John Romero's Daikatana

The Good
One surprising thing about Daikatana is that it genuinely should have been really, really good. Just look at its premise: an immersive first-person action game centered around time travel where every chapter has a unique feel and playstyle to it. It's unique, visionary, unprecedented, and at the same time absolutely doable with technology available at the time.

And that overall concept is still the game's biggest strength. The varied locations, distinct aesthetics, and differently paced levels all add to Daikatana's feeling of freshness. It doesn't really matter how flimsy and clichéd its excuse of a story is with a general premise this good.

Another thing Daikatana gets mostly right that's really important for an action game is the combat. Thanks to the varied time periods and aesthetics, each chapter has a separate and distinct arsenal, not restrained by the somewhat basic futurism of Quake II or the realism of Half-Life. Not every weapon is all that useful or satisfying to use, but the variety is enough to allow for freedom when it comes to playstyle and adapting to the game's challenges. Another interesting addition is the titular daikatana, a melee weapon that gets stronger with every enemy you kill with it, as opposed to being bound to the XP system like the other weapons.

The Bad
With so many good things about Daikatana, why is it not a good game overall? One reason is the level design. While not more convoluted than that of Doom or Quake (let alone some maps in Unreal), it definitely feels far less intuitive and at some points simply annoying. On top of that, chapters 1 and 4 really like to put enemies with hitscan weapons or very fast projectiles in places where they will see you immediately as you enter a room, often not allowing any time to properly dodge. Combined with an abundance of segments where you actually have to take (mostly fall) damage to progress, Daikatana feels a bit like a throwback to the NES era of artificial difficulty. Except here it's used simply to spite the player and not to pad the game's length despite technical limitations.

But Daikatana's biggest sin lies somewhere else - the infamous AI ally system. During large portions of the game you'll have 1 or 2 NPCs following you, with them being by your side necessary to move on to the next part of a level. A combination of friendly fire, awkward hitboxes, and most of all absolutely abysmal pathfinding makes the allies a waking nightmare that will impede your progress on numerous occasions in the most frustrating ways possible.

Despite Daikatana's notoriously long development cycle, you can tell the quality assurance portion of it was rushed. The game is mostly a finished product and definitely playable, but it does have its fair share of minor hiccups and annoyances surrounding hitboxes and collisions.

The Bottom Line
In short, Daikatana is a both unique and highly frustrating experience that doesn't quite live down to its terrible reputation, but is even farther from living up to the promise of its premise. 4/10