American McGee's Alice

The Good
When I first started the game I did not know exactly what to expect. First I was impressed by the graphics. Not only they are technically good, but the artists in this are awesome. Especially the menu background image of Alice in the mental hospital is awesome. Awesomely disturbing. And that is the best word to describe the whole game. Everything you see is sick, perverted, twisted, warped or otherwise odd. Mr McGee must be at least a LITTLE mad to do something like this. Weapons in the game are totally different than any normal point-shoot weapon ordinarily seen. And the music is excellent. It fits perfectly in the game. Also the voice acting is, for a change, good.

The Bad
The voice acting, while it is good, is clearly recorded a line at a time. You never get a real feeling of a conversation. And there is a certain part where you just keep getting the feeling that you are playing "a bug's life" with your little brother. The plot is also very linear, making replay value nonexistent - especially when there is no multiplayer option.

The Bottom Line
This game is pretty much different from anything else. So weird it makes Silent Hill feel sane and so twisted that Undying looks like a cute childrens game. Definitely worth a look - if you are up to it.

The Good
In the opening cutscene, we learn that Alice’s life has gone downhill since her initial forays into Wonderland. Orphaned by an accidental fire, Alice is now institutionalized in a catatonic state brought on by survivor’s guilt, clinging to a button-eyed white rabbit. But as Alice’s mind has changed, so too has Wonderland. The Red Queen has turned malevolent. Her Card Guard has imprisoned the people of Wonderland. The Mad Hatter has become uncomfortably curious about clockworks. And it’s up to Alice to make things right again.

American McGee’s Alice is a wildly inventive game that plays as a third person shooter, more arcade than adventure. American McGee’s Wonderland, is Carroll’s world reflected by a funhouse mirror. Familiar characters are stretched and twisted. White Rabbit embraces his rodent side. You can see the Card Guard's ribs beneath their garb. Alice notes that the Cheshire Cat has a touch of the mange. Alice herself has had a gothic makeover—dark hair, dark eyes, and a blood splattered outfit (with runes?). The locations are breathtaking, ranging from a sinister Skool to a chessboard city and even a bug’s eye view of the world.

What comes across, as far as level design, is American McGee’s respect for Alice’s world and his Burtonesque ability to turn it on its head. The Skool, for instance, is logically illogical including rooms that seem adjacent but are really floors apart. And everything moves. The sky in the Chessworld moves overhead. The buildings in the first levels seem to dance. The environmental effects add realism to the surreal.

As I mentioned, at its heart, Alice is an arcade game. Unlike the acrobatic Ms. Croft, Alice’s moves are simplified. But she can still swing on vines, cling to ledges and hoist herself over obstacles. With abundant jumping puzzles, the designers have kindly added ghostly footprints to indicate where Alice will land. Alice’s weapons also have a targeting reticule (which almost automatically aims).

Speaking of weapons (called toys), Alice begins the game with the Vorpal Knife. This is the only weapon that doesn’t deplete Alice’s will (the equivalent of mana, magic, etc.) and it remains useful throughout the game. Later on Alice acquires diverse toys such as the piercing playing cards, the flame throwing jack-in-the-box, and the Demon Dice. Most weapons have a primary and secondary attack option and each one is visually impressive. Toys reappear throughout the game and every time Alice reacquires a toy it grows in power.

As I mention above, Alice has to keep track of her Sanity (a red life bar) and her Will (a blue mana bar). Power-ups appear throughout the game and she can collect essence from her defeated foes. In addition to the toy and life power-ups, there are several special power-ups available for the observant player.

But what would this game be without enemies. In addition to figuring out which former friends are now foes, Alice also has miniature Jabberwockies, Snarks, and rogue chessman among others in the villains’ roster. Finally, Alice has several bosses to deal with. These bosses can be incredibly challenging and (for the most part) it’s up to Alice to out-battle them rather than figuring out the “trick” to beating them.

Lastly, while some reviewers have emphasized that this game is style over substance, I have to disagree mainly because the style is the substance. Not only does McGee offer us a twisted version of Wonderland and the characters, but also the game twists in on itself. You can’t tell me after seeing the resolution of the White Queen level that there isn’t more here than candy for the eye or music for the ear.

Bring on American McGee’s Oz! (or Narnia-- wouldn't that be interesting?)

The Bad
Is there anything I didn’t like about this game?

The graphics were great, except for the somewhat blurry ending.

Voice acting was pretty good, except for a few characters.

The Bottom Line
A wicked romp through Wonderland.

The Good
Well, even though the main idea is not really that original (taking Alice in wonderland and giving it a bizarre/dark twist) the game manages to stand out as a truly original experience. I guess that on it's own is a remarkable feat worth mentioning, yes it may be a platformer, but you ain't never seen a platformer like this. Of course, all the credit for the uniqueness of the game goes to the superb level design that combines weird curves and angles, radical lightning, psychodelic visual illusions and bizarre architecture to make a unique and beautiful gameworld. Such bizarre levels have been made before, most notably on Thief: The Dark Project (which seems to have had a major, let's say, "influence" in this game) but now you have a complete game filled with bizarre landscapes and places to visit.

Furthermore the Quake Arena engine, while not used to it's maximum extent, delivers some gorgeous graphics and effects (like mirrored corridors, etc.) which run surprisingly fast on rather wimpy computers like my own and allow you to see some of the best art in a 3D platformer in full glory.

The use of bizarre weapons and items also help the game stand out on it's own, with several original items like a set of deadly jacks or a deck of cards, each with two different firing modes. The enemies are also a breath of fresh air, from the super-cool massive bosses to the over-grown chess pieces that you encounter later on.

The game stands out on several other areas like sound with excellent voice acting that fits each character like a glove, good controls, etc. (this is after all an EA game, so you know you can expect a nicely produced package).

Lest I forget, a clever addition to the game is the inclusion of a jump targeting indicator to help you judge those nasty jump puzzles. It was about time somebody thought of something like that!

The Bad
Despite all the hoopla about the level design and the novel graphics, enemies, etc. the game is not a lot of fun to play. It is essentially a completely linear action platformer, and that gets old. Fast. Most good platformers add a host of secrets and bonuses to encourage you to explore the gameworld around you or extend the original adventure, not so in Alice. For as spectacular as the gameworld may appear to you, you are forced to move linearly from place to place following a single path towards the endgame.

But everything would be ok if that path was fun to play through, right? I mean, Out of this World wasn't exactly an exercise in non-linearity... Well, the problem is that Alice never seems to know what kind of game it is. You sometimes get inspired jump puzzle sequences, but a lot of moments in the game include Quake-like shootfests. And that's the game's biggest flaw, that it thrusts you into a massive amount of combat in a game that isn't really about that. I couldn't help but think that A. McGee just couldn't resist bringing some of the good ol' gameplay mechanics from his days on id and that stops the game dead. The inclusion of a Quad damage-like power up is a proof of that, as is the rather annoying tendency to place mazes filled with enemies towards the end of the game (be prepared to kiss that original level design goodbye every now and then pal!!).

Also I know originally you were supposed to be able to summon the Chessire Cat to fight by your side, but since that was removed I seriously question the point of keeping the "Chessire help" option. I mean, he's super-suave and all, but what's the point of wasting valuable cd space on generic one-liners that never help you??? It's like if Jedi Knight had a "Yoda" key which would allow you to listen to 4 or 5 generic words of wisdom...Next time add a text-only REAL tip system or nothing at all.

The Bottom Line
A rather poor gameplay experience masked under a beautiful if sometimes inconsistent level design. I guess this is one of those game you have to play just so you can experience something truly new and unique (at least when it comes to graphics) but the game is by no means a masterpiece, and I wouldn't recommend it except if you found it on a bargain bin.