Zak McKracken and the Alien Mindbenders

The Good
Zak is a newspaper journalist who works for the daily tabloid, The National Inquisitor. His boss asks him to write up two articles: one about campers being attacked by a two-headed squirrel, and the other about an UFO sighting that happened on Mt. Rainier 50 years ago. That night, Zak has a dream involving a girl, a map, and a machine. Back in his apartment, Zak agrees to draw the map from his dreams and finds out that some aliens known as the Caponians have beamed down to Earth to transmit 60-cycle hums through the phone lines, capable of reducing people's intelligence. Later on he finds out that he must build the same machine from his dreams, with the help from three other people, which will stop the Caponian's plans from going ahead.

Zak McKracken uses the same SCUMM interface seen in Maniac Mansion, so anyone who has already played that game is already familiar with it. The game can be played with the joystick, keyboard, or mouse; but I prefer to use the mouse since it is so much easier to control Zak. It is the second game that allows you to switch between three other characters throughout the game. Teamwork is essential, and death for one of them means that you'll get nowhere.

Maniac Mansion has the player exploring a limited environment, but this is not the case wth Zak. You may begin the game in San Francisco, but as soon as you have the opportunity to switch between three girls, you'll spend most of your time traveling to places like Seattle, London, Kathmandu, Cairo, Lima, Kinshasa, Bermuda Triangle. (You even get to explore the Caponian spaceship where you meet The King himself!), and Mars itself. It is also a nice touch to take control of other things and decide when it performs an action.

Now traveling outside the United States require you to input the code listed on a certain page in the manual. Normally, entering the wrong code in most games would cause them to exit to DOS. However, Lucasfilm has a knack of punishing people instead, more likely resulting in the ending of the current game. This already happened in Maniac Mansion when said mansion suffered a meltdown. Here, the player just gets thrown inside a Nepalese jail while you get to sit and hear a lecture about piracy, with no chance of escape.

Zak is often known for bringing humor to adventure games. You can almost do anything in this game and Zak will more often than not say something funny. There are two things in the game that made me laugh. One is when you use the broom alien twice, it will wake up and complain about the hard work. But the highlight is getting captured by the Caponians and placed inside a cage. Then you get to watch the commands disappear one by one, and you never see them again until you're released.

The game had about three releases. I still own the PC version with the enhanced graphics, which is much more colorful than a previous version released for the C64 and PC. I have yet to play the FM-Towns version, which has 256-color art as well as a digital soundtrack. It's a real shame that the 256-color version wasn't made available on PC.

Since Lucasfilm released Zak in 1988, and sound cards were not invented then, all of the game's sound comes through PC Speaker. However, the theme music is well composed and I enjoyed the background music when you arrive at the airport and explore the tribal village.

The Bad
There are too many mazes in the game. It was fairly easy to go around in circles and keep going back to the same location.

Also, when you get to a certain point in the game and you realize that you made a mistake, you just can't go back and rectify it. For instance, you have to get everyone on board a tram that takes you to a different section on Mars by feeding a coin into a machine, but if you happen to forgot someone, you can't go back and get them as the coin slot on the machine on the other end has been ripped out. For situations like these, you have no choice but to restore a previously saved game.

Speaking of saved games, the game can be saved but only in a numbered slot, meaning that you can't give meaningful descriptions.

The Bottom Line
Zak has all the aspects that were found in Maniac Mansion: multiple characters and a good amount of humor. As I mentioned earlier, three versions were released, with the enhanced version much more common. The ability to go around the world is neat, since you are not restricted to exploring one, bigger environment such as a mansion. Although the sound is through the PC speaker, most of the music in the game, as well as the sound effects, is excellent and beats the sound in other games around its time any day. So in conclusion, any adventure fan who loves a mix of exploration and comedy should get a copy of this game.

The Good
First and most, this is a freaking Lucasfilm (later LucasArts) adventure game, with all its complexities. For that, it's a small wonder it could get made on the humble old Commodore 64 at all.

Zak McKracken and the Alien Mindbenders is Lucasfilm's second point & click adventure game released after Maniac Mansion. Story wise it's not a sequel, but there are many similarities and even references to it. The main similarity is that both use the SCUMM engine and interface, but the list of action verbs has changed. Beside that, shortcut keys were introduced, to help out the fiddly joystick cursor. The dialog output field is now two rows tall, thus conversations are easier to read (too bad talking only happens at the occasional scripted event in this game, as the interactive dialog tree was not invented yet).

The audio-visuals... I have to say, this is one of the worst looking best games ever, haha! As for me seeing the enhanced DOS version first, the C64 version was ridiculously ugly afterwards. Maniac Mansion was more stylized, with the characters having big heads, that went better with the "Lego brick" graphics of the C64. Here, the developers wanted to do more, and they just barely could make it to work. But it IS functional, so I don't mind it! All that, paired with those ridiculously awesome, more-powerful-than-necessary sound effects happening for every little mundane task, it adds up as a surreal experience. When the game starts and the intro cutscene plays, and get I hit by this brick of a graphics, then an excessive rendition of the intro theme starts to play on top of it, it gives me such a weird feeling that is unlike anything else.

Speaking of the intro, Zack McKracken has one of the most memorable game intro cutscenes ever!

Hmm, lets say something about the rest of the game quickly.

-There is the whole World to travel, famous landmarks to visit, many ancient mysteries to solve. (At least in the technological constraints of the system and era. But hey, Maniac Mansion was confined to a single house, so it's quite an expansion of scope!)

-Aside from Zak, there are three other playable characters (after reaching a certain point). Some complex puzzles require the orchestrated cooperation of multiple characters trough multiple remote locations or planets.

-Zak gains supernatural powers as you collect the artifacts.

-Travelling to Mars never has been cozier.

-It is very forgiving about the mistakes you make. Even if you get caught by aliens, the punishment in the brain washing chamber has just temporary effects. (Granted, not as failsafe as the later ones, but definitely better comapred to Sierra adventures.)

-It almost rivals Monkey Island in how many memorable gags it has.

The Bad
Technical wise:

-Lots of loading from the slowly Commodore floppy drive, and lots of disk swapping to be done too.

-For being a point & click interface, on an Atari-style joystick, it can be tiring on the long run. There is no support for mice in the Commodore version (neither the Neos nor the 1351). (There are the keyboard shortcuts though.)

Engine wise:

-As an early SCUMM engine game, the interface still has some jankyness to it. Instead of the expected features from the later games, there are many redundant verbs, while there is no "Look at", no "Talk to".

-There is manual "What is" exploration, as the cursor doesn't highlight interactable objects in the playfield to you.

-You have to construct the command sentence first, then have to do another click on the command line to confirm and make it happen.

-The inventory items have no pictures. Just the item names in a short text, that are often vague. The inventory list has been shrunk to just two visible lines (as a side effect of the increased dialog field).

Gameplay wise:

-It's probably the hardest LucasArts adventure, many difficult puzzles (it was designed to sell hintbooks after all).

-It definitely does not hold your hand. Most of the world is accessible from the get-go and it's easy to get overwhelmed at first. There are no chapters and not many clearly explained goals.

-There are still some possible dead end situation, or even the characters dying (granted, these only happen if you are excessively careless, but I mention).

-Lots of awkward sideview mazes to keep track in, some even in the dark (spells a cheap way of padding to me).

-The extra unnecessary jungle mazes. They're not even puzzles, you just have to wander aimlessly until the program decides you have arrived to your destination.

The Bottom Line
Oh LucasArts, where are you now... Back in the 80's, Lucasfilm/LucasArts was at the top of their game. It wasn't just all about riding the Star Wars success, at the time they really rocked the world! First, they did magic to the movie industry. And if that wasn't enough, they got into the fledling gaming industry and treated it just as good. It wasn't about doing the obvious movie tie-ins, instead they did a lot of innovation with original concepts: simulators with fractal generated terrain (e.g. Rescue on Fractalus), a proto first-person-shooter (Eidolon), the first graphical online MMO (Habitat), also re-shaped how graphical adventures are played and told their story (Maniac Mansion). Then LucasArts made a lot of adventure games, that were cherished for their smart writing/humor/and puzzles, the overall charm and quality of them. Until everything got to be Star Wars.

So, I have encountered the DOS version of Zack McKracken first, which is the better version. But I write this review about the Commodore 64 version, because that's more impressive one. Let me explain. Back in the mid 2000s, when I have discovered the old adventure games and got into the genre. "There is a Commodore 64 version? How could it possibly even work on that garbage?" Up until that point I only knew primitive little arcade games on this system, as the one C64 I have seen/played at my classmate's only had a datasette. So this game and Maniac Mansion were something on a new level, and it reignited my interest in the C64, wanted to see more, what else it is capable of. Since then, I did play both games on the real thing.

The Good
1. Funny 2. Educational (sort of! - see below) 3. Non-violent 4. Great female characters 5. Suitable for slower players as well. My young kids have trouble with games like Monkey Island (because the sword fighting routines require a lot of reading) and Indiana Jones and the Last Crusade (because it requires skill in boxing) but this game can be taken as slow as you like. Only the egg on the plane and the blue crystal have any time limit, and these are not too difficult to master. 6. Incredibly efficient coding. The whole thing fits uncompressed on one low density floppy. 7. Versions for all major platforms (at the time) and almost any speed of machine. Good use of the inbuilt sound card.

The Bad
1. A couple of the puzzles are hard for non-Americans (e.g. the waste disposal unit and mailbox are not familiar items in Britain), but this is probably true for any game. 2. The codes and all the travelling can be a little tedious (but not much) - like any adventure game, much of your time is spent travelling back and forth to try different ideas. 3. If you have an old game and have lost the printed codes, you cannot travel to most of the destinations.

The Bottom Line
Fun, hard to get killed, and easy to like.