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Death Gate

Moby ID: 175
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Description official descriptions

Two thousand years ago, an advanced race known as Sartan split the world into five realms. The mensch races - the humans, dwarves, and elves - were split between four of those worlds named for the four elements, and the race of Patryn was banished to the deadly Labyrinth. After those two thousand years, some of the Patryn have found their way through the Labyrinth's exit. The game's protagonist is a young Patryn named Haplo, and his mission, given to him by his lord Xar, is to sail through the Death Gate into each of the other worlds to find each world's seal piece, so that the Patryn may reconstruct the planet and have revenge on the Sartan.

Death Gate is an adventure game that follows the tradition of interactive fiction with graphics. The entire game is viewed from first-person perspective and has plenty of text interaction through selectable verb commands, text descriptions, and dialogues with multiple choices. There are also many puzzles in the game, most of them inventory-based. A unique gameplay feature is Haplo's ability to cast magic spells, which are essential for solving many of the game's puzzles.

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Credits (DOS version)

57 People · View all

Based on the novels by
Design
Programming
System Design
System Programming
Graphics System
Dialog System
Music and Audio Direction
Room Art
Character Illustrations
Alternate Interfaces
2-D Animation
[ full credits ]

Reviews

Critics

Average score: 81% (based on 24 ratings)

Players

Average score: 4.2 out of 5 (based on 51 ratings with 7 reviews)

An excellent adventure game

The Good
Unlike other adventure game (the classic quests, especially those from the house of Sierra) this game is not so "heavy". Dying is very difficult, and you'll have to do something completely absurd to die. Most of the riddles are straight forward and require logical thinking, and you'll manage to solve them without having to resort to walkthroughs. There are a couple of nice puzzles in the game, and they're challenging, yet not too difficult.
Two things caught my attention most. One, the voice acting. All of the dialogues in the game are voice acted, and it adds a new level of depth to the game- the player actually wants to hear all of the dialogues, rather than scrolling further.
The second thing is the magic system. Although you have a list of the spells, it's fun to build them yourself from the "runes" your character can use.

The Bad
The fans of the series will be disappointed from the transition. While the original characters remained, they have completely different roles, including the main character...
Somewhere in the middle of the game, one of the characters will reveal the entire plot to you. It's not very difficult to figure it out yourself, but silly to see the designers unfold the complete story in a couple of minutes.

The Bottom Line
Get it, play it. It's fun, easy and not frustrating like other adventure games.

DOS · by El-ad Amir (116) · 2001

Interactive fiction at its peak

The Good
Death Gate appeared during a tumultuous epoch of game-making - the beginning of the so-called "multimedia revolution". It was also the last great era for the adventure genre. Sierra was wrapping up its famous comedy series and moving onto more mature experiments; Access Software created Under A Killing Moon; Myst conquered the masses and began to radically change the development of adventure games, for good or for (mostly) bad.

At that time, Legend had already firmly established its reputation as the leading developer of what could be considered the older sister genre of graphical adventures - interactive fiction with graphics. This sub-genre began its life as a logical descendant of text adventures. At first, some still pictures were added to the text. Then the old text input was replaced by a more user-friendly context-sensitive verb selection. This way interactive fiction became almost the same as graphical adventure; but true to the tradition, the graphics in those games were still restricted to pictures (sometimes sparsely animated) viewed from first-person perspective. And of course, text interaction was still the priority.

Text interaction is one of the strongest aspects of Death Gate. The game immerses you through the sheer wealth of interaction. Every action evokes a response from the game. You can easily lose yourself in this gameplay depth. I was amazed to see how many different responses they have written for different actions. Trying to do things was exciting; experimentation was rewarded and encouraged. Even if there were some generic messages, they were so well-written that you didn't notice they were generic. Many other adventure games of the time lazily rewarded your attempts with pitiful remarks such as "you can't do that". Well, in Death Gate, you certainly can do that. Trying different actions is so fun when you know that the game reacts to them. I don't even want to mention adventure games of later times with their lack of text and terrible "smart cursor".

Oh yes, there is plenty of text in Death Gate. That alone wouldn't count as a compliment - there is also a lot of text in Metal Gear Solid. But the text in Death Gate is good. It feels like salve on the wounds caused by the text of Japanese RPGs. From time to time you just need quality writing in games, and this one delivers. It's a pleasure to read the text descriptions. It's a pleasure to read (and hear, since they are well-voiced) the dialogues. There are emotions, there is rich vocabulary, there is humor. It's excellent writing, and it makes Death Gate similar to a book.

But it's not a book. It's an adventure game, and it shines as one. Death Gate has some of the best puzzles I've ever encountered in an adventure game, period. There is only one puzzle in the game that I found frustrating and unnecessary (rotating arrows) - but the game gives you hints for it, and even offers to solve it for you if you're stuck for too long. The rest of the puzzles follow crystal-clear logic, are given proper clues, require imagination to solve, and are perfect in difficulty. Some of the puzzles are simply brilliant and so imaginative, like for example manipulating an undead nanny who keeps reading the same children's rhyme and an undead worker who obeys every order.

One of the coolest features of Death Gate are magic spells, which you'll use to solve many of the game's puzzles. You'll usually learn those spells when somebody else uses them in front of you for his own reasons. Those spells are fascinating and guarantee a gameplay experience unlike any other adventure game around. Turning a portrait into reality, switching bodies with a dog, setting statues in motion - those are just a few examples of the interesting, creative magic of the game.

So far we have a great adventure game, but Death Gate also has something I value very much in games - it is set in a believable, rich, detailed world. In this way it reminded me of an RPG. The story comes with much background: there is plenty of historical, political, social information that you learn from dialogues with characters and from books you find in the game. I know that the world of Death Gate wasn't invented by the creators of the game (it was based on a series of novels I've never read), but the way it is shown in the game is impeccable, it's a joy to explore a world so interesting and so believable, in its own way.

The story has a certain shade of fairy tale, and is wonderful. Without any melodrama the game touches upon serious issues such as war and peace, tolerance and racism, freedom and control, and draws philosophical conclusions from them. But it never does it with annoying moralizing or overblown emotionality; it keeps the plot simple and puts all the depth into the dialogues and interaction with the characters.

The Bad
Not much. Can't say I loved the static first-person perspective. I'd certainly prefer real movement. The screens themselves are still, save for some sparse animations (like a bartender continuously wiping a glass). The graphics are good but not really "state of the art".

You can use a lot of magic spells in the game to solve its puzzles, but most of them need to be used only once or twice. Most of the time you'll have to use a spell shortly after you've learned it. The game conveniently puts you into rough spots in which the newly acquired spell is the only solution, but after the problem is eliminated, the spell in question will usually become neglected. I'd love to see more spell-based puzzles, with more creative use of those spells.

The Bottom Line
Death Gate is an exquisite game. You can fall in love with its wonderful story and its rich, detailed world, and its gameplay will intoxicate you if you like adventure games. It has marvelous interaction and some of the most delightful puzzles around. Undeniably one of the very best offerings of interactive fiction genre, Death Gate is to be savored, like a wine that only gets better with age.

DOS · by Unicorn Lynx (181780) · 2014

One of the best games ever

The Good
The story with its many twist is great even for someone who does not like fantasy in general (like me). The puzzles are hard but logical. It is very important that every place you come to only consists of a few pictures. That means that you do not have to walk through useless locations like it is in so many adventures. Every screen is full of puzzles and every single one is fun! The engine used in this game is one of the best (maybe the best) ever designed. If you click on something on the picture, possible verbs are displayed so that you do not have to try an unlimited number of words but you also have very specific choice of what to do. Graphics and sound are very good, too.

The Bad
There isn't anything negative.

The Bottom Line
Death Gate is made in classical IF-style. There is a lot of reading but on the other hand it is mouse controlled and has beautiful graphics. This game proves that adventure games are the best of all if they are designed well.

DOS · by Mr Creosote (366) · 1999

[ View all 7 player reviews ]

Trivia

Extras

Packaged with the game was an exclusive short story set in the Death Gate universe, by Margaret Weis and Tracy Hickman.

Graphics

The game includes two sets of artwork: a high resolution 640x480 SVGA version, and a low resolution 320x200 MCGA version. The graphics of the latter are not automatically scaled down from the SVGA version; they were manually redrawn to take advantage of the lower resolution.

Inspiration

Based on The Death Gate Cycle, a series of novels by Margaret Weis and Tracy Hickman.

Voice acting

Lead designer Glen Dahlgren provided the voice of Sang-Drax.

Information also contributed by Kamnari and Ye Old Infocomme Shoppe

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Contributors to this Entry

Game added by Eurythmic.

Linux, Windows, Macintosh added by Cavalary.

Additional contributors: Patrick Bregger.

Game added July 21, 1999. Last modified February 20, 2024.