Lara Croft: Tomb Raider - The Angel of Darkness

aka: Lara Croft: Tomb Raider - El ángel de la Oscuridad, Lara Croft: Tomb Raider - L'Ange des Ténèbres, Tomb Raider 6, Tomb Raider AoD, Tomb Raider VI, Tomb Raider: The Angel of Darkness
Moby ID: 9482
Windows Specs
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$9.99 used, $140.00 new on eBay
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$6.99 new on Steam
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Description official descriptions

Help Tomb Raider's famous heroine, Lara Croft, save the world from the forces of evil.

As the game begins, Lara wakes from a stupor. Recalling what she can of the past few hours, she remembers walking in on a killer after discovering the body of Von Croy, her friend and former mentor. She must make a hasty escape from the authorities who blame her for the crime. Determined to discover the fiend responsible, Lara eventually uncovers an evil plot that could cause the destruction of mankind. If the reincarnation of the "angel of darkness" is allowed to happen, the world is doomed!

The game environment is set in the somewhat distant future. You'll lead Lara mostly in 3rd person perspective, travelling to various locales in Europe. Explore sewers, cemeteries, warehouses, factories and cities. A multitude of NPCs will be encountered, both in the form of friend as well as foe.

Angel of Darkness introduces new stealth and close-combat moves - ducking, sneaking and hug-the-walls walking. Lara must build her skills by performing action sequences. You'll have her running, dodging, performing flying leaps and platform jumps, shimming along walls and cables, as well as moving boxes and other obstacles around. Advancements are achieved with strategically placed power-ups. Collect weapons and ammunition, artifacts and money.

You'll also play Kurtis Trent, a new male counterpart, for several "levels". Although Kurtis gets in Lara's way when she first meets him, he eventually becomes an ally when they realize they are both working towards the same goal.

Spellings

  • Lara Croft: Tomb Raider - Ангел Тьмы - Russian spelling
  • Lara Croft: Tomb Raider - מלאכית האופל - Hebrew spelling
  • 古墓丽影:黑暗天使 - Simplified Chinese spelling
  • 古墓奇兵:暗黑天使 - Traditional Chinese spelling

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Credits (Windows version)

115 People (92 developers, 23 thanks) · View all

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Lead Programmer
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Animation System
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[ full credits ]

Reviews

Critics

Average score: 55% (based on 45 ratings)

Players

Average score: 3.4 out of 5 (based on 86 ratings with 5 reviews)

The wait is over and it was sooooooooo worth it!

The Good
EVERYTHING!!!!! Of course the environments are incredible, the sound is stellar, the movement is PRECISE, saving at any moment is extremely helpfull, and lara has never looked so good. Everything about this game is CRISPY!!! Any of you crackheads that can't seem to get a handle on the movement should stick to TETRIS or something that requires minimal "touch". If you are a true fan of Tomb Raider you should appreciate how far this game has come. Maybe you need a reminder?, by sticking in the first one and comparing. I can't seem to put this game down once I dive into it night after night.

The Bad
There are very few slow downs that I have come across and I can't find anything that I don't like. Instead of being impatient with the controls just chill out and take your time, this game needs to be savoured for the greatness involved.

The Bottom Line
If you like quick, dull games STAY AWAY!! This game rips!! I have not once regretted shelling out the $65.

PlayStation 2 · by jason laible (2) · 2003

Despite the interesting direction and presentation, Angel of Darkness did not live up to its hype.

The Good
By the end of The Last Revelation, Croft was merely left for rubble, and in Chronicles, just a slew of memories. Thus, Murti Schofield was hired by Core Design to rewrite the series for a new generation. The result was Angel of Darkness, in which Schofield opted for a Gothic renovation of Tomb Raider inspired by both noir and Legacy of Kain: Blood Omen developed by Silicon Knights. The orchestrated score featured in Angel of Darkness sounds phenomenal, and was composed by Peter Connelly and Martin Iveson, and performed by The London Symphony Orchestra.

The Bad
Once Crystal Dynamics took over the franchise they would not continue with Schofield’s proposed sequel entitled The Lost Dominion. Sneaking around the Louvre like Solid Snake was a change of character for Lara Croft. Additionally, maneuvering Lara was made even more awkward with broken mechanics that were rarely reminiscent of the original Tomb Raider. Eventually, the player would discover the Tomb of Ancients beneath The Louvre. However, much of the game was spent conversing with characters in a Parisian Ghetto via dialogue trees straight out of Funcom’s The Longest Journey.

The Bottom Line
Due to the commercial failure of Angel of Darkness, Schofield literally burned the game’s manuscript, which inevitably prompted Crystal Dynamics to reboot Tomb Raider. To make up for Schofield’s proposed sequel, Eidos shoehorned novel adaptions such as The Amulet of Power by Mike Resnick, and two other novels that are loosely tied with Angel of Darkness. Despite the interesting direction and presentation, Angel of Darkness did not live up to its hype.

PlayStation 2 · by john perkins (11) · 2021

Here we go again...

The Good
Tomb Raider: AoD features an all new graphical engine capable of many many polygons and beautiful environments, richly detailed with fluid animation and crisp texturing. Along with its new look, TR: AoD sports a snazzy storyline that pits Lara in the middle of a murder mystery. It's 'whodunnit' and the star is everybody's favorite busty heroine. From the CGI to the settings, it's all very well done with a consistent style through the whole game, clearly influenced by a particular film debut. The rest of the game has stayed pretty familiar throughout, from running, jumping and shooting, to exploring with intense music, clear sound effects and some of the highest heights imaginable. TR: AoD delivers the traditional experience that most TR fans want(ed) with a new sort of flair and gusto that shows, Core Design and Eidos are trying to give a damn.

Finally, the best point about the newest installment has to be--no, not her curves, though they look fantastic--the save feature. I like being able to save anywhere. I'm primarily a gamer upon computer, thus this speaks to me. To all game developers the world over, save anywhere!

The Bad
TR: AoD brings to life frustration unbound. With fluid animation, Core lost control. Not that Lara was ever the most controllable character on the console, but TR: AoD shows that with a little love, any character can be turned into an Analog nightmare. Countless times you will find yourself flying to your doom at the bottom of a pit due to a last minute twitch of the thumb which sent Lara careening towards a wall, rather than the ledge. Though Core has tried to deal with this possibility by making the 'grabbable area' very forgiving so you could be at a fifteen degree angle and still manage to latch on. Sometimes it's no help though.

Core also tried to bring a new gameplay element to life in TR in the form of Role Playing. This almost worked because Lara is a 'detective' of sorts, thus it fits the role. Unfortunatly, since the game is set in Paris that meant they needed voice actors to mimick a french accent, and we all know that the TR series has never had the best voice actors at the best of times. Lines are choppy, hurried and sometimes down right annoying. Lara was played expertly, however, with a convincing british tounge, but no british lingo. Too bad.

In addition to the Role Playing game play, Core implemented a sort of attribute upgrade system, wherein Lara could improve her abilities. Having been out of the Tomb Raiding game for some time, Lara evidently needs to brush up on her skills. Thus at certain points you will increase your strength in certain ways. I decided this was something I didn't like because of the way it was implemented. Instead of having it increased through pickups or experience points, or some such, Lara is in fact limited until she reaches a point in the game and the attribute upgrade is used as a way to prevent the player from reaching a point without fullfilling an objective. Examples include doors that can't be opened until you pull a lever in a room that activates something else entirely. In other words, all the running and jumping is great but only after you pull the lever does Lara 'feel stronger'. I can understand the reasoning behind this from a game design standpoint, but overall, it is simply ridiculous.

The Aritificial Intelligence in TR: AoD is shit. For lack of a better description, it is absolute garbage. There is in fact, no AI. There is PacMan intelligence. Am I being too harsh? I'll cite an example: I climbed down a ladder to get away from a guard. The guard, as I was climbing away, withdrew his sidearm and began firing at where I was upon the ladder. He emptied his clip into the thin air that I left in my wake. He then reloaded, and began firing again. After that clip, he reloaded and fired... and reloaded, and fired. This continued. Finally, after me and my girlfriend had had a good laugh about this, I climbed the ladder, at my girlfriend's behest, and killed the guard.

Oh, the stealth, I'll note is a nifty addition. Though we caught some of this gameplay in Chronicles, it is much improved. Be warned, however, it is a far cry from Metal Gear. Hell, it isn't even Tenchu.

The Bottom Line
Do you like Tomb Raider? Yeah, me too, got time to kill? Rent it.

PlayStation 2 · by tantoedge (19) · 2003

[ View all 5 player reviews ]

Trivia

Copy protection

If you do a full install of the game, you can play it without needing to have the game CD in your CD drive. The game's readme file even explicitly mentions this. This is an unusual display of trust (or perhaps it's just resignation) in today's copyright paranoid times.

Development

Even though the game was developed by a UK company, it suffered numerous delays and release date changes and was eventually released in the UK after the USA.

German version

In the German version, all blood effects were removed.

Movie

Sometimes synergy works, sometimes it doesn't.

When the second Tomb Raider movie had a weak opening at the box office, Paramount studios was quick to point the finger at Angel of Darkness. In an interview with Reuters, Wayne Lewellen (President in charge of Distribution) said:

"The only thing we can attribute that to is that the gamers were not happy with the latest version of the 'Tomb Raider' video game, which is our core audience"

Angel of Darkness came out one month before the movie. Had it been the other way around, perhaps Eidos could have blamed the game's numerous bugs and glitches on the film.

Reception and sales

Core planned to release two more Tomb Raider games based on AOD's engine. However due to it's lukewarm response, Eidos halted the production of the next TR game. In fact, Eidos shocked everyone when they announced that future Tomb Raider games will be developed by Crystal Dynamics, which seemed odd as Lara Croft was seen as a British icon.

Even though AOD received alot of bad press it still managed to sell 1 million copies.

On January 13, 2004 Angel of Darkness (PS2) has won the Gold-Award from the German VUD (Verband der Unterhaltungssoftware Deutschland - Entertainment Software Association Germany) for selling more then 100,000 (but less then 200,000) units in Germany, Austria and Switzerland.

Awards

  • 4Players
    • 2003 – Biggest Console Disappointment of the Year (PlayStation 2)
    • 2003 – Biggest PC Disappointment of the Year
  • GameSpy
    • 2003 – Car Crash of the Year (PC)
  • GameStar (Germany)
    • Issue 04/2009 - One of the "10 Most Terrible Sequels" (It omits the challenging jumping sequences but adds stupid level design and introduces useless new features, e.g. the RPG and stealth elements.)
  • Computer Games Magazine
    • March 2004 - #2 Worst Game of the Year 2003
  • Verband der Unterhaltungssoftware Deutschland
    • January 13, 2004 - Gold Award (more information in the "Reception and sales" section

Information also contributed by Alan Chan, ClydeFrog, Kartik KHANE, PCGamer77 and Xoleras

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Contributors to this Entry

Game added by Exodia85.

Windows added by POMAH. Macintosh added by Corn Popper.

Additional contributors: Macintrash, Servo, Unicorn Lynx, Jeanne, JRK, Xoleras, Crawly, Zeppin, Klaster_1, Paulus18950, Patrick Bregger, piltdown_man, Plok.

Game added July 27, 2003. Last modified January 26, 2024.