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Death Gate

Moby ID: 175
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Two thousand years ago, an advanced race known as Sartan split the world into five realms. The mensch races - the humans, dwarves, and elves - were split between four of those worlds named for the four elements, and the race of Patryn was banished to the deadly Labyrinth. After those two thousand years, some of the Patryn have found their way through the Labyrinth's exit. The game's protagonist is a young Patryn named Haplo, and his mission, given to him by his lord Xar, is to sail through the Death Gate into each of the other worlds to find each world's seal piece, so that the Patryn may reconstruct the planet and have revenge on the Sartan.

Death Gate is an adventure game that follows the tradition of interactive fiction with graphics. The entire game is viewed from first-person perspective and has plenty of text interaction through selectable verb commands, text descriptions, and dialogues with multiple choices. There are also many puzzles in the game, most of them inventory-based. A unique gameplay feature is Haplo's ability to cast magic spells, which are essential for solving many of the game's puzzles.

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Credits (DOS version)

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Based on the novels by
Design
Programming
System Design
System Programming
Graphics System
Dialog System
Music and Audio Direction
Room Art
Character Illustrations
Alternate Interfaces
2-D Animation
[ full credits ]

Reviews

Critics

Average score: 81% (based on 24 ratings)

Players

Average score: 4.2 out of 5 (based on 51 ratings with 7 reviews)

An excellent adventure game

The Good
Unlike other adventure game (the classic quests, especially those from the house of Sierra) this game is not so "heavy". Dying is very difficult, and you'll have to do something completely absurd to die. Most of the riddles are straight forward and require logical thinking, and you'll manage to solve them without having to resort to walkthroughs. There are a couple of nice puzzles in the game, and they're challenging, yet not too difficult.
Two things caught my attention most. One, the voice acting. All of the dialogues in the game are voice acted, and it adds a new level of depth to the game- the player actually wants to hear all of the dialogues, rather than scrolling further.
The second thing is the magic system. Although you have a list of the spells, it's fun to build them yourself from the "runes" your character can use.

The Bad
The fans of the series will be disappointed from the transition. While the original characters remained, they have completely different roles, including the main character...
Somewhere in the middle of the game, one of the characters will reveal the entire plot to you. It's not very difficult to figure it out yourself, but silly to see the designers unfold the complete story in a couple of minutes.

The Bottom Line
Get it, play it. It's fun, easy and not frustrating like other adventure games.

DOS · by El-ad Amir (116) · 2001

Very clever and immensely enjoyable, a must try!

The Good
Let's start with a small confession - this is a Legend fanatic here. I played all of their games, no stretch, and adore almost each and every one of them. They are true gems in the history of adventure games, the successors to Infocom, that were slightly overshadowed by Lucas Arts and Sierra in the early 90s. At any rate, Death Gate is no exception in a legacy of great narratives implemented into even greater AGs.

Let's continue with yet another confession - I'm not an avid fan of the standard, run of the mill, dwarves/elves/dragons fantasy genre. By this I mean that I'm not very excited with such a setting, simply because in my mind it's been done way too many times. But every so often I'm pleasantly surprised when I find something, in any medium, that rises above the banal.

And Death Gate is exactly such an example.

True to its place in the category of fantasy, the game is epic. It involves events of cosmic proportion; race wars and conflicts, racial superiority, evil, clandestine guilds and societies. It also features the obligatory comic reliefs, the chance companions, the casual love story and of course - a copious amount of magic and deceit. All of this is presented in lush, colourful artwork, depicting detailed and varied locations and crisp environments. There's a myriad of characters to talk to and interact with in different ways and attitudes, all rendered in large, richly detailed portraits, all voiced expertly. You get to experience first-hand a literally sundered world, as you voyage through the different lands and realms. In each of these you will encounter various denizens and monsters, and learn more and more of your quest. Huge sources of info are also books scattered throughout the game. One thing can be said for sure - nothing is as it seems, and there are many shades of black and white here. So be prepared for lots of twists and turns.

Despite all this, the story isn't the game's strongest point. That would be the puzzles. You see, in DG you have two kinds of puzzles: One, the good old inventory puzzles. The other is puzzles which are solved utilising the magic/rune system. There's a very piquant explanation to how magic works in the game's universe, relying on the possibility that everything is possible, and so the magic-user bends reality in this fashion in order to cast magic, to put it succinctly. Spells are obtained by watching others performing them, a very straightforward and comfortable approach. This is an AG remember, so no leveling up nonsense (no offence to RPG players :P). Of course, there's actually a third kind of puzzle - the combination of the first two types.The spells have very specific definitions to them, which you must follow in order to succeed. This makes it very interesting - you run into different situations and obstacles you must solve through careful engineering of a magic strategy. There's lots of good ol' fantastical logic here, and each and every puzzle relates to a specific situations in the game. So no random sliders appearing out of thin air. Gameplay is done via a simple PNP interface, with verbs used to construct sentences with hotspots on the screen. Many of these verbs are contextual.

As a final note, DG is free of any redundant combat sessions (which plagued the otherwise wonderful Shannara) - it's pure adventure, no hybrid symptoms.

The Bad
As much as I love rich dialogues and texts, the case here is a bit extreme - Death Gate is simply too verbose. Yes, it's interesting, yes it's engaging, yes it's done well - but it's too much nonetheless. If you're going to try it, expect volumes of reading material and hopelessly loquacious characters.

While the backdrops are indeed good looking, they felt a bit too static at times.

The music, while adequate and mostly fitting, is a bit repetitive at times.

The Bottom Line
All in all, an outstanding result of a great endeavour. Death Gate certainly ranks high amongst those Legend classics, a place it most undoubtedly deserves.

DOS · by Tal Cohen (31) · 2008

One of the best games ever

The Good
The story with its many twist is great even for someone who does not like fantasy in general (like me). The puzzles are hard but logical. It is very important that every place you come to only consists of a few pictures. That means that you do not have to walk through useless locations like it is in so many adventures. Every screen is full of puzzles and every single one is fun! The engine used in this game is one of the best (maybe the best) ever designed. If you click on something on the picture, possible verbs are displayed so that you do not have to try an unlimited number of words but you also have very specific choice of what to do. Graphics and sound are very good, too.

The Bad
There isn't anything negative.

The Bottom Line
Death Gate is made in classical IF-style. There is a lot of reading but on the other hand it is mouse controlled and has beautiful graphics. This game proves that adventure games are the best of all if they are designed well.

DOS · by Mr Creosote (366) · 1999

[ View all 7 player reviews ]

Trivia

Extras

Packaged with the game was an exclusive short story set in the Death Gate universe, by Margaret Weis and Tracy Hickman.

Graphics

The game includes two sets of artwork: a high resolution 640x480 SVGA version, and a low resolution 320x200 MCGA version. The graphics of the latter are not automatically scaled down from the SVGA version; they were manually redrawn to take advantage of the lower resolution.

Inspiration

Based on The Death Gate Cycle, a series of novels by Margaret Weis and Tracy Hickman.

Voice acting

Lead designer Glen Dahlgren provided the voice of Sang-Drax.

Information also contributed by Kamnari and Ye Old Infocomme Shoppe

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Contributors to this Entry

Game added by Eurythmic.

Macintosh, Windows, Linux added by Cavalary.

Additional contributors: Patrick Bregger.

Game added July 21, 1999. Last modified February 20, 2024.