Dreamfall: The Longest Journey

aka: Drømmefall: Den lengste reisen, Mengyun: Zui Chang de Lücheng, The Longest Journey 2, The Longest Journey: Static
Moby ID: 22143
Windows Specs
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Description official descriptions

Dreamfall is the sequel to The Longest Journey and is a third-person adventure game with a few action episodes.

The game begins in Casablanca, 2219. Zoë Castillo is about to get involved in a conspiracy that spans across two worlds: the one she grew up in, and a mysterious magical realm. There has been static interference that is disrupting technology, and it seems to be linked to a little girl seen only by Zoë. As Zoë begins her search for a lost friend, she discovers the truth about the two worlds and the search is now on for the one person who may help Zoë unravel the dangerous web she has become entangled in: April Ryan.

Dreamfall puts the player in control of three characters. It also introduces the focus field feature, which allows the player to scan an entire visible environment as seen by the characters and also use it to eavesdrop into other people's conversations. There are a few fighting sequences in the game, and a few instances where the player can choose to fight a character or opt to solve the confrontation in a peaceful way. The game spans 13 chapters; like April in the previous game, Zoë keeps a diary of all the events that occur in the game.

Spellings

  • Dreamfall: Бесконечное Путешествие - Russian spelling
  • 夢殞:無盡的旅程II - Traditional Chinese spelling
  • 梦陨: 最长的旅程 - Simplified Chinese spelling

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Credits (Windows version)

333 People (317 developers, 16 thanks) · View all

Reviews

Critics

Average score: 77% (based on 73 ratings)

Players

Average score: 3.8 out of 5 (based on 93 ratings with 9 reviews)

Excellent story and characters, but short on gameplay

The Good
The story. This is really a novel in game form, and everything takes a back seat to the story. The game comes on six CDs, probably because it includes so many lengthy cutscenes. The story is long for a game (as was The Longest Journey), and takes the time to build up properly.

The characters. It's rare to see a game with significant character development, but Dreamfall takes the time to do it. There are a few scenes that could have come across as cheesy, but since we've traveled with the characters and sympathize with them, they work.

The scenery. As in the Myst games, many of the game locations are beautiful, and you just want to wander around and gawk (which you're free to do).

The Bad
It's too easy. As I said, everything takes a back seat to the story, and this includes the gameplay: there are precious few puzzles, and none of them are very hard. The only time I had to consult a walkthrough, it turned out that I had the right idea, but wasn't doing it in just the way that the game wanted. In some cases, the "game" consists in nothing more than getting a plot point from one cutscene, then walking across town to watch the next cutscene.

Linearity. The story of Dreamfall is told in one particular way, and the player has to follow along. Consequently, there's only one thing to do at any time. As a corollary, if you get stuck on one task, you're stuck. Unlike a game like The Secret of Monkey Island, there's nothing else to work on.

The interface. Unlike The Longest Journey, Dreamfall is a third-person 3-D environment. This means that you can now look around in all directions, but comes with some problems. The camera tries to be smart, and swivels around the main character rather unpredictably. At the same time, movement is camera-relative, not character-relative, so if you have Zoë walk toward you, and the camera swivels to avoid a wall or something, you'll find that she's now walking at a right angle to the way you want her to go.

Combat. Yes, this is an adventure game that includes some combat scenes, and your character can die. But if he or she does, the game gives you a chance to try again. I'm not a big fan of timed sequences in adventure games (where you have a limited amount of time to complete some action), since I prefer puzzles that make me think, rather than test my agility; and the combat sequences in Dreamfall have all of the disadvantages of timed sequences, doubled.

The graphics. Yes, I know I said the scenery is beautiful. But it's also 3-D, which means that everything has to be rendered in real time as textured polygons. If this had been a node-based game, they could have prerendered the scenes in a lot more detail (compare Myst: Uru to, say, Riven to see what I mean).

The voice acting. Most of the actors give decent performances, but a few were just bad (yeah, I'm talking about you, French magic-user!).

The ending. There's going to be a sequel to Dreamfall, and this couldn't have been more obvious if they'd tacked on "To be continued..." at the end.

The Bottom Line
Well worth playing, IMHO. The story is engaging, and the characters reasonably three-dimensional. The game is long enough to let us know the characters and empathize with them. Just don't expect challenging puzzles, or even a lot of gameplay.

Windows · by arensb (7) · 2006

That’s what happens when you mix ideas of pretty much every great adventure made

The Good
The plot is rather good, but while playing the game a perceptive person cannot avoid noticing the similarity between this game and others famous gems. While this doesn’t make the game less enjoyable at first glance, it's rather dull, when you stop and think: haven’t I played this before? Fortunately, as the plot is very straight, you may hang for a while without thinking this too much. The graphics are also very good. It’s clear that they put a lot of effort in them. You probably will stop some times just to look at the surroundings. The cutscenes taking place during the dialogues are entertaining too, even though the facial animations are not as great as the graphics in general or the voice acting, that is terrific. The descriptions you receive from your current character (there are three that you must direct through the game) when looking to something are fantastic, they are the main mechanic that reveals theirs full personality, without any long introductions or such. Making the player take attention to them is a great way to attach the player to the characters, making the plot significantly more interesting.

The Bad
One major problem is the emptiness you will few when exploring a whole new city. You won’t be able to enter a single place that isn’t direct linked with your next objective. I know that a different approach could be a enormous task, however, I don’t think that would hurt the developers if they added access to at least all the taverns. That would have a good impact in the game, making it appears less hollow, like it does sometimes. Giving the player some options would be fantastic too. Dialogue in this game is pretty useless, as almost every option leads to the same place. In the entire game, there is just a couple of "wrong" answers that are pretty obvious. The linearity of the plot is awkward. In one part of the game you will be controlling one assassin named Kian and you will have to choose if you want to kill your target or not, but even if you want to, you really can't, as your character will refuse to do so. In the last part of the game there is an even worse mandatory action: while watching the cutscenes, your character chooses a to agree with a very bad idea, that if you were taking attention to the plot unfolding, you would know that this action is something risk and probably in vain. Would hurt the developers if they featured some "real" dialogue options? Would hurt them if they created some alternative endings? While these may look like petty matters, there would be a real difference in the game if they were well implemented. Still, due the lack of options (how many adventures released in late 00's, had so much hype?), it's a game that should definitely be played.

The Bottom Line
I could start this part of my review in a different fashion, however I can’t hope but to let know straight what I think happened when the game was been developed:

-Hey everyone, The Longest Journey was really good, but it didn’t filled our pockets with endless money, so we need a sequel, and it must be a real good one, in order to sell well. Does anybody have an idea?

-I do, sir. Why don’t we put a hot girl as the main protagonist? We could show her in the cover as well.

-But we had a sort of that in the last game, and what about the rating? If we push too far it won’t even be sold in most game stores, you know .But, eureka, we could just show her a bit underdressed sometimes, and in the rest of the time, the gamers imagination should be fulfilled with all kind of suggestive stuff, like “a boyfriend’s bed that bounces”, “the salty seamen”, “the cock and the puss”, "April's rod of Joie covered with scented lubricant" or "Reza's dreams with Zoe, naked, sweating and moaning". Yeah, that’s really good.

-And why not make every character in the game beautiful as well? More is better.

-That’s a good idea, in fact we could put two or three protagonists now. Anachronox did it, and did it well.

-So let’s just recycle that April, from the previous game, we could recycle a bunch of he story as well. Traveling between parallel worlds hasn’t been so cool since Outcast.

-Talking about Outcast, we should be aware of the combat system and it’s length. Back in 1999, Outcast was praised, but some guys hated it because of the huge amount of quests you can do at once and because the difficult combat for some. So let’s do the following: We take the Outcast gameplay, but this game should be linear and the combat very easy if the protagonist are supposed to win in order to advance the story.

-But let’s just add some conversation options, alright? This way the players will not notice that they will end in the same place no matter what they choose to say, and if anybody thinks it’s a bad idea, it is exactly what happens in the Lucas Arts adventures, like Full Throttle or Grim Fandango, no matter what the protagonist says, it will never make you become stuck. And above all, Manny Cavalera turning his head towards important items was quite a help.

-That’s right, but let’s just make a couple of obvious wrong answers in the game, so the critics cannot say the dialogue is useless. Getting rid of difficult puzzles should also be an important matter. If advancing in the plot is easy, I think non-hardcore adventure players may buy the game too.

-Good, that’s just something I think we forgot: Deus Ex. What can we borrow from it? That’s too great to simply ignore.

-I don’t know. Maybe we should just take the French boîte from Nicollet and place some other night club in this game, with the same atmosphere, preferably right before a major twist in the plot. Let’s also replace those UNATCO guys with something like it. I don’t know maybe “The Eye” is a good name. Every game should have a big and mean govern agency or corporation.Why not a core level too?

-This will do. Ok guys, I think we have enough, in fact this is enough to have our hands full, as I don’t think we will be able to release the game on schedule if we implement all these ideas and write an end for it. So let’s start the work, end if we don’t have time for a proper end, let’s just put a cutscene like there will be a sequel or something like this to be released soon. We already flooded the game with cutscenes with that Samara Morgan wannabe.

Well, that’s it. If you read everything until now, you should be aware of how the game is.

Windows · by Open_Sights (466) · 2010

Too much bad gameplay ruins a decent story

The Good
The biggest (and arguably the only) strength of Dreamfall is the same as in The Longest Journey: the worlds of Stark and Arcade are absolutely fascinating and the characters are likeable and occasionally funny. It is a delight to learn more about them, especially because the dialogue is mostly more condensed than in TLJ. I also liked the switching between protagonists which allowed Funcom to show different perspectives on Arcadia and was used for a few clever sequences.

The Bad
Unfortunately Dreamfall also inherits the gameplay weakness of TLJ. It tries to be varied and introduces four gameplay pillars which all fail: puzzles (most of them don't deserve the name and the few which do are badly implemented), mini-games (both the too easy lockpicking and the too hectic hacking mini-games are only used a few times), fighting (the controls are clunky and the enemies brain-dead) and stealth (clunky, but at least easy). All those gameplay mechanics add absolutely nothing to the game or the narrative and could have been cut without losing anything substantial.

I also did not like the environments. Especially the outside areas look very pretty, but they also feel cold and sterile and are frequently interrupted by loading screens. Dreamfall manages to build its areas both too small and linear (there is mostly only one way to go and nothing interesting to find which isn't part of the plot) and too vast (some areas are bigger, but almost completely empty, and there is too much backtracking).

While my last point is a bit moot since the release of Dreamfall Chapters, I also have to address the non-ending. It cuts off right in the middle of the story: there is nothing gained and almost nothing resolved. The game opens up way too many story threads which lead to nothing or cliffhangers. While open endings or even sequel hooks are fine, a game has to wrap up at least the main story in a satisfying way.

The Bottom Line
On first glance, Dreamfall is a completely different game than The Longest Journey: different protagonist, different game mechanics, different perspective. But a closer evaluation shows it has the same strengths and weaknesses: the characters and the world are good, the plot is decent, and the gameplay sucks. It is a shame this game was made before the rise of narrative games: it probably would have profited by cutting the bad gameplay and focusing on better storytelling instead.

Windows · by Patrick Bregger (298879) · 2021

[ View all 9 player reviews ]

Discussion

Subject By Date
Nooooooooooo where's the sequel?!?!?!? Matt Neuteboom (976) Jul 1, 2008

Trivia

666

Curiously, four out of the seven *.CAB file archives located on the game CDs (2, 3, 4, and 5) are 666,000 kB large and the total size of all files on the first CD is also very close to that number.

1001 Video Games

The Xbox version of Dreamfall: The Longest Journey appears in the book 1001 Video Games You Must Play Before You Die by General Editor Tony Mott.

Azadi

The Azadi culture in the game is based on the real world Persian culture (today's Iran, Afghanistan, and Tajikistan). The word "Azadi" itself is a name of a tower in Tehran, the capital of Iran, which was built in 1971 and has since become the symbol of the city. Ironically, the Persian word azadi means "freedom", which doesn't exactly fit the fanatical nature of the Azadi in the game.

Damien's apartment

The two Chinese characters which can be seen on the background during the cut-scene in Damien's apartment are 平和, which are pronounced heiwa in Japanese and mean "peace".

Funcom

Dreamfall is an anniversary game for Funcom, as it is the 25th game they developed.

Sexual references

Intentional or otherwise, the two closed taverns that Zoë can see when she is first in Marcuria are "The Cock and the Puss" and "The Salty Seaman", which both have ambiguous sexual undertones.

References

  • There are several references to Funcom's Anarchy Online series in the game. A copy of the Anarchy Online novel is visible in Zoë's apartment, and the music that plays on the first floor of Reza's apartment is also a track from the MMORPG.
  • There are various Dreamfall and The Longest Journey boxes throughout the game. Such as in Reza's bathroom shelf, Zoë 's floor near the TV, behind the Merchant at the crossroads, as well as many other places.

Technology

Although the game's minimum requirement on the box and "readme" file states that you need a GeForce FX 5700 or a ATi Radeon 9550 display card to run it, the game is playable on older cards such as GeForce 3 or Radeon 8500. In fact, it only uses pixel and vertex shaders version 1.1 not version 2.0 and beyond. However just like every shader model 1.1 powered game it won't work with GeForce 4 MX.

Awards

  • GameSpy
    • 2006 – #3 Xbox Game of the Year
    • 2006 – #8 PC Game of the Year
    • 2006 – PC Adventure Game of the Year
    • 2006 – PC Adventure Game of the Year (Gamers' Vote)
    • 2006 – Xbox Adventure Game of the Year
    • 2006 – Best Music of the Year (PC)
    • 2006 – Best Story of the Year (PC)
  • PC Powerplay (Germany)
    • Issue 02/2007 – The Most Interactive Movie in 2006

Information also contributed by Karthik KANE, Sciere and Unicorn Lynx.

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Contributors to this Entry

Game added by Tom Murphy.

Xbox 360 added by Parf.

Additional contributors: Unicorn Lynx, Jeanne, POMAH, Sciere, Игги Друге, Robin Ferreira, Paulus18950, Cantillon, Patrick Bregger, FatherJack.

Game added April 26, 2006. Last modified March 12, 2024.