Medal of Honor: Allied Assault

The Good
Of course it's all about THAT level. The level that the developers' must have wanted to include since the first game but obviously didn't have have the power to do it justice. It's the selling point of the game and they had to build the player up to be ready for it.

As a result we start with a few levels in various parts of the occupied world as we get used to the controls. Again we take the role of a Special Forces trooper, this time with the upgraded Quake 3 engine, which means the addition of some friendly squad mates to 'help' you out. This is no squad shooter though as they're quickly taken down, leaving you in the classic one-man army situation. There are more tactics and other characters than in previous instalment though and you often have to team up with someone to complete a level.

Having fought through Northern Africa and behind the enemy lines in Norway you're finally treated to the game's golden moment; the D-Day landings. It seems a bit puzzling that as a top Special Forces trooper who's previously been sent on highly classified mission you're suddenly put in a landing craft alongside the normal G.I.'s, but then it's all about the experience.

What an experience it is, a true recreation of Saving Private Ryan. Standing in a landing craft, you're helpless as you enter the battle with explosions all around, it's terrifying. The door opens and suddenly you're off, running like mad for the sparse cover whilst the bullets tear apart those around you. Like the previous Medal of Honor games there's no blood which is just as well.

Surviving the landing the rest of the game follows the Allies march towards Germany in a series of mini-campaigns. Whilst it's all quite exciting nothing quite matches the landings, though another level plucked straight from Saving Private Ryan comes close. In it you have to pick your way through a ruined French town taking out snipers, followed by stopping a tank from a church bell tower.

Once again the developers' have a done a masterful job of creating excitement and an atmosphere, much as with the first game but on a bigger scale. The graphics look gorgeous in muted tones and the sounds are amazing. Events are scripted to keep you on your toes as you follow the clear and obvious path. Obviously there's not much story but then it's a war and you're a soldier and you don't question orders.

The Bad
The game is truly an experience; like I mentioned it requires no critical thought and can be a happy shooting gallery. Clearly designed for mass appeal you can't even kill your squad mates if you try, so no chance of accidental guilt.

I don't want to spoil the experience for first time players; suffice to say don't play it a second time as it will spoil that all important first impression.

Finally my last real gripe is the last level. It felt as if the developers decided to turn up the difficulty and punish the player for coming so far. Suddenly you have a timed sprint followed by an almost impossible cross-fire for no real realism or drama – a total let-down.

The Bottom Line
This is a great and hopefully terrifying taste of cinematic warfare. The series finally achieved it's goal of recreating sections of Saving Private Ryan and bringing them home.

The Good
Beautiful, furious, epic. Those are some of the first things that come to mind when you think of MoHAA. This is a fast-and-furious-take-no-prisoners shooter set in the Spielberg-ized WW2 most people have come to known and love. You are private Powell, and it's up to you to give those nazis some butt-kicking, and save your allied buddies. Essentially a slightly more realistic Return to Castle Wolfenstein with better mission design, and sans the fantasy edge.

Right from the start the game will dazzle you with it's fantastic graphics and John Williams-like music score, the level of detail in the graphics is truly astounding, and the music as well as all of the sfx, are recorded with a truly amazing quality, making full use of directional sound and it's features.

The game progresses through 6 linear campaigns that take you all over Europe and this is in my opinion, a great choice of gameplay progression, since you don't have to worry about a basic plotline to tie it all together. You want a plot? You are at war and you get transferred around, that's your plot. And it works fantastically because the star of this game is the level and variety of gameplay. The game has an astounding level of creativity when it comes to it's missions. Each one has a unique gameplay premise, and while it is most definetively a fps first and foremost, every now and then you get a mission where you have to infiltrate an enemy base, or man a gun emplacement, or take control of a tank, or engage in sniping duels, etc, etc, etc... Even the standard "kill 'em all" missions have interesting touches, all courtesy of the level of detail placed on the real-life weapons, the detail of the character models that react realistically when hit (and even crawl around or limp when injured), or the interesting locales you have to fight through (like the D-Day mission, or the nazi submarine pens).

The Bad
Those are some really nice graphics, huh?? Well forget about them pal, only monster systems need apply for this one, and I blame it all on a non-judicious use of it's engine. The levels are just too big, and the amount of variables (like squadmate behavior, etc.) is just too much for an engine designed for essentially dumb shooters. Furthermore, if you are not one of the lucky souls capables of running this baby at full detail, then you are in for some juggling around, the game offers a nice set of detail settings, but none manage to be really effective, since the basic problems still remain (the levels are still too big, and there are too many things to keep track off), I had to tone everything down to the bare minimum, and I even had to juggle with my desktop resolution every time I wanted to lunch this frigging thing (I never had to do that with the new Wolfenstein, both Q3 games) and there is no way to switch you 3d accelerator card from the main game interface....great.

Other problems include an annoying tendency to include re-spawning enemies on some levels, and an AI that is questionable at best. I'm really puzzled at this, since at times I see it do some really smart things, like making good use of cover (first FPS I see where the enemies actually lean over walls), throwing grenades back at me (or even jumping over them to protect their buddies) etc, etc. However most of the time they behave like the dumbest soldiers ever. Your enemies will run into your line of fire with incredible enthusiasm, or even shoot themselves, and your squadmates first instinct is always to run guns-blazing towards the biggest group of enemies they see...

Aside from those issues I have a less objective bone to pick with this game, and it's the "politically correct" way it handles everything. Not only have you got no blood or gore in the game (not even a Max Paynish-red puff) but there's nothing interesting to pick your imagination or interest in between the missions. The game lacks a certain edge that makes other less-perfect shooters more memorable. There are no iconic characters, there is no ending, essentially there are no "odds and ends" everything is the way it's supposed to be, almost sickening in it's antisepticness, a jewel polished so much that it has no distinctive glow... but well, that's just me. :)

The Bottom Line
Almost perfect in it's presentation and gameplay. And truly funny to play, but for me this game just doesn't have the right stuff. It's better than Return to Castle Wolfenstein in nearly every way, but when I think about it now, I had much more fun playing Wolf, and I'm probably gonna replay it someday... not so with this one.

Of course, most people that get this Spielberg-sanctioned title probably want a "Private Ryan simulator". And this game delivers on that account.

The Good
The graphics are splendid, there is a great feel of being in Europe during the 1940's when you play it. The game play is really cool, learning how to effectively use the old weapons is an interesting challenge if you've played lots of modern shooting games (Ghost Recon, Delta Force, Splinter Cell, America's Army). Lots of enjoyable and diverse levels. Music is great! Voices for characters is really great, they speak their own languages very well. Driving a tank is really fun and sniping in the rain is very cool! I liked this game a lot, too bad it had to end or else I would still be playing it!

The Bad
Multiplayer for this game is below par, if you want a good multiplayer version try Battlefield 1942 but for single player this game is the best. This game also has high system requirments which can make it run choppy on older computers.

The Bottom Line
Play this game just for the D-day level, its a video game spectacle. Makes you gut wrench when you come to the realization of how horrible D-day actually was. The rest of the game is great as well. I enjoyed all of the levels.