S.T.A.L.K.E.R.: Shadow of Chernobyl

The Good
The recent releases of Pathologic and The Witcher proved that some developers from Eastern Europe had enough creative power to be able to compete with their colleagues from the West. S.T.A.L.K.E.R. is yet another proof of this rise from beyond the former Iron Curtain.

There is really a lot to like about S.T.A.L.K.E.R.; the moment you fire up the game you feel that you are invited to something special. The "Fallout meets Oblivion" idea is certainly one that can make a dedicated gamer drool. Even though S.T.A.L.K.E.R. is far from being a true hybrid of those two games, it certainly takes steps in the right direction.

The first thing you notice when you being to play the game is the exceptionally strong personality of its world. S.T.A.L.K.E.R. is particularly atmospheric and has great graphics; but the unique effect is achieved mostly by following a certain style in the world design, which is instantly recognizable and is one of the game's most valuable assets.

The game's world immediately betrays the post-Soviet origin of S.T.A.L.K.E.R.; in fact, it is one of the few games I've ever played that uses absolutely authentic Soviet style. The rusty vehicles, the architecture of the buildings, many objects, even the nature itself - everything reminded me of Soviet Union, where I was born and spent the first ten years of my life. Certain things evoked a strange kind of nostalgia in me. I remember an abandoned train in the Garbage area. It looks exactly like the trains that were used for suburban railways in Soviet Union (and are still used in ex-Soviet countries, at least in some of them). This nearly photorealistic representation of a rarely used style is attractive in a bizarre way.

Those Soviet reminiscences are mixed with sci-fi elements: radioactivity everywhere, weird "anomalies", mutants, etc., resulting in a decidedly original and quite unforgettable style. S.T.A.L.K.E.R. is therefore one of those games you'd want to play just in order to feel its unique vibe.

Even if S.T.A.L.K.E.R. were an ordinary FPS, it would be interesting to play because of this setting. But the game tries to expand the boundaries of the genre - not always in a convincing way, but still with plenty of efficient results.

S.T.A.L.K.E.R. is in a certain sense the antipodes of Half-Life: the latter is linear and scripted, while the former doesn't have any setpieces at all and is also remarkably open-ended for a shooter. In this sense, S.T.A.L.K.E.R. surpasses Deus Ex, the ultimate FPS-RPG hybrid. Deus Ex had more role-playing elements than the Ukrainian work, and they were more coherent and better implemented; but its story progression was linear, just like in any other FPS. The fact you could switch sides and find different ways within a level didn't change the overall necessity to do the levels in a pre-established succession.

S.T.A.L.K.E.R., on the other hand, allows you to do whatever you want and generally go wherever you want. Its game world is seamless, not level-based, just like in an open-ended RPG. You can just walk around and explore the game world for hours, without undertaking any missions. You can do main storyline missions in different order. You can ignore them and do some side missions first. In fact, even the story missions are structured in such a way that some of them are not required to finish the game. Even though the "Kill Strelok" mission is your "main quest", it can be easily disintegrated during the gameplay; you can even ignore it entirely and still be able to complete the game! Of course, the "true" ending can be reached only if you pursue this mission, and without doing it, the story of the game won't make much sense; but it's up to the player to decide how to handle this.

This freedom, coupled with an interesting, unusual world to explore, is easily the game's chief appeal. S.T.A.L.K.E.R. is a game in which exploration is more important than following a story. Of course, this story does exist, and is in fact quite good if you bother to uncover it: there is even a very cool plot twist in the middle, and the final confrontation is fittingly majestic and is very heavy on story development. But, much like Elder Scrolls games, the meaning of gameplay here is "bathing" in the atmosphere, walking around, doing stuff on your own, being drawn into the game world and forgetting the reality around you.

There are plenty of other cool things in S.T.A.L.K.E.R.. There is a full day and night cycle, just like in RPGs. The many NPCs who populate the Zone belong to different groups that constantly fight each other. It is possible for the player to join two of those groups, the ones that have a distinct ethical idea behind their actions. It is theoretically possible just to kill everyone, except the very few givers of pivotal missions that will allow the player to access new areas. There is a huge amount of missions - I could only wish their quality would match their quantity. There are real hunger and stamina parameters; you can't run forever, like in most other games, and you'll also need to eat from time to time. There are artifacts you can hunt for, scattered around the game world, usually near dangerous places called "anomalies", some of which can instantly kill you if you are not careful. Those artifacts increase some of your parameters and decrease others; by cleverly combining them, you'll be able to customize your character to a certain degree. There is also weapon degradation, which is much more realistic and by far less frustrating than the one used in System Shock 2.

The combat system is surprisingly realistic, coming close to simulation-style shooters. The AI is highly advanced; I never saw enemies do stupid things that are typically exploited in most other FPSs. Killing enemies require real skill. Even on the easiest difficulty level, you can get yourself killed in a matter of seconds. I was never interested in realistic shooters, and I found S.T.A.L.K.E.R. very hard; but whenever I wasn't frustrated, I had great moments with this realism. There always seem to be different ways out of tough situations. The sneaking system works quite well, and if you are patient enough, you can eliminate enemies without being noticed. Also, since the game world is so large, in many parts you can just run away if you feel the battle is too hard. I remember how I managed to infiltrate a military base and steal important documents, only to find soldiers guarding every possible exit. All attempts to confront them resulted in quick death. I already decided to reload a previously saved game and ran up to the roof in order to commit spectacular suicide. But then I discovered a ladder leading down from the roof; overjoyed, I ran over to it, and before the soldiers could realize what was happening, I was running like mad to cover, and from there to the gate and into freedom, with deafening gunshots echoing in my head.

That's how S.T.A.L.K.E.R. works: you experience it in different ways. It is highly probable that the story I just shared here never happened to you; you might have tackled this mission in a totally different way, or maybe not tackled it at all. Needless to say how much replay value this design philosophy adds to the game. Many shooters are good for one playthrough and are quickly forgotten afterwards; but S.T.A.L.K.E.R. was destined for a long life.

The Bad
The more ambitious a game is, the easier it is to notice its flaws. S.T.A.L.K.E.R. is no exception: it is a title that promises a lot, therefore all its flaws become more visible, as if they were viewed with a magnifying lens. Unfortunately, there are quite a few of them. Even though the game still manages to draw the player in thanks to its exciting premise and its unique vibe, it is not exactly the ultimate FPS-RPG hybrid it was supposed to be.

It's not that the two genres don't work well together. The examples of System Shock 2 and especially Deus Ex show that such games can be done, and can be done really well. But while S.T.A.L.K.E.R. goes even further in certain aspects (side missions and large world), it neglects some key elements of both genres.

As a first-person shooter, it lacks focus, variety, and scripting. Of course, it is extremely hard to keep suspense when your goal is to have an open-ended world and non-obligatory missions. Maybe the developers were a tad too ambitious to think of both those objectives. But the fact is that the FPS gameplay in S.T.A.L.K.E.R., with all its realism, doesn't quite have the necessary urgency. I'm not demanding a Half-Life 2-kind of ride here, but running around and having to shoot annoying enemies who all look and act alike no matter what faction they belong to gets repetitive more quickly than you would imagine. The problem is that the enemies in S.T.A.L.K.E.R. were most probably conceived as experience-giving random RPG foes; but since there is no experience system of any sort, it is just pointless to wander around and shoot without being treated to cleverly designed levels with interesting setpieces and suspenseful progression.

Unfortunately, most of the game is dedicated to just that. The dialogues with the NPCs are uninteresting and repetitive; the NPCs themselves have little personality and are for the most part simply useless. At least in Morrowind, which had perhaps equally uninteresting NPCs, there was much more background information and more things to find (for example books). In S.T.A.L.K.E.R., everything you can find is somehow combat-related, which makes the already shallow RPG angle even shallower. The necessity of traversing huge areas in order to advance the story somehow, talk to dull characters, and fight hordes of tough enemies without being properly rewarded puts the player's motivation in question.

The side missions are boring to the extreme; after the initial joy of having them I quickly understood that they were all going to be of the same: kill some guys, bring some items, come back for the reward. I'm not sure it's entirely fair to criticize S.T.A.L.K.E.R. for that - after all, other FPSs don't have any side missions at all; but that just brings me back to what I said above - the higher the expectations, the bigger the disappointment. It's great to have side missions, but why make them so dull? Even the side quests of Morrowind were more interesting! In fact, the two games have a lot of common. They are great to play, but you won't always be compelled to complete them.

The Bottom Line
S.T.A.L.K.E.R. is a very ambitious game. It delivered less than it had initially promised, leading to unnecessary disappointment. Perhaps it can be summed up with "it could have been so more"; but that wouldn't do justice to what the game has achieved even without going all the way. It is flawed, and it's not always fun to play; but it is a commendable effort, and a landmark experiment. Its personality and its many creative touches make it a one of a kind experience - certainly one you wouldn't want to miss.

The Good
Several years ago, I remember reading an article in a magazine about this game when it was in early development.

The details at the time were sketchy, but it described something about the game being focussed on individuals called Stalker’s, who were all in competition to recover rare artifacts from the most dangerous areas in a post nuclear holocaust Chernobyl, and that you would trade these valuable artifacts with merchants for better equipment, food, and so on.

The most chiefly important characteristics of the game at this point seemed to be realism - eating, drinking, sleeping, fatigue and other such factors that present themselves in day to day life. The fact you were competing with other Stalker’s in “real-time”, so to speak, built an impression in my mind of a game which would actually have a genuine kind of immediacy, unlike every other conventional shooter where a bunch of scripts simply pop up at pre defined moments, where the game doesn’t move unless you do. Moreover, it certainly left me intrigued, and the name “Stalker” would rattle around in the back of my mind for the subsequent years that would pass.

It seemed for a time that the game had become vapourware, and would remain in obscurity, and ultimately would have the same fate as the paradox which is ‘Duke Nukem Forever’. History of course dictated, the game would come to fruition, and a big part of this was due to THQ’s intervention, becoming the games’ eventual publisher.

Granted this was a mammoth project, very ambitious in terms of scale and complexity, and the developer - GSC Game World, would get a huge leg up. Of course, compromises were to be made in certain areas of the game-play which would dramatically impact the end product.

Much of the original concepts and ideas that were initially conceived have been retained, and hold true in some capacity for the most part here.

When the game actually begins, you find yourself (the protagonist) with no memory of past events, and your most significant distinguishing quality is the initials S.T.A.L.K.E.R. branded on your forearm. You are only known as the marked one, and are in essence a blank canvas, so that YOU, the player, may develop and mould the character, by the decisions, actions and choices made throughout the course of the game. Well, this is the intention at least, and here I will talk about some of the positive aspects of this.

The way in which you interact with other characters here for me was in a way reminiscent of graphic adventure games from long ago, an acceptable broad example might be, Lucas Arts’ title ‘Monkey Island’, where you carry on conversations with others by reading dialogue, (except here much of it can also be heard through voice-over actors), and subsequently you are given a multiple-choice selection of phrases to respond with.

In some instances which call for a conscious response, you select the one you feel best suits your own characteristics, or whatever you want. Much unlike the aforementioned game, there are no wrong or right answers, but you see my meaning. I suppose more apt and juxtapose examples of this particular game facet would be found in Monolith’s role-playing shooter ‘No One Lives Forever’.

As a usual conventional trait for a game with role-playing elements, you can receive important tasks or even little side jobs from characters in the game, the latter of which includes things like recovering a lost item, protecting a camp, gathering intelligence, and so on.

These jobs usually have a time limit to complete, and you are rewarded in some way if you are successful - whether it is paid in ammunition, medical supplies, artifacts, or whatever, depending on whom you are dealing with.

There is no limit to the amount of jobs you accept to take upon yourself, and a PDA is utilised to organise all of the information you take in during the game. Keeping track of everything going on can be quite daunting at first, but familiarity with the games’ interface settles this.

You will generally discover that there are two basic types of NPC in this game, the first being loners, which are neutral to all others. The second, are members of factions, which all have quite uniform beliefs, and attitudes towards other factions and groups.

The most interesting part of this side of things is, that if you decide to lean towards one faction in particular. That is, do a lot more than just one passing gesture, you will become an adopted member to that collective, and their friends, whether it is in the immediate area, or found scattered all over the game world, suddenly become your allies, and their enemies conversely become aggravated by your presence.

In truth, this proves to be a double-edged sword, on one hand, your new friends will alleviate certain parts of the game which would normally be more testing, because you will have a tactical advantage, with strength in numbers. While other instances will see you in increasingly hostile territories without assistance, which will make your life increasingly difficult.

This is one of the games’ strongest assets. That is, the ability to give all players’ a uniquely different experience. So moreover, if you were to talk to some others who had played the game, you would come to find each person would have a separate and unique tale to tell about their own Stalker exploits. Of course, this isn’t to say there are strong plot development constants in the game, because there are, but the little things make this game so enduring.

How you organise you inventory in this game is very similar to how it is handled in Ion Storm’s classic Deus Ex. Though the chief difference here is that instead of being limited by space, which is for the aforementioned game, you are instead limited by weight. How you attain all the different items is just like in the aforementioned game, you can steal, loot dead bodies, buy and trade with others, and so on.

So here, again you can carry many different weapons and items -, e.g. pistols, machine guns, foods and drink, armour vests, artifacts, and so on. But, if you carry too many things you will get completely weighed down, and will not be able to move anywhere.

You have the ability to run, which is complimented by an endurance gauge which depletes while partaking in this physically demanding pastime. The heavier loaded you are with inventory, the quicker it will exhaust your stamina, resulting in puffing and panting, and eventually take all the spring from your step.

Another facet of the game I’ll touch on is how artifacts can be utilised, other than trading them. All artifacts have special properties which will affect the wearer in a multitude of ways. You use artifacts by attaching them to your belt, and this is done in the inventory, and you have a handful of slots to put them in. While artifacts have positive and negative reactions, you can try to strike a good balance to suit every situation, e.g. some will provide protection from puncture wounds, but subsequently make you more vulnerable to anomalies.

For those long treks across the zone expanse, you could use all artifacts that have endurance enhancing properties, which will allow you to run indefinitely, provided you are travelling light.

Alternatively, you can also drink soda will give you a burst of energy which will top up your endurance gauge, which is particularly handy when you are fleeing a battle which was a bit hot to handle.

Stalker has the most advanced combat I have experienced in a shooter which isn’t strictly a veritable sim. Enemy AI is fairly advanced, where your opposition will make most of their surroundings, taking cover from fire, employing tactics such as flanking, ambushes, and so on.

The weapons in the game are very authentic in look and feel, and up the stakes in terms of realism. Guns of certain build quality can be directly affected by environmental conditions, such as dusty winds, and this will cause frequent jamming in certain firearms, which will as a result requires you to constantly reload the weapon. This is certainly something which hasn’t been touched on very often in this genre, and adds some new and interesting dynamics to the proceedings.

Other ways in which the rather unpredictable and erratic conditions of the zone, present some very interesting twists in play, for instance, you may be in a firefight with some bandits, and suddenly they could be swept into an up draught of a cyclone anomaly, which operates in a real-world fashion, and isn’t discriminating about picking up any and all movable things which get in its way, and this includes you.

This game has perhaps the most expansive world ever seen in a shooter, and the freedom of movement could be considered something akin to Crytek’s ‘Far Cry’, though to an even larger scale. In stark contrast to that lush and somewhat beautiful game world however, this is somewhat sombre, with a dominating bleak and desolate atmosphere. Though this, is most certainly the intent, however. The world is full of danger in many forms, is inherently mysterious, and draws forth different instinctive and emotional responses from the player.

Visuals are a definite high point for Stalker. The ‘X-Ray’ game engine is a technical marvel, which brings forth a genuinely astounding level of depth. Everything from dilapidated stone housing structures, gigantic industrial expanses, acres upon acres of foliage, dank and ominous marshes, - are all visually striking and suitably well realised. Environmental conditions like day turning to night, and other real-world factors convey an aura of authenticity not previously touched on in a game of this type.

The audio side of things is well catered for also, with some very atmospheric effects. Ambient sounds include hauntingly eery samples of distant screams of perils and unsettling roars of howling beasts. Other sounds like the pitter-patter of rain, thunder and lighting, gusting winds and all other incidental effects are convincing, and go to great lengths in bringing the world to life.

The Bad
Your relationships with other individuals in the game world are rather black and white, and are essentially reduced to their statuses towards you being any of the three states I mentioned earlier - neutral, friends of foes. Sadly, you cannot ask friends for assistance, or command them in any rudimentary way whatsoever. They will always simply adhere to their own individual scripts. The illusion that the NPC’s freely go about their business does in fact convince to an extent, but limiting factors’ slip through the cracks, and you can’t be oblivious to the fact that there are in fact “scripts” being utilised, and reactions to your presence are simply to take no action, assist or attack you.

When you are hungry, a fork and knife icon is shown in the bottom right corner of the display, and if you don’t succumb to your hunger pangs, it very slowly depletes your vitality gauge. So in essence eating is just reduced to a little bit of tedious micro management. I’m not quite sure where I am going with this, but, um, a pork and bean’s noshing-simulator may have been interesting.

As this game’s presents a free roaming approach to accessing the game world, this presents its own problems. The thirty so kilometres of level scape has been broken into several sections, which means how you have directly affected the different individuals, environment and so on, has to be kept track of, and while the game succeeds in accomplishing this for the most part, there are some holes which can detract from your feeling of virtual reality, as it was.

The missions that appeared when you entered a new area for the first time, would suspiciously reappear every time you revisited the same area. The same could be said for jobs available that you had accepted, and whether or not you succeeded or failed, the task would be presented again regardless. On the same note, this goes for enemies you defeated, which will magically be back again to repeat the process every subsequent time you reenter the section. Some of this tediousness was however, in the games’ defence, rectified to some degree in a later patch.

Some times in this game you may hit stumps which leave you wondering as what to do next, and moreover wandering around aimlessly. For the most part this is perhaps attributable to some of the character dialogue requiring more persistence on your part than is suggested by the lax form of the conversations.

There is absolutely no transport or any kind of usable vehicle. This is sort of a cheat in itself, for if the game were so inclined, the main objectives presented could be finished in an unacceptably short time. I would have liked to see, even if only in a very minimal capacity, some kind of centralised transportation, to save you some tedium on those really long treks which can be a bit boring. For example, employing the railway trains which are apparent in the game, but are instead strictly decorative.

In terms of acceptable system requirements, Stalker is really quite demanding. I tried playing the game with my then existing Pentium 4 system with 512 meg of ram, and an AGP Geforce 6200 card, and the experience was just gruelling. Incessant pre caching of the virtual memory halts the game at every turn, which completely took the sting out of the play, and drove me to insanity. A thousand dollars later, with a dual-core system with one gigabyte of ram, and a decent PCI express video card, I managed to derive a pleasant experience.

Admittedly many elements of the game which were to bring new levels of immersion and realism forward has been substantially reduced in importance, and the game is ultimately more in the favour of shooting at things. Whether or not you will find this to be ultimately - resounding plus, off-putting, or just simply generates a feeling of indifference, depends entirely on your own viewpoint.

I personally had expectations of a more deep experience, and this is where those compromises I mentioned earlier on hurt the most. The things that were to define this game uniquely have been downplayed to what is generally accepted, rather than taking the risk of creating something that may have been truly innovative and original, and perhaps even genre defining.

The Bottom Line
Biased reflections aside, my bottom line is that I enjoyed Stalker. It makes for very compulsive gaming, and can easily consume any and all of your free time. The game world is very distinctive, with a great deal to explore and take in, and proves very easy to get lost in.

You can get as far side tracked as you like, and dodge the games’ grand scheme in favour of side missions and general exploration for absolutely ages. And I think this is the biggest part of Stalker - the freedom and expansiveness it brings forward, and not the often somewhat plodding and obvious plot developments dispersed throughout.

The role-playing side of Stalker is rather basic, and never reaches the level of complexity brought forward by earlier first-person perspective outing - Deus Ex, which I still feel to this day is the most complete package in this regard.

Stalker is an entertaining game, which has a unique atmosphere, and some original touches, but I don’t think can be considered a classic in my opinion, because it just isn’t consistently strong enough in all areas.

This is GSC Game World’s biggest title to date, and certainly shows a lot of promise, so I think future entries expanding on this universe should go from strength to strength, and Stalker will remain a title to keep an eye on for the years to come.

The Good
Nobody would really expect S.T.A.L.K.E.R. to be such good as it really is! Everyone, including myself, was charmed by the post apocalyptic element it boasted, but S.T.A.L.K.E.R. is much much more in reality! At a first glance it looks like a shooter and in its heart it is. But it's a different kind of shooter from what we've been mostly playing so far. GSC Game World is known to have produced a couple of, let's say, mediocre shooter games, along their Cossacks strategy series. Nobody was really expecting S.T.A.L.K.E.R. to have such an impact, and most importantly such depth!

Following an imaginary scenario which is based and well bonded on real historical facts, namely the 1985 catastrophe caused by the nuclear fusion in one of the reactors located at Chernobyl in the (then) Soviet Union, the game lets you wander around the area of Chernobyl, looking for precious artifacts and various other items which could be sold at the local dealers in order to make profit. And that is just one of the tasks you have to achieve in order to survive. Why? Making profit will allow you to purchase more powerful weapons and protective equipment, more ammo, etc. Actually you begin the game from such a dealer where you've been brought in to his quarters totally unconscious. After the intro story you're getting out to the real world of the Zone, which is the name for the area around the Chernobyl nuclear reactor where radiation has created an anomalous world, almost alien. Now, the Zone is what gives this game a heart and blood to live. According to the imaginary scenario, the Zone is the perimeter around the fused reactor, in which radiation has caused mutation by the years to the remaining local inhabitants (human and animal) and turned them hostile to the rest of the world. This perimeter is known to be expanding day by day and of course the Ukrainian government has sealed the Zone to outsiders and the matter is regarded as top secret... sort of... Since Stalkers are those people who are ready to gamble their lives and enter the Zone in search for precious artifacts. Some others are simply looking for answers and the Zone will offer you quite too many mysteries and secrets to reveal.

As I mentioned in the beginning Stalker is a first-person shooter game, it actually involves some tactical elements, a bit of strategic thinking and some trading as well. Think of it as Elite, or X: Beyond the Frontier set on earth as an FPS. For one the actual terrain off the game is quite huge. The game is not played in a linear form but the player has the freedom to go where ever he desires to and complete missions whenever he desires to. Of course you need to take missions and accept some assignments in order to gain money and most importantly to unveil the story and the secrets of the Zone. All this freedom and non-linearity flavor the game to be more a survival simulator rather than a cold shooter. You have to learn and adapt to the Zone's rules if you want to survive.

Aside from the lively elements of the game's environment that have codes of survival that you have to follow, there are the living entities which you come across and interact with... either with your weapons, or in more friendly manners. As I said above, the Zone has it's rules, so do the various inhabitants that populate it. And quite logically, since this place although being on earth, it is alien to the majority of people, those living on the inside have formed clans, in order to help themselves in surviving the wild environment. Each clan has it's own rules and they all differ from each other in many ways, but they all try to make it through the next day alive. People on the zone are all kinds of things: military, mafia, para-military, freelance stalkers, even mutants and zombies, you name it! Make sure you know what everybody is up to and don't cross their path on the wrong hour, otherwise you're dead meat. Simple as that. The strongest and smartest survives also in the Zone.

Following that model, S.T.A.L.K.E.R. is a real life simulator. Whatever you do on others creates a logical and true reaction. I'll give you a short example to see how deep the guys at GSC has gone with it: It's about dusk and I wander around the village I've started off the game. I spot a military patrol walking on the southern road of the village. I also spot their assault rifles, AK47s and I'm thinking that it will be nice if I had one of those instead of my pistol. After I ambush them and a short battle I get their stuff from the dead bodies and quickly rush back to the village to sell the 2 extra AK47s I got from them. When I get out of the local merchant's cellar I hear gun shots and everybody in the village is in panic, shooting! What happened? There's a military camp nearby and as soon as they realized that their patrol was eliminated they sent an assault force to take out the village as punishment! For that, some of the local Stalkers begun shooting at me, as they acknowledged that I was the cause for the military raid on the village! Truly an authentic reaction! Amazing! Added to that is the fact that, as a human being you have limitations as well. You simply cannot carry around everything you find lying on the ground, with the hope to get all your findings back to the trade guy and summon a huge amount of profit. Whatever you carry on your back pack increases your weight, therefore lessens your stamina and makes you get tired more easily. So think twice before picking up something, cause if you're already over the limit margin chances are that you won't be able to move... and that is lethal in combat. Grab things according to your survival needs and not for profit making.

The scenery is beautifully modeled and textured with many details added and a certain amount of realism is achieved by real-time HDRI rendering. Thanks to the game's X-Ray engine the visuals will produce some major jaw-drops, only if you have a high end spec machine, but still without the full settings the game looks appealing as well. The graphics of stalker are so amazing that they truly beat any other shooter that I have seen lately. A day - night cycle is being followed and the game runs on time as well, meaning that some missions require you to complete them in a set amount of days or hours. Of course the time passes a lot quicker than real time, for example a game-time minute is 3-4 real time seconds long. Also time should be a factor to your mission approach. For example if you prefer more stealthy approaches, then the night must be your friend, but beware of the mutants as they become more active in dark.

Regarding the enemy AI, this is equally good, as the enemy takes aim and uses the surrounding scenery to hide and react differently to your actions as well as the surroundings and the climate! Hostile elements do come in many forms; they are either human, animal, mutant or the weird physical phenomena found in the Zone, widely known as 'anomalies'. You really have to be alerted at all times if you want to survive in Stalker.

Acquiring stuff for your survival and for profit, is quite logical and very realistic in STALKER. You can either steal from the bodies of your dead enemies or friendly characters, or find stuff hidden in boxes, crates and other containers. You can also find stuff based on information you acquire while scavenging dead bodies: for example if some bandit has hidden his loot on a box somewhere the coordinates of he box are uploaded to your PDA at the time you scavenge his carcass, so you can go and grab it for yourself. Finders keepers!

Talking of your PDA, everybody in the Zone carries a PDA with him at all times. PDA stores information on your missions, marks locations on your mini-map, displays an arrow as to where you must head in order to complete a mission, has info about your status and other useful things such as your diary of your Zone living days experience.

Finally on the sound front, everything is excellently sampled and done. The environment sounds are superb, it is as if you really being there. Whether you're on the open country you can hear the winds, the rain, the birds and other animals. An excellent job there! But the best comes when you get inside the X18 and X16 underground labs! I really don't want to spoil it for you, but make sure you avoid playing these levels without having a light on inside your room! You will definitely freak out from the sound effects and the thousands of other cool implementations the guys at GSC came out with to enliven our gaming experience!

Finally the voice acting is simply amazing! The characters you interact with speak English with a heavy Russian accent and flavor. Also they act excellently, for example I always laugh hearing the pissed-off commander of the military camp nearby the starting village. He really sounds like he's pissed-off with his miserable life. The rest of the world speaks in Russian. Although you might not understand a thing from what they say, it certainly immerses you to the atmosphere the game wants to portray.

The Bad
I can't really think of anything that annoyed me so much in this title, other than the fact that a very few times it gets a bit confusing as to what exactly you have to do in order to proceed, this will have you wandering around a bit.

There's no quicksave option. Thankfully there's a save option if you press escape during the play and access the save option from the menu that appears.

Another fact that bugs me personally, is whenever I clear out an area from thugs or mercenaries, they keep coming back and re-occupy the place the next time you're around. So every time you pass through these places you have to gunfight your way through again. Some times it's avoidable through stealth approaches, but as soon as you get spotted you're in trouble, especially if you're loaded with goodies for trading. Still, if you're coming home empty and looking to find a few rifles for the local trader, beating these guys down is not a bad idea.

The game has some bugs when you have the inventory screen on and you want to transfer goods to a box or to the trader for selling them, which can be found by scrolling down on your list. For example ammo that always occupies the lowest spots on your list. If you click once only a small amount gets transferred to the other container (it can also be the trader) and your list goes back to it's top, therefore you have to scroll down again and click once again to transfer another small amount and again and again. Now imagine if you have 1000 bullets on your backpack and you want to keep only 300 on you so you don't carry all of them around... In general, the inventory menu needed more work as the scrolling itself is also a bit buggy etc

The Bottom Line
Well if there's one thing that must be said about S.T.A.L.K.E.R. that would be that its release created history in the shooter game genre. It is so beautiful and appealing and much more different than the rest of the pack, that surely other companies will follow this example and evolute the genre. S.T.A.L.K.E.R. is certainly a title that we'll be referring to for a long time now.

S.T.A.L.K.E.R. offers more than just shooting down bad guys. It offers you the option to shoot down good guys as well, suffer the consequences of your actions and survive if you can. The game offers you more than one ending, according to how you played it and the missions that you have completed. S.T.A.L.K.E.R. is the best wild life survival simulator at the moment. Compared to the enjoying gaming experience and it's appealing post apocalyptic theme, this title has a huge withstanding value and a long lasting life cycle. I have the game installed in my hard drive for 3 months now and always keep coming back for some action, even if there are other games that draw my main interest at the moment.

Certainly to play such a game, with such complexity of constraints and graphical novelty, you really need a good machine. And I really recommend an upgrade, if not just for S.T.A.L.K.E.R. more power comes always handy, especially in games. It should run smoothly on machinery with Nvidia 7600 and above and with more than 1GB of RAM.

In all, an all-round excellent production that delivers the goods in such an outstanding and enjoyable way, that you'll certainly keep this installed for a long time. Make sure you're got the power to run this though.

The Good
The Graphics: Not spectacular, but the art design stands out and they work hand in hand with other elements to create a visually appealing and surreal setting in the zone.

Sound: The sound will immerse you into the bizarre surroundings of the zone, and will even sometimes go farther than any of the horrific mutants in creating a genuine atmosphere and feel of terror. The strange sounds emanating throughout the zone along with the stark uninviting and harsh wind is guaranteed to keep you on your toes.

Combat: The combat is great, realistic and very involving. It can be tough, but it only helps immerse you further due to the realism and genuine feeling that you have to take care of yourself and survive, using any method possible be it a bigger gun or patching yourself up before the battle.

The Game World: The game world is easily the best part, The Zone is a well defined and scary place, and is wide open for exploration... at your own risk. The game sucked me in more than any other "sandbox" type game, as the complex system of the zone is so well balanced and unique. You will have the desire to explore, but the dangers of the Zone will keep you on edge too.

"Hybrid" gameplay:

Is it a first person shooter with RPG elements? Is it an RPG with guns? It's hard to say. To me, it feels like a cross between a lite-RPG, a military simulator, a horror game, an adventure game, and of course a shooter. This hybrid of gameplay blends seamlessly with the equally unique system of the zone, you will make a name for yourself, affect the world, and truly feel like you are trying to survive from crazed militants and frightening mutants and the deadly "anomalies" that are strewn across the zone.

The Bad
Mediocre Voice Acting: No one really seems to put any effort into their roles, and just grunts out lines. It's also inconsistent, important characters will speak English but others will speak Russian, and sometimes a glitch will cause them to just revert to Russian which can be confusing for someone like me who doesn't speak Russian.

Bugs, Bugs, and More Bugs: The engine needs some serious retooling. There are too many glitches to note, the list I attempted to compile consisted of over 300 giant bugs... and this is after several patches. It also has a strangely steep system requirement due to poor threading of the engine. It's also a bummer to have an intense fight crash on you.

Difficulty: STALKER's difficulty can be daunting at first. I almost wanted to hate the game because I had to do the first mission 20 times on the "Rookie" setting. There is almost no tutorial and you are thrust into the game rather jarringly, so you have to learn the game through lots and LOTS of trial. If you have patience, you will soon adapt to the difficulty and you will adapt to the zone, but the initial difficulty can make the game have a slow and sometimes frustrating start.

Disappointing story: The story had lots of ideas going for it, but it never really went anywhere. It doesn't help that the character you play as has no characteristics at all. The endings are also a disappointment. There are moments that the story is interesting, but usually those moments relate more to new areas of the zone and events in the zone, and less about the characters story. I also felt let down as, while I know this is not a direct adaptation of "The Roadside Picnic" or the film "Stalker," I feel like it could have used the more philosophical elements of those stories to greater effect.

Graphics are as bad as they are good: Like I said, STALKER looks good from the artistic standpoint, and looks very surreal and neat, but when you look at the game from the technical standpoint, its not impressive at all. Animations are stiff, facial expressions sort of jerk around unblinkingly, lighting is slightly off, and some textures are just very low resolution and sometimes jaggy.

The Bottom Line
Stalker is a game that is impossible to describe. The best way to describe it is if you have played the game "Deus Ex;" Imagine Deus Ex, but with a more realistic weapons system, a sandbox world, and mutants. It's similar to that, but even then, it defies categorization. Stalker is one of the most unique games in years, if not ever. It's hard to explain, it's hard to even understand, but it will suck you in and compel you to play through many times over.

If you are open minded, and want a change of pace from other shooters, STALKER will bring you that change and despite its problems, the amazing and memorizing game world will win you over and make up for almost all of the flaws (Except maybe the constant crashes, which usually happen during the best parts). Check out this game if you have not already!

The Good
Review Version: v1.0
Review Date: July 28, 2009.
Review Length: 10 page(s).
Game Version: v1.0
Tech Specs Used: Intel Core 2 6300 1.86 Ghz CPU, 3 GB Memory, 512 MB NVIDIA GeForce 8500 GT Video Card.

Difficulty Setting Used: Master.
Finished: Yes, 4 out of (rumor has it) 7 possible endings:
[1] I want the zone to disappear; [2] I want to be rich; [3] Join the C-Conscious; [4] Destroy the C-Conscious.
Last time played: June, 2009.

Preferred main weapon: Vintar BC Silent Sniper Rifle.
Preferred side arm: Big Ben (Special).
Preferred artifact: Mama’s Beads (5% bulletproof cap).
Faction supported: Tried Freedom; Freedom and Duty; and finally killed all of them. :)
Favorite Pastime: Blind dog hunting with grenades.
Most feared enemy: Bloodsuckers and anyone with a rocket launcher.
Last or highest statistics: 3486
[Stalkers killed: 2050; Mutants killed: 796; Quests completed: 697]

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Foreword
Note: This section may be skipped

First person shooters aren’t really my kind of genre. Despite having periods in my life where one of the best enjoyments before returning to the dorm was having the highest frag kill count at the end of the day, a certain encounter with a “sniper” on multiplayer games who head-shot me with a Desert Eagle pistol from way across the map made me decide that despite his excellent shooting skills, that bloke seriously needs to get a life. Ironic, since I was the one carrying the sniper rifle. :p But more importantly, it seems that I should get a life too. Or so I thought. :)

Frankly, if I knew what this game was about, I probably wouldn’t get it in the first place. I was “fooled” by the incorrect genre listing on MobyGames that this game is an RPG [correction pending]. So, I bought on the premise that I’m getting a game where I shoot things and develop my character so I can shoot more things. ;p

Apparently S.T.A.L.K.E.R. has reached a certain amount of fame among the would-be-gaming nerds and has even been rumored to be nominated for the most prestigious award in our nerd slang: a classic. Surely such a rumor must be confirmed, if only to dismiss the possibility that this game is yet another marketing hype. But then again, apparently the Russians developed this game, and as far as Eastern Europe (or Asia according to MobyGames, see forums for further details :p) is concerned, they don’t have enough cash flow to fund such a marketing scheme, additionally also not enough dumb adolescents to actually believe it even if they did. :p But then again, the publisher is THQ.

Introduction Guide
Note: This section may also be skipped

If you haven’t played the game and would like to know what it’s about, here a rough summary on what to expect. It’s a First-Person Shooter (FPS), which means that you shoot things from an angle where you cannot see yourself (i.e. First-Person). As a shooter, you can expect certain standard issue weaponry from N.A.T.O. or the Warsaw Pact. Sci-fi weapons exist (though few), and other specially upgraded weapons. Besides shooting things, gameplay usually consists on finishing the main quests, or if the player so chooses, finishing sub-quests (for money, or other item rewards) offered by various Non-Player Characters (NPCs).

And in case you’re wonder, yes, the game has sniper rifles. Whoopee!

The venue is set in the area surrounding the remnants of Chernobyl nuclear power plant in 2011. The plot contains fictional elements of the “what-if” variants in regard to life forms being effected by highly contaminated radioactive waste, to the point where their genes are altered, ultimately turning them into monster-like mutants. It may contain a mild horror theme, but then again, I’m a wuss when it comes to dark corridors with strange noises. :p

The fallout of Chernobyl created a contaminated area immediately quarantined by the military. Anomalies started to emerge in the “Zone,” as well as valuable “artifacts” (items with somewhat magical-like properties, created by the anomalies) sought by the scientific community. Although under quarantine, due to roaming mutants, contamination and whatever secret projects rumored to be conducted in the Zone, many fool-hardy individuals, dubbed as stalkers, brave the zone to obtain these artifacts and sell them to the highest bidder.

Some of these stalkers later became organized into factions. Some factions may be befriended (by completing quests), thus offering additional quests or weapons/items for sale. Each NPC is a member of a particular faction. Killing an NPC will decrease the friendliness of the mentioned faction. Reputation ranges from Friend to Enemy. The “enemy reputation” will warrant members of the faction to shoot you on sight. Excluding the mutants, there are 6 humanoid factions: Loner, Duty, Freedom, Military, Bandits, and Monolith. Loners are technically non-faction. Killing them only makes enemies with their immediate friends within a line of sight. Duty and Freedom offer quests and hate each other’s guts. Befriending one (choice depending) may result in the other faction disliking you. The Military, Bandits and the Monolith factions are always considered enemies, and reputation towards them cannot be improved.

The science fiction (sci-fi) element of the game is anomalies and artifacts. Anomalies are er…anomalies that seem to defy the basic laws of physics. Anomalies usually can be visually seen, for example by a curious gust of wind in a certain spot, which almost looks supernatural in nature. Anomalies are dangerous, different anomalies may inflict different ways of damaging you or enemies/NPCs foolish enough to venture near it. Artifacts are er…artifacts created by anomalies. These artifacts contain properties which will affect your character. Most artifacts have bonuses with a certain price to pay for those bonuses. For example, an artifact when equipped may offer a slight resistance towards bullets, at the cost of radiation building up in you (thus, gradually damaging your health). Another different artifact-type may gradually decrease radiation, but lower your resistance towards fire. Thus, equipping several different artifacts may overall achieve maximum bonus for minimum cost. Rare artifacts however, often have no disadvantages, but rare in this game usually means there is only one or two throughout the entire game. Up to 5 artifacts may be equipped simultaneously.

Other features in the game are hunger daemons (not quite sure if you have to eat, never died of starvation before), inventory weight encumbrance, night/daytime cycling – weather included, one rifle slot plus one sidearm slot, armor, ability to carry bodies (not quite sure what for, but it’s fun regardless), ability to barter and talk with most NPCs, ability to store items, headshot kill, radioactive poisoning, and stamina (cannot run when tired). All of which, if I’m bored enough, will one day have their own MobyGames game group. :)

Endnote, the over-all goal in this game is to discover the mystery behind the Zone (besides shooting everything that moves strangely along the way).

First Impressions

Gloomy. Not really my favorite atmosphere, but then again we are talking about Chernobyl. A cheerful setting at an abandoned nuclear power plant would no doubt be inappropriate of moronic proportions. :)

Despite the grayness of it all, the gloom-atmosphere does indeed capture the imagination for person(s) residing outside the former iron curtain following its collapse. Broken down Soviet machinery, signs of economic recess, and remnants of Cold War weaponry. The only thing missing would be a drunken CIA agent in the background. :p

The beginning intro immediately captures this “idea,” a death truck filled with (obviously) dead bodies. Yep. This doesn’t look good. Especially when you figured out that you’re one of those bodies, though not very dead, despite qualifying as a Russian zombie, malnutrition and all.

So, now you’re in-game. The gloomy main menu itself gives the impression that your idea of a luxury meal is pile of stale canned meat. You’re alive, have amnesia (saw that one coming), and your only clue to your identity is to kill some Russian bloke. Sounds easy enough, how many Russians can there be in Chernobyl anyways? :p

Then it hits you. The music. Melancholy with a capital M. Yikes, if the atmosphere wasn’t depressing enough, the fantastic music would even make the most hardcore Russian zombie cry. Surprisingly, the music is mostly extraordinary every step of the way, especially when someone picks up a guitar and goes acoustic. Not the kind of feature I would expect from an FPS game, but regardless, whoever made those compositions has, without a doubt, great taste. Subjectively speaking of course.

Adventure - Russian-Style

Hello. Why do I have quests? Isn’t this supposed to be an FPS? Interesting. After talking to the first NPC, he offers quests to be completed. Hmm. This game may not turn out to be not-so-stupid after all. A lot of quests, which one to take? Maybe later. Explore first, missions second (except for the main quest). Standard rule in adventure gaming.

So, you’re a S.T.A.L.K.E.R. Not quite sure what that means, but apparently it’s an equivalent to a scavenger. Makes sense. A lot of blokes here. All armed. His shot gun is longer that my pistol. That somewhat wrecks your self-esteem. Oh, well. How do I get out of this run-down village?

Amazing. First thing I noticed in the game when adventuring was the grass. All moving simultaneously as if the wind was blowing fiercely. The graphics throughout the game are surprisingly detailed, although this is more apparent in other areas such as building complexes. Well, at this point of my nagging, I’m sure you’ll get the idea, as far as atmosphere goes, this game has all of my 5 thumbs up. Thus far, you can travel around to most areas to your heart’s leisure. Certain areas are crawling with mutants, most animals are easy to kill; the humanoid versions can get quite nasty. Other places are filled with bandits or soldiers who make the game feel like an FPS again.

Many a non-linear style adventure game allows the player to travel anywhere, anytime, usually unrestricted. S.T.A.L.K.E.R. is partially linear. Although the player can travel to certain areas, there really isn’t any point, as the main plot only develops by finishing assigned main quests. Although it depends on personal taste, I prefer “directed-storytelling” than a free flow story, if only to fully appreciate which direction the story teller wants the player to experience.

Shooting Things

Although the adventuring and quests part of the games, almost make the FPS elements of this game a sub-genre rather than a main-genre, don’t be fooled. The enemy artificial intelligence (AI) is pretty advanced, despite some bugs here and there. The AI pretty much knows how to maneuver and hide, sometimes even flanking. They do make use of obstacles, and usually prioritize (for those with guns) in finding cover rather than other FPS games where the AI just rushes forwards to you guns blazing.

Damage is realistic enough, depending on your armor and the weapon the enemy has, usually can hurt you pretty bad, pretty fast. So the Rambo-style of gameplay for adolescent eggheads by “shoot first”-“shoot fast”-“shoot a lot”-“aim later”, doesn’t really work very well in this game. And that's a good thing.

The Bad
After fully exploring the game, you can tell that this was one ambitious project. As far as the detailed graphics go, you can probably assume that heavy research was conducted for the game to be visually realistic. But as most ambitious projects usually end up in games, more than often, screw-ups do occur when meeting the deadline of not so patient but usually realistic publishers.

However, amazing enough, what blunders the game did have does not warrant any trashing enough to make me go berserk. So, well done, despite minor irritations here in there. A lot of irritations actually, but at least it didn’t make me want to throw out my monitor to the former Soviet Union.

Let’s get irritated.

Sub-Quest Screw-ups

Somewhat figured that this would be problematic. The sub-quests in the game is by far, the most problematic and bug-infested issue in the game. But despite the bugs, there are some features of the quests that are extremely annoying. Sub-quests have a time-limit. Usually 24 hour’s in-game time. Seems like a long while, not so when you’re busy gunning down bandits and soldiers while playing catch with mutant doggies and grenades. Time does fly fast when everywhere you go, you leave a trail of empty bullet shells, so when suddenly you realize you have only 3 hours left to finish the mission, and you haven’t even started, well, why use a time limit anyway? I’ll get it done, when it’s done. Having a “failed mission” in my statistic report does not bode well for my insides.

Other sub-quests are forced upon you without your consent. When entering certain areas, these missions require you to fend off attackers. Which is probably fine, but sometimes, to successfully complete the mission, you have to back-track off your intended course. Well, back to the majority of buggy screw-ups:

• Some sub-quests cannot be completed regardless what you do;
• Some sub-quests cannot be completed if you try an alternative method/sequence than the obvious one;
• Some sub-quests seemed to have misplaced their intended objects or persons;
• Some NPCs seem to have forgotten that I just completed the retrieve armor/weapon mission, that they are in possession of that item thus not really retrievable, yet they’re offering it again;
• Some sub-quests require objects that are located in areas that I currently cannot enter. No warning either.

To be perfectly honest, most of the sub-quests are quite boring, if not for possible special items, or ego talking to increase your statistical score. Although, many sub-quests can be constantly repeated, this may give you something to do if you’re bored. NPC Barter Screw-Up The good news is you can barter with any NPC stalker in the game. The bad news is, they mostly have nothing or junk to trade. Not quite sure why no one wants to trade bullets. Certain bullet types are hard to find and may only be purchased at far off locations like at the Yantar science lab. Weapon Zooming Screw-Up The logic is easy enough. When you zoom in a weapon, you’d like to see the target from a closer and better perspective. Unfortunately, for weapons without a sniper scope, zooming in blocks your view, become the weapon is in the way. Unfortunately, the developers, although trying to make zooming realistic with real-life, failed to notice that firing a weapon with your hands and firing a weapon with a mouse are two different experiences. When you use a weapon in real-life, you hands can instinctually coordinate with your eyes and memorize the intended spot you want to fire. This does not apply in a virtual setting using a mouse. Firstly because you will have trouble identifying the exit point of the bullet, since there isn’t a little red dot, and for some weapons (usually side arms) it’s usually unclear where the exit point bullet is, as the gun barrel takes up a lot of space between you and the enemy. This is even worse when the weapon has a high recoil rate, constantly re-aiming to the same spot that you can’t see very well. Basically this issue ends if the ability to zoom-in is marked by a little red dot or cross-hair that should indicate the intended exit point of the bullet. It may not be realistic, but always remember that in games, gameplay comes first, realistic comes later. Weapon Delay Screw-Up When you change weapons, either to rifle or sidearm, there is a 2-3 second visual delay of you somewhat re-arming the weapon. Not much use for visual eye-candy when you’re in the middle of a gunfight. Especially irritating when you’re throwing a grenade, change the weapon, and you have to endure the 2-3 second clickety-click delay, when you only have that much time to shoot at an enemy suddenly emerging in front of you. Can’t tell you how many times I died in those 2-3 seconds. Grenade Throwing Screw-Up Well, technically it’s due to my poor throwing and aiming skills. But when you see an enemy, and the enemy meets the cross-hair, you’d think that the grenade would hit near the target and not the right-wall beside you (sometimes you wish you were left-handed :p). Get’s worse when you’re trying to throw grenades out the window. Interior decorating anyone? Blood red in currently in. :p Usual 3D Screw-Ups Still the same issues. Enemies or NPCs getting stuck in walls. Bullets penetrating walls. Walking through walls (though extremely rare, usually just the weapon is seen through the wall). Hmm. Why are the walls always problematic? Should’ve hired a better mason and more expensive bricks. :p PDA Map Screw-Up Scrolling/zooming in-out of the map leads you to areas you’d rather not go to. Scrolling forward zooms you out, scrolling backward zooms you in. Entering the map does not automatically center zoom on you, and when you roll-over you mouse over a quest-area symbol, and your player icon is too close to that quest area, you cannot view the description of the quest. Faction Screw-Up Unless you plan carefully, befriending the Freedom faction and completing their designated quests, will permanently become an annoying feature for you throughout the game. Why? Well, because if you suddenly find yourself having the Duty faction as the enemy, you won’t be able to enter the Bar town without a fight, since it’s crawling with Duty stalkers. Only did I discover later that completing quests from both factions in order to raise your reputation simultaneously can you get away with quests requiring you to murder either faction members. Inventory “not-really-a-screw-up” Feature Well, one of the first thing’s you notice is that you can only equip one rifle. Not quite sure why, since I’m carrying 2 assault rifles, one sniper rifle, one sub-machine gun, one shotgun, 2 side-arms and a lot of bullets. Rambo would be envious. So, to use a different weapon, you have to manually go into the inventory screen and replace the active rifle/sidearm. Nice to know that the game inventory doesn’t pause in single player, so much trying to change the weapon quickly. Stupid bandit popping-out of nowhere. Additionally, the encumbrance, though possibly realistic, is just darn irritating. Especially when you’re a greedy stalker like me, overburdened with Kalashnikov assault rifles to sell. Not able to run, walking obviously takes to long, and apparently you can’t hot-wire that abandoned tank either. The Chernobyl Screw-Up
Warning this section may contain possible spoilers! Near the end-game, you finally reach Chernobyl. This is quite odd, since before entering here, there was a minor sequence where you could see this arena-like area swarming with Wild Boar mutants, anomalies, and Monolith snipers. Somehow it got skipped. Dang it. Anyway, the Chernobyl battlefield is the stuff FPS dreams are made of. Obviously, most developers have yet to realize that the most fascinating map is a big wide flat area with various minor obstacles. Not those dark damp confusing passageways…or is that just me? :p So, here we are. Military soldiers everywhere, Monolith disciples armed with snipers and rocket launchers, Military gunships flying around, either shooting you, getting blown to bits by the Monolith, or even more interesting, getting destroyed by anomalies. So what’s the problem? Three things:

[1] Point of no return
Well, a warning would be nice. I hate it when developers do that. Especially the first time around, I realized I just ran out of bullets (yikes, and I had 700 to begin with). :p [2] Hey, where are the others?
If everyone is trying to reach the center of the zone, where did all the Loner, Duty, and Freedom stalkers run off to? Now we only the Military and Monolith factions around. Not that I’m really complaining, but I was expecting EVERYONE to be here. [3] Time Limit
I really, really, really hate it when developers do that. It’s me against everyone else (choppers included), I’m a bit busy right now. Can I please kill everyone and everything in sight? I’m having the time of my life here, so why did you developers put in a %!#%!$ time limit here. Gawd, this was a severely disappointing plot design. Did I mention I really hate it when they do that?
Throws a grenade to whomever came up with this stupid plot idea.

End-Game Plot Screw-Up
Warning this section contains spoilers! Well, depending on your personal choices, it’s more likely you’ll end up with one of the minor Wish Granter endings. The problem with the Wish Granter endings is that you’ll probably have no idea what the overall plot was about in the first place, which obviously will make you feel severely empty with that “huh, that’s it?” sensation and look on your face when you finish the game. Additionally, entering the end-game phase, there’s this creepy Russian (I assume) voice-over in the background repeatedly saying something that sounds like this, though my hearing isn’t as what it used to be (in no particular order): Vaznragav-dyonbudi toyke-agil
Tvai-yat-zeisdis, idi-kamen-nye
Prishsloviene yavizhud tvaize lange
Tvaiyezelangi skor-itsfo-nietze, idi-kamen-nye
Puszagar lasam laviek, idi-kamen-nye
Idi-kamen-nye, tri-abri-tyosh-tosh-toza-sluzh-nuvayez If you don’t understand Russian and additionally as there aren’t any sub-titles to help you out, then it’s basically your closest bet on what to say to Russian chicks. :p At least, dear comrade. Please tell me what idi-kameny-nye means. The most possibly satisfying ending (and takes much longer) is if you refuse to join the C-Conscious. Although the ending still sucks, the game is more satisfying if you are able to see more than 2 ending cut-scenes. Unfortunately, you probably won’t know there are multiple endings to begin with. Last but not Least After killing possibly several hundred stalkers, you have the best rifle around (personal preference), heavy armor, rare artifact, a butt-load full of bullets, and an almost perfect head-shot kill track record; you’re basically a biological Russian assault vehicle. Then you discover something lacking. There aren’t enough people to shoot at. :(

**The Bottom Line**
So, why is S.T.A.L.K.E.R. a classic? Simply because it takes the average FPS genre and pushes it to the next level. And suddenly you find an FPS that isn’t simply just about running around and shooting things. Enjoy your visit as a S.T.A.L.K.E.R.
The intelligent FPS game.
Na zdoróvye!

The Good
While most first-person shooter games always make promises of realism and immersion, none of them -- not even Half-Life and Deus Ex -- even come close to accurately simulating real life. Of course, this is largely because developers are afraid that making a game "too realistic" will suck the fun out of it. But if developers like GSC Game World can take the time to make it as realistic and fun as possible, squeezing in the details that you'll find in real life, they'll actually end up with an unbelievably great game like S.T.A.L.K.E.R.: Shadow of Chernobyl.

S.T.A.L.K.E.R. is an open-ended game, which means that instead of a linear gameworld where you follow the same path every time, you can freely roam around the gameworld and accept missions from other people that you find. Most of these missions are completely optional. This freedom, coupled with the fact that everything happens in real-time, ensures unparalleled replay value. Further adding to the immersion is the really intense nature of the combat. Since your weapons are inaccurate to start out with, and you don't take much damage before dying, you need to use tactics and stealth to survive against your extremely cunning AI opponents. Whether you're fighting mutant or human enemies, these guys use cover and tactics more efficiently than anyone can ever dream of. They also act differently depending on various attributes, like how hungry they are or even the weather outside! You really feel like you're in an actual gunfight. Heck, you could avoid combat altogether by using stealth tactics to sneak past your enemies...it's all up to you.

Attention to detail is very characteristic of S.T.A.L.K.E.R. A first in the shooter genre is the inclusion of food and sleep. Just like in real life, you'll need to eat food to stay alive, and get sleep in a safe resting spot. Dynamic weather and real-time alternation between day and night settings also help to fool you into thinking that you're truly in the game's alternate reality. S.T.A.L.K.E.R. also corrects the cliché of having to walk over items to pick them up. You press the Use key on items to add them to your inventory, and when you loot a corpse, you're presented with a menu so you can choose which items you want to loot. You're also limited to how much you can carry, and heavier items take up more space in your inventory. While this has been attempted in previous games, players would be frustrated when they had to pick up items in the heat of battle. This isn't an issue here, as you only have to pick up items when you're not in combat.

Just when you thought that S.T.A.L.K.E.R. couldn't get any more immersive, it presents you with photo-realistic graphics using GSC's own X-Ray engine. While the engine doesn't really have any graphical features that we haven't seen before, it more than makes up for this by having the best detail and lighting that you will ever see in any game. As expected, the great graphics come at a cost: even on my high-end PC, the game ran pretty slow unless I toned it down to minimum settings. If you have the rig to play it with the settings turned up, though, you'll constantly be amazed at how lifelike these graphics are. The audio is also spot-on. The weapons sound almost exactly like in real life, adding even more flavor to the combat. Since most of the characters are Ukrainian, they speak in actual Ukrainian accents, which adds to the authenticity of the game. Some characters just speak Ukrainian, so you'll see subtitles to be able to understand what they're saying.

The Bad
You're kidding me, right? This game rocks!

The Bottom Line
Mixing the best elements from games like Half-Life and Deus Ex with brand-new innovations, S.T.A.L.K.E.R. sets a new standard for future games to follow. Forget all those games that guide you along the same path each time. Forget all those games with rough level transitions. Forget all those games where you can snipe with a chaingun. Forget all those games where you don't eat or sleep. S.T.A.L.K.E.R. will become the new obsession of gamers everywhere, and will do to the gaming world what The Wizard of Oz did to movies. My suggestion is to finish every game that you haven't beaten yet, as S.T.A.L.K.E.R. will truly make all your other games lose their luster...