System Shock

The Good
Everything. To put it into perspective, if this game were released tomorrow, in its current state, it would be better than 99% of the games released all year (well, 2001). Even with the archaic graphics. Even with the dated AI technology. The core gameplay is so damn good. In fact, the gameplay is more varied and detailed than today's modern classic, Half-Life.

Another way to put it into perspective: A much more well known game released about the same time as System Shock is Doom. Doom is more widely known, and is more widely praised, as shown by the accolades for Serious Sam, an evolutionary throwback of a game releases recently.

Think of Doom's graphics and gameplay: Both are very, very dated. The gameplay is simple, easy, and dumb as a post. Shoot, run, shoot, run, hit switch to end level. Ad nauseum. Exciting in its day, but modern games (some of them) have evolved past that point. The wonderful thing about System Shock was that its gameplay was already evolved, almost ten years ago.

It has a coherent, interesting story that is integral and important every moment of the game. The story is enriched by audio logs scattered about the station, e-mails, and scraps of information gleaned from the stations computer net. The logs, presented in mostly well-acted audio, do wonders in fleshing out the game world. They tell the stories of hopeless groups of survivors trying to fight the mutant and cyborg onslaught. You hear their hopes for stopping the computer SHODAN, and pick up their fight. All the while, you receive e-mails from your contact on earth, instructing you and guiding you through the station. You also receive mail from your nemesis, SHODAN, as she mocks you, threatens you, and occasionally, fears you. She is present throughout the entire game. While approaching a CPU node with mayhem on your mind, she chirps in "Enter that room, hacker, and it will be your grave. You hesitate, but continue. And indeed, when you destroy the nodes, she sends a small army of cyborgs to do you in. She repeatedly ambushes you, taunting you in her computer-psychotic voice. It's unnerving, and the effect has not been repeated in any game I've played, sequel included.

System Shock's interface is also leagues ahead of Doom's. While much more complicated and cumbersome, it allows you to do so much more. You can lean around corners, you can crouch and even crawl on you belly, you can jump across chasms, you can look up and down. Aiming is also more interesting. You use a cursor to aim your guns and fire them. It does take a while to get used to it after years of mouselook, but I do like the more realistic effect of the aiming cursor. In addition, the recoil effects of the weapons is perfect. You feel like you're firing off a powerful machine gun when you rip off a burst from the Skorpion. The view bows back, and as you swing the gun from side to side the recoil swings with it. It's an amazing effect, particularly from such an aged game. It makes using the fully automatic a more visceral experience.

Finally, the gameplay goes FAR beyond the "find key, find door" gameplay that has been so prevalent since the release of Doom. You have a specific, detailed purpose in this game. No ambiguous alien invasions, no purposeless mazes masquerading as "levels." The enemy, SHODAN, is always plotting some insidious fate for earth, and you, as the hacker, go about the various levels attempting to stop her. Never do you wonder "why am I here? What exactly am I doing?" Each level, from the medical deck to the executive deck, serves an obvious logical purpose. Even the mazes are presented within good context. To put the gameplay into perspective, only very recently have FPS games struggled to break the gameplay barriers that Doom presented, while System Shock obliterated them almost TEN years ago!

This game defines what it is to be a classic. It is nearly perfect in every way, and is the epitome of the PC gaming experience. It is my opinion that computer gaming would be much better today if System Shock had been received the same Doom was, as it's a considerably better game that would hold its own today.

The Bad
Very little. The graphics are outdated, obviously, and the sound and AI technology is lacking. Also, the level design is very blocky, by today's standards. However, those are all limitations due to age: considering it by 1994 standards, the game's technological aspects are brilliant.

The Bottom Line
Well, I did so already. I'll just add that it is a VERY good game. It's not for sale, but certain websites on the internet have the complete CD version for download. I don't think Mobygames would appreciate it if I posted the link. Sorry!

The Good
System Shock produced by Game God , Warren Spector. Is one of the most chilling if unsettling game expereinces. When it's by a Game God you know a game is good. As for the likes of System Shock, the storyline and graphics. Are what make System Shock work so well. The storyline is pure genuines of Science Fiction. And the graphics have to show you the story the Game Designer is trying to convey to the gamer. From SHODAN's evil plans for the world.After taking over the Citadel space station. And isn't ironic that you caused it all. By your greed for freedom from the law. I guess Edward Diego, of the corporation, system you broke into. Was playing you for a fool.

The Bad
Well, mostly people I have talked to. Like the game , System Shock. Some as for the not so Hardcore gamers. Didn't understand if the game was FPS, CRPG or such. Basically if you have played anything from a Hardcore gamers prospective. You know the game is a challenge, that leaves you with a smile after playing it. As for some not so familiar with Game Designs and such. Well, you have to be one, a Game Designer to understand the Designers vision for a game. And yes I am a Game Designer, of a soon to be established, game studio.

The Bottom Line
Try it and the Sequel, System Shock 2. Both are classics in Game Design. It is like a good graphic novel or movie. With all the good parts. Rolled into one that takes you by the shirt. Like the bully who wants your lunch money or always has the girl. And drops you into the mud puddle hard, with never ending laughter.

The Good
The feeling of loneliness. "System Shock" captured this feeling like no other game I know of. You, as player, really get to feel the desperate situation of the Hacker, all alone in a gigantic space station, facing an omnipresent and omniscient enemy he can't even hope to defeat; feeling small, insignificant, powerless, scared. This is helped tremendously by the audio logs you keep finding, recordings of people who died on the station, and by e-mails from Shodan, the crazed computer who is easily the best-written adversary I have ever seen in a game (get the CD version with perfect full voice-acting, if you can). What is also brilliant is the way the game motivates your progress by frustrating you repeatedly. The feeling after you finish a particularly difficult task, flip the long-sought lever just to see that nothing happened and receive a mocking e-mail from Shodan is priceless. Add a huge arsenal of weapons with different ammunition against different kinds of opponents, bio-modifications, innovative and fun cyberspace, quite advanced in-game physics engine and a true 3D environment (unlike Doom from the same year that's actually cleverly masked 2D) - and you're looking at a true classic, a game that was way ahead of its time and hasn't lost any of its charm.

The Bad
From today's perspective, the interface is very clumsy, the graphics, while state-of-the-art back then (the CD version supports 640x480 resolution, even though no commercially available computer of the time could actually run the game on it!), are dated, and the sound is quite unpleasant. But the overall atmosphere is so powerful and gripping you won't really mind any of that.

The Bottom Line
A unique game back then and still unique today, "System Shock" is a perfect blend of action, exploration and puzzle-solving with an extraordinarily powerful atmosphere. The game will absorb you in a way you are not likely to forget. An absolute masterpiece.