Unreal

The Good
When I started Unreal for the first time I was stunned. The intro, generated by the graphics engine and with a great musical score, made me enthusiastic about this game in no time. And after playing a few levels, I thought Unreal was a game that had it all:

• The best graphics gamers had ever seen; this game was nothing but a visual breakthrough! A couple of years later Unreal still does not look dated at all. The detailed textures make even the most basic corridor look good and the lighting in this game is simply fantastic. Notice how a flare, a flashlight and a searchlight all create a different form of light.
• Great music that actually changes when a big battle is about to happen. Many games promised “dynamic sound”, Unreal actually delivered and this adds suspense to the game. The grunts and screams you hear have the same effect.
• The smart A.I. of the Skaarj makes them worthy opponents. This made dueling them exciting; when you see them duck a rocket and jump at you, you know you are in trouble.
• Nice variety of weapons, all weapons have two different ways that you can use them. Some of them are your standard FPS stuff (rocket launcher, pulse weapon, sniper rifle); others are original like the Razorjack, the Flakcannon and the GES Biorifle. The weapons may take a little getting used to. My main problem with the weapons is that they don’t sound very impressive, but Epic solved this with the release of a patch.
• Level design, another good feature of Unreal. There are indoor and outdoor levels, medieval Nali levels and high-tech Skaarj levels and I like the way they are linked together. You enter spaceships, temples and castles and the levels feature big differences in height and distance. All the levels are somewhat mysterious and there are a lot of them. I mean this game is big. Unfortunately a lot of the levels are rather dark, which becomes annoying after a while. I admit that cheated by summoning a searchlight every now and then.
• The controls are completely customizable and modify almost everything in the “Advanced options” section.
• Botmatch! Because of the decent A.I. of computer opponents, Unreal provides an enjoyable deathmatch experience to those who don’t have Internet access.
• The use of scripted events to create some memorable scenes. For example, when you enter Dark Arena you know something bad is gonna happen. A sweaty mouse was the result. I especially liked the tense finale.

[added later: I recently took Unreal of the shelf again and downloaded two of the mods that are available; Serpentine and Unreal 4 Ever. Serpentine replaces the standard weapons with real-life ones and hence turns Unreal into a game which emphasizes strategy & tact instead of fast reflexes. Unreal 4 Ever's weapons are completely bizarre and cause total mayhem. Both mods really add another dimension to Unreal's gameplay and are a lot of fun, especially when you play a BotMatch. Although Unreal Tournament has been out for a couple of years, Unreal is still a reasonably popular multiplayer game. I had no trouble whatsoever in finding a game to join. Although I didn't like the deathmatches (too frantic & fast-paced) I must admit that it all worked very smooth (with the 226final patch). If a game was played, using a map I had not installed on my hard-drive, I even received the map automatically. Because Unreal is a popular game there are also a lot of custom-made maps available. So there are plenty of ways to expand the fun you can get from Unreal.]

**The Bad**
For some weird reason this game is not addictive at all, I guess there simply is not enough action. The levels are often empty and there is a lot of time between the battles. I think the pace of the game is not high enough. Of course not every game needs to be like Serious Sam, but if Epic wanted to make more of an action-adventure/exploration type of game they should have worked on the story line. Why not add conversations with the Nali and other characters or make the player the leader of the Nali resistance. These simple text messages you get every now and then don’t do the job. Also I thought the gameplay consisted too much of turning switches, opening doors, pressing buttons and deactivating forcefields.

**The Bottom Line**
Unreal is a game with many great features, so it is hard to explain why I’m not too enthusiastic about it. This game was on my Hard Drive for almost two years before I finally finished it. Sometimes months would go by between the completion of two levels. Even though the game bored me long before I finished it, I still think it deserved to be the hit title it was.

The Good
Unreal was a sizeable hit, and is one of a handful of games to have been in development for ages, and not be terrible. Announced shortly before the release of 'Quake', it took three years to be released, to mixed reviews. On the one hand, everybody agreed that it looks fantastic - the 3D engine seemed to be only slightly modified for the recent sequel, and the water effects are unsurpassed - but on the other hand it's not as much fun as, say, 'Quake 2'. The sweeping levels are impressive - combining 'Delta Force'-style distances with polygonal graphics effectively, and the soundtrack, although often descending into Jean Michel Jarre-esque cheese, fits the game well. There's even a go at having a plot - it gets forgotten about quickly, but it's nice to see that 'Half-Life' didn't spring from nothing.

The Bad
Despite looking the bee's knees, it's actually very disappointing as a game. The game seems extremely empty, and the huge size of some of the levels makes it seem very impersonal. The creators seemed unsure as to whether it should be a Quake-style out-and-out blaster, or something deeper, a semi-RPG exploration game, and it falls between these stools - there are long sequences in which you meet no monsters, whilst reading small, dull text messages that outline the 'plot'. The monsters, when you find them, seem out of place - they look cartoonish, and dive around like frantic ants. Furthermore, when you try to shoot them you realise that your guns are astonishingly weak. For example, later on, you are attacked by wasps that take two hits from a laser pistol to kill. It doesn't help the atmosphere at all. Worst of all were the bugs - only half-finished on release, the original game required an extensive series of patches before being playable on anything other than a basic 3DFX Voodoo 1 card. As a multiplayer game it was unplayably slow, which seems odd nowadays, given that 'Unreal Tournament' is fantastic.

The Bottom Line
A graphical showcase, albiet a dull one.

The Good
Epic MegaGames have been known for developing platform games such as Jill of the Jungle, Xargon, and Jazz Jackrabbit. Around 1997, the company decided to change direction and develop a first-person shooter called Unreal, to capitalize on the success that was Quake II, as well as show off their new engine.

Instead of treating us to a demo, the developers gave us a sneak peek of Nali Castle. The preview may have showed its exteriors, but when I finally reached the castle in the actual game, I didn't want to stop exploring it. It houses almost everything a castle should have (dining room, study, chapel, etc.) The castle itself was taken over by the Skaarj as it was extended to include prisons and torture chambers.

What's interesting about the prison ship is discovering dead corpses with books besides them. This is a nod to the System Shock series, in that the books are actually logs detailing the person's moments before they are killed. Also, early on in the game, you pick up a translator which is a tool useful for decrypting the alien language seen throughout the game.

You do all your exploration on a planet called Na Pali, which is the planet the prison ship Vortex Rikers crash-lands on. The planet is inhabited by the Nali, a peaceful tribe consisting of four-armed humanoids. Also on the planet are Skaarj, brutal reptilians who have boarded the prison ship and killed everyone on board except Prisoner 849, who manages to escape onto the planet's surface.

As for the Nali, you see them walking around, praying to their God, or just levitating. Some of the Nali motion you to follow them so that they can help push a few switches here and there. If one of the Skaarj is in their vicinity, you are supposed to protect the Nali from them as they will be attacked. If you attack the Nali yourself, they will refuse to help you, instead telling you to go away and leave them alone. What I found funny about them is how they walk backwards while facing you, as if they are doing the moonwalk.

All throughout the game, you always do battle against the Skaarj using a variety of weapons, which can be easily accessed with your mouse wheel. Of these weapons, my favorite is the Eightball Launcher, since it can fire more than one powerful rocket at enemies. The Skaarj's artificial intelligence, particularly the SkaarjWarrior, is amazing. They are capable of timing your shots at the right moment, and roll out of the way to avoid them. It takes several hits for the Skaarj to be killed, but when they are killed, flies appear buzzing around the corpse, a nod to Quake 2.

Unreal's music is excellent, and it is right up there with some of their other games like One Must Fall: 2097, in the way that the composers used the module (MOD) music format to create the soundtrack for the game. Dynamic music is used for certain events such as scenery changes and boss battles. There are a few pieces that I had to listen more than once. I like the support for CD audio tracks; you can listen to music by your favorite artist if you are getting sick of the in-game compositions.

The graphics are really breathtaking. Most of the game takes place outdoors. I looked up at the sky and see one or two beautiful moons surrounded by millions of stars. And on the surface, there is a fair bit of vegetation including ponds that you can see through. More often than not, there are secret passages hidden in them, and they often lead you through to hidden places. Then there are the locations. I like exploring the temples, castles, ruins, and the Skaarj mothership. The best one was the Nali castle.

I noticed a neat feature when I installed the 226 patch. When a new map is loaded, some information is displayed at the top telling you what game it is, the map name, and author. This stuff is not found in any first-person shooter that I played. This feature is useful because by taking note of this, you'll be able to tell which author made the best maps for the game.

When I finished the game, I decided to have a go at Botmatch, which pits four computer-controlled opponents against you. I was amazed at how aggressive the bots were. The Botmatch mode is ideal if you can't find any multiplayer games to join. The idea of playing the game this way wasn't present in any first-person shooters before it. Botmatch was popular enough that it got carried onto both Unreal Tournament and its successors.

There are quite a few puzzles in the game, but this is really a matter of pushing buttons to access new areas. that you find a button. The puzzles don't appear early on in the game, because you spend your time getting used to the game first. I found that proper exploration is the key to solving puzzles in the game, because the solution to them is often revealed in dark areas.

Epic was generous enough to include UnrealEd, which is the level editor for the game. Users can edit existing maps or create brand new ones, and there at at least several CD-ROMs with Unreal levels, but most of them are focused on deathmatch. With each major update, it has been used to create maps for future games that use the Unreal engine.

Finally, the game is quite violent, even as one rated 15+ by most game rating organizations. All throughout the game, you see the Nali nailed to crucifixes, struggling to break free, as well as other forms of Nali execution. I just felt blasting them just to put them out of the misery. Then there are some parts in some locations like the Sunspire Tower where you see your reflection through floor tiles, and watching one of the Skaarj troopers attack your character, a girl, is quite unpleasant.

The Bad
Epic could have shown us something else other than Nali Castle. There are no speech throughout the game, but listening to speech being read out every message could have enhanced the experience. When you save or load a game while music is playing, that music cuts to the beginning instead of continuing on.

The Bottom Line
While I was still in high school, one of my buddies tried this game out and said to me "Unreal is unreal!", and I can see why. The game features a brilliant soundtrack as you explore quite a few breathtaking environments. During the game, you do battle with the Skaarj who have amazing artificial intelligence, and come across some interesting logs from someone who has met their unfortunate demise. The puzzles are not too hard to figure out, and there are some interesting stuff elsewhere. Although starting off as a tech demo, it transformed into something that most fans of first-person shooters will definitely enjoy.