Wizardry: Proving Grounds of the Mad Overlord

The Good
This is the first computer role playing game I ever purchased. Actually, one of the main reasons I pestered my parents into buying me an Apple II was so I could play this game. It cost me $50 in 1983, which is over $90 today. The disk drives that came with my second-hand Apple weren't up to reading the sensitive Wizardry disks, so I had to get them repaired first.

But all the headache was worth it. I was a big D&D fan, but living up in the sticks, I rarely had anyone nearby to play with. This game was a great solution to this problem. Not only was I amazed by the flashy opening animation, I was enthralled by the gameplay. While the graphics were crude and splotchy by today's standards, they amazed me in 1983! There was a graphic representation of the actual monster I was fighting! Right there in front of me! Of course it was static--it wasn't animated--but I didn't have to remember what it looked like. There it was! I was fighting an orc! A skeleton! A slime! Woo-hoo!

And for the first time, I could actually see the dungeon from the point of view of my characters! The dungeons were rendered as crude line drawings, but in the 1980s, that was state of the art! Not even the staircases were rendered, but that didn't matter. There were the walls in blotchy Apple II "white." How could it get any better?

Though it wasn't strictly D&D, it was close enough for my tastes. Though it was just one dungeon, it was enough to satisfy my desire to role-play.

Wizardry allowed to user to carefully orchestrate his party's attack, just like all early paper role-playing games. And the party could consist of several adventurers of different classes (mages, fighters, clerics, etc.). Where in D&D I had to role all my own dice, the computer now took care of it for me, showing me my virtual "roll" versus the enemy's. While sometimes I groaned over the result, I couldn't argue that it wasn't fair. After all, it displayed my result, right there in front of me.

While I never finished this game, it gave me endless pleasure in role-playing alone or impressing envious friends.

While it was far outdone by later games (notably The Bard's Tale), Wizardry launched the genre and remains one of the most important computer role-playing games in the history of video gaming.

The Bad
Wizardry, like many early home computer games, was pretty unforgiving to the user. The player could only have one active game, and there was no way to prevent your party from getting killed when outmatched in a fight, or to back up and retry a battle. Once your party got killed, they really got killed! And the game was pretty merciless about saving the data to disk. If you pulled out the disk so it couldn't save the information that your party got killed (as I did on many occasions), there was a good chance that your copy of the game would become corrupted. Even though they warned not to remove the disk, I and many other players did, so as not to lose scores of hours of adventuring. The only way to recover the disk was to mail it back to Sir-Tech for repairs.

The Bottom Line
A great landmark computer RPG. Outdone by successors, but unmatched when it came out. Worth a look for any video game aficionado.

The Good
Nobody doubts the tremendous and widespread influence of Wizardry. Unlike Dragon Warrior, it has a legitimate claim to being the first CRPG. Every time you play a modern first-person RPG like Morrowind or Oblivion, you’re playing a spiritual descendant of Wizardry. Maybe that’s enough to earn Wizardry its place in the Gaming Hall of Fame.

The NES conversion looks much better than the original Apple version of the game, replacing wireframe graphics with colored sprites and textures. The soundtrack loops incessantly, but it’s not too bad as these things go.

The Bad
Playing Wizardry now, it’s hard to believe that anyone was ever impressed with it. I suppose some folks really wanted to play D&D solo, and Wizardry (sort of) delivered. Otherwise, I can only chalk Wizardry’s popularity up to fascination with early home computers. After all, even programming a simple routine in BASIC was exciting back in 1981!

The production values are low by any standard. The NES port improves on the graphics of the original considerably, but it’s still light years behind console contemporaries Dragon Warrior, Final Fantasy, and Phantasy Star in the chrome department.

The user interface is cumbersome even for an NES port. It’s all text menus, which means it takes a long time to do anything, since you have to scroll through a bunch of lists first. After Final Fantasy let us “plug in” equipment into inventory slots, there’s just no good reason why we should need to go back to this tedious stuff. (It’s best not to even mention the spell system, which is downright inscrutable.)

Speaking of tedious…if you think Dragon Warrior is difficult, then don’t even think about playing Wizardry. This is the most sadistic game I have EVER played. Everything in this game kills you. I spent most of my time in Wizardry being trapped, lost, in the dark, poisoned, paralyzed, or just plain dead. Most of the gold you earn in the early going is spent resurrecting dead characters or equipping new replacement characters. This means you have little money left over for upgrading equipment, which means it’s hard to die with less frequency, which means you keep dying. It’s a bizarre mobius-strip approach to game design.

It wouldn’t be so bad if there was some kind of substance beneath all the layers of unfairness and frustration. Personally, I don’t see it. You’re a party of adventurers going down into a dungeon to explore and fight monsters, period. There is no story, no characters, and for all practical purposes, no locations. It’s just one big multi-story “dungeon,” which is nothing but a giant maze of passageways that all look alike. The only source of entertainment besides fighting is hand-mapping the maze on graph paper. But after the blessed invention of the automap, who in their right mind wants to go back to that kind of “fun”?

Wizardry is to CRPGs what the Velvet Underground is to rock music—everybody in the business claims to have been influenced by it, but nobody pays much attention to it anymore. That‘s probably because every RPG since 1985 surpasses it, in every way that matters. A great historical artifact, to be sure, but not much of a game.

The Bottom Line
Worth playing, but only for educational purposes. Feel free to give it a try for history’s sake—just be sure to wear your rose-tinted glasses.

The Good
Wizardry on the NES was released after Dragon Quest/Warrior, which borrowed many ideas. Dragon Quest set expectations for console RPGs that Wizardry, as it was released on the Apple II, would not meet.

Many changes made to the NES version are improvements. Enemies are much more detail and the walls are solid (as opposed to a wireframe). There's even music, and it's actually a little catchy.

The battle system has been streamlined for the NES's controller. Menus are now selected using an arrow cursor and spells are listed (as opposed to having to type them out to cast them).

The Bad
The NES version, however, introduced a number of bugs. The most significant is that AC,apparently, does nothing. This makes the game a lot more difficult, though that difficulty is offset by the easy of hitting the reset button on the console and abusing Wizardry's autosave feature.

The NES version also removed many puzzles that were present in computer versions. This was because they usually required text entry, though replacements for these would have been a welcome change to dungeon crawling.

One problem that Wizardry has in general is accessibility with its spells. To new users, the seemingly jibberish names for spells mean nothing. Without a manual, there is no way to know that dios heals wounds and malor can kill you instantly if you don't enter coordinates correctly. This sort of trial and error is very unfair, especially for the more dangerous spells like haman and malor that can has permanent consequences.

The Bottom Line
Wizardry is a simple game, with a simple goal--get to the bottom of the dungeon. The key to success isn't your ability to grind and gain levels--it's your ability and patience to map each floor in detail.

Mapping is something that may put off many users, but it is the key to what makes Wizardry the adventure that it is. The constant fear of getting lost, the dread of walking through a door and having it vanish behind you--the act of mapping is what connects the player to the adventure. As the party transverses the blackness of the dungeon, the constant unknown created by mapping engages the player in a unique dimension.

The is really what still makes Wizardry unique and worthwhile today. It isn't just one of the first RPGs, it's still an experience that many games that followed could not reproduce.

The Good
'Wizardry: Proving Grounds of the Mad Overlord' is an RPG game with simple graphics, simple sounds, and a wonderful atmosphere that has stood the test of time and remains an icon in RPG history.

The story behind this first installment is rather simple. It involves a party of adventurers venturing deep into a dungeon to destroy the evil wizard Werdna. The classic good vs. evil big bad guy is enough to get the game going. Getting there is half (if not all) of the fun, and the game is such a delight to play that I'll even go so far as saying that plot means little here. While most great RPG's are founded upon complex and involving storylines, Wizardry delivers a solid game playing experience without the benefit of a fancy story. A truely rare accomplishment, the game is that good.

The player basically begins by creating a party of adventurers to explore the 10 level maze adjacent to the 'town' where party building and maintenance takes place. This 'town' has no graphical interface, rather it is nothing but a text menu where the player is to select upon the establishment that he/she wishes to enter which brings upon another menu for options related to the establishment's services. While a text menu for in-town operations may seem archaic for some, it's good to know that the entirety of the excitement, adventure, and play time involve being in the maze. I prefer the text interface in town because your party only ventures there when they need to rest, buy and sell, or have various other services done. The text interface allows for these operations to be conducted in a very quick and efficient manner, allowing for the speedy return of your party back into what is the meat and potatoes of the game; the maze.

In town there are no quests to take upon, no people to talk to, and no real obligation to fulfill. Going to the surface is only for the purpose of resupply and maintenance of your party. As stated before, the game is focused on that one maze.

And yes, there is only one dungeon. This is part of what makes this game great. Many modern RPG's have multitudes of dungeons or places to explore, so how can one be excited about ONE place to go adventuring?

The answer is quite simple really; the dungeon is extremely complex, and takes quite some time to become familiar with. Once the player is familiar with the dungeon, he/she comes to know the area, and a level of focus begins to emerge. You are at war with this dungeon. It is a living, breathing thing and it's you vs. it. Because there is a lack of other dungeons, towns, or otherwise, Wizardry begins to show that it is a heads-up game, a 1v1 if you will. The maze is one big puzzle, and you must focus all of your energy on just this one place in hopes of coming out ahead. Only playing this game can really give the player this sense of understanding.

There are a variety of character classes and races to choose from, and to make things even better there really is no 'wrong way' to make a party. Players that take all kinds of approaches to party building can have success here. While some educated mixing and matching of classes would produce more powerful parties than going in blindly, just about any type of party you want to build has a chance at success. This freedom bestows a sense of power and control upon the player.

Classes range from Mages, Clerics, and Fighters, to Ninjas, Samurai, Thieves, and so forth. Creating a character involves selecting the race of a character (each races has particular base advantages and disadvantages for each statistic) and then the computer will give you some bonus points to spend on upgrading your new character's attributes. This number is random and can range from 5 to 19. In other words, you may have 5 points to spend upgrading your character's stats, or you may have 19. It is completely random and if you don't get the bonus points you desire, you can remove the character and create another until you are satisfied.

Character class is determined by where you put your bonus points. For example if you add enough points to strength, your character can become a fighter. Add enough points to piety, and your character has the option to become a cleric. Choosing the appropriate race for the type of character you wish to create is helpful as well, as a specific race may have a higher base statistic for the class you wish to create, requiring the player to spend less bonus points in order to select the desired class, and allowing for the remaining bonus points to be put into other statistics.

Once you have created your party, gone to the trading post and have purchased and equipped your wares, it's time to head off to the maze.

Let the excitement begin! A nice touch to the level design here is that once you enter the maze, you have a choice between two tunnels to begin walking through. The maze does have a first person interface, and on the NES the graphics are amazing when compared to the Apple II or C64 versions.

Walking around the maze, monsters cannot be seen until you are faced with the encounter. A message will pop up saying, 'An Encounter!' and at this point you are taken to a combat screen.

Combat is turn based and the player selects the appropriate course of action for each person in the party. Fighting, spell casting, using items, fleeing, parrying are all of the options (clerics get dispel undead as an option). It's important to be able to play each different class in your party to their best abilities. While there is no 'group attack' type thing as in the Final Fantasy games, the combat still takes teamwork and is best executed when there are participating classes that compliment one another's play styles.

Once monsters are dead experience and loot are rewarded. Most loot is delivered in a treasure chest that is usually trapped and requires a thief or ninja to disarm it. Most items are unidentified and require identification in town (usually). Some are cursed and equipping them may harm your character in some way. Once a cursed item is equipped, it is difficult to remove.

When enough experience is gained to level your characters up, you must return to town and rest at the Adventurer's Inn in order to complete the level up.

The maze is packed full of variety. While the maze starts out simple enough, very soon you'll find elevators, trapped rooms, rotating rooms, locked doors, secret doors, the works. It takes a fine balance of determination but also logistical practice to effectively explore the maze. Getting back to town should you be in a crisis is not simple if you're 6 levels down and are lost after being teleported by a trap or something of this nature. Instant travel back to town is a rarity, and the majority of the time going back to town requires walking back, fighting monsters the entire way. This aspect of the game adds a great level of excitement, because as you explore deeper, you get a sense of danger in that you are not likely to be able to instantly go back to town. Knowing when to turn back is key to survival. Waiting till members of your party are poisoned or dead is usually too late.

Wizardry is a very challenging adventure. There really is no save slot, and the game will tend to remember dead party members and such. If you have failure at a certain juncture, it's not as easy as reloading a save file and trying again. If your party wipes, it might be necessary to create new characters to go into the maze to retrieve bodies. The longer you wait, the less likely you are to find them and the bigger the possibility that items or money is missing on your poor adventurers.

I had even tried a quick reset on the NES when I died in order to avoid this problem. When I started the game up again, it remembered that my party is wiped out. This inability to really cheat forces the player to play the game on the designer's terms, which in turn makes the player carefully consider all of their actions. Good stuff.

I would like to discuss the maze more at length as there is so many great innovations to level design, but for fear of creating too many spoilers, it will be up to you to discover these nice touches to a mysterious and exciting dungeon crawler.

The Bad
There wasn't much I disliked about wizardry. I will say however that the biggest annoyance was that all of the spells are in a made up language, resembling some sort of gibberish. For example, a spell that induces sleep is called 'Katino'. The 'Calfo' spell is used inspect treasure chests, and 'Lomilwa' is a light spell that also shows hidden doors. Either documentation of spell effects or trial and error is the only way to learn what these spells do.

WARNING TO NES USERS: The wizardry game pak for the NES saves games by operating on a battery installed within the game pak. These batteries typically last between 3 and 5 years, and being that this game was published for the NES in 1987 (19 years ago at the time of this review), there are no game paks in existence that are capable of saving your game. Emulation with saved states is an option for the tech-savvy that is serious about this game.

The Bottom Line
Wizardry: Proving Grounds of the Mad Overlord is a fantastic game, and the series has succeeded all the way to an eighth installment. Give it a chance and you'll be hooked. While technology has produced games that eventually came to outgrow the simplicity of Wizardry, I have to admit that for its time this game was truly remarkable. One of my all time favorites. Now fight, fight, fight, parry, parry, parry!

For more detailed information on Wizardry, visit http://www.lava.net/~jh/wizardry/wizardry.html

This site has EVERYTHING you could possibly want to know, including maps. Be careful if you like surprises though, there are many spoilers at that site.

The Good
It was the first computer game that I ever saw that attempted to graphically render the D&D game. There may have been others out there that I was unaware of, but for me, it was ground-breaking.

Where to start? Character creation like D&D. Random numbers for wisdom, strength, dexterity, constitution, intelligence. Pick a class, pick evil good or neutral. Buy armor for the front three guys and go down in the dungeon to kill monsters and gather treasure!

It doesn't get any better than that! (well it does, but it didn't in 1985). So over the course of weeks or months you built your characters up (and sometimes they would change from good to evil - forcing you to start over with a new priest or mage). But eventually you would get to the final showdown with Werdna! ...and he would kill everyone in the party. After several tries though, you could kill him. And that was the coolest thing in the world!

The Bad
Characters changed alignment occasionally when they leveled up, and sometimes you would have to start a new character up in the needed alignment to match the rest of the party.

Another thing I disliked was having to type out the exact text of the spell I needed my mage or priest to cast. In excitement or in the wee hours of the morning, I occasionally misspelled a word, so no spell was cast. A bummer when one of the other characters desperately needed healed, or I needed to cast a massive damaging spell.

The Bottom Line
D&D without the dice or graph paper.