Immortality
Moby ID: 190202
[ Android add ] [ iPad add ] [ iPhone add ] [ Macintosh add ] [ PlayStation 5 add ] [ Windows ] [ Windows Apps add ] [ Xbox Cloud Gaming add ] [ Xbox Series add ]
Windows credits (2022)
509 people (494 professional roles, 15 thanks) with 823 credits.
Immortality |
|
|---|---|
| Directed by | Sam Barlow |
| Written by | Sam Barlow, Amelia Gray, Allan Scott, Barry Gifford |
| Produced by | Natalie Watson, Shyam Sundar Sengupta, Nicolaas Bertelsen, Manon Gage |
| Music by | Nainita Desai |
| - | Manon Gage, Hans Christopher, Charlotte Mohlin |
Half Mermaid Interactive Development |
|
| Director | Sam Barlow |
| Producers | Natalie Watson, Jeff Petriello |
| Lead Programmer | Connor Carson |
| Additional Programming | Lizi Attwood (Furious Bee), Dylan Nelkin |
| Audio Director | Priscilla Snow |
| Legal | Wayne Kazan (Weintraub Tobin) |
Console Development: Skymap Games |
|
| CEO | Neal Laurenza |
| CTO | David Carrigg |
| Engineering Manager | Joshua Lafrance |
| Engineers | Nicole Iovanna, Preston Peek, Robert Smith |
| Quality Assurance Director | Holly Blooflat |
| Quality Assurance | Evan Shuey |
Mobile Development: Laundy Bear Games |
|
| Technical Director | Andrew Carvalho |
| Junior Programmer | Kat Sebele |
| Operations Manager | Jayme Last |
1. Ambrosio (1968) |
|
| Written by | Sam Barlow |
| Adapted from 'The Monk' by | M.G. Lewis |
| Produced by | Natalie Watson, Shyam Sundar Sengupta, Nicolaas Bertelsen |
1. Ambrosio (1968): Cast |
|
| Marissa Marcel | Manon Gage |
| John Durick | Hans Christopher |
| The One | Charlotte Mohlin |
| Robert Jones | Miles Szanto |
| Arthur Fischer | John Earl Robinson |
| Sofia Morgana | Jascha Slesers |
| The Other | Timothy Lee Depriest |
| Assistant Director | Chris Riggi |
| 2nd Assistant Camera | Cesar D'La Torre |
| Father Pablos | Gabriel Romero |
| Diana Wills | Katarina Mohracova |
| Jane | Brooke Anne Smith |
| Satan | Kyler Pettis |
| Penelope | Abigail Lea |
| Prioress | Nan McNamara |
| Costume Designer | Sherry Mattson |
| Makeup Artist | Andrea Munoz |
| Gino De Giorgio | Guiseppe Losavio |
| Cavalier 1 | Harold Nieves Fisch |
| Cavalier 2 | Eli Hernandez |
| Utu | Dwarka Pazavelil |
| Grand Inquisitor | Richard Cansino |
| Kevin | Julian Goza |
| Documentary Director | Steve Fortune |
| Documentary Assistant | Calvin Peters |
| Casting Assistant | Christina Gentry |
| Rich Lady | Ruby Mercado |
| Commercial Announcer | Sam Mowry |
| Commercial Singer | Kira Alvarez |
| German Soldier | Antony Sauvé |
1. Ambrosio (1968) [2] |
|
| Director of Photography | Douglas Potts |
| Color & Film Looks | Anna Barsukova |
| Production Designer | Stephanie Reese |
| Editor | Dan Packer |
| Co-Producers | Miles Alva, John Kellogg |
| Co-Executive Producer | Gerry Pass |
| Associate Producers | Matthew Michienzie, Auggie Mares |
| Costume Designer | Kerry Hennessy |
| Music by | Nainita Desai |
| Casting Directors | Beth Bowling, Freya R. Karasnow, Kim Miscia, Marlene Katz |
| First Assistant Director | Avery Daman |
| Second Assistant Director | Ryan Bremond |
| Background Talent | Antonio Chavez, Lauren Dorfman, Reut Fish, Alessandro Garcia, Daisy Garcia, Jose Herrera, Sydney Kramer, Francisco Rodrigure Lechuga, Shannon Mcgann, Jillian Morgese, Finn Henry Snyder, David Stanbra, Marco Tazioli |
| Choreographer | Natsuki Miya |
| Stunt Coordinator | Karim Phelps |
| Art Directors | John Real, Phil Vicars |
| Lead Scenic | Anastasia Sergeeva |
| Leadman | Bilal Muhammad |
| First Assistant Camera | Seda Kisacik |
| Second Assistant Camera | Amber Lane |
| Digital Imaging Technicians | Tom Plumley, Michael Mcclure |
| Script Supervisor | Natalie Watson |
| Sound Mixer | Dennis Schweitzer |
| Boom Operators | Ian Clark Daugherty, Kristina Trendelcamp |
| Gaffer | Monty Sloan |
| Best Boys | Victoria Chen, Jordan Fliehler, Michael Tellup, Connor Vickers |
| Key Grip | Jordan Fliehler, Christopher Purdy |
| Grip | Zhongchao Lin, David Zhang |
| Special FX Operator | Jared Donald Carlson |
| Special FX Technician | Jeremy Deibo |
| Property Master | Brian Murnane |
| Set Dressers | Daniela Solorzano, Phil Vicars |
| Key Costumer | Sonja Mira Desai |
| Costumer Production Assistant | Kait Matlock |
| Makeup Department Head | Allie Shehorn |
| Makeup Artists | Jessica Gordon, Tetiana Kazak, Roxanne Mcdanel |
| Makeup Artist Assistants | Maurie Davidson, Christopher Miles |
| Hair Department Head | Phillip Saunders |
| Animals provided by | Paws For Effect |
| Animal Wrangler | Jules Sylvester |
| Post Production Supervisor | Robin G. Phillips |
| 2nd 2nd Assistant Directors | Josephine Lewis, Jennifer Schofield |
| Intimacy Coordinator | Jean Franzblau |
| Production Accountants | Cynthia Turkington, Bob Weber |
| Production Legal | Richard P. Brull |
| Key Production Assistant | Martin Griego |
| Production Assistants | William Holby, John Wagner |
| Office Production Assistants | Mallory Markham, Robert Pasinger |
| Sound Designers & Re-Recording Mixers | Kevin Senzaki, Diana Cha |
| Drivers | Mick Thompson |
| Medics & CCOs | Jon Schlegal, Cody Vlach, Paulette Rodriguez |
| Covid-19 Testing Nurses | Bianca Lopez, Yolanda Mccree, Lexy Rogers, Shakeela Swaby |
| Covid-19 Testing Production Lead | Lexus Rogers |
| On-Site Laboratory Reprentative | Charlie Phoenix |
| Covid-19 Testing Company | Project Indie Hope |
| Craft Service | Cassie Welcker, Zee Howell, Ashley Langley |
| Catering by | Carlos Martinez, Michael Martinez, Full Moon Pickles |
| Visual Effects Supervisor | Robin G. Phillips |
| Matte Painting Artist | James Lillich |
1. Ambrosio (1968): Visual Effects by Hyphenate |
|
| Principal Visual Effects Director | Travis Button |
| Visual Effects Coordinator | Gabrielle Garcia |
| Compositing Supervisor | Travis Button |
| Compositing Lead | Scott Crawford |
| Matte Painting Artist | Pete Pace |
| Digital Artists | Carlos Diego, Brian Morse |
1. Ambrosio (1968): Roto & Paint by Dgcraft |
|
| Head of Visual Effects | Arnab Pattnaik |
| Production Coordinator | Karisma Pattnaik |
| Paint Leads | Rajeev, Mukesh, Soumya, Saroj Sahoo |
| Digital Artists | Debasish Mishra, Nrupen Panda, Ashim Amitav Das, Shaktikanta Nayak, Ayeshkant, Bikash, Satrupa Mahapatra, Sai Chaitanya, Sreenivas Amancha, Satya Pal |
1. Ambrosio (1968): 2D Object Tracking by VFX Pick |
|
| Head of Production | Charles Jeyakumar |
| Head of Visual Effects | Pinto Sasikumar |
| Line Producer | Praveen |
| Sr. Production Coordinators | Amul Raj, Yuvasree |
| Show Coordinator | Shalini |
| Roto Supervisor | Mohan Babu |
| Roto Leads | Ragesh Babu, Murthy |
| Digital Artists | Murugasamy, Vimalraj, Vimal, Venkat, Elakkiya, Krishna Kumar, Udhaya Kumar, Murugasamy, Jagadish |
| IT Lead | Manikandan |
| Admin Lead | Leo Prabhakar |
1. Ambrosio (1968) [3] |
|
| Music Supervisor | Ben Sinclair |
1. Ambrosio (1968): Songs |
|
| Harp Music Performed by | Carol Halligan |
| 'Ginny Dances Like Jenny' | Aaron Drake (Writer / Performer), Provided courtesy of Sound in Space |
| 'Tutti Vampiri' | Aaron Drake (Writer / Performer), Provided courtesy of Sound in Space |
1. Ambrosio (1968) [4] |
|
| Special Thanks | Preston Hearn, Well Health Works LLC, Healthtrackrx |
| Lenses supplied by | Old Fast Glass |
| Lighting & Grip Equipment supplied by | Wooden Nickel Grip & Lighting |
| Production Vehicles & Transportation | Galpin Studio Rentals |
| Ambrosio | © 2022 Lecram Assiram LLC, Drowning a Mermaid Productions Inc., All rights reserved |
| Disclaimer | This is a work of fiction, Names, characters, places and incidents either are products of the author's imagination or are used fictitiously, Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental |
2. Minsky (1972) |
|
| Written by | Sam Barlow, Allan Scott |
| Produced by | Natalie Watson, Shyam Sundar Sengupta, Nicolaas Bertelsen |
2. Minsky (1972): Cast |
|
| Marissa Marcel | Manon Gage |
| John Durick | Hans Christopher |
| The One | Charlotte Mohlin |
| Carl Goodman | Ty Molbak |
| The Other | Timothy Lee Depriest |
| Walker | Daniel V. Graulau |
| Ruby | Kahyun Kim |
| Douglas Simons | Christopher Sweeney |
| Debbie | Bobbie Breckenridge |
| Susie | Dani Kay |
| Eddie | Eric Evans |
| Natassia | Natasha Blasick |
| Assistant Director | Shakei Brown |
| Second Assistant Camera | Chaize Macklin |
| Jimmy | Jeff Witzke |
| Makeup Artist | Marcha Kia |
| Costume Designer | Savannah Williams |
| Prop Assistant | Thaila Soto |
| Luce Perkins | Daniella Larracuenta |
| Saloum | Patrick Caberty |
| Stateira | Sara Emami |
| Pathologist | Gabriel Romero |
| Lieutenant | Pancho Demmings |
| Duty Officer | Lon Gowan |
| Andy Warhol | Jeff Grace |
| Beat Cop | Brian Norris |
| Artist | Justin Sorvillo |
| New Waitress | Beatrice Hernandez |
| Camera Operator | Charlie Magdaleno |
| Documentary Director | Travis Quentin Young |
| Diner Owner | Johnny Giacalone |
| Diner Customer | Roel Navarro |
2. Minsky (1972) [2] |
|
| Director of Photography | Douglas Potts |
| Color & Film Looks | Anna Barsukova |
| Production Designer | Stephanie Reese |
| Editor | Dan Packer |
| Co-Producers | Miles Alva, John Kellogg |
| Co-Executive Producer | Gerry Pass |
| Production Managers | Alex Peace-Power, Anthony James Faure |
| Associate Producers | Matthew Michienzie, Auggie Mares |
| Costume Designer | Kerry Hennessy |
| Music by | Nainita Desai |
| Casting Directors | Beth Bowling, Freya R. Karasnow, Kim Miscia, Marlene Katz |
| First Assistant Director | Avery Daman |
| Second Assistant Director | Ryan Bremond |
| Background Talent | Jose Javiar Gomez Aranda, Scott Backman, Mantha Balourdou, Jason C, Lindsey Caldwell, Isaac Cotton, Ina Dahilig, Jesse De La O, Vance Duplechin, Richard Follin, Lola Valentina Gutierrez, Alex Honorado, Caleb Jelinek, Cheska Kim, Matthew Labay, Andrew Lemus, John Paul Medrano, Mario Mendoza, Zach Morris, Charmaine Pearce, Rick Ramirez, Ryan R. Rathbun, Liubou Rodzina, Blythe Scott, Jesus Vizvaino, Jillean Cooper-Watson, Trenton Wayne, Clay Wilde, Jordan Wolf |
| Stunt Coordinator | Karim Phelps |
| Art Director | John Real |
| Lead Scenic | Anastasia Sergeeva |
| Leadman | Bilal Muhammad |
| First Assistant Camera | Seda Kisacik, Alex Knapp |
| Second Assistant Camera | Amber Lane, Allan Recinos |
| Digital Imaging Technician | Tom Plumley, Michael Mcclure |
| Script Supervisor | Natalie Watson |
| Sound Mixers | Dennis Schweitzer, Heather Monetti |
| Boom Operators | Victoria Carrillo, Ian Clark Dougherty |
| Gaffer | Monty Sloan |
| Best Boy | Victoria Chen, Jordan Fliehler, Michael Tellup |
| Key Grip | Jordan Fliehler, Christopher Purdy |
| Grip | David Zhang, Zhongchao Lin, Christina Guzman, Connor Vickers |
| Location Manager | Joey Peters |
| Assistant Location Manager | Aaron Wimmer |
| Property Master | Brian Murnane |
| Set Dressers | Tyler Cushing, Daniela Solorzano |
| Key Costumers | Sonja Mira Desai, Nadege Pierre |
| Costumer Production Assistant | Kait Matlock, Stephane Rosas |
| Makeup Department Head | Allie Shehorn |
| Makeup Artists | Jessica Gordon, Tetiana Kazak, Noel Jacoboni, Roxanne Mcdanel |
| Makeup Artist Assistants | Maurie Davidson, Christopher Miles, Sarah Huggins |
| Hair Department Head | Phillip Saunders |
| Hairstylist | Amira Jannah |
| Post Production Supervisor | Robin G. Phillips |
| 2nd 2nd Assistant Director | Josephine Lewis |
| Intimacy Coordinator | Jean Franzblau |
| Production Accountant | Cynthia Turkington |
| Production Legal | Richard P. Brull |
| Key Production Assistant | Martin Griego |
| Production Assistants | Nancy Hale, William Holby, Eli Staub, John Wagner, Lisa Garcia, Yasser Souisri |
| Office Production Assistant | Mallory Markham |
| Sound Design & Re-Recording Mixers | Kevin Senzaki, Diana Cha |
| Picture Cars by | Veloce Picture Cars |
| Transporation Coordinator | Mick Thompson |
| Drivers | Billy Werle |
| Medics | Drew Jefferies, Jose Munoz, Becky Rossiteer Moon, Paulette Rodriguez |
| Lifeguard | Erica Sanchez |
| Covid-19 Testing Nurses | Bianca Lopez, Yolanda Mccree, Lexy Rogers, Shakeela Swaby |
| Covid-19 Testing Production Lead | Lexus Rogers |
| On-Site Laboratory Representative | Charlie Phoenix |
| Covid-19 Testing Company | Project Indie Hope |
| Craft Service | Cassie Welcker, Zee Howell |
| Castering by | Full Moon Pickles |
| Visual Effects Supervisor | Robin G. Phillips |
2. Minsky (1972): Visual Effects by Hyphenate |
|
| Principal Visual Effects Director | Travis Button |
| Visual Effects Coordinator | Gabrielle Garcia |
| Compositing Supervisor | Travis Button |
| Compositing Lead | Scott Crawford |
| Digital Artists | Carlos Diego, Brian Morse |
2. Minsky (1972): Roto & Paint by Dgcraft |
|
| Head of Visual Effects | Arnab Pattnaik |
| Production Coordinator | Karisma Pattnaik |
| Paint Leads | Rajeev, Mukesh, Soumya, Saroj Sahoo |
| Digital Artists | Debasish Mishra, Nrupen Panda, Ashim Amitav Das, Shaktikanta Nayak, Ayeshkant, Bikash, Satrupa Mahapatra, Sai Chaitanya, Sreenivas Amancha, Satya Pal |
2. Minsky (1972): 2D Object Tracking by VFX Pick |
|
| Head of Production | Charles Jeyakumar |
| Head of Visual Effects | Pinto Sasikumar |
| Line Producer | Praveen |
| Sr. Production Coordinators | Amul Raj, Yuvasree |
| Show Coordinator | Shalini |
| Roto Supervisor | Mohan Babu |
| Roto Leads | Ragesh Babu, Murthy |
| Digital Artists | Murugasamy, Vimalraj, Vimal, Venkat, Elakkiya, Krishna Kumar, Udhaya Kumar, Jagadish |
| IT Lead | Manikandan |
| Admin Lead | Leo Prabhakar |
2. Minsky (1972): [3] |
|
| Music Supervisor | Ben Sinclair |
2. Minsky (1972): Songs |
|
| 'Swing Low Cristobal' | Aaron Drake (Writer / Performer), Provided courtesy of Sound in Space |
| 'The Great Whale' | Aaron Drake (Writer / Performer), Provided courtesy of Sound in Space |
2. Minsky (1972): [4] |
|
| Special Thanks | Preston Hearn, Well Health Works LLC, Healthtrackrx |
| Lenses supplied by | Old Fast Glass |
| Lighting & Grip Equipment supplied by | The Fun Ton |
| Production Vehicles & Transportation | Galpin Studio Rentals |
| Minsky | © 2022 Lecram Assiram LLC, Drowning a Mermaid Productions Inc., All rights reserved |
| Disclaimer | This is a work of fiction, Names, characters, places and incidents either are products of the author's imagination or are used fictitiously, Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental |
3. Two of Everything (1999) |
|
| Written by | Sam Barlow, Amelia Gray, Barry Gifford |
| Produced by | Natalie Watson, Shyam Sundar Sengupta, Nicolaas Bertelsen |
3. Two of Everything (1999): Cast |
|
| Marissa Marcel | Manon Gage |
| John Durick | Hans Christopher |
| The One | Charlotte Mohlin |
| Amy Archer | Jocelin Donahue |
| Terry | Michael Otis |
| The Other | Timothy Lee Depriest |
| Naomi | Amanda Joy Erickson |
| Larry Godwin | Christian Barber |
| Assistant Director | Nicole Pasquale |
| Second Assistant Camera | Robert Santi |
| Marc | Chris Jones |
| Frank | Joshua D. Lewis |
| Jay Gilligan | David Storrs |
| Barry Gifford | Henry Barrial |
| Saloum | Patrick Caberty |
| Stateira | Sara Emami |
| Peter | Eugene Young |
| Little Girl Lucy | Emily Nicole Gonzalez |
| Young Fan | Jovei Leigh |
| Hessenberg Assistant | Chelsea Rose Cook |
| Hessenberg Bodyguard 1 | Gary Hancock |
| Hessenberg Bodyguard 2 | Robert Steven Brown |
| NYPD Detective | Quincy Demont Williams |
| Randy | Devin Reese |
| Newscaster | Natalie Woodard |
| Ancient Roman Noble | Josh Feinman |
| MVA Producer | Tony Moore |
| MVA Makeup Atist | Calis Shane Clark |
| MVA Production Assistant | Cami Storm |
| Choreographer | Shannon Foster |
| Art Assistant | Irene Luna |
| Neighbor | Jaxy Boyd |
| Camera Operator | Christian T. Chan |
3. Two of Everything (1999) [2] |
|
| Director of Photography | Douglas Potts |
| Color & Film Looks | Anna Barsukova |
| Production Designer | Stephanie Reese |
| Editor | Dan Packer |
| Co-Producers | Miles Alva, John Kellogg |
| Co-Executive Producer | Gerry Pass |
| Associate Producers | Matthew Michienzie, Auggie Mares |
| Costume Designer | Kerry Hennessy |
| Music by | Nainita Desai |
| Casting Directors | Beth Bowling, Freya R. Karasnow, Kim Miscia, Marlene Katz |
| First Assistant Director | Avery Daman |
| Second Assistant Director | Ryan Bremond |
| Background Talent | Maria Julia Marquez Ardaya, James Averett, Kate Duffy, Joshio Garcia, Amy Gardner, Nicole Gogu, Josie Hung, Katty Morla, Kathryn Hollis Peters, Andrew Pettke, Bennett Pollack-Reeber, Derick Gonzalez Robles, Gordana Simunovic |
| Choreographer | Natsuki Miya |
| Stunt Coordinator | Karim Phelps |
| Stunt Performers | Gary Hancock, Robert Steven Brown |
| Art Director | John Real |
| Lead Scenic | Anastasia Sergeeva |
| Leadman | Bilal Muhammad |
| Steadicam Operator | Michael Ross |
| First Assistant Camera | Seda Kisacik |
| Second Assistant Camera | Amber Lane, Allan Recinos |
| Digital Imaging Technicians | Tom Plumley, Shamsi Luna |
| Script Supervisor | Natalie Watson |
| Sound Mixers | Michael Holcomb, Dennis Schweitzer |
| Boom Operators | Garret Barnett, Ian Clark Daugherty |
| Gaffer | Monty Sloan |
| Best Boy | Victoria Chen, Jordan Fliehler, Michael Tellup |
| Key Grip | Jordan Fliehler, Christopher Purdy |
| Grip | Gordon Chan, Robert Chuck, Christina Guzman, Zhongchao Lin, Mike Tellup, Connor Vickers, David Zhang |
| Pyrotechnics | JD Street |
| Location manager | Joey Peters |
| Assistant Location Manager | Aaron Wimmer |
| Property Master | Brian Murnane |
| Set Dressers | Tyler Cushing, Daniela Solorzano, Phil Vicars |
| Key Costumer | Sonja Mira Desai |
| Costumer Production Assistant | Danielle Coccaro |
| Makeup Department Head | Allie Shehorn |
| Makeup Artists | Jessica Gordon, Tetiana Kazak, Roxanne Mcdanel |
| Makeup Artist Assistants | Maurie Davidson, Christopher Miles, Sarah Huggins |
| Hair Department Head | Phillip Saunders |
| Hairstylist | Rene Cortez |
| Animals provided by | Paws For Effect |
| Animal Wrangler | Jules Sylvester |
| American Humane Representative | Beth Langhorst |
| Post Production Supervisor | Robin G. Phillips |
| 2nd 2nd Assistant Director | Josephine Lewis |
| Intimacy Coordinator | Jean Franzblau |
| Production Accountant | Cynthia Turkington |
| Production Legal | Richard P. Brull |
| Key Production Assistant | Martin Griego |
| Production Assistants | Aaron Franklin, William Holby, Hautey Hasani Rodriguez, Eli Staub, John Wagner |
| Office Production Assistant | Mallory Markham |
| Sound Designers & Re-Recording Mixers | Kevin Senzaki, Diana Cha |
| Transportation Coordinator | Mick Thompson |
| Drivers | Billy Werle |
| Medics | Drew Jefferies, Felipe Juarez, Jose Munoz |
| Studio Teacher | Guy Flint |
| Lifeguard | Erica Sanchez |
| Covid-19 Testing Nurses | Yolanda Mccree, Lexy Rogers |
| Covid-19 Testing Production Lead | Lexus Rogers |
| On-Site Laboratory Representative | Charlie Phoenix |
| Covid-19 Testing Company | Project Indie Hope |
| Craft Service | Cassie Welcker, Zee Howell |
| Catering by | Full Moon Pickles |
| Visual Effects Supervisor | Robin G. Phillips |
3. Two of Everything (1999): Visual Effects by Hyphenate |
|
| Principal Visual Effects Director | Travis Button |
| Visual Effects Coordinator | Gabrielle Garcia |
| Compositing Supervisor | Travis Button |
| Compositing Lead | Scott Crawford |
| Digital Artists | Carlos Diego, Brian Morse |
3. Two of Everything (1999): Roto & Paint by Dgcraft |
|
| Head of Visual Effects | Arnab Pattnaik |
| Production Coordinator | Karisma Pattnaik |
| Paint Leads | Rajeev, Mukesh, Soumya, Saroj Sahoo |
| Digital Artists | Debasish Mishra, Nrupen Panda, Ashim Amitav Das, Shaktikanta Nayak, Ayeshkant, Bikash, Satrupa Mahapatra, Sai Chaitanya, Sreenivas Amancha, Satya Pal |
3. Two of Everything (1999): 2D Object Tracking by VFX Pick |
|
| Head of Production | Charles Jeyakumar |
| Head of Visual Effects | Pinto Sasikumar |
| Line Producer | Praveen |
| Sr. Production Coordinators | Amul Raj, Yuvasree |
| Show Coordinator | Shalini |
| Roto Supervisor | Mohan Babu |
| Roto Leads | Ragesh Babu, Murthy |
| Digital Artists | Murugasamy, Vimalraj, Vimal, Venkat, Elakkiya, Krishna Kumar, Udhaya Kumar, Jagadish |
| IT Lead | Manikandan |
| Admin Lead | Leo Prabhakar |
3. Two of Everything (1999) [3] |
|
| Music Supervisor | Ben Sinclair |
3. Two of Everything (1999): Songs |
|
| 'Candy Says (Live)' | Lou Reed (Performer / Composer), Anohni (Performer), Courtesy of Reprise Records, By arrangement with Warner Music Group Video Game Licensing, Used by permission of Sony Music Publishing [US] LLC, All rights reserved |
| 'The Four Seasons (Summer)' | Antonio Vivaldi (Composer), John Harrison (Performer), Performed with the Wichita State University Chamber Players, Used under Creative Commons License CC BY-SA 3.0, https://creativecommons.org/licenses/by-sa/3.0/ |
| 'Two of Everything' | Tori Beaumont (Performer), Sam Barlow (Lyrics), Natalie Watson (Lyrics), Nainita Desai (Writer / Composer), Tim Oliver (Arrangement) |
| 'Fly Inverted Past a Jenny' | Chris Zabriskie (By), https://chriszabriskie.com/, Used under Creative Commons License CC 4.0, https://creativecommons.org/licenses/by/4.0/ |
| 'Everybody's Got Problems That Aren't Mine' | Chris Zabriskie (By), https://chriszabriskie.com/, Used under Creative Commons License CC 4.0, https://creativecommons.org/licenses/by/4.0/ |
3. Two of Everything (1999) [4] |
|
| Special Thanks | Preston Hearn, Well Health Works LLC, Healthtrackrx |
| Lenses supplied by | Old Fast Glass |
| Lighting & Grip Equipment supplied by | The Fun Ton |
| Production Vehicles & Transportation | Galpin Studio Rentals |
| Two of Everything | © 2022 Lecram Assiram LLC, Drowning a Mermaid Productions Inc., All rights reserved |
| Disclaimer | This is a work of fiction, Names, characters, places and incidents either are products of the author's imagination or are used fictitiously, Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental |
Development Support: Localization - Lionbridge Technologies |
|
| Director of Content | Matthew Coburn |
| Localization Management | Karolina Krajewska, Christina Wendt, Michalis Czatyris, Ana Claudia Lima, Simona Pelli, Katarzyna Druszcz |
| Language Quality | Agnieszka Idzik, Krzysztof Kaszyński, Pedro Sancho Pires |
| Language Teams | Nina Tran, Lucas Plischke, Julien Chauvin, Rocío Vian, Carlos Montoya, Amanda Mancini, Alexis Jonatan Jelin, Daniela Rigon De Andrade, Cem Filiz, Zhi-Xuan Huang (Alex), Jan Niedziałkowski, Sho Yorimoto, Youtaek Park, Karena Schlamann, Gerhard Sommer, Martina Techen, Julien Turlan, Yoann Le Bleis, Maxime Place, Chloé Levêque, Alba Valle, María Da Saleta González Rodríguz, Marina Casana, Vincenzo Mocerino, Cecilia Gabriela Induraín, Ana Bethsaida Avila, Jimena Ysaia, Gregório Jung, Marina Val, Rafaela Caetano, Thiago Cianci, Evelyn Trippo, Anany Paripunnochai, Oytun Ortaylı, Que Tingen, Zhang Yanying, Tomasz Podolski, Joanna Kiełb, Klaudia Izdebska-Filipiak, Monika Stogowska, Chadarat Changtong, Chirot Kummode, Atita Peeratanarat, Kimitaka Ogawa, Chisato Yamaura, Ahmed Elessawy, Mohamed Abu-Dieh, Hany Adel, Jonas Högberg |
| Senior Test Director | Michał Błoński |
| Test Director Games LQA | Damian Domach |
| Test Manager | Helene Egense |
| LQA Test Lead | Sofiya Urina |
| LQA Testers | François Weryha, Elena Miotto, Jonas Scheuch, Javier Crespo Robles, Ruben Perez, Javier Loria, Tadeusz Leski, Maximilian Baranowski, Xiaoyang Ye, Kokoro Suzuki-Ozimek, Ji Won Jeon, Areena Boonkim, Melike Feyza Dogan, Oqla Alhareth |
Development Support: Quality Assurance - Sculpin |
|
| QA Manager | Kiefer Richardson |
| Development Manager | Max Knechtel |
| QA Supervisor | Matthew Mackey |
| QA Project Manager | Sid Matchim |
| QA Lead Testers | Jimmy Keefe, Lindsay Lynch, Jessie Duffy |
| QA Testers | Collins Davis, Sam MacDonald, Ryan Sparkes, Cameron Munn, Ryan Wagg, Randal Acorn, Chris Amos, David Ghiz, Samuel MacKenzie |
Development Support |
|
| After Effects Scripting | Aescripts + Aeplugins, Charles Bordenave |
| Our Friends at Xbox | Chris Charla, Derek Russell, Ed Stewart, Glenn Gregory, Sergio Fantin, Iain Macintyre |
Half Mermaid Special Thanks |
|
| Connor Thanks | Jon Whitney, Jack Schlesinger, Dylan Nelkin |
| Sam Thanks | Clare, Andre & Camille, Blake Rochkind, Oren Rosenbaum, Alex Cox, Jean Seberg |
| Natalie Thanks | Mom, Dad, Brendan & Taylor, Elisandra Salazar, Marie Watson, Austin Walker |
Other |
|
| - | American Humane monitored some of the animal action, No animals were harmed® in those scenes, AH 10972 |
| Created with Unity | Portions of this Program © 2005-2022 Unity Technologies |
| Uses Bink Video | Copyright © 1997-2022 by Epic Games Tools LLC |
| Made with FMOD Studio by | Firelight Technologies Pty Ltd. |
| 'Crowd Laugh' | Tomasz Wojciechowski (credited as Tom_Woysky), Used under CC BY 3.0, https://creativecommons.org/licenses/by/3.0/ |
| 'Applause 4' | Sander Looijenga (credited as Sandermotions), Used under CC BY 3.0, https://creativecommons.org/licenses/by/3.0/ |
| Fonts | Raleway, Oswald, Inter, Prompt, Liberation Sans, Noto Sans, Noto Sans Thai, Noto Sans Arabic, Noto Sans Korean, Noto Sans Japanese, Hind Siliguri, Tiro Devanangari Hindiand, Noto Sans Traditional Chinese, Under the SIL Open Font License - Version 1 |
| Soundtrack on | Lakeshore Records |
| -- | Project Indie Hope 2021, WGAW - Writers Guild of America West, SAG-AFTRA One Union |
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Collaborations
MobyPro Early Access
People credited on this game were also credited on:
- Shadow and Bone: Enter the Fold, a group of 23 people
- Laya's Horizon, a group of 22 people
- Valiant Hearts: Coming Home, a group of 14 people
- Telling L!es, a group of 12 people
- Project Winter, a group of 11 people
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Other Games
MobyPro Early Access
In addition to this game, these people were also credited on other games:
- Chris Charla on 190 other games
- Michał Błoński on 94 other games
- Glenn Gregory on 92 other games
- Damian Domach on 82 other games
- Matthew Coburn on 51 other games
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Credits contributed by Sciere.