The only fault I have with the voice acting is that sometimes Roy Conrad (Ben) is a little deadpan at times, but he still does a good job overall. The music is also great, coming from a kickass metal band known as The Gone Jackals; specifically their album "Bone to Pick." Its sad they didn't really go anywhere, they were quite good.

The graphics are great, while they do suffer from pixelization at times, the animation is top notch and stylish, and the CG used also looks very good for the time and looks great. I would love to see this digitally enhanced, with no more pixelation. The animation is great, almost movie quality.

The puzzles are all well thought out, but at the same time they aren't too complex and they can make the game easy to play for newcomers to the genre, while still providing a challenge.

The game also has a good sense of humour, the game isn't meant to be a comedy, but there's a fair amount of humour and charm put into the game coming straight from Tim Schafer's twisted brilliance. One can't help but laugh when sending an army of robotic pink bunnies to their doom in a minefield, as "Ride of the Valkyries" plays in the background.

The Bad
As good as the sound design is when regarding the music and voice acting, the sample quality is low, and it can sound tinny and sometimes muffled playing on modern speakers. This is another part that I would love to see remastered, as the sample quality just hasn't aged well, although the overall effort and quality of the actual sounds themselves are great.

There's also a section later in the game that relies on combat, and the combat isn't really that good. It plays out something like Road Rash, but the controls seem delayed and its often frustrating how if you tilt the mouse just one inch towards the end of the screen, Ben burns out and crashes, even if he didn't touch the wall. It also seems that you can hit someone forever and they won't die, yet you can be downed in one or two hits, unless you have the chainsaw.

Sadly, the game is also somewhat short, but that doesn't really end up being too big a problem since either way, the game is very satisfying.

The Bottom Line
When it comes to adventure games, "Full Throttle" is as good as they come. It's accessible to newbies and features a great interface, but it will still provide a challenge for veterans of the genre. Full Throttle is full of wit and charm, while telling a great story in every respect. You don't even have to like motorbikes or heavy metal to enjoy the story because of its overall quality, although if you do have a fondness for motorbikes, the open road, and metal as I do, then it will only make it more entertaining.

Full Throttle may not be a game that is immediately replayable, but it does have a great replay value, its much like your favourite movie, every so often you get the urge to watch it again and you will always cherish it.

If you have not played Full Throttle and enjoy point and click games, then what are you waiting for? Go out and find a copy of this wonderful, timeless classic. You will thank me for it. Rock on, Tim.

The Good
Like many LucasArts adventure games, there's a lot to like about Full Throttle. LucasArts has had a tendency to produce adventure games that are friendly, fun, and contain an interesting storyline. This rocking road trip of a game is no different.

The graphics are perfect for this type of game. The cartoon like style of Day of the Tentacle and Sam&Max Hit the Road is revisted here, only with a somewhat more serious tone. The style and animation easily beats out most Saturday morning cartoons, even at its pixelated low resolution. The characters are brought to life with expressive faces and little nuances (like reflections in chrome) make this a game worth watching, if not playing.

The voice-acting is top notch. Headed up by voice-acting veterans Jack Angel and Mark Hamill, the main speaking characters are defined as much by the voice and verbal mannerisms as they are their physical appearance, and the minor characters are all lively and enjoyable to listen to. There's really not one bad bit of acting among the batch, from Ben's gravelly voice to Ripburger's (excellently done by Hamill) menacing tone to the Ross Perot wannabe souvenir vendor.

The little semi-action games break up the adventure game and provide for a change of pace without disrupting the flow of the game. Much like the rest of the game (except for the end-game scenario), the arcade games are designed to be light on the difficulty and not force deaths or reloads over and over.

The soundtrack, mostly music from a genre I didn't expect to like, was very appropriate for the game, was coupled perfectly with scenes, and is actually quite good. I have found myself playing the opening sequence just for that theme and still get a kick out of music playing at the trailer guy's house.

The Bad
The game is relatively easy and doesn't last long. While the whole adventure is an enjoyable romp, it does run through quickly and seems over long before you want it to end. Usually that's a good sign for any media, but in this case, it's partially due to the story's brevity. This is made worse by the 'small world' sense the game gives, as you'll find yourself revisiting a number of the same places a number of time in order to complete some puzzles.

The Old Mine Road combat sequence is fun, but gets repetitive quickly and each important opponent needs to be taken down in a certain order (as you need a previous opponent's weapon to be victorious). Whether due to luck or a mistake in choosing the wrong weapon, you will find yourself needing to drive down the road many miles looking to get run through all the opponents you need to move on.

The Bottom Line
A semi-serious, enjoyable cartoon-looking biker gang adventure game filled with a friendly interface, puzzles that won't interfere too much with the game, and a fitting soundtrack. Fans of LucasArts games (and adventure games in general) won't want to pass this gem up. While not as hilarious as Day of the Tentacle or Sam&Max, Full Throttle is still a worthy addition to genre.

The Good
The production values on this tale of futuristic bikers are high. In fact you may be forgiven for thinking you're watching a cartoon rather than playing a game at points, the cut-scenes are long but very well written and expertly animated, no minutes spent watching the same screen of two sprites having a conversation.

The story is original and great, cast as a Hell's Angels type biker Ben, you have to clear up the framing of you and your gang for killing the boss of the last motorcycle manufacturer in America. The setting is expansive, the wide open spaces and roads, enhanced by an excellent sound track. the animation is perfectly done to really give a sense of speed to a point and click adventure, no mean feat. Pace is added by blending the game engines as well, most of the game uses the classic SCUMM engine, but it also throws in the engine from Star Wars: Rebel Assault for an arcade sequence, and then another custom built one for a Destruction Derby sequence. This blend works pretty well, aside from some control problems in the derby, and it's difficult to see the joins.

Something people often complain about it something that I like, the short length. It never overstays it's welcome, which is nice as the plot doesn't really twist and turn that much.

The Bad
It seems to counter the short length the designers made the puzzles quite convoluted. Often there's several steps to them which are entirely obvious, so whilst you know what you want to achieve and the method for doing it, sometimes you don't know exactly where to click to do it. This happens especially when you fail to notice the vital pixel on screen. I've always found that Lucasarts games have obscure puzzles, so I suppose I should have expected it.

The Bottom Line
Full Throttle is a fun short game which feels like you're watching a tv show whilst you're playing. As a staple of Lucasart's output it deserves to be played.