BioShock
Description official descriptions
In the year 1960, a plane crashes in the middle of the Atlantic Ocean with a man named Jack as the only survivor. He has the apparent luck of resurfacing in front of what looks like a door to an underwater complex. Without hesitating, Jack enters the door and is greeted by slogans that praise the city of Rapture, a paradise of free will built in the 1940s by a business magnate named Andrew Ryan. However, even before he assimilates all this new information, the descent to this supposed paradise ends and he can only see ruins and chaos. Learning about the destiny of Rapture will be now Jack's main motivation while he tries to survive the horrors that free will can create.
BioShock is a first-person shooter with gameplay elements and storytelling technique reminiscent of System Shock games. Rapture, the once-proud social experiment inspired by the real-world objectivist philosophy of Ayn Rand, has been nearly destroyed, its inhabitants either dead or fallen victims to bizarre scientific experiments. The retro-futuristic setting incorporates elements of sci-fi with art deco and steampunk influences, featuring interior design and propaganda posters reminiscent of 1950s.
The game's plot is largely revealed through recorded messages left by Rapture's inhabitants before they were killed or mutated. Much of the plot development is therefore dedicated to reconstructing the events of the past, similarly to System Shock games. Limited usage of stealth, the possibility to hack security cameras and other devices, and character customization are the gameplay elements that further tie BioShock to its spiritual predecessors.
At its core, however, the game is more action-oriented, restricting the role-playing mechanics of System Shock 2 to abilities and upgrades that can be acquired and equipped by the main character. Most of the enemies in the game are Splicers, the deformed and insane citizens of Rapture. The protagonist has an arsenal of firearms to combat them but is also able to use plasmids, which act similarly to magic and deplete a special energy called EVE. Various types of plasmids may directly hurt enemies, sabotage their movements, or enhance the player character's defense. Combat tactics often rely on successive usage of different types of weapons and plasmids. For example, encasing an enemy in ice with a plasmid makes it possible to shatter it to pieces with a single shot; protecting himself with an electric shield, the protagonist can electrocute enemies and strike them with melee weapons, etc.
The player can only equip a limited number of active and passive plasmids, and also has an inventory limit for every type of item. Restoring and enhancing items can be found by exploring the environment or purchased from vending machines. These can also be hacked, similar to turrets, cameras, safes, and other types of locks. Hacking is presented as a Pipe Mania-like mini-game.
Plasmids, on the other hand, are mostly purchased by spending certain amounts of a mutagen known as ADAM. This mutagen can be obtained from mysterious creatures called "Little Sisters" - little girls that can be seen in most of the game's locations, accompanied and protected by very strong, genetically enhanced humans grafted to armored diving suits and nicknamed "Big Daddies". In order to capture a Little Sister the player normally has to defeat her Big Daddy. Afterward, the player has the choice of killing the girl, harvesting large amounts of ADAM in the process, or sparing her life. Depending on the player's moral decisions concerning the Little Sisters, the game's story will be concluded with different endings.
The Playstation 3 version adds a harder difficulty level called "Survivor Mode" to the game.
Groups +
- 3D Engine: Unreal Engine 3
- BioShock series
- Gameplay feature: Multiple endings
- Gameplay feature: New Game+
- Gameplay feature: Photography
- Games for Windows releases
- Games made into books
- Games with 451
- Green Pepper releases
- Middleware: Bink Video
- Physical Bonus Content: Steelbook
- Physics Engine: Havok
- PlayStation 3 Platinum Range releases
- Premium Games label
- Setting: 1960s
- Setting: Aquatic / Underwater
- Software Pyramide releases
- Sound engine: FMOD
- Technology: amBX
- Theme: Dieselpunk
- Theme: Hacking / Pseudohacking
- Xbox 360 Classics releases
- Xbox 360 Platinum Hits releases
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Credits (Windows version)
464 People (423 developers, 41 thanks) · View all
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Reviews
Critics
Average score: 94% (based on 193 ratings)
Players
Average score: 4.0 out of 5 (based on 410 ratings with 17 reviews)
Can't understand the hype this game got. Is it a disease?
The Good
Nice graphics, nice decorations, starts very interestingly, unique Ayn Rand concept in a game (or is it not?). Also the whole underwater, big daddy iconography is instant classic and very characteristic, good for marketing this crappy fps.
The Bad
Gameplay, gameplay, gameplay, gameplay. It reeked of awfulness!
Trying to aim an enemy is so bad that you end up shooting whatever in wherever direction. So much for the fps character of the game. No head shots here and all the "splicers" (the word for zombies in this game) have a health bar like a beat-em up game, meaning you have to exhaust it with mindless shooting without the fun of special movements and combos of the latter type of games.
There are no stealth-mechanics either. You just walk and shoot. The weapons-plasmids in this game are so unbalanced and have been used in so many forms and games in the past, that it really makes me question what so breakthrough did the reviewers of "big zines" find in them. Lets leave that matter to everyone's own opinion, I have a really insulting one.
Whoever said there are rpg elements in this game, he is lying or has never played an actual rpg. The only such element is that you can choose to advance between a bit more in health or a bit more mana, and some weapon decisions. Then Snoopy vs the Red Baron is an rpg too! NOPE! It's just a nice arcade game and this is just a bad shooter. The enemies are boring and repetitive.
The objectives and "quests" for the story to move forward are boring and dull.
Did I mention the word boring? That's the definite word for this game after playing for 2-3 hours. The only reason left to continue playing is the hype this game got.. thoughts crossed my mind like "maybe it will get better", "maybe the story becomes fascinating afterwards", "maybe the environments will become breathtaking". NO. So I quited about halfway through the game and uninstalled it.
Saw the rest of the plot in YouTube and well it's just a mediocre b-movie scenario with a twist, nothing spectacular whatsoever. If this is a deep intellectual story then Arnold Schwarzenegger movies are more deep than the fathomless abyss! The whole Ayn Rand concept is used so shallowly and Hollywoodish in a bad comic manner that it just vanishes in favour of a "different" zombie concept, so overused in cinema and games today.
The Bottom Line
If it's your first or second fps, go ahead give it a try. You'll probably like it, statistically speaking. For me having played games with great horror plots like Undying or Dark Corners of the Earth combined with superb gameplay which was actually fun and breathtaking at the same time, I can tell that the only thing this game has in spades is hype. And blind followers.
I'm closing this review saying that I've never played System Shock games, so I do not compare it with them and I don't care about the rootkit or the limited installations. I'm only interested in the fun factor, be it mind-bogging fun, scary sweaty, jumping off your seat fun, arcade fun, silliness, intellectuality or anything that can suck you in and offer you a non-boring experience. Thanx for reading my first review.
Windows · by Frankenfed (32) · 2008
Has a positive and a very big negative side.
The Good
Well Bioshock is supposed to be a spiritual successor to the classic System Shock series which was basically an rpg game blended with first person shooter mechanics.
After playing this game it seemed more like a successor to Doom 3. I wouldn't buy the whole revolutionary hype magazines are giving it; it brings nothing new to the table at least on PC standards.
First the good.
The biggest saving points to this game has to be the Story, its unique art direction including level design, voice acting and music score. Basically "presentation" the first ingredient has somewhat succeeded. I have a mixed opinion on the graphics as the water effects are good, but the character modeling is just plain horrid. The level design and artwork are pretty good too; sets the whole steam punk theme although I find the games lighting a little too extreme.
The Bad
While things look good, unfortunately this game doesn't play very well. The AI is just plain horrible. While it appears to be smart at first, it just becomes predictable and annoying. Sure they put themselves off when their burning or recharging their health, that's a really good thing but its gets really annoying when they just keep running around. Why? The characters move at a really fast speed making it more frustrating than anything, therefore making you wish this was not a FPS. The Big Daddies with the drills are fun to fight (if there are no splicers around), But the ones with guns keep shooting at you and their shots drain a good load of your health.
Bioshock really sets a good atmosphere. I was really enjoying the level design & ambiance. Unfortunately this gets ruined since your bombarded with enemies. Hell I can't even listen to the audio logs because the enemies keep respawning or there's some loud gunfight nearby.
Later on the splicers become even more powerful, and while battling them you tend to end up in confusion as the game has too many weapons and ammo types. While I liked the idea of ammo types in System Shock or Rainbow Six, it fails hard in this game as this is a face paced shooter where you're battling splicers and machinery in the same damn location. What good is the chemical thrower when you have a plasmid which does the same? Half the plasmids are boring and do nothing much to enhance the game.
To add to the intense colorful lighting and bloom, the screen blurs when you're shot, so don't play this game when your sleepy.
And most importantly, the game was advertised to be extremely non linear but it's as linear as the old Doom or Wolfenstein games. Don't get me wrong, I really love linear games (Half-Life 2) but I was really expecting a steam punk version of System Shock here. The game comes with a choice to harvest the little sisters or save them. Whatever you choose will not affect the gameplay except for the ending and the tone of the doctor's voice in the latter half. Oh and there's an arrow which tells you exactly where to go.
The Bottom Line
Bioshock may seem like a lame attempt to milk some money out of the System Shock name. They may have dumbed the game down for console standards and accessibility (that's my guess) . While it is worth playing, I wouldn't recommend it to anyone who is looking for something revolutionary.
Simply put Bioshock is made of 2 ingredients where one fails to make the dish enjoyable.
Windows · by dreamstealer (126) · 2007
Would you kindly stop patronizing me?
The Good
BioShock polarized opinions shortly after its release, mainly because it had claimed to be something it really wasn't: a true spiritual successor to System Shock games. The game was seen by some old-timers as a herald of simplified gameplay for the masses, an unworthy stepchild conquering innocent hearts with shallow splendor. I must state that I share that sentiment; but first, as always, the good part.
BioShock is one of the most stylistically impressive games I've come across. Call it Art Deco or whatever, but in fact it is a unique "Rapturian" style. Most of the things you see in BioShock can only be seen in this game. Everything - every character, building, piece of furniture, photographs, clothes, machinery, random objects - is homogeneous, everything is designed in such a way that it suits the lush, decadent theme of the game. Rapture is instantly recognizable. Take a look at any BioShock screenshot and you'll know immediately it is from BioShock. There aren't that many games that can boast such an achievement. The game simply screams style, and from the first screen to the last you are invited to an unforgettable art gallery.
Then there are sound effects and music, truly an experience of its own. The insane babbling of the splicers, the eerie recorded voices of dead people on audio diaries, the distorted screams coming from unexpected places, the creepy child voices of little sisters, the menacing, blood-chilling humming of their protectors come on top of old music - forgotten and desolate, like Rapture itself. Very old swing tunes, the kind of jazz that feels like it should be stored in a museum - comfortable and strangely sad, vulnerable music, which turns so scary when you realize to what it serves as background. You listen to this game as much as you look at it. And if you do both, you are immersed into a strange, beautiful, disturbing world, with a magical atmosphere that draws you in with unseen force.
The contrast between the cozy "retro" world depicted in the game and the terrifying, desolate reality can be quite scary. There is something very majestic - and oddly touching - in the ruined city you'll explore. You can fall in love with Rapture. It is beautiful, yet it is also horrifying. All this marvelous work, all those visions, the ideals, the energy, the genius of its creators - everything was destroyed. Using an excellent gameplay device that did survive from System Shock, the scattered audio diaries tell you about a world and people that don't exist any more. You travel through places that were once full of life and have fell victims to destruction and decay.
The much-advertised Big Daddies and Little Sisters may not represent the epitome of choice-based gameplay, but they do add an interesting twist to the routines of the genre. Basically, we are talking about a substantial amount of tough optional bosses with a bit of a schematic "good and evil" decision pattern through in. Like everything else in the game, those characters are nicely tied into the story, and your treatment of them will eventually affect the ending.
As mentioned above, recreating the story of the past using gameplay-related means is an essential feature that was faithfully carried over from System Shock games. If you've played those you know what I'm talking about: instead of developing from cutscene to cutscene, the story is hidden in the notes left by different characters, and it's up to you to unravel it. This is retroactive storytelling, and it works great. The story itself is pretty good, though its formal structure and even a major plot twist were basically ripped out of the second System Shock 2.
The Bad
I won't go into promotional issues here, but even without all the hype similarities with System Shock games can be felt just from playing BioShock. Sadly, many of those similarities are superficial: the developers of BioShock apparently failed to understand what made its older brothers work in such splendid ways.
System Shock games were wonderfully open-ended. The space station in the first game and the abandoned ship in the second were large, generous locations you could explore at your own pace. Not so in BioShock: granted, the levels are reasonably spacious and there is optional stuff to find almost everywhere - but they are still levels. Free-form exploration was one of the chief reasons for System Shock games feeling like RPGs. BioShock doesn't feel that way at all: it's just a fairly linear shooter with some fancy magic spells.
And even as such, it's not that good. I always had a feeling that the designers wanted to make something more out of it - a deeper, more tactical game with more choices during combat. The fact is that you do have choices - but they don't mesh well with the game's mandatory fast pace and linearity. Since you cannot circumvent your enemies, the preferred alternative would be then blasting them to pieces in a fast and furious way. Instead, you'll have to micro-manage your plasmids and fiddle with your abilities just to get rid of yet another brainless splicer.
You are therefore overwhelmed by your possibilities, and that makes the game too slow, and hence overly repetitive. You'll be doing a lots of things at the same time - fighting enemies, hunting for items, buying things, etc., and most of those activities won't be new and fresh anymore. Also, those activities feel artificial and disjointed: the game conveniently pauses for you when you attempt to hack a turret - and when it's done, you are confronted once again by a flurry of chaotic enemies seemingly taken out of an arcade game. By the way, hacking is handled like a minigame, which is a poor choice per se, especially when it's easy and monotonous.
There is surprisingly little variety in enemies. It's basically the same splicers from the beginning to the end. Sure, there are several variants of them who behave quite differently, but in the end they are the same mutant humans over and over again. During later levels, the enemies become more powerful, but they still look the same and even have the same names. They just gain more health and take way too long to kill. This doesn't really contribute to the difficulty - it just increases the tedium, which is so out of place in an action game.
Resource management is a valuable game mechanic that modern games like dumbing down so much. Collecting only makes sense when the collected item is scarce and when it takes a while to complete the collection. In BioShock, you have no problem packing machine guns and grenade launchers, but you can only carry nine healing items and five hundred dollars. Ammo is too plentiful and dollars are scattered around when there is nothing I want to buy.
The ubiquitous vita chambers are, in all seriousness, a game-breaking flaw. In this game, you are essentially immortal. When you die, you always respawn with half your health intact, while your enemies are politely waiting for you to come over and finish them off. This kills any remnants of challenge and suspense the game might have still had. I clearly remember a Big Daddy fight where I literally emptied a gun into him, got killed, emptied another gun, and so on, until I emerged victorious. There was zero skill involved; I felt the designers were simply patronizing me. I cannot fathom how the designers could let such a fatal defect slip into the final version of the product.
The Bottom Line
It's not hard to see why BioShock enraged those who were craving for a true third coming of System Shock. The full truth is even sadder: Bioshock doesn't really work that well even as a simple, straightforward shooter. It is undeniably a beautiful and atmospheric game, but it is hardly fulfilling.
Windows · by Unicorn Lynx (181775) · 2016
Discussion
Subject | By | Date |
---|---|---|
initial Mac releases | Cantillon (76135) | Feb 7, 2022 |
Gameplay feature: New Game+ | Cantillon (76135) | Jun 22, 2021 |
German PEGI (uncut) Steelbook Cover Art | Zerobrain (3052) | Oct 15, 2010 |
Yikes. | Indra was here (20756) | May 16, 2009 |
They're doin' it for themselves | Slug Camargo (583) | Mar 21, 2009 |
Trivia
1001 Video Games
BioShock appears in the book 1001 Video Games You Must Play Before You Die by General Editor Tony Mott.
German version
To ensure that the game wouldn't be put on the infamous list of BPjS/BPjM indexed games, 2k Games released a slightly modified version of the game and the Collector's Edition with only the German language on the disc in Germany. The changes include less blood, some changed cutscenes and no wounds on burned bodies. This version got rated "Not free for minors" by the German rating organisation USK.
Hacking
The hacking mini-game (which can be performed on a variety of devices including safes, security cameras, item dispensers, robots, etc.) is basically a slightly altered version of Pipe Dream.
Reception
According to Wall Street Journal Take Two's shares increased by nearly 20% after early favorable reviews of BioShock.
References
In Farmer's Market cantina, you can find a piece of cheese that resembles Pac-Man, even with the dots!
References to the game
BioShock was parodied in an episode of "Die Redaktion" (The Editorial Team), a monthly comedy video produced by the German gaming magazine GameStar. It was published on the DVD of issue 12/2007.
Soundtrack
On August 24, 2007 2K Games released a 12 track compilation with songs from the orchestral score composed by Garry Schyman. The compilation can be downloaded for free here: http://downloads.2kgames.com/bioshock/BioShock_Score.zip
One of the songs that were included on the Bonus EP in the Collector's Edition, was made by Moby. It's a remix of "Below the sea".
Water
2K Games had to hire a water programmer and a water artist to implement the pools and the pouring water around Rapture. This involved modifying the Unreal 3.0 engine to create realistic water effects.
Awards
- Games for Windows Magazine
- March 2008 - #4 Game of the Year 2007
- GameSpy
- 2007 β #2 Console Game of the Year
- 2007 β #2 Xbox 360 Game of the Year
- 2007 β #3 Game of the Year
- 2007 β #3 PC Game of the Year
- 2007 β Best Art Direction of the Year
- 2007 β Best Sound of the Year
- 2007 β Best Story of the Year
- 2011 β #2 Top PC Game of the 2000s
- 2012 β #2 Top PC Gaming Intro
- Mac|Life
- December 2009 - Editor's Choice Award
Information also contributed by Agent 5, Apogee IV, [bakkelun](http://www.mobygames.com/user/sheet/userSheetId,70962/), [Emepol](http://www.mobygames.com/user/sheet/userSheetId,12364/), [PCGamer77](http://www.mobygames.com/user/sheet/userSheetId,1717/), [Scott Monster](http://www.mobygames.com/user/sheet/userSheetId,35225/), [Sicarius](http://www.mobygames.com/user/sheet/userSheetId,70866/) and [WildKard](http://www.mobygames.com/user/sheet/userSheetId,16566/)
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Related Sites +
-
Ain't Rapture Grand?
An Apple Games article about the Macintosh version of Bioshock, with commentary being provided by Lead Designer and Head Writer, Ken Levine (October, 2009). -
BioShock
Official game website -
Demiurge Studios
Info regarding Demiurge's involvement. -
Official Website (Mac)
The official product page for the Mac version of BioShock on the publisher's website, which provides a trailer, information about the weapons, plasmids, and tonics within the game, desktop wallpapers, a demo, and purchasing information, among other such details. -
PS3trophies.org
Trophy guide for BioShock -
Postmortem: 2K Boston/2K Australia's BioShock
on Gamasutra (2nd September 2008) -
Revoke tool
Download the tool needed to revoke one of the system activation credits. -
Something Awful review
A humorous review on Something Awful -
The Cult of Rapture
Official resource site where the full soundtrack by Garry Schyman can be downloaded, free of charge. -
UHS: Bioshock Hints
Shows hints gradually, so your game isn't spoiled. -
X360A Bioshock achievement guide
X360A's achievement guide for Bioshock.
Identifiers +
Contribute
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Contributors to this Entry
Game added by MichaelPalin.
OnLive added by firefang9212. iPhone, PlayStation 3, iPad added by Sciere. Macintosh added by Zeppin.
Additional contributors: Sciere, Maw, Zeppin, Jason Strautman, Patrick Bregger, Starbuck the Third, FatherJack, firefang9212.
Game added August 23, 2007. Last modified March 23, 2024.