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Published by Developed by Released Platforms |
Genre Perspective Interface Vehicular Setting |
Description
Take control of a transforming mech in Los Angeles and clean up the crime that is running rampant throughout. Use powerful weapons to destroy anything in your way, remember...serve, protect and survive!
Screenshots
Promo Images
Alternate Titles
- "装甲機動隊 L.A.P.D." -- Japanese spelling
- "未来战警" -- Chinese spelling (simplified)
- "Soukou Kidoutai LAPD" -- Japanese title
- "Future Strike" -- Working title
- "Future Cop: LAPD 2100" -- Informal name
Part of the Following Groups
User Reviews
There are no reviews for this game.
Critic Reviews
Gamezilla |
PlayStation |
1998 |
85 out of 100 |
85 |
Video Games |
PlayStation |
Sep, 1998 |
85 out of 100 |
85 |
Freak |
Windows |
Mar, 1999 |
83 out of 100 |
83 |
Game Revolution |
PlayStation |
Sep 01, 1998 |
B+ |
83 |
About This Particular Macintosh |
Macintosh |
Mar, 1999 |
     |
80 |
Power Unlimited |
PlayStation |
Sep, 1998 |
7.8 out of 10 |
78 |
PC Gamer |
Windows |
Feb, 1999 |
76 out of 100 |
76 |
Adrenaline Vault, The (AVault) |
Windows |
Feb 26, 1999 |
     |
70 |
PC Action (Germany) |
Windows |
Jan, 1999 |
68 out of 100 |
68 |
PC Gamer Brasil |
Windows |
Feb, 1999 |
60 out of 100 |
60 |
Forums
There are currently no topics for this game.
Trivia
Credits
At the end of the credits is this text:
All characters in this game are real live people who I met once during a really weird party. I did change their names or something.
Development
The game started out as
Future Strike, the sequel to the
Strike series, advertised in the end of Electronic Arts' game
Nuclear Strike. During the development phase, a decision was made to drop the series and change
Future Strike into an unrelated, law enforcement-themed shooter, with a human protagonist instead of a chopper.
Police
At the bottom of the game's splash screen, one can read the following disclaimer:
This product is not endorsed by or associated in any way with the Los Angeles Police Department.
Information also contributed by
Jaromir Krol and
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