Zak McKracken and the Alien Mindbenders

The Good
Zak is a newspaper journalist who works for the daily tabloid, The National Inquisitor. His boss asks him to write up two articles: one about campers being attacked by a two-headed squirrel, and the other about an UFO sighting that happened on Mt. Rainier 50 years ago. That night, Zak has a dream involving a girl, a map, and a machine. Back in his apartment, Zak agrees to draw the map from his dreams and finds out that some aliens known as the Caponians have beamed down to Earth to transmit 60-cycle hums through the phone lines, capable of reducing people's intelligence. Later on he finds out that he must build the same machine from his dreams, with the help from three other people, which will stop the Caponian's plans from going ahead.

Zak McKracken uses the same SCUMM interface seen in Maniac Mansion, so anyone who has already played that game is already familiar with it. The game can be played with the joystick, keyboard, or mouse; but I prefer to use the mouse since it is so much easier to control Zak. It is the second game that allows you to switch between three other characters throughout the game. Teamwork is essential, and death for one of them means that you'll get nowhere.

Maniac Mansion has the player exploring a limited environment, but this is not the case wth Zak. You may begin the game in San Francisco, but as soon as you have the opportunity to switch between three girls, you'll spend most of your time traveling to places like Seattle, London, Kathmandu, Cairo, Lima, Kinshasa, Bermuda Triangle. (You even get to explore the Caponian spaceship where you meet The King himself!), and Mars itself. It is also a nice touch to take control of other things and decide when it performs an action.

Now traveling outside the United States require you to input the code listed on a certain page in the manual. Normally, entering the wrong code in most games would cause them to exit to DOS. However, Lucasfilm has a knack of punishing people instead, more likely resulting in the ending of the current game. This already happened in Maniac Mansion when said mansion suffered a meltdown. Here, the player just gets thrown inside a Nepalese jail while you get to sit and hear a lecture about piracy, with no chance of escape.

Zak is often known for bringing humor to adventure games. You can almost do anything in this game and Zak will more often than not say something funny. There are two things in the game that made me laugh. One is when you use the broom alien twice, it will wake up and complain about the hard work. But the highlight is getting captured by the Caponians and placed inside a cage. Then you get to watch the commands disappear one by one, and you never see them again until you're released.

The game had about three releases. I still own the PC version with the enhanced graphics, which is much more colorful than a previous version released for the C64 and PC. I have yet to play the FM-Towns version, which has 256-color art as well as a digital soundtrack. It's a real shame that the 256-color version wasn't made available on PC.

Since Lucasfilm released Zak in 1988, and sound cards were not invented then, all of the game's sound comes through PC Speaker. However, the theme music is well composed and I enjoyed the background music when you arrive at the airport and explore the tribal village.

The Bad
There are too many mazes in the game. It was fairly easy to go around in circles and keep going back to the same location.

Also, when you get to a certain point in the game and you realize that you made a mistake, you just can't go back and rectify it. For instance, you have to get everyone on board a tram that takes you to a different section on Mars by feeding a coin into a machine, but if you happen to forgot someone, you can't go back and get them as the coin slot on the machine on the other end has been ripped out. For situations like these, you have no choice but to restore a previously saved game.

Speaking of saved games, the game can be saved but only in a numbered slot, meaning that you can't give meaningful descriptions.

The Bottom Line
Zak has all the aspects that were found in Maniac Mansion: multiple characters and a good amount of humor. As I mentioned earlier, three versions were released, with the enhanced version much more common. The ability to go around the world is neat, since you are not restricted to exploring one, bigger environment such as a mansion. Although the sound is through the PC speaker, most of the music in the game, as well as the sound effects, is excellent and beats the sound in other games around its time any day. So in conclusion, any adventure fan who loves a mix of exploration and comedy should get a copy of this game.

The Good
First and most, this is a freaking Lucasfilm (later LucasArts) adventure game, with all its complexities. For that, it's a small wonder it could get made on the humble old Commodore 64 at all.

Zak McKracken and the Alien Mindbenders is Lucasfilm's second point & click adventure game released after Maniac Mansion. Story wise it's not a sequel, but there are many similarities and even references to it. The main similarity is that both use the SCUMM engine and interface, but the list of action verbs has changed. Beside that, shortcut keys were introduced, to help out the fiddly joystick cursor. The dialog output field is now two rows tall, thus conversations are easier to read (too bad talking only happens at the occasional scripted event in this game, as the interactive dialog tree was not invented yet).

The audio-visuals... I have to say, this is one of the worst looking best games ever, haha! As for me seeing the enhanced DOS version first, the C64 version was ridiculously ugly afterwards. Maniac Mansion was more stylized, with the characters having big heads, that went better with the "Lego brick" graphics of the C64. Here, the developers wanted to do more, and they just barely could make it to work. But it IS functional, so I don't mind it! All that, paired with those ridiculously awesome, more-powerful-than-necessary sound effects happening for every little mundane task, it adds up as a surreal experience. When the game starts and the intro cutscene plays, and get I hit by this brick of a graphics, then an excessive rendition of the intro theme starts to play on top of it, it gives me such a weird feeling that is unlike anything else.

Speaking of the intro, Zack McKracken has one of the most memorable game intro cutscenes ever!

Hmm, lets say something about the rest of the game quickly.

-There is the whole World to travel, famous landmarks to visit, many ancient mysteries to solve. (At least in the technological constraints of the system and era. But hey, Maniac Mansion was confined to a single house, so it's quite an expansion of scope!)

-Aside from Zak, there are three other playable characters (after reaching a certain point). Some complex puzzles require the orchestrated cooperation of multiple characters trough multiple remote locations or planets.

-Zak gains supernatural powers as you collect the artifacts.

-Travelling to Mars never has been cozier.

-It is very forgiving about the mistakes you make. Even if you get caught by aliens, the punishment in the brain washing chamber has just temporary effects. (Granted, not as failsafe as the later ones, but definitely better comapred to Sierra adventures.)

-It almost rivals Monkey Island in how many memorable gags it has.

The Bad
Technical wise:

-Lots of loading from the slowly Commodore floppy drive, and lots of disk swapping to be done too.

-For being a point & click interface, on an Atari-style joystick, it can be tiring on the long run. There is no support for mice in the Commodore version (neither the Neos nor the 1351). (There are the keyboard shortcuts though.)

Engine wise:

-As an early SCUMM engine game, the interface still has some jankyness to it. Instead of the expected features from the later games, there are many redundant verbs, while there is no "Look at", no "Talk to".

-There is manual "What is" exploration, as the cursor doesn't highlight interactable objects in the playfield to you.

-You have to construct the command sentence first, then have to do another click on the command line to confirm and make it happen.

-The inventory items have no pictures. Just the item names in a short text, that are often vague. The inventory list has been shrunk to just two visible lines (as a side effect of the increased dialog field).

Gameplay wise:

-It's probably the hardest LucasArts adventure, many difficult puzzles (it was designed to sell hintbooks after all).

-It definitely does not hold your hand. Most of the world is accessible from the get-go and it's easy to get overwhelmed at first. There are no chapters and not many clearly explained goals.

-There are still some possible dead end situation, or even the characters dying (granted, these only happen if you are excessively careless, but I mention).

-Lots of awkward sideview mazes to keep track in, some even in the dark (spells a cheap way of padding to me).

-The extra unnecessary jungle mazes. They're not even puzzles, you just have to wander aimlessly until the program decides you have arrived to your destination.

The Bottom Line
Oh LucasArts, where are you now... Back in the 80's, Lucasfilm/LucasArts was at the top of their game. It wasn't just all about riding the Star Wars success, at the time they really rocked the world! First, they did magic to the movie industry. And if that wasn't enough, they got into the fledling gaming industry and treated it just as good. It wasn't about doing the obvious movie tie-ins, instead they did a lot of innovation with original concepts: simulators with fractal generated terrain (e.g. Rescue on Fractalus), a proto first-person-shooter (Eidolon), the first graphical online MMO (Habitat), also re-shaped how graphical adventures are played and told their story (Maniac Mansion). Then LucasArts made a lot of adventure games, that were cherished for their smart writing/humor/and puzzles, the overall charm and quality of them. Until everything got to be Star Wars.

So, I have encountered the DOS version of Zack McKracken first, which is the better version. But I write this review about the Commodore 64 version, because that's more impressive one. Let me explain. Back in the mid 2000s, when I have discovered the old adventure games and got into the genre. "There is a Commodore 64 version? How could it possibly even work on that garbage?" Up until that point I only knew primitive little arcade games on this system, as the one C64 I have seen/played at my classmate's only had a datasette. So this game and Maniac Mansion were something on a new level, and it reignited my interest in the C64, wanted to see more, what else it is capable of. Since then, I did play both games on the real thing.

The Good
Ive always been a big fan of the SCUMM games. It is definitely a great adventure. It takes you all over the world, and to Mars to solve the worlds stupidity problem. There are a few obstacles in the game, you really have to use your head in some instances. There are secrets in the game that are optional

The Bad
If you are playing the Commodore Version of this game, you often have to turn the disk over. And in the Alien Spacecraft, you switch it to the other side and back again. You can get stuck the first few times with problems like insufficient funds, once you kill someone, you cant beat the game.

The Bottom Line
I love this game, any SCUMM worshiper like myself should not forget to play and beat this game.

The Good
When I was around 12 and this game first made a splash on the scene, I pretty much became obsessed with it. It was nothing I've experienced before on my trusty C64: its breadth and atmosphere felt just surreal. I could submerge in it for entire weekends. Granted, I used to progress awfully slowly in adventure games, prone to savour and take in every new location for quite a while.
On a less personal note, this game was the first truly accomplished, epic point-n-click adventure game -- or 'arcade adventure' as we called them back then. It really gave Sierra a run for their money by taking to the next level everything the then-simplistic Quest franchise stood for.
It had heartfelt dialogs, an intricate if goofy plot, plenty of good ideas and in-jokes, loads of locations, and even a catchy theme song. In other words, it was a cut above the Quest series it was designed to challenge.
Significantly, it also directly paved the way for the more sophisticated Monkey Island duo by boldly experimenting with the SCUMM design system.

The Bad
The maze scenes; these were obvious fillers in a game that didn't need filler material.

Also, if you're much older than 12 or 13 -- which I think was my age at the height of my Zak fandom --, you might find the plot and the characters a tad too juvenile.

The Bottom Line
Lucasfilm's adventure department evolved in leaps and bounds after this game, releasing a classic a year, so in retrospect their 1988 effort may not look much.
But as the first Lucasfilm adventure game that requires more than just a casual approach, Zak McKracken's spot is forever secured in the annals as an important release.

The Good
A much closer view of what is normally regarded nowadays as the "Classic" adventure game than it's predecessor and forefather, Maniac Mansion, Zak McK. is your archetypical semi-linear adventure game with a globe-hopping, epic storyline, multiple characters, light npc interaction, "the-weird-item-that-you-get-at-the-beggining-and-use-only-at-the-end" cliche, and heavy-duty inventory and deduction puzzles. Nothing wrong with that, uh?

As far as plots go, Zak's pretty bizarre, it's far more surreal and humoristically appealing than Maniac Mansion, mostly because of the lack of Ron Gilbert as head honcho (whose sarcastic edge is always recognizable in the games he helms), so it's weird and funny but in far more "mainstream" way than Maniac Mansion. That's not to say that there isn't weirdness to be found here, mind you! As a tabloid journalist whose usual assignments include taking pictures of two-headed squirrels, you find yourself in the way of a world-threathening plot to stupidify the human race with copies of Final Fantasy 8 and Metal Gear Solid!! .... uh, wait...no... that wasn't it... though it makes sense to me!

Anyway, as Zak and his main love interest Annie, you'll enlist the help of a couple of coeds by the name of Leslie and Melissa who can Commander-Keen their way to Mars with a mini-van (!!??) and somehow try to make heads and tails of a plot so sinister and evil that it could only be crafted by the most phalic-headed aliens of the universe. Very entertaining stuff and quite interesting indeed!

Technically speaking the game takes some major leaps from MM, mainly in the graphic front, with characters far better proportioned, and much more detail and items as well as NPCs to interact with. Most of the improvements come courtesy of the grander scope of the game, but the technology itself is pushed way past the edge seen on Maniac Mansion.

There are also a small amount of non-linear elements included in the game, such as money management and multiple solutions to some puzzles to add some flavor to the game, which makes it far more open-ended than the usual adventures but falls in the pitfalls of making the game unsolvable or incredibly hard to beat at times.

The Bad
As long as we remember this was the first "super-production" of Lucasarts in which the concept of adventuring is moved closer to the accepted ideal of being an epic game, chockful of characters and locations, we can forget some issues. But the fact is that I think Lucas wasn't yet ready for something so big, and it shows in the game. Kind of like a shoe that is just one size too small for your foot, the narrative cohesiveness for a game like this just isn't "there" and you feel quite lost in a game that is pretty hard by itself, with long stretches of seemingly inconnected adventures that never seem to truly aim for the jackpot (or anything for that matter). It takes quite a bit of patience aside from the usual neuronal work associated with adventure games to survive in Zak, and the addition of money-management elements and several dead ends don't help it either.

Furthermore, the code-system sucks. Since it forces you to use it constantly as you travel from location to location, while on MM you only had to open the door to the upper floor once, in here you'll be checking the manual eeeeevery time you want to travel to another destination and believe me, that happens a LOT in this game. More than it's funny, I'm affraid.

In fact so much more than the comedy aspects seem rather dull and forced, and the whole ordeal starts to reek of the "click-on-stuff-until-some-shit-happens" with alarming ease, not just from the difficulty but from the lack of interest you'll soon be experiencing... "Oh yeah, the aliens just brainwashed my character.. ho-hum.. cute. Next!!"

Oh, and before I forget: THE ENDING SUCKS ASS!!!!!!!!!!! Sorry for that, but quite frankly after wrestling with one of the hardest adventure games ever for months, wading through innane Martian mazes, and bashing the monitor in frustration for countless times (I beated this game back in the days Before handy-dandy internet and it's collection of game faqs and tips) all your reward happens to be a text-epilogue that scrolls by as the two leads gaze in idyllic joy!!! F@#K YOU ZAK!!!!! Even Maniac Mansion had a little animated cutscene!!!!! Heck, even SNK fighting games have more rewarding endings!!!

The Bottom Line
Solid adventure game, but on the face of other games (both before and after) Zak has more of an historical signification than actual value. Yeah it's got a good story and lots of killer stuff on it, but there are many pitfalls that detract from it. For hard-boiled adventurers only though... This game means bussines! But then again, I've always been screwy with difficulties. I can breeze past what most people consider challenging and get stuck in the most retarded situations for many games, so you probably shouldn't listen to me there.

The Good
It's a giant leap from the cozy Maniac Mansion, and therefore gives you a lot of freedom to move around. The graphics are in the same style as MM, though slightly improved. And there's just something magical about being able to control a tabloid reporter.

The Bad
Sadly, there's a lot. LucasFilm Games (now LucasArts) tried too hard to make a game that was bigger and bolder than Maniac Mansion, and they mostly failed. It must have been fun and groundbreaking to travel the world in a game, but in this modern age, it's the flaws that are more noticeable. The game just gives you to much of a load, and is too unrewarding for all your work. It's too complicated, and that gets in the way of the fun. It's also a shame that there was never a sequel, since I would have been anxious to see what a new Zak title, made by a more seasoned LucasArts, would be like.

The Bottom Line
This is the game where LucasArts started to get the rhythm of adventuring, realizing that you can't be stuck in a house for a whole game, and you need to move around outside. They were a bit overzealous when they went for the complete opposite, and made this game take place in locations all over the Earth. It's an interesting play, but don't expect to get very much enjoyment out of it, as it's just too overwhelming and confusing. Noteworthy today only historically, as it was the prototype for all LucasAdventures to come.

The Good
One of the earliest games to use the S.C.U.M.M. interface, Zak McKraken & The Alien Mindbenders, complements Maniac Mansion quite well. This is however a mostly forgotten game, and that really is a shame.

You are Zak McKraken, a reporter for a National Enquirer type paper. Zak however, has dreams of one day being a novelist. Meanwhile, aliens are planning a coup on Earth. The plan to take over the minds of the inhabitants of Earth. As several college co-eds head off to Mars and make a shocking discovery.

Eventually Zak, will meet the girls, and they will have to save the world from the nefarious machinations of the alien mind benders! Like Maniac Mansion, in Zak, you have a group of characters to control. The girls, take a while to join you, and there are less in playable peeps in Zak.

Your adventure begins in San Francisco, and will take you to Seattle, Europe, and the red planet itself! Zak plays much like other S.C.U.M.M. games. You collect items and use them to solve problems, and as we have come to expect from a Lucas Arts adventure, it is a laugh out loud funny game.

It is a longer and often more difficult game than Maniac Mansion. But well worth the time and effort.

The Graphics are solid for a C64 game. And good in general. The sprites are large and well detailed. And the backgrounds are colorful, and often full of goofy things. All of which add to the games charm.

Sound takes a backseat here. Yet what there is does the job well.

The Bad
There is no save feature here. Which means you have to play the game in one sitting. Unless you have the ROM on a C64 emulator…muhahahahaha!

Why has this great game been virtually forgotten?

The Bottom Line
If you have not played this game, you simply must try to. Hopefully Lucas Fan Games will do a remake like they did for Maniac Mansion.

The Good
1. Funny 2. Educational (sort of! - see below) 3. Non-violent 4. Great female characters 5. Suitable for slower players as well. My young kids have trouble with games like Monkey Island (because the sword fighting routines require a lot of reading) and Indiana Jones and the Last Crusade (because it requires skill in boxing) but this game can be taken as slow as you like. Only the egg on the plane and the blue crystal have any time limit, and these are not too difficult to master. 6. Incredibly efficient coding. The whole thing fits uncompressed on one low density floppy. 7. Versions for all major platforms (at the time) and almost any speed of machine. Good use of the inbuilt sound card.

The Bad
1. A couple of the puzzles are hard for non-Americans (e.g. the waste disposal unit and mailbox are not familiar items in Britain), but this is probably true for any game. 2. The codes and all the travelling can be a little tedious (but not much) - like any adventure game, much of your time is spent travelling back and forth to try different ideas. 3. If you have an old game and have lost the printed codes, you cannot travel to most of the destinations.

The Bottom Line
Fun, hard to get killed, and easy to like.

The Good
The story was hilarious. This game will make you laugh -- guaranteed.

The adventure part is well done, too. It is somewhat like a RPG, in the sense that it is a bit non-linear and that there are multiple solutions or workarounds to puzzles (i.e. you can either pay your phone bill or use the computer to fix it).

The Bad
If you're not careful, you can get yourself into an unwinable state. And you'd never know, because you can keep on playing forever. So save your game!

The Bottom Line
Under-rated and almost totally forgotten, but I guarantee you'll like it.