Blade Runner

The Good
Despite the fact that this game didn't quite live up to my expectations/the hype. I found this game to be very involving. The voxel technology used may look dated today but when this was released it was pretty nice looking. The best part about this game is how many different ways you could play the game which would lead to completely different endings. I played through this game several times and have seen 3 or four of the endings, but I had read there are more. The cutscenes are absolutely beautiful. Great game, wish more games would come out just like this with updated graphics and as an engrossing storyline.

The Bad
At times you were pixel hinting with your mouse cursor. At times, at least my first time playing through, I got lost and wasn't quite sure where to go and was roaming around with no direction. Pacing could have been a bit better.

The Bottom Line
A great adventure game based on the Blade Runner universe.

The Good
First of all, I should mention that I'm a fan of the movie Bladerunner, so my expectations were high for this game. Visually, Bladerunner (the game) is stunning. The sound effects and music are awe-inspiring. The game does a fantastic job of putting you in the world of the Bladerunners. The interface is well thought out. I especially enjoyed mucking around with Esper, the photo analyzer.

The Bad
As a Bladerunner, it is your job to hunt down some renegade replicants. However, the story completely fails as a detective story. Time and time again we are not allowed to act in ways that a detective (or even just a rational human being) would. Example Number 1: Our hero questions a witness, but has doubts about his truthfulness. He warns the witness that if he is caught lying, he'll pay him another visit. Later in the game, we find absolute proof the witness was lying. However, questioning the witness is no longer an option in the game. Example Number 2: Our hero is unable to follow a replicant he is chasing through a door. No attempt is made to break down the door, pick the lock, or find another entrance. Our hero simply stands there scratching his head, telling us the door is locked. Example Number 3: Our hero is bound and gagged in a hotel room by replicants. After finally breaking free of his constraints, he bursts through the door (this door poses no problem) to find himself in the hotel lobby. The hotel manager is at his desk, right beside the room our detective was held hostage in. Can we talk to the manager? Inform him we were just held hostage a few feet from him? Arrest the manager? No, none of the above. Conversation with the manager is not an option. Telling him that a cop was held hostage in the next room is apparently not important.

These are just a few examples of the way the story fails to progress logically. Instead of having the player make thoughtful choices, Bladerunner forces the player to move the mouse over every square inch of the screen in an attempt to find the magic "hotspot" where the golden key is concealed. Remember those old Sierra "Quest" games? Same sort of thing here.

The Bottom Line
Don't waste your time. The game is beautiful to behold and absolutely awe-inspiring at first, but the story does not progress logically. In the end, Bladerunner disappoints.

The Good
Blade Runner the game is, at first glance, a wonder to behold. Particularly, if you're a fan of the 1982 movie starring Harrison Ford. Here is a game that plunks you into the steamy, gloomy world of Los Angeles 2019.

Visually speaking the game nails the look of the movie perfectly. The graphic artists were able to emulate the dark urban landscape created by Syd Mead and Ridley Scott in the original movie with aplomb.

The story isn't half-bad either, and somehow it is able to tip-toe around the continuity of the original movie without mussing it up. That's quite a feat!

To a lesser degree the replayability the game offers is a nice feature but unfortunately this is partly based on your own actions, as some of the alternative sequences and endings are dependent on random variables set at the start of a new game.

The Bad
I must agree with another reviewer on this site that remarks that the game lacks a "logical progression" to obstacles and challenges. When chasing a suspect down an alleyway that ends at a closed door, the game just expects you to just leave it at that. It isn't until you return to your character's apartment that the suspect finds you... HUH?!?

I would go one step further and say that all the other problems of logic this game has stem from one source. Perhaps the game designers wanted to keep their game interface simple, or perhaps they didn't want to bother with a level of interaction more complex. The interface is extremely dumbed-down. Talking to characters is a simple matter of point-and-click. You don't really choose the topic, your character "decides" for you. The options screen gives you the ability to alter your character's "mood" that can affect the outcome of your conversations, but the outcomes aren't very apparent and again don't really give you control over what your character really should be saying.

Same goes for collecting evidence. It's a simple point and click affair, as well as hit and miss. Sometimes you'll pick up a key piece of evidence that will unlock additional dialogue with a character. Other times you'll pick up evidence that SHOULD be relevant, but the characters are oblivious. An excellent example of this would be the various photos that one scans into the ESPER machine. One of the photos clearly shows a suspect that your character needs to meet, but try as you might you cannot get an acknowledgment of this from anyone.

Things like this will have you running around the game's Los Angeles landscape for hours in frustration because you honestly don't know what to do. There's no excuse for this either since at this point in history, adventure games had matured considerably.

As I've stated the game's visuals for its various locations and scene transitions are dead on when it comes to the movies. However, I wish Westwood would have future-proofed the graphics a little more. Characters are generated using something akin to Voxel technology, but while this might have been state-of-the-art in 1997, today they are an eyesore.

Audio is excellent with Vangelis' soundtrack reproduced faithfully here by Frank Klepacki. However voice work is spotty, even by the supposed A+ Hollywood Talent. Sean Young makes a brief "cameo" here as her character Rachael, and her reading sounds stiff and wooden as if she's merely reading the words off the script rather than acting. This was a huge disappointment.

The Bottom Line
As a veteran of adventure games I can say that Blade Runner is decent, if a bit short. Once you know your way through the plot you could probably beat it in less than three or four hours. First time around might take you five to ten hours.

If you're a fan of the source material, it's likely you can look past the games inherent problems. It has lots of great Blade Runner moments that will have fans smiling knowing full well the developers are giving them a wink and a nod.

For those who aren't familiar with the movie, you might have a tougher time appreciating this, and for good reason, since there are other games out there that are longer, more complex, and better designed.

Overall, Blade Runner is not a bad game by far. I can't help but wonder what kind of game it could have been if done properly, with a more complex interface, and a more fleshed out story line. Perhaps Blade Runner was just too ahead of its time for its own good, and could have benefited from today's technology.

I guess we'll never know...