Tron 2.0

The Good
Everything about the TRON world is beautifully constructed. Every single thing in the game has the glowing TRON look (may be diminished on less than highest video settings) that makes the world distinct and everything stand-out. Monolith has done a wonderful job of giving an update to the TRON world which still making everything seem like it belongs and seem in place. Changes between the movie and this game are usually well-explained by characters, help files or email and you can even see where familiar objects have been 'updated' into a different type of program.

The world itself and the dialog is definitely the high-point of the game. You'll find yourself running from a system format and watching the world change as files get compressed and see a defrag rearrange your pathways. You'll grab new permissions from dead programs and avoid viral infection from bright yellow intruders. There's lots of voice acting characters to bring this world to life. The objectives of various missions are diverse and unique.

All in all it's a wonderfully done movie conversion (of course they had a 22 year gap between the movie and this game... most movie licenses aren't willing to wait a fraction of that time for development) and I could talk about that all day, I'll try to focus on the gameplay instead. The game is a solid First Person Shooter with all the elements we've come to expect from the genre; Jumping, crouching, strafing, leaning. The weapons too are indicative of most FPS. You have your melee weapons, sniper weapon, rocket weapon... But the difference is, all these weapons may be upgraded and oftentimes other 'programs' may be run to add abilities to the weapon. For instance, your default weapon (and certainly one of the more unique ones... even after 22 years), the Disc, by default can be thrown at the enemy/obstacles (and bounce off of them) and be recalled. Through upgrades you can give additional status effects to the weapon, or you can load the ability to fire 3 at a time or you can load increased accuracy upgrades. It's all more diverse than your average FPS.

I'm a TRON movie fan and I loved this game.

And for fans of lightcycles, they're here too and also a lot of fun in their simplicity.

There's also a fair share of "secret areas", the finding of which will net you better weapons sooner and/or build upgrades which can increase your stats beyond those of a player who does not find them.

The Bad
So what didn't I like? Well... er... not much. I suppose it would be the 'locked access' areas in the levels that are unopenable by any means (I'd love to explore and see every single thing ;)

At the time of writing this review, I have not finished the game... so I can not comment on the later levels or the ending.

The Bottom Line
On the highest graphics modes... THIS IS TRON!!! Every bit of the world has the unique feel to it and all of it feels as if it should somehow belong. Never has plain black 'grid' walls looked so natural and wonderful. I can't help but think how easily the TRON universe would lend itself to an "online world" of some sort... and in fact this game is very linear; but the player probably won't mind because it's a wonderfully evolving storyline and a bright glowing world!

The Good
Let me get this off my chest: I'm a geek. A MAJOR geek. Tron was one of those childhood movies (though I was born after it came out) that left a lasting impression on me, probably second only to Terminator 2. It had all of the "right stuff": technical mumbo-jumbo that, judging by the time context, did not piss me off even a bit (well, maybe besides the "bit" having three modes...) and generally accurate to boot; absolutely astounding visuals, which I find beautiful even today; excellent music; excellent actors; excellent storyline (particularly when considering the time frame). The overall "feel" of the movie is something I have never, ever encountered afterwords: a sense of mystique and technological wizardry that can only be a labor of love. For eons I have wished for - and dreaded - a sequel; I wanted more, but I was afraid of being disappointed (Terminator 3... <sob>). And I was quite dumbfounded when the sequel came out in the form of a video game. When the game came out, I didn't know what to think; I was worried that the game would disappoint, in which case a childhood dream of mine would be crushed. I waited over two weeks (a lifetime, when it comes to things I really want...) and decided to take the risk and be done with it.

Boy, I was NOT disappointed.

Tron 2.0 has all of the "right stuff". First and foremost, it is quite possibly the most beautiful game ever to grace my monitor. I have gasped over the latest Doom 3 trailer; almost fainted over the Half Life 2 technology demo. Tron 2.0 left me gaping like an idiot. For days I daydreamed and talked only of Tron 2.0; this is the kind of thing that only genuine geeks and gamers can understand. The damn thing haunted me; I couldn't wait for the day to end so that I could shut off the lights, put some headphones on and stay up playing the game until I couldn't keep my eyes open. The sense of being in the Tron world is simply unbelievable, simple indescribable... you have to experience it to understand. Obviously the game was designed by people after my own heart: people who understood the movie, people who lived it and wanted to keep the legacy going... and with the help of the Lithtech-derived engine, 20 years after the movie the Tron universe comes to life once again, in glorious, 32 bit colour real time. The game is gorgeous... but that is merely a word. No screenshot can convey how absolutely minimalistic, beautifully digital this game is.

Fortunately enough, that is not all. Tron 2.0 is graced with some of the best music ever to be heard in a computer game. The music is nothing short of amazing; more-over, it has restored my faith in dynamic scores. Not since X-Wing has a computer game been graced with music that seamlessly integrates with the game; never in the foreground, never quite in the background, always adjusting and changing to what is happening... always subtle, never annoying. If there was a way to just listen to the in-game music, I would have. It is incredible that the composer has managed to maintain the strange, unique musical style from the original movie, integrate modern electronic elements so seamlessly and keep everything under tight enough control to allow Direct Music to kick in. The in-game music is nothing short of amazing.

Story? Plenty of that to go around. Tron 2.0 stays faithful to the movie, and walks you through an incredibly immersive, incredibly diverse digital universe. Here again the game engine kicks in to show you amazing footage of what it would be like to stroll around a sort of internet cyber-city; to traverse the circuitry of an ancient mainframe computer (and even overclock it!), even a PDA - everywhere you go, plot elements pop up, missions are always diverse and the scenery is astounding. Oh yes, there are lightcycle arenas aplenty, and they look better than ever. Who needs a Cray Y when you have DirectX?...

Finally, the voice acting is terrific: Bruce Boxleitner plays Alan-1 again, Cindy Morgan plays Ma3a... I only wish they'd found how to keep David Warner and Jeff Bridges, but I guess you can't have it all.

The Bad
It is very rare that I find no fault with a game; Tron 2.0 is no exception to this rule. That being said, it is extremely rare that I so readily forget a game's flaws; Tron 2.0 is a definite exception to this rule.

There are some frustrating scenes in Tron 2.0; most of them involve the lightcycle arenas. The computer AI is devilishly quick on reflexes, and incredibly stupid on strategy. I'm not particularly good at lightcycles (wasn't very good playing good ole' Novatron either...), so this made for some very frustrating time trying to get through some of those scenes.

The boss levels are generally fine, but some are ridiculously annoying; plus, there was no reason for the last level to contain slight spoiler three damn bosses, one would've been enough.

Battle system has a relatively high learning curve; this is not quite a straightforward shooter.

Regardless, it took me exactly two minutes apiece to forget these shortcomings...

The Bottom Line
An incredible game in every sense. Well thought, well designed, well executed. A treat for '70s/'80s geeks. One of those rare games that one will ALWAYS remember.

The Good
This game is beautifully crafted. From the blocky geometric structures outlined in brilliant blues and reds and yellows, to the paper-thin trails of the light cycles, Monolith have nailed the look of Tron. The sound quality is good too. Fans will be happy to know the springy footsteps, derezzing enemies and light cycle engine whines from the movie are all replicated here. Even the new weapon effects fit well in this universe.

The Bad
Tron suffers from too many uninspired sections and dull combat. If you were to remove the movie licence, this game would be just another generic shooter. For every memorable moment throughout the game, you also face another forgettable level to run through or another jump puzzle to solve.

The Bottom Line
Tron 2.0 has a unique visual style, like the movie. The gameplay ties into the film so fans should enjoy the nostalgia. Unfortunately, Tron 2.0 suffers from too many dull sections. Nevertheless it does have some real strengths that help make it a solid shooter.