Syberia II

The Good
The graphics and scenery in this game seemed to be much improved, and for the most part, the puzzles were more intuitive and logical than they were in the first game. The cutscenes seem to be even more detailed and beautiful than in the first game too.

The Bad
Sadly, there's a lot I didn't like.

While the puzzles were more logical this time around, there was an annoying amount of "hunt the pixel". Some of the items you're supposed to pick up blend into the background a little too well, and there are a number of "look-at" hotspots that are simply too small and too difficult to see. I had to consult a walkthrough a couple of times - not because the puzzles were confusing, but because I knew that I forgot to pick up some item somewhere.

Also, the voice actors for the main stars of the game remained the same, but the actual dialog was pretty horrendous. Much of Kate's dialog feels like it was recorded as individual lines, completely outside of context. A lot of her comments don't quite seem to logically follow one another, and they give the overall impression that Kate has a rather short memory and attention span. An example:

"I'm Kate Walker! Who are you?" "I'm Anna Voralberg, miss." "Do you know Hans?" "Hans is my brother!" "So you're Anna Voralberg, then?" "That's right!" "Do you have a brother named Hans?"

And so on. You end up exhausting all dialog choices with every character - not because their dialog is actually interesting, but because you need to hammer certain facts into Kate's head, and she can apparently only remember critical bits of information if they're repeated over and over again in different ways.

Also, for some reason, Kate is still carrying around her cellphone, though it's only used rarely, and I think it only ever needs to be used once. Kate's mom and her boss call a couple of times, but they might as well not have. It was already made pretty clear in the first game that Kate had put her old life completely behind her. The cellphone allows you to call Oscar this time around, but that's not particularly useful. It's actually more amusing than anything else, especially if you call him from the next room. "You sound so far away! Come back soon!"

Also, there are certain circumstances in this game where mild language is used, and there's a very brief scene with a half-naked (but strategically covered) Kate. While it doesn't bother me much, I was under the impression that this was essentially a kid's game...

The Bottom Line
Well, it's certainly pretty, and it completes the Syberia story. Other than that, as adventure/puzzle games go, it feels awfully half-hearted.

The Good
This sequel should have been part of the first game .. really! In fact, I had read somewhere that Syberia 1 and 2 were made at the same time and were supposed to be released as one game. But, someone along the way decided to split them ... too long or some such silly reason. Anyway, if you haven't played either game, I would suggest you play them back-to-back.

To reiterate parts of my stellar review of the first game, Syberia II also features ..

The Good
* Much more exciting storyline than the first

• Improved visuals
  
  The Bad
  * Frustrating puzzles

• Environments lack variety compared to the first game.

• May be too far-out for some
  
  The Bottom Line
  Syberia II was released in 2004, 2 years after its predecessor. Originally planned to be a part of the first game, the story was eventually split into two installments. As a result of this, Syberia II picks up exactly where the original left off.

  After the events of the first game, Kate Walker, Oscar, and Hans Voralberg are traveling on the clockwork train towards the farthest reaches of Siberia in the hopes of finding Syberia (no, that’s not a typo), an island which is said to contain the last living population of wooly mammoths. After stopping in the last village in Siberia, Hans falls sick to an illness, and things just go from bad to insane from there on out. Meanwhile, Kate’s law firm have hired a detective to follow Kate into Siberia in the hopes of bringing her back to New York.

  Compared to the first game, which was much more subdued and mysterious, Syberia II is far more action-packed and episodic. There are a lot of coincidences which take place over the course of the game, bumbling villains, daring escapes, noble sacrifices, absurd deaths, and even a dash of the supernatural. Personally, I think this is a much-needed change, but it also highlights the fact that this story was really split into two games. If Syberia was all buildup, then Syberia II is the payoff. At the same time, though, this approach will understandably turn off some fans of the first Syberia. That game was unusually grounded and subtle in its implementation of fantasy elements, and arguably more mature in its themes. By contrast, some of the things that happen during Syberia II require some extremely high suspension of disbelief. Imagine watching a Hollywood blockbuster sequel to a small independent film and you have a sense of just how big of a shift this is in tone.

  It’s also a far harder game than the first one. The developers seriously cranked up the difficulty compared to the original game, and I think they might have went too far in some regards. A number of the puzzles suffer from poor visual design. There were a few times where it was impossible to accurately read a necessary clue for solving a puzzle. Some objects are so hard to see because they blend in so well with the backgrounds. The puzzles themselves seem to rely more on moon logic compared to the original game. Unlike the first game, the interactive objects aren’t highlighted, adding to the frustration. On top of that, some of the devices you have to manipulate in Syberia II are much more difficult to operate in general.

  The worst offender is the size of some of the areas which separate the puzzles, which means minutes, potentially hours, of slow, aimless wandering until you either find what you’re looking for or just look at a walkthrough. I might have criticized the lacking puzzle difficulty in the original Syberia, but Syberia II only reinforces Microids’ decision to make the puzzles in that game so easy. When you’re on the edge of your seat waiting for the next story beat, the last thing you want to do is to get stuck on a puzzle about overcoming an arbitrary obstacle.

  With the exception of the final section, the entire game takes place in an icy landscape, so the variety that was present in the first Syberia isn’t here. Nevertheless, this is undeniably a better-looking game than the first, and it ultimately ends up being a worthy tradeoff from scope to detail. The backgrounds are more alive, and there is a greater use of lighting and particle effects. Even the quality of the FMV’s has been punched up a notch. However, the 3D character animations look a bit jerky at times, and seem to get choppy whenever text appears on-screen, though this could be an issue with the Mac port. Overall, though, it’s hard not to be impressed with the improvements in the visuals between the two games.

  If you played the first game, then Syberia II is essential. If you’re getting into the series for the first time, this isn’t where you want to start. That being said, I could understand why some will prefer the first game. The difficulty is cranked up far too much and the story is much more cartoonish and unbelievable. I personally enjoyed this crazy ride from beginning to end, even if the puzzles were extremely frustrating at times.