Rangeela BV
Moby ID: 13105
Overview edit · view history
Rangeela BV was established in 1990 with the sole purpose of publishing Hoog Spel, the first Dutch language multi-platform games magazine for the Benelux territory.
In 1993 the company started localising games for HomeSoft, the main games distributor in the Benelux. They localised a.o. the box and docs of various Sierra games (Kings Quest series, Phantasmagoria) and also did a full localisation of Microprose's Grand Prix 2 of which 120.000 units were sold by HomeSoft.
In 2000 the magazine was discontinued and the company concentrated on other areas of the gaming industry.
Since 2000 Rangeela BV is mainly active in the following fields:
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Localisation of computer games (all aspects, from box & docs to fully localised, localisation of websites etc.)
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Games consultancy (licensing, publishing, mobile gaming, online gaming)
Credited on 5 Games from 1995 to 2019
| Blacksad: Under the Skin (2019 on Windows, Macintosh, Windows Apps...) |
| Assassin's Creed: Origins (2017 on Windows, PlayStation 4, Xbox One...) |
| Yesterday: Origins (2016 on Windows, Macintosh, PlayStation 4...) |
| Aliens in the Attic (2009 on Nintendo DS) |
| Roberta Williams' Phantasmagoria (Deluxe Limited Edition) (1995 on DOS, Windows) |
Related Web Sites +
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Rangeela B.V. Homepage
Page still under construction as of March 2010. Short presentation of company activities.
Frequent Collaborators
Companies- 3 games with Valve Corporation
- 2 games with PĂ©ndulo Studios, S.L.
- 2 games with Microids
- 2 games with Words of Magic
- 2 games with Unity Technologies ApS
- 2 games with Microids SA
- 1 game with Engine Software B.V.
- 1 game with Ubisoft Montpellier SAS
- 1 game with ESDigital Games
- 1 game with Epic Games Tools LLC
- 3 games with Martial Le Minoux
- 2 games with Alexandre Migeon
- 2 games with David Gasman
- 2 games with Philippe Dumond
- 2 games with Nathalie Homs
- 2 games with CĂ©dric Dumond
- 2 games with Ramón Hernáez
- 2 games with Sharon Mann
- 2 games with Rolf Klischewski
- 2 games with Douglas Rand
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