Mass Effect

The Good
I liked Mass Effect. It’s great game packed with action, suspense, impressive visuals and quite a bundle of technological wonders, all of which I’ll try to praise to the best of my ability in the following paragraphs. The only problem I had with this game is that it failed to meet all the expectations I had for it. Or, to be more precise, the expectations I had in mind for a Bioware game.

There are plenty of things to be thrilled at in Mass Effect. Just like a previous Bioware game, Jade Empire, it is set in entirely new universe, which was created specifically for this game. And although the majority of components comprising the world of ME have been clichéd to death, the shear amount of detail and a careful attention to the actual “science” in “science fiction” is admirable. Very rarely we can enjoy a sci-fi game that actually tries to explain the inner workings of its wondrous technological future.

While not required in order to progress through the game, the in-built Codex containing the lore of ME world has clearly enjoyed a lot of effort on part of Bioware developers. Learning about the world, the customs of its inhabitants and the history of conflict between humanity and other races never get dull. And, although, this information will hardly ever come to an actual use (you don’t really have to know how the scanning equipment of your ship works) this enormous conglomerate of optional information helps to create an illusion of a huge world persisting outside your ship. The world, which is, unfortunately, not there.

However, you won’t notice that at first. Remarkable voice acting and brilliant cinematography of the game’s NPC interaction will make you believe in the characters before you and in things they say. Their actions, gestures, smiles and eye movements feel superbly natural and expressive. Even the species from other worlds have a set of facial gestures transforming the prosthetic mask into a living, breathing alien being. An effort which could’ve been undermined by amateur voice acting. Not this time, though.

Mass Effect contains some of the most brilliant video game acting ever captured on a DVD. Some notable Hollywood stars have been invited to lend their voices to generals, captains, aliens and dozens of other inhabitants of Mass Effect version of the galaxy. Specifically, I wouldn’t forgive myself if I let Jennifer Hale get away from this review without getting a special mention. Her confident and at the same time gentle acting has once again brought life and vigor to her on-monitor persona. This time it was Commander Martyne Shepard, the character I personally assumed control over. It was amazing how good her facial features (created by yours truly via game’s robust character creation utility) complimented on her voice and vice versa. In the end I have established a character, which I won’t be able to forget. What astounds me the most is that Shepard I know is totally different from what you could have come up with. This detail has provided another layer of an emotional connection to the character.

Other characters have also received additional personality treatment. Each character’s voice is characterized not only by its timbre, but by intonation, speed, simple but effective EQ effects and so on. Wry and cynic comments by Wrex, childlike awe by Tali, careful probing by Kaidan and confused arrogance by Liara. Every character is blooming with personality, thanks to ingenious acting performance.

But once they leave your ship they become little more than mindless squad members. Forget about the memorable exchanges between the characters of your party in Baldur’s Gate 2 and Knights Of The Old Republic. The occasional two lines of pointless dialog in a random elevator are all one can look forward to.

And given the game’s quality of tactical combat, I would have preferred to leave all my pals on Normandy altogether. The combat gameplay of Mass Effect bears little resemblance to either elegant brawl of the games based on Infinity engine or spectacular yet still thoughtful battles of Knights Of the Republic. But I have to admit, that gunwaving in ME is rather fun. Taking cover and shooting bastards into small pieces feels very tight, and with the additional support of biotic abilities it can provide an interesting field for experimentations. Your weapon proficiency matters a great deal, so take care while choosing your weapon, a low level in it might result in a quick and painful death. Anyway, the combat of ME is a good blend between Action and RPG with a complete failure in place of a tactical component.

The Bad
This is something I could’ve lived with; if not for other glaring flaws and mistakes Bioware had committed during the development of this game. The major flaw of ME is the lack of variety, scope and content. Everything in Mass Effect is small-sized, short and cut on expenses. Where have all the various worlds of Knights Of the Republic and Baldurs Gate 2 gone? There is only one (!) community area in Mass Effect, the Citadel. It’s impossible to believe, that this is the game made by the same people who created all those phenomenal locations from BG2: the drow city, the underwater fish city, the elven coven, various villages and huge Amn, the size of which alone equals nearly ten of ME citadels. There’s none of that in Mass Effect, there’s shortage on characters to meet, there’s a shortage on engaging side quests, there’s a shortage on dialog options, there’s a shortage on interaction with party members. The game is short of virtually everything which made past Bioware games so appealing.

But what Bioware offers us in exchange for memorable worlds and situations? Surely they must have provided something, since the game took me thirty hours to complete. Quite long for the modern age RPG actually.

They have, but I really wish they haven’t. I don’t know who had the idea, that all, yes, all the side quests (the majority of which rarely deviate from save/kill formula) must be completed in the same backgrounds, over and over again. At least all those barren planets I am asked to land on are reskinned every now and then, but the locations where the game’s side quests take place are totally indistinguishable, - bunker, warehouse, floating ship and an excavation site.

Only four three-room levels for every quest you may find in this game. It’s unbelievable. Should I remind that earlier games of this very company have featured hand-crafted environments for every room, closet and object, in a quantity that far surpass whatever Mass Effect may offer? Even Oblivion, which has been criticized for identical-looking dungeons have tried to change the layout of them, and certainly did not copied them over and over again like ME did.

The storyline planets are unique alright. As unique as you would expect four corridor shooting galleries to look. There are rarely more than two additional quests on these worlds, both of which can be completed in under five minutes and there is nothing memorable to them either.

Everything in Mass Effect has this taint of incompleteness, even the praised storyline. The characters arcs aren’t even complicated, let alone resolved. Despite having six party members, only three will actually give you quests, and all three will have no consequences on the character’s development. The main story leaves a lot to be desired too. Forget the violent plot twist of KOTOR, the personal agenda of BG2, or even the loyalty tale of Jade Empire. Saren isn’t cut to be a memorable villain and a mysterious cybernetic race threatening to wipe the whole galaxy is nothing original (I can trace it as far as Frederick Pohl, but I am no expert) either.

“But why are they doing it? Why are they destroying everything?” asks the dialog option, “Who cares? Do you want to die?” answers a superior being. So much for motivation.

Other artificial substitutions for real content which made their way into Mass Effect are: a ridiculous number of collecting mini-games to please Achievement obsessed X360 fans; funny little hacking mini-game, which is overused so many times, that it stops being funny at your first hour into the game; uncomfortable interface that makes party and item management much more painful than they have to be and general repetition in everything.

On this sad note I have only this left to say.

Let’s sum it up! ™

The Bottom Line
Talent: 4/5

Whatever Bioware does, it does it like no other can. That much is true, Mass Effect was created by a very skilled bunch of men and women. Even if they did it during the coffee break, the pure talent of those folks demands respect, which I am happy to provide.

Ambition: 3/5

The intention behind this game is a far cry from what we could read in the Baldur’s Gate 2 manual. Bioware didn’t care to deliver the ultimate role-playing experience this time around. However, their ambition was enough to make the most cinematic one.

Pteity (Pushing The Envelope - ity): 2/5

There’s really nothing new to admire in Mass Effect. The dialog system is the same we used for years, albeit a bit more fluid. But what’s point of the system if I have to endure characters repeating the same lines over and over again? If this is what people mean by “next-gen cRPG” then my generation is long gone.

Effort: 1/5

The minimal effort applied shows everywhere. Uninspired quests, lack of exploration options, a vast galaxy to investigate, yet nothing but barren rocks in it. No wonder Mass Effect is just a first game of the planned trilogy. Currently, it doesn’t have even the quarter of the content of previous Bioware titles (excluding Jade Empire, which shared the same disease).

Adequacy: 4/5

Despite couple of questionable aspects to the story, the game’s quite consistent in its presentation. The stylistic approach is maintained throughout the game at the expense of diversity. Why do every species clothe themselves in exactly the same colors and design? The characters feel extremely real though, no matter if they are blue-skinned female aliens with tentacles on their heads or a straightwalking bugs. Mostly thanks to the adequate voice acting.

Total: 2.6/5

As you can see, the problem lies not with the game’s length, but with the type and quality of content it presents. I hate to give Mass Effect such a low score, but truth of the matter is that a company of Bioware’s stature should be ashamed of releasing a game like this. With the amount of the talent the team possesses it’s unfortunate that they decided to keep things as small as possible this time around, relying more on copy/paste techniques rather than on original thinking.

Why? I believe the answer is quite simple. Why bother making a full fledged game with tons of opportunities, options and possibilities, if you can recreate only the fifth part of it and put the same price tag on the box?

That makes business sense. But Bioware should take notice, because new kids have already arrived, and in the world of competition, talent is nothing without hard work to support it. Beware Bioware, you’re walking an extremely thin line here; make sure you won’t fall the victim of your own laziness.

The Good
The story is pretty well-written, and to me, it seemed to be adequately wondrous and science-fiction-like enough. Even when the main plot is relatively simple and ordinary, it made me think about stuff and think about the characters - this is always a good sign. I also appreciate the fact that the game is definitely more of a "science-fiction" game than a "space opera" game; the designers put a lot of effort into writing a backstory and a bunch of technobabble that sounds plausible and well-thought-out. It's not just "it's got spaceship and ray-guns in it".

Graphics and music are top-notch, and the character art and animation is very good. Voice acting never really gets jarring, dialogue works surprisingly well.

This game is also one of the few games I really wanted to pick up for a second playthrough almost immediately afterwards. The game is not too long, yet not too short either.

The Bad
The planets you can land on are quite fun to explore, and the sidequest missions are interesting enough, but the problem is that the planets are rather bland and the sidequests are set in The Mine or The Base or The Other Kind of Base or The Spaceship - there's literally one map for each submission, with the interior objects slightly changed. This doesn't allow for much variation, and you can pretty much figure out a single strategy for them and then just say "Okay, now we're raiding The Base, here's my tried-and-true plan".

The firefights are chaotic to say the least. The enemies have absolutely no strategy, and they just run around a lot, usually scurrying around just as you're about to aim at them. This is compounded by the fact that your squadmates have no strategy either, and when these enemies scurry out of your line of fire, your squadmates offer to put their heads on the line of fire, instead, just as you pull the trigger.

Some of the game mechanics remain obscure. I was half-way through the game until I finally "got" some of the subtleties of the game - and could have played through without really getting them.

Yet, none of this is all that big. Even when blandness sometimes shows, the main plot definitely makes up for it.

The Bottom Line
Welcome to an epic science-fiction tale where the humanity has uncovered mysterious alien technology to allow faster-than-light jumping around the galaxy, and met several interesting alien species. Humankind is just about to be admitted to the greater galactic bureaucracy as one of the prominent races. And we, on the other hand, have to go examine the exploits of the crew of humanity's most advanced spaceship. The first call is to examine a rather mysterious conflict that is quickly unfolding in a rather sleepy planet; this immediately leads to the trail of a new threat to all sentient organic races.

The humankind, of course, does what it does best, as far as fiction is to be believed: kicking butt. Mass Effect is a tactical third-person shooter... and a RPG... and you get to drive around in an APC too... oh, and you have a starship and you get to conduct some exploration too. Dialogue is a heavy part of the game: situations can be often solved with guns or through eloquent or threatening speech. The character is given choice between acting nicely and heroically ("Paragon"), or just getting the job done no matter what it takes ("Renegade"). Not really a good vs. evil system, but close. These choices award points which are tracked independently; the better you are at either, you also get the chance to be more persuasive or intimidating.

The player controls a squad of up to three people; each character has unique talents and strengths. The player character, Shepard, can be customised as well. At your disposal you have a bunch of different weapons (grenades, assault rifles, pistols, shotguns and sniper rifles) that come in different makes and models and can be customised with various kinds of mods. Different character types can use different weapons to their advantage. When the characters level up, they learn new powers. Aside of conventional weaponry, there's a bunch of biotic powers that are extremely handy. When you land on planets, you also have at your disposal an armoured vehicle, called Mako, that has the necessary big guns.

In short, Mass Effect is a really well-done science fiction RPG, with only minor flaws that don't really take away too much from fun. It has tons of engaging dialogue, has a well-crafted milieu, and enough interesting plot twists to keep you busy.

The Good
Mass Effect, for the Xbox 360, is the latest game from Bioware. Planned as a trilogy many fans are already clambering that this is the studio’s best game. But with KOTOR, Jade Empire, and Baldur’s Gate under their belts, can this be possible?

The year is 2183, and humanity has made great strides in the universe. Yet to the older and more advanced species, humans are still considered children. They are brash and impatient. And are not treated like they belong. Yet trouble is brewing, an ancient threat is coming, when it does it will wipe out all life in the galaxy. It is time for humanity to prove their worth to the galactic community.

In Mass Effect you play as Commander Shepherd, whom is fully customizable, from the basics male\female, to very small details like visible scars. You also get to choose his\her back story.(This feature is kind of similar to that in Arcanum.-MM-) And as in the Bioware tradition you can play the character any way you want. Which will have a noticeable change in the game as a whole NOT just the ending as in so many other games.

The game begins with a simple but crucial mission. Shepherd, is tasked with recovering an artifact from an alien world, recently colonized by humans, he will be joined by a Spectre. They are an elite force of agents that a responsible for any number tasks. They answer only to the council. They are given free range to finish a mission by whatever means necessary.

Something goes terribly wrong and, the mission is compromised. It seems that a Spectre, called Saren, has gone rouge. Shepherd must now finish the mission, or what is left of it anyway. It is here when Shepherd comes into contact with a beacon. It sends strange images into his mind, he sees death, destruction, the end to all life in the galaxy.

Shepherd is named a Spectre, the first human to get the honor. Shepherd’s ultimate goal is to track down Saren, and stop his deadly machinations, before it is too late.

Your main point of extraction or “hub” if you will, is, The Citadel. Which is a huge spaceport/city. It was built long ago, by whom or what no one knows for certain. It is a home away from home for all the different species of the galaxy. And is maintained by the mysterious, “keepers”. The Citadel is large and beautiful, with tons on details and graphical tricks possible only on the Xbox 360.

And there are two main part of it. The topside area is reserved for dignitaries, wealthy socialites and the lot. The lower area or “wards” are for the working class. With breathtaking port views of space. (The top area has an artificial view of blue skies.-MM-) As well as shops and bars.

From here you can travel to distant worlds. Aside from the main quests, there are tons of secondary tasks to undertake. From a galactic survey, taking readings from worlds to find what if any resources they have. To fighting space-pirates, and battling Thresher Maws. Which are gigantic sand worm type creatures.

Not all the worlds in Mass Effect can be explored. There would simply be to many for that, furthermore, just as in our solar system, many of the planets are just gas giants, or made of a thin lair of ice. Speaking or our system, you can travel to our own system!

For the planets that you can land on, there are two ways to explore them. Via, “The Mako”, an all terrain vehicle. You can also fight in The Mako, it fires a machine gun, and has missiles. And you can explore on foot. However some planets are to dangerous to stay out on for extended periods. They may be too hot or too cold, or any other number of things. The emphasis on exploration and discovery are somewhat reminiscent if the Dreamcast game, “Skies Of Arcadia”.

Well, Mass Effect, certainly has a great story. But many an RPG has been killed, in my mind anyhow, by bland and uninteresting characters. Mass Effect excels here as well. Each and every character that can join your party is unique, and has their own personality. From fellow solider and potential love interest, Ashley Williams, to the badass mercenary, Urdnot Wrex.

And as in previous Bioware titles, you can converse with your crew and learn more about them, and can often help them if not in a quest, then you can help them in other ways. And yes there is a romance subplot. And yes there is a sex scene, but it is done very tastefully and not at all the filthy thing some, jackass “news” channels try to make it out to be.

There is also a part that the fate of two main characters is in the balance. You cannot save them both, so the loss of one feels more real.( I have not been this moved by the death of a game character since Phantasy Star IV-MM-)

The supporting characters are also handled well. This is often overlooked in RPGS. Captain Anderson, and “Joker” in particular come to mind.

The conversations are laid out a bit differently than in most RPGS. Firstly all the dialog choices are displayed on a ring, And the conversations all flow more naturally. And as we have come to expect from Bioware, the dialog is incredibly well written.

Parties are formed of three members. For exploration, and eventually combat.

The combat system is Mass Effect, is refined and great fun. It plays basically like a squad based tactical game, Rainbow Six, for example. When I first read about it I was dumbstruck. But once you get into the game and start using the system, you will wonder how you ever played any other.

You directly control Shepherd, and indirectly control your other squad members. The A.I. does the rest. You can fire your weapons, pistols, shotguns, assault rifles, and sniper rifles. Each weapon has it’s own strengths and weakness. Furthermore some classes can only master certain types of guns. There are also various grenade types. As well as Biotics. This is basically the games magic system, mixed with bio-mods from Deus Ex. Only the Adept class can utilize these. They can be quite fun to play with particularly the levitate ability. This allows you to lift and project enemies.

You can heal, give orders to your squad via the D-pad. And use Powers. Not unlike those seen in KOTOR, powers are learned by leveling up. They range from rapid fire, to projectile shields, and the like. Each class has a unique set of these, and using them can often get you out of a tight spot.

I briefly mentioned the alignment system earlier. Now I will explain it in more detail. In Mass Effect, there is Paragon, or Renegade. Someone whom is Paragon follows procedure, and does things by the book. A Renegade on the other hand believes that any means are justified to get to job done. Unlike most games with a morality system, that, of Mass Effect does not just change the ending. It also changes how others react to you, including party members. Some quests may not be offered to you if you are a renegade for example. Yet most quests have both a Paragon and a Renegade resolution.

Mass Effect is easily above par in the graphics and audio departments. The visuals are absolutely stunning. From the realistic character designs, their real-time facial expressions every human and alien looks real. The lighting effects have to be seen to be believed.

And the areas will blow you away! From the beautiful alien architecture of, The Citadel, to quiet glory of Earth’s moon, with a stunning view of planet Earth to boot. All the alien planets have unique look. Some have an Earth like beauty, while others will have you in awe of their alien majesty. Now this is eye-candy!

The music is Mass Effect, has a very spacey feel to it. I enjoyed it very much. From the wonderful title theme. To the adrenaline pumping battle music. Especially the end boss music.

The voice-acting is superb as we have come to expect from Bioware. I would say that is Hollywood quality, but I fell that it even surpasses that. This is simply some of the best voice acting I have ever heard.

Great sci-fi sound effects as well. From bop-guns, to space ships, it’s all good.

The Bad
I almost want to put: NOTHING, in the “bad” section. Of course that would not be entirely true so here goes.

The targeting system is battle can feel off at times. One part in particular, where you have to be careful not to hurt any civilians, if you want the Paragon bonus. The auto-target always tried to target the innocents, that was quite frustrating.

This game has lots of untapped potential. I realise that when making a game, the designers cannot fit in EVERYTHING, but a lot of the game had me wanting more. Of course there will be sequels. For example some space-ship combat would have been nice.

The Bottom Line
Mass Effect is a killer app for the Xbox 360. I would list is as a reason to own one. And in answer to my earlier question: Is Mass Effect, Bioware’s best game?(You didn’t just skip to this part did you?-MM-) This reviewer can answer an ecstatic, yes!