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User Reviews

There are no reviews for this game.


Our Users Say

Category Description User Score
Acting The quality of the voice or video acting. 3.5
Gameplay How well the game mechanics work and the game plays. 3.2
Graphics The visual quality of the game 3.0
Personal Slant A personal rating of the game, regardless of other attributes 3.0
Sound / Music The quality of the sound effects and/or music composition 3.2
Story / Presentation The main creative ideas in the game and how well they are executed. This rating is used for every game except compilations and special editions which don't have unique game content not available in a standalone game or DLC. 2.7
Overall User Score (6 votes) 3.1


Critic Reviews

MobyRanks are listed below. You can read here for more information about MobyRank.
90
Gamezilla (May 11, 2000)
I thoroughly enjoyed Mummy: Tomb of the Pharaoh. This game captured my attention from the get-go and held it through the long -- and sometimes frustrating -- hours of enjoyable playing. Overall, I would recommend Mummy to those who enjoy a challenge or at least want to explore an ancient Egyptian tomb (vicariously, of course).
78
Gameplay (Benelux) (Dec 02, 1996)
Ikzelf heb Mummy op drie dagen voltooid. Koop dit spel dus niet als je een echte hersenkraker zoekt. Verder is er op Mummy weinig aan te merken. Het is goed uitgewerkt zonder een echte hoogvlieger te zijn.
68
PC Joker (Dec, 1996)
Eine knappe Stunde Videosequenzen lockert die Nachforschungen auf, wobei unter anderem der namhafte Schauspieler Malcolm McDowell („Wing Commander III/IV“) für Qualität bürgt. Gute Unterhaltung garantieren auch die supersimple Steuerung (Point & Click), eine packende Story und die ebenso logischen wie abwechslungsreichen Knobeleien. Wer auf spannende, unkomplizierte Abenteuer steht und vor der englischen Sprachausgabe nicht zurückschreckt, wird hier also durchaus passabel bedient.
65
For begyndere er spillet udmærket, der trods alt byder på en rimelig god historie og relativt få frustrationer, fordi man sjældent sidder fast med et obskurt problem. Men det kan godt lade sig gøre at forene nybegyndere med øvede, uden at det behøver at skade spillet.
60
Mummy: Tomb of the Pharaoh is a fine example of classic gaming from the golden period of the adventure game genre. The game offers Full Motion Video graphics and interactive puzzles that help to fuel the action. There are multiple environments which you can explore, and there are various characters which you can interact with. As the danger mounts and the crisis escalates, it is all too easy to become immersed in the game world as you try and avoid each menace that is thrown your way. In this game, your puzzle solving skills and decision making can mean the difference between life and death!
60
It would seem that Interplay has followed the current formula for success perfectly: a well-known actor delivering witty and cutting remarks, great photo-realistic graphics which provide the illusion of 3D, and the player cast in the role of ethical investigator. Yet it's this very reliance on formula which keeps Mummy from really standing out in a genre that's currently crowded with mediocre product.
52
Power Play (Nov, 1996)
Was Interplay da produziert hat, sorgt eher für gepflegten Dauerschlaf. Die allermeisten Schockeffekte kündigen sich rechtzeitig genug an, um auch ja niemanden zu erschrecken, und die schauspielerische Leistung von einigen Akteuren schrammt nur knapp die Grenze zur unfreiwilligen Komik. Was das Spiel selbst betrifft: Größere Fehler hat ein erfahrenes Haus wie Interplay natürlich vermieden, aber originelle oder wenigstens nur ein bißchen knifflige Rätsel kommen im gesamten „Mummy“ nicht vor, das Gameplay plätschert von der ersten Minute an so vor sich hin. Insgesamt zwar kein schlechtes Spiel, aber aus dem interessanten und unverbrauchten Thema hätte man wesentlich mehr machen können.
50
PC Games (Dec, 1996)
Booting up Mummy: Tomb of the Pharaoh, I felt like the superstitious laborer in the movies who, wielding the shovel that breaks down the final barrier to a forbidden shrine, tells the archaeologist, "I gotta bad feeling about this, boss." Unfortunately, my intuition was right on the mark. This Mummy comes unwrapped way too quickly. Interplay's follow-up to Frankenstein: Eyes of the Monster, while pretty and entertaining, is simply too small in scope to keep you up very late.
50
Quandary (Jan, 1997)
Mummy: Tomb of the Pharaoh is a fairly average adventure game, not too long and certainly not complicated in any way. Most experienced players will find it very easy and it won't take up too many hours of game playing time. Because of the ease and familiarity of the problems it is best suited to novice players. I say this because you don't have to be too devious to solve the puzzles, inventory items don't have to be manipulated in any way, and mostly everything you find is just as it seems and must be used precisely in the way it is meant to be used.
48
GameSpot (Sep 26, 1996)
The overall result is merely an okay-looking, reasonably straightfaced, wonkily-balanced game experience not quite challenging enough for the long-time adventurer and not quite guiding enough for the newbie. It's a shame because the Mummy is, in many ways, a much more engaging character than Frankenstein, with the potential for a deeper backstory and more mythical involvement. If you enjoyed and were not overly daunted by Frankenstein, Mummy will be more like a light snack with occasional pits you need to spit out or swallow with some resignation. Interplay hasn't strolled down the sidewalk with this much of dog in some time, but it's weirdly reassuring to know that nobody's perfect.
45
PC Action (Nov, 1996)
Interplay sollte bei Action- und Strategiespielen bleiben, und wenn schon ein Adventure, dann bitte fordernde Rätsel, mehr Interaktion und nicht zusammengestückelt.
40
PC Games (Germany) (Oct, 1996)
Kein Wunder, daß der Pharao flucht. So ein schwaches Spiel hat es bei Interplay schon lange nicht mehr gegeben. Gerenderte Hintergründe mit eingeblendetem Video ergeben noch lange kein visuell ansprechendes Abenteuer. Selbst dem talentierten Malcolm MacDowell gelingt es nicht, die gebotenen darstellerischen Leistungen über unteres Mittelmaß zu heben. Als Referenz für Spiele mit mythischem Hintergrund und hohem Fun-Faktor gilt deshalb nach wie vor The Riddle of Master Lu.
40
Die atmosphärischen Stärken des Vorgängers Frankenstein wurden hier arg verwässert. Die Szenen mit den einkopierten Schauspielern wirken vor den starren Bildhintergründen irgendwie aufgesetzt. Die Rätsel sind nicht sonderlich schwierig und manchmal unlogisch. Das Geklicke von Bild zu Bild wird bald langweilig. Es ist einfach zu wenig Bewegung in Story und Optik. Bei allem Respekt ist mir diese Mumie eine allzu tote Angelegenheit.
40
This is not a bad game but far from one of the greats. I would not wholeheartedly either recommend for or against it. However, I found it well worth the $5 I spent on it and would recommend it for that reason alone. The game was put together very professionally, but the gameplay itself stunk. I think this is a classic case of where too much time and money was spent on the graphics and actors, which were first-rate, and not enough time spent on the actual game—the designers copped out on too many puzzles by trotting out the ol' tried-and-trues, and there was not enough, or rather no, originality.